232:
33:
224:(1780), "the whole of the carvings in the various fronts of Somerset Place — excepting Bacon's bronze figures — were carved from finished drawings made by Cipriani." These designs include the five masks forming the keystones to the arches on the courtyard side of the vestibule, and the two above the doors leading into the wings of the north block, all believed to have been carved by
509:
253:
Cipriani was a founder member (1768) of the Royal
Academy, and designed its diploma, which was engraved by Francesco Bartolozzi. In recognition of his services in this respect the members presented him with a silver cup with a commemorative inscription in 1769. He was much employed by publishers,
212:
but the four compartments in the coves, representing
Allegory, Fable, Nature and History, were Cipriani's. In the same building he also painted the monochrome decorations in the joint ante-room of the Royal and Antiquarian Societies.
297:, but more usually painted onto the wood by other hands. Some of the furniture designed by the Adams was probably painted by Cipriani himself. He also occasionally designed handles for drawers and doors.
204:, also built by his friend Chambers, he prepared the decorations for the interior of the north block, including the rooms into which the Royal Academy moved in 1750, which now houses the
254:
for whom he made drawings in pen and ink, sometimes coloured. His friend
Bartolozzi engraved most of them. Cipriani made some engravings, including "The Death of Cleopatra," after
605:
524:
600:
228:. The grotesