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paintings form a "procession of lonely vistas devoid of people," but are filled with an almost tactile sense of paint and an understated chromatic brilliance. (Art critic James
Gibbons Huneker, a great admirer of Lawson, referred to his friend's skill as originating in a "palette of crushed jewels.") Like other realists, he worked on-site and traveled with some frequency in search of interesting new subjects; his search for the picturesque took him to Spain, New Hampshire, Nova Scotia, Kansas, Colorado, Tennessee, New Mexico, Connecticut, and Florida. Lawson had his first solo exhibition at the
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Galleries to see a startling range of modern representational art. The show later traveled to
Chicago and Boston, where it occasioned more press coverage and public discussion of the direction American art should take. Lawson and his friends had played a role in an important cultural event and in initiating debate about a needed diversity of style and subject matter in American art.
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post office mural in Short Hills, New Jersey (no longer extant), but he focused primarily on painting the
Florida landscape. Depressed and in declining health, he drowned under mysterious circumstances in 1939, apparently while swimming on Miami Beach. Friends wondered if Lawson's death had been a suicide.
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in Upper
Manhattan in 1898, and his work for the next two decades focused on subjects—Fort Tryon Park, the Harlem River, Spuyten Duyvil, the fields, bridges, docked boats, tree-covered hills, and rocky inclines at the edge of a city on the move—from that still-unpopulated part of the metropolis. His
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and was the central influence of his formative years. He later continued to study with
Twachtman and with J. Alden Weir at their Cos Cob, Connecticut summer art school in the 1890s. "To some degree," one art historian has noted, "Lawson was a product of the art colony movement." Lawson visited France
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Eventually, he left New York. Lawson visited
Florida when he befriended Katherine and Royce Powell, his close friends and patrons who lived there. He first stayed with them in Coral Gables in 1931, and he returned there often, moving permanently to Florida in 1936. In his last years, he completed a
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In many ways, Ernest Lawson was an unlikely rebel. A soft-spoken, gracious, and undramatic man, he had no flair for self-promotion and little inclination to paint the rougher aspects of modern city life, which was a hallmark of five of the most significant members of the Eight. (Henri, Glackens,
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of
American art.) Unlike Henri, Sloan, and Luks, who were teachers as well, he had no worshipful student-following nor was he well-placed in art-political circles in New York, like Arthur B. Davies. He had his devoted fans—the Manhattan restaurateur James Moore (the central figure in William
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The exhibition of The Eight was the "succès de scandale" its organizers hoped for. If sales did not quite measure up to their expectations, the painters nonetheless became centers of media attention for some time. Conservative tastes were affronted, and young artists flocked to the
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At the same time, though, it was possible for some people to wonder to what extent Lawson was an outsider at all. Later that year, he was named an associate member of the
National Academy of Design, and he was made a full academician in 1917. He exhibited as a member of the
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Lawson's work is little-known today compared to that of many of his friends and associates, but his best paintings can be found in the collections of many North
American art museums. Robert Henri insisted that, among landscape artists, he was "the biggest we have had since
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considered him America's greatest landscape painter, an endorsement that carried a healthy cachet with it. None of this translated into wealth or fame in the long run, however. Lawson had financial problems all his life and suffered from poor health in his later years.
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in 1907 and won a prize in the Academy's Annual for a winter landscape, the theme of which became his single most identifiable subject. The following year, he joined the rebellious group that would become known as "The Eight," whose members included
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and the roar of the El. His Washington Heights of springtime foliage and glens and rowboats is today a thriving Dominican neighborhood, robustly urban, packed with people and buildings, subject of the Broadway musical
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Though his work was sought after by important collectors in the 1910s and 1920s, such as John Quinn, Duncan Phillips, Albert C. Barnes, and Ferdinand Howald, who single-handedly built the modern collection of the
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Brown, p. 81. Even an essentially sympathetic art historian like Milton Brown states the case bluntly: "Lawson continued on his honest but pedestrian course."
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from 1911 to 1915. He benefited from regular gallery representation, won many prizes throughout his career, and was highly regarded by his peers. In fact,
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of 1913. Like many American artists at the time, he was not prepared to abandon representational art for the new paths suggested by
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Upon his return to the United States in 1896, Lawson began developing his own aesthetic. He was further encouraged by
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Canadian Art Club (1912); National Academy of Design (full member, (1917); National Institute of Arts and Letters
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Universal Exposition in St. Louis in 1904 (silver medal); Corcoran Art Prize, Washington, DC (1916)
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Sloan, Luks, and Shinn were all founding members of what became known as the
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Lawson was invited to contribute three paintings to the landmark
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American Painting from the Armory Show to the Depression.
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From Prose to Poetry: The Landscapes of Ernest Lawson
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Ernest Lawson, 1873-1939, A retrospective Exhibition
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1153:J. Alden Weir
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1113:Childe Hassam
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1060:Georges Petit
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974:Édouard Manet
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919:Impressionism
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609:Brown, p. 61.
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366:Everett Shinn
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264:Impressionism
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210:Alfred Sisley
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206:J. Alden Weir
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182:Ernest Lawson
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116:J. Alden Weir
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86:, Florida, US
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66:
51:Ernest Lawson
49:
45:
40:
34:
29:
25:Ernest Lawson
22:
19:
1493:
1315:Eva Gonzalès
1200:John Russell
979:Claude Monet
954:Paul CĂ©zanne
949:Mary Cassatt
705:
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541:
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527:
515:. Retrieved
510:
507:"Collection"
500:
485:
469:
465:
449:Precisionism
441:
413:
400:
396:
392:Chez Mouquin
391:
383:
350:Robert Henri
332:Robert Henri
329:
319:
302:
280:
245:
240:
181:
180:
78:(1939-12-18)
37:Portrait by
18:
1537:1939 deaths
1532:1873 births
1501:Louis Leroy
1399:Other media
1375:Max Slevogt
1350:Henry Moret
1195:Tom Roberts
1074:Exhibitions
959:Edgar Degas
927:Originators
869:Art dealers
772:Originators
438:Later years
416:Armory Show
362:George Luks
143:Ella Holman
92:Nationality
1526:Categories
1411:Literature
1232:Henri Beau
1164:Australian
845:James Ross
830:Hugh Allan
779:Henri Beau
585:Sam Hunter
457:John Marin
358:John Sloan
57:1873-03-22
380:The Eight
282:plein air
241:Landscape
194:The Eight
100:Education
1425:See also
1221:Canadian
1092:American
517:June 26,
428:Futurism
311:Maturity
106:(1888);
67:, Canada
1481:Related
1472:The Ten
1283:artists
1223:artists
1166:artists
1094:artists
1048:Dealers
1017:Patrons
823:Patrons
653:Sources
432:CĂ©zanne
424:Fauvism
160:Elected
134:painter
426:, and
420:Cubism
208:, and
148:Awards
140:Spouse
41:, 1910
1506:Nadar
1406:Music
1281:Other
492:Notes
295:Salon
271:with
250:to a
216:Youth
84:Miami
519:2020
372:and
275:and
114:and
73:Died
47:Born
1528::
683:,
587:,
509:.
459:,
455:,
422:,
376:.
368:,
364:,
360:,
356:,
352:,
334:,
204:,
910:e
903:t
896:v
757:e
750:t
743:v
521:.
59:)
55:(
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