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201:. This resulted in his being criticized for abandoning historical works in favor of technical ones, to which he replied that he would rather provide images of practical use than ones to "delight the frivolous".
100:, appointed him to be in charge of the engraving classes at that institution but, in 1786, just before his departure, he chose to remain in Madrid to attend to various projects at the Royal Printing Office.
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Eduardo Báez, "La gran edición del
Quijote de Ibarra (1780) Las estampas grabadas por Jerónimo Antonio Gil, Joaquín Fabregat, Rafael Ximeno y Fernando Selma", in
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On behalf of the "Company for the
Engraving of the King's Paintings", established in 1789, he reproduced works by
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236:, Universidad Nacional Autónoma de México, vol XXVIII, nº 88 (2006), pp. 149-167.
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for Part I, and some of the chapter and paragraph headings, after drawings by
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252:, Madrid, Real Academia de Bellas Artes de San Fernando, 1993,
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Fernando Selma, el grabado al servicio de la cultura ilustrada
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Barrena, Clemente, Matilla, José Manuel y
Villena, Elvira,
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Real
Academia de Bellas Artes de San Carlos de Valencia
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Real
Academia de Bellas Artes de San Fernando alumni
234:Anales del Instituto de Investigaciones Estéticas
178:, in the deluxe two volume edition published by
31:Don Quixote Defeating the Knight of the Mirrors
137:, among others. He also did illustrations for
68:Real Academia de Bellas Artes de San Fernando
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62:. In 1768, he was granted a pension by King
287:in the Biblioteca Digital Hispánica of the
70:, where he attended the drawing classes of
46:) was a Spanish engraver and illustrator.
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189:(1783-1784); providing the portrait of
125:. He provided seven illustrations, the
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197:. After 1786, he contributed to the
121:in 1780, under the patronage of the
23:Fernando Selma, by an unknown artist
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54:He began his artistic studies with
152:Portraits of Illustrious Spaniards
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172:History of the Conquest of Mexico
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16:Spanish engraver and illustrator
193:, from a drawing attributed to
66:to continue his studies at the
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289:Biblioteca Nacional de España
154:he provided the portraits of
74:and learned engraving from
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140:The Conspiracy of Catiline
210:Bartolomé Esteban Murillo
168:Diego de Saavedra Fajardo
170:. He also worked on the
199:Maritime Atlas of Spain
76:Manuel Salvador Carmona
160:Rafael Ximeno y Planes
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280:at Wikimedia Commons
123:Royal Spanish Academy
94:Academy of San Carlos
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329:People from Valencia
319:Spanish illustrators
158:(after a drawing by
83:Jerónimo Antonio Gil
164:Miguel de Cervantes
81:His father-in-law,
42:- 8 January 1810,
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314:Spanish engravers
285:Digitalized works
276:Media related to
180:Antonio de Sancha
135:Antonio Carnicero
131:José del Castillo
92:, founder of the
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147:(Ibarra, 1772).
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127:frontispiece
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309:1810 deaths
304:1752 births
183: [
114:Don Quixote
98:Mexico City
86: [
298:Categories
220:References
214:Guido Reni
64:Charles IV
150:For the
109:intaglio
40:Valencia
145:Sallust
58:at the
38:(1752,
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195:Titian
44:Madrid
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254:ISBN
212:and
166:and
133:and
107:and
174:by
162:),
143:by
96:in
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241:^
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185:es
88:es
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