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529:(1833–1843; London, N.P.G.), for which he executed nearly 400 portrait studies in oil. Hayter was an ardent supporter of the reform movement and this painting was not commissioned but to all intents and purposes a labour of love. It occupied him for ten years with no guarantee of financial reward. This is one of the last images executed of the interior of the old House of Commons before its destruction in the fire of 1834. The painting was finally purchased by the government for the nation in 1854, 20 years after it was started.
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400:, whose studio he attended while painting his portrait, where he absorbed Canova's classical style. He is also believed to have learned sculpture from Canova at this time. Canova was Perpetual Principal of the Accademia di San Luca (Rome's premier artistic institution) and doubtless put Hayter forward for honorary membership on the strength of his painting ‘The Tribute Money’ which was very favourably received in Rome. Hayter thereby became the Academy's youngest ever member.
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several biblical scenes from the Old and New
Testament, among them The Angels Ministering to Christ in 1849 (V&A) and Joseph Interpreting the Baker's Dream in 1854 (Lancaster City Museums). He also produced fluent landscape watercolours (many of Italian views), etchings (he published a volume in 1833), decorative designs and sculpture.
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née Miller (1818–1867) on 23 April 1863. By the mid-1840s Hayter's portrait style was considered old-fashioned. He adjusted his type of history painting to suit the more literal taste of the early
Victorian era (e.g. Wellington Viewing Napoleon's Effigy at Madame Tussaud's; destr. 1925; engraving, 1854).
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in May 1845. He planned to move back to the continent but could not after he received severe leg injuries in July 1845 train accident. His wife, Sarah, died in 1844, and on 12 May 1846 he married (Helena) Cecilia Hyde, née Burke (1791/2–1860). After she died in 1860, Hayter married Martha Carey,
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Hayter painted several large religious paintings including two depicting important
Reformist events, 'Bishop Latimer Preaching at Paul's Cross' and 'The Martyrdom of Bishops Ridley and Latimer' (exh. 1855), both of which were given to the Art Museum, Princeton University, USA in 1984. He painted
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and marriage of 1840 and also the
Christening of the Prince of Wales of 1843 (all Brit. Royal Col.). He also painted several royal portraits including his most well-known work the State Portrait of the new Queen Victoria. Several versions of this portrait were done, with the assistance of the
435:, Hayter showed a pomposity that irritated his fellow artists, but he mixed freely with many aristocratic families. His unconventional domestic life (separated from his wife, yet living with his mistress) set him apart from official Academy circles: he was never elected to the Royal Academy.
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In 1809 he secretly married Sarah Milton, a lodger at his father's house (he was 15 or 16, she 28), the arrangement remaining secret until around 1811. Together they had three children Sophia (born and died 1811), Georgiana (born 1813) and
William Henry (born 1814).
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In 1827 his mistress, Louisa Cauty, died after poisoning herself with arsenic. Although it was apparently an accident, in a bid for attention, it was widely assumed that he had driven her to suicide, and he was forced by the scandal to move from
Florence to Rome.
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633:, although others say the ancestor was Sir George Hayter himself. However the family tree of John and George Hayter published in Crisps Visitations shows no possible link to SW Hayter. What is known for certain is that the French painter and writer,
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Around 1816 his wife left him, for reasons which are not apparent. He subsequently began a relationship with Louisa Cauty, daughter of Sir
William Cauty, with whom he lived openly for the next decade and who bore him two children, Angelo and Louisa.
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Having painted the young
Princess Victoria (1832–3; destr.; oil sketch, Brit. Royal Col.), Hayter was not a surprising choice as the new Queen's 'Portrait and Historical Painter'. But on the death of
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By late 1828 he was in Paris, where his portraits of
English society members (some exhibited at the Salon in 1831) were stylistically akin to the work of recent French portrait painters such as
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622:(1800–1895), was also an artist, known chiefly as a portrait draughtsman in chalks and crayons and his younger sister Anne worked as a miniaturist. Some sources say that the influential
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479:, in the Old Bailey in 1683 (1825; Woburn Abbey) Hayter celebrated John Russell's ancestry, in a work reminiscent of fashionable tableaux vivants of the country-house set.
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artist's son Angelo, to be sent as diplomatic gifts. Hayter's active period at court was short-lived, however, because Albert preferred German painters such as
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Louisa
Philips, Countess of Lichfield (c.1800-1879) with two of her Children, Thomas George Anson and Lady Harriet Frances Maria Anson, painted in 1832
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In 1826 Hayter settled in Italy. The Banditti of Kurdistan Assisting Georgians in Carrying off Circassian Women (untraced), completed in Florence for
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491:(exhibited British Institution 1829), demonstrated Hayter's assimilation of the style and exotic subject-matter of contemporary French Romantic art.
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in the Royal Navy. His father secured his release, and they came to an agreement that Hayter should assist him while pursuing his own studies.
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to the Queen caused some annoyance at the Royal Academy as this appointment had historically been the preserve of the President, then
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Moving the Address to the Crown on the Opening of the First Reformed Parliament in the Old House of Commons, 5 February 1833
445:, by George Hayter. Exhibited RA in 1820 and winner of the Royal Academy Painting of the Year in 1823 (Chatsworth House, UK)
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Returning to London in 1818, Hayter practised as a portrait painter in oils and history painter. Dubbed ‘The Phoenix’ by
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Schools early in 1808, but in the same year, after a disagreement about his art studies, ran away to sea as a
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In 1831 Hayter returned to England. His grandiose plan to paint the first sitting after the passage of the
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was a great great grandson of George Hayter, through his eldest daughter Georgiana Elizabeth, who married
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in East Finchley. The contents of Hayter's studio were auctioned at Christie's, London, on 19 April 1871.
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1791:"London, England, Church of England Births and Baptisms, 1813-1923 for William Henry Hayter"
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One or more of the preceding sentences incorporates text from a publication now in the
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Thomas Brunton in 1832 (inventor of studded-link, marine chain cable), friend of the artist
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Politics Personified: Portraiture, caricature and visual culture in Britain, c.1830-80
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Several significant examples of Hayter's works from this period remain a part of the
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Sir George Hayter's Drawings at Duncombe Park: Family Ties and a "Melancholy Event"
1893:, Volume 17 1911, ed. Frederick Arthur Crisp, reprinted 1997 by Heritage Books Inc.
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Self-portrait of George Hayter aged 28, painted in 1820 (National Portrait Gallery)
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1777:"Westminster, London, England, Church of England Births and Baptisms, 1813-1919"
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Now in his fifties, Hayter struggled with his health and debts and he sold his
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1905:: le cherche midi éditeur, 1997 (entretiens avec Paul Ricœur et Henri Maldiney)
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544:. In 1842 Hayter was knighted. He painted several royal ceremonies including
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for Fisher's Drawing Room Scrap Book, 1837 with a poetical illustration by
338:(1761–1835), a miniature painter and popular drawing-master and teacher of
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On 18 January 1871 Hayter died at his home in London. He was buried in
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and large works involving sometimes several hundred individual portraits.
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1712:. Vol. 13 (11th ed.). Cambridge University Press. p. 114.
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Francis Baring, 1st Baron Northbrook (1833) for House of Commons picture
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and published a well-known introduction to perspective and other works.
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Saith Satoor and Ali Hassan Bey, 1831. Saith Satoor was the protégé of
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1979:
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in 1820 (exh. Cauty's Great Rooms, 80-82 Pall Mall, 1823; London,
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The Victorian Pictures in the Collection of Her Majesty the Queen
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Robert Lawrence Pemberton of Bainbridge House with his mother
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Charlotte, Countess de la Bourdonnaye (1795–1875) Paris 1830
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The Hon. Charlotte and The Hon. Louisa Stuart, daughters of
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Hayter was most productive and innovative during the 1820s.
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in the House of Lords 1820 (188 portraits), completed 1823
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Self-portrait of Sir George Hayter in 1863 (Private Coll.)
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who was appointed Professor of Perspective and Drawing to
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Barbara Coffey Bryant, "Hayter, Sir George (1792–1871)",
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Queen Victoria seated on the throne in the House of Lords
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Queen Victoria seated on the throne in the House of Lords
1928:(exh. cat. by B. Coffey , London, Morton Morris, 1982)
1877:*Innovation in printmaking: Obituary of Mr S W Hayter,
396:, he travelled to Italy to study in 1816. There he met
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The First Meeting of the Reformed House of Parliament
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842:Queen Caroline, wife of George IV during her trial
1971:. Vol. XI (9th ed.). 1880. p. 543.
131:The Trial of Queen Caroline in the House of Lords
1757:"England, Hampshire Parish Registers, 1538-1980"
1615:Joseph Interpreting the Dream of the Chief Baker
1563:Sir James Robertson-Bruce 2nd Bt painted in 1820
349:Initially tutored by his father, he went to the
310:appreciated his merits and appointed Hayter her
364:At the Royal Academy Schools he studied under
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443:Venus, supported by Iris, complaining to Mars
8:
1850:. Manchester University Press. p. 129.
1310:Lady Elizabeth Harcourt, eldest daughter of
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783:1838 (copy commissioned by Madamme Tussauds)
295:(17 December 1792 – 18 January 1871) was an
42:Self Portrait from 1843 (Private collection)
1935:, 2 vols, London N.P.G. cat. (London, 1986)
1922:, 2 vols, London N.P.G. cat. (London, 1973)
1648:, three studies with trees and storm clouds
427:and George Hayter (Shipley Art Gallery, UK)
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1492:John Campbell, 2nd Marquess of Breadalbane
1477:John Campbell, 2nd Marquess of Breadalbane
1376:at the age of ninety-three, sketch in oils
423:(father of John and George), John Hayter,
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1575:Mrs Ellen Robertson-Bruce painted in 1820
1200:Countess Elizabeth Vorontsova (1792–1880)
975:William Cavendish, 6th Duke of Devonshire
958:William Cavendish, 6th Duke of Devonshire
858:The Trial of William Lord Russell in 1683
811:Queen Victoria taking the Coronation Oath
796:Queen Victoria taking the Coronation Oath
734:Coronation of Queen Victoria 28 June 1838
1949:, Apollo, cxxxv (1992), pp. 240–50
1816:. Oxford University Press. p. 330.
1521:(1839), for the House of Commons picture
233:Knight of the Lion and the Sun of Persia
1741:Oxford Dictionary of National Biography
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1070:Portrait of a young lady in an interior
922:Robert Jenkinson, 2nd Earl of Liverpool
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600:The Angels Ministering to Christ, 1849
419:(1800–1891) showing from left to right
2129:The Christening of the Prince of Wales
1926:Drawings by Sir George and John Hayter
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1421:George Bridgeman, 2nd Earl of Bradford
713:The Christening of the Prince of Wales
174:The Christening of the Prince of Wales
1976:91 artworks by or after George Hayter
7:
891:Latimer preaching at St.Paul's cross
515:The State Portrait of Queen Victoria
546:Queen Victoria's coronation of 1838
156:The Coronation of HM Queen Victoria
148:State Portrait of HM Queen Victoria
1810:Chilvers, I.; Osborne, H. (1988).
1360:William Craven, 2nd Earl of Craven
1330:John Montagu, 7th Earl of Sandwich
906:The Martydom of Ridley and Latimer
14:
2241:19th-century English male artists
2236:Burials at East Finchley Cemetery
2097:The Trial of William Lord Russell
1332:(1811–1884), 7th Earl of Sandwich
1218:, society beauty and author, 1832
941:Thomas Graham, 1st Baron Lynedoch
489:John Proby, 1st Earl of Carysfort
394:John Russell, 6th Duke of Bedford
2105:The Coronation of Queen Victoria
1986:
1743:, Oxford University Press, 2004
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453:(later Lord Dover) commissioned
1891:Visitation of England and Wales
1055:Lord Richard Cavendish as a boy
750:Marriage of Victoria and Albert
2201:Principal Painters in Ordinary
2113:The Marriage of Queen Victoria
1903:Jean Bazaine: Couleurs et Mots
1447:Sir Robert Inglis, 2nd Baronet
1345:John Spencer, 3rd Earl Spencer
1274:Prime Minister 1834, 1835–1841
1120:, British Ambassador to France
273:King Leopold I of the Belgians
165:The Marriage of Queen Victoria
1:
2206:19th-century English painters
2024:Principal Painter in Ordinary
1104:and her daughters, Paris 1830
629:was a direct descendant from
538:Principal Painter in Ordinary
312:Principal Painter in Ordinary
235:, Member of the Academies of
1813:The Oxford dictionary of art
65:St. James's, London, England
2089:The Trial of Queen Caroline
1257:Charles Grey, 2nd Earl Grey
826:The Trial of Queen Caroline
456:The Trial of Queen Caroline
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2121:The House of Commons, 1833
1942:, 2 vols (Cambridge, 1992)
875:The House of Commons, 1833
392:Encouraged by his patron,
2216:English portrait painters
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2013:
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1962:"Sir George Hayter"
1920:Early Victorian Portraits
525:resulted in his painting
473:National Portrait Gallery
372:. Hayter was awarded the
286:
258:
74:18 January 1871 (aged 78)
35:
2221:English history painters
2000:Letitia Elizabeth Landon
1662:List of British painters
1259:Prime Minister 1830–1834
1168:, Crown Prince of Persia
1137:Baron Stuart de Rothesay
639:Pierre-Dominique Bazaine
1968:Encyclopædia Britannica
1709:Encyclopædia Britannica
1630:Amy Emily Sarah Fitzroy
1118:Lord Stuart de Rothesay
1101:Lady Stuart de Rothesay
1022:Queen Louise of Belgium
588:and other art works at
483:Return to the Continent
413:A Controversy on Colour
314:and also awarded him a
2161:(great great grandson)
1534:The Duke of Wellington
1519:The Duke of Wellington
627:Stanley William Hayter
613:St Marylebone cemetery
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542:Sir Martin Archer Shee
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463:'s attempt to divorce
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404:Historical portraiture
334:Hayter was the son of
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281:6th Duke of Devonshire
2211:English male painters
1992:The Princess Victoria
1881:, London, May 7, 1988
1547:Rt Hon John Johnson,
1298:Anne Elphinstone 1835
719:, Windsor 25 Jan 1842
618:His younger brother,
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477:William, Lord Russell
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329:
1745:accessed 7 June 2007
1549:Lord Mayor of London
1243:Alfred Count D'Orsay
1183:, daughter of Count
378:Richard Payne Knight
1406:6th Duke of Bedford
1390:6th Duke of Bedford
717:St. George's Chapel
374:British Institution
277:6th Duke of Bedford
1844:Henry, M. (2016).
