42:
20:
28:
96:
Ercole had an extraordinary love of wine, and his frequent drunkenness did much to shorten his life, which he had enjoyed without any accident up to the age of forty, when he was smitten one day by apoplexy, which made an end of him in a short
77:
152:
183:
family in
Ferrara around 1486. His role apparently went far beyond making art: he accompanied Alfonso d'Este on a papal visit to Rome, served as wardrobe manager for Isabella d'Este's wedding in
322:
407:
451:
202:
466:
197:
303:
121:
in
Bologna, but this seems unlikely as he was Lorenzo's senior by several years. Vasari was likely confusing him with Ercole da Bologna or
41:
393:
208:
200:, duchess of Ferrara, is in the Kimbell Art Museum, Fort Worth, Texas and is thought to belong to a series which also includes
366:
461:
456:
446:
398:
261:
172:
and
Ginevra Bentivoglio attributed to Ercole de' Roberti (c. 1480) are in the National Gallery of Art, Washington, D.C.
135:
221:
319:
169:
33:
436:
289:
126:
441:
220:, Los Angeles. The Getty presented the first monographic exhibition of Ercole's work in 1999. At The
217:
84:
The son of the doorkeeper at the Este castle, Ercole later held the position of court artist for the
19:
412:
161:
140:
114:
122:
348:
300:
147:
191:
68:
101:
Paintings by Ercole are rare. His life was short and many of his works have been destroyed.
326:
307:
27:
421:
430:
234:
180:
176:
118:
85:
125:. Ercole's first mature works are his contributions to the Griffoni Chapel for the
339:
Jaffé, David; et al. (1999). "Ercole De' Roberti The
Renaissance in Ferrara".
269:
64:
228:
or wedding chest attributed to him. From around 1480 it narrates an episode of
143:), and lateral pilasters for the altarpiece commissioned from del Cossa.
157:
130:
110:
89:
352:
184:
72:
146:
Ercole de' Roberti is known to have collaborated in the frescoes of
165:
18:
256:
254:
229:
78:
Le Vite delle più eccellenti pittori, scultori, ed architettori
310:
on Ercole de' Roberti, J. Paul Getty Museum, Los
Angeles.
117:. According to Vasari, Ercole also apprenticed under
150:. In 1480, Ercole created a large altarpiece with a
109:
By 1473, Ercole had left
Ferrara and was working in
37:(c. 1480). National Gallery of Art, Washington, D.C.
422:Ercole de' Roberti at the National Gallery of Art
408:'Pieta' at the Walker Art Gallery, Liverpool, UK
290:The miracles of St Vincent Ferrer at the Vatican
94:
216:from this period is in the collection of the
48:(c. 1495). Walker Art Gallery, Liverpool, UK.
8:
394:The J. Paul Getty Museum: Ercole de' Roberti
196:(c. 1486–90), believed to be painted for
224:in Madrid there is a small panel from a
40:
26:
250:
153:Madonna and Child Enthroned with Saints
203:The Wife of Hasdrubal and Her Children
320:Kimball Art Museum, Fort Worth, Texas
63:, was an Italian artist of the Early
7:
418:, J. Paul Getty Museum, Los Angeles.
187:, and may even have made salamis.
14:
371:Museo Nacional Thyssen-Bornemisza
55:(c. 1451 – 1496), also known as
367:"The Argonauts Leaving Colchis"
209:Brutus, Lucretia and Collatinus
214:Saint Jerome in the Wilderness
1:
452:15th-century Italian painters
240:The argonauts leaving Colchis
136:Miracles of St Vincent Ferrer
467:Italian Renaissance painters
415:St. Jerome in the Wilderness
156:for Santa Maria in Porto in
133:: a predella depicting the
483:
222:Thyssen-Bornemisza Museum
141:Pinacoteca of the Vatican
301:Biographical Information
179:as court painter to the
92:. According to Vasari:
341:The Burlington Magazine
212:. Ercole's painting of
170:Giovanni II Bentivoglio
71:. He was profiled in
34:Giovanni II Bentivoglio
160:, which is now in the
139:(c. 1473) (now in the
99:
49:
38:
24:
462:Painters from Ferrara
457:Italian male painters
127:San Petronio Basilica
44:
30:
22:
266:, profile of Ercole"
218:J. Paul Getty Museum
447:People from Ferrara
403:, profile of Ercole
162:Pinacoteca di Brera
115:Francesco del Cossa
325:2007-02-10 at the
306:2007-07-10 at the
198:Eleonora of Aragon
148:Palazzo Schifanoia
53:Ercole de' Roberti
50:
39:
25:
23:Ercole de' Roberti
193:Portia and Brutus
175:Ercole succeeded
113:in the studio of
69:School of Ferrara
61:Ercole da Ferrara
474:
382:
381:
379:
377:
363:
357:
356:
336:
330:
317:
311:
298:
292:
287:
281:
280:
278:
277:
268:. Archived from
258:
57:Ercole Ferrarese
482:
481:
477:
476:
475:
473:
472:
471:
427:
426:
413:Information on
390:
385:
375:
373:
365:
364:
360:
338:
337:
333:
327:Wayback Machine
318:
314:
308:Wayback Machine
299:
295:
288:
284:
275:
273:
260:
259:
252:
248:
168:. Portraits of
107:
17:
16:Italian painter
12:
11:
5:
480:
478:
470:
469:
464:
459:
454:
449:
444:
439:
429:
428:
425:
424:
419:
410:
405:
396:
389:
388:External links
386:
384:
383:
358:
347:(1153): i–xl.
331:
312:
293:
282:
249:
247:
244:
190:A painting of
106:
103:
15:
13:
10:
9:
6:
4:
3:
2:
479:
468:
465:
463:
460:
458:
455:
453:
450:
448:
445:
443:
440:
438:
435:
434:
432:
423:
420:
417:
416:
411:
409:
406:
404:
402:
397:
395:
392:
391:
387:
372:
368:
362:
359:
354:
350:
346:
342:
335:
332:
328:
324:
321:
316:
313:
309:
305:
302:
297:
294:
291:
286:
283:
272:on 2009-02-22
271:
267:
265:
257:
255:
251:
245:
243:
241:
237:
236:
235:Metamorphoses
231:
227:
223:
219:
215:
211:
210:
205:
204:
199:
195:
194:
188:
186:
182:
178:
173:
171:
167:
163:
159:
155:
154:
149:
144:
142:
138:
137:
132:
128:
124:
120:
119:Lorenzo Costa
116:
112:
104:
102:
98:
93:
91:
87:
82:
80:
79:
74:
70:
66:
62:
58:
54:
47:
43:
36:
35:
29:
21:
437:1450s births
414:
400:
374:. Retrieved
370:
361:
344:
340:
334:
315:
296:
285:
274:. Retrieved
270:the original
263:
239:
233:
225:
213:
207:
201:
192:
189:
174:
151:
145:
134:
123:Ercole Banci
108:
100:
95:
83:
76:
60:
56:
52:
51:
45:
32:
31:Portrait of
442:1496 deaths
65:Renaissance
431:Categories
276:2007-05-20
246:References
232:'s famous
177:Cosmè Tura
88:family in
262:"Vasari,
399:Vasari,
376:24 April
323:Archived
304:Archived
67:and the
226:cassone
158:Ravenna
131:Bologna
111:Bologna
90:Ferrara
353:888299
351:
185:Mantua
73:Vasari
349:JSTOR
166:Milan
105:Works
97:time.
46:Pietà
401:Vite
378:2020
264:Vite
230:Ovid
206:and
181:Este
86:Este
345:141
129:in
75:'s
59:or
433::
369:.
343:.
253:^
242:.
238:,
164:,
81:.
380:.
355:.
329:.
279:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.