1704:Hayter, Sir George
1374:Lady Louisa Stuart
1166:Prince Abbas Mirza
1085:Portrait of a Lady
924:and Prime Minister
752:, 10 February 1840
679:State Portrait of
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551:F. X. Winterhalter
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517:(Royal Collection)
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370:Princess Charlotte
344:Princess Charlotte
332:
302:, specialising in
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2159:Jean René Bazaine
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2032:Succeeded by
1933:Regency Portraits
1857:978-1-5261-1170-8
1823:978-0-19-860476-1
1587:Portrait of a boy
1462:Edward Codrington
1312:2nd Earl of Lucan
1185:Stanislav Potocki
1057:, painted in 1825
663:Princess Victoria
641:older brother of
635:Jean René Bazaine
562:Buckingham Palace
451:George Agar-Ellis
293:Sir George Hayter
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87:, London, England
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2014:Preceded by
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1996:John Cochran
1978: at the
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1861:. Retrieved
1846:
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1827:. Retrieved
1812:
1805:
1796:Ancestry.com
1794:
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1771:
1762:FamilySearch
1760:
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1740:
1707:
1681:
1667:Henry Collen
1646:Hemsted Park
1644:
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1460:Admiral Sir
1314:and wife of
1140:, Paris 1830
1134:
1122:, Paris 1830
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125:Notable work
18:
2196:1871 deaths
2191:1792 births
2170:Romanticism
2165:Regency era
2153:John Hayter
1945:B. Bryant:
1938:O. Millar:
1931:R. Walker:
1918:R. Ormond:
1408:(1766–1839)
1392:(1766–1839)
1347:(1782–1845)
631:John Hayter
586:Old-Masters
572:Later years
523:Reform Bill
417:John Hayter
340:perspective
218:John Hayter
188:Romanticism
93:Nationality
2185:Categories
2035:James Sant
2029:1841–1871
1673:References
624:printmaker
459:depicting
355:Midshipman
322:Early life
316:Knighthood
85:Marylebone
78:1871-01-19
59:1792-12-17
2155:(brother)
2081:Paintings
1879:The Times
978:c.1822-26
961:c.1822-26
602:(V&A)
590:Christies
461:George IV
318:in 1841.
304:portraits
264:Patron(s)
220:(brother)
214:Relatives
202:Parent(s)
103:Education
2149:(father)
1656:See also
939:General
249:Florence
194:Children
184:Movement
2140:Related
1697::
1650:, 1856
649:Gallery
467:in the
300:painter
297:English
241:Bologna
118:Painter
109:Schools
97:English
76: (
57: (
2132:(1845)
2124:(1843)
2116:(1842)
2108:(1839)
2100:(1825)
2092:(1823)
1980:Art UK
1854:
1820:
1691:
1632:, 1858
1617:, 1854
1602:, 1849
1494:, 1834
1479:, 1833
908:, 1855
893:, 1855
861:, 1825
844:, 1820
398:Canova
366:Fuseli
253:Venice
225:Awards
1863:1 May
1829:1 May
415:, by
245:Parma
177:1842
168:1840
159:1838
150:1838
143:1833
134:1820
1982:site
1865:2019
1852:ISBN
1831:2019
1818:ISBN
1551:1845
1464:1835
1202:1832
1187:1831
1072:1826
944:1823
798:1838
768:1838
699:1837
684:1837
620:John
251:and
71:Died
48:Born
1706:".
715:in
26:Sir
2187::
1965:.
1793:.
1759:.
1718:^
645:.
568:.
553:.
502:.
380:.
279:,
275:,
271:,
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243:,
239:,
231:,
2066:e
2059:t
2052:v
2002:.
1867:.
1833:.
1799:.
1779:.
1765:.
197:5
80:)
61:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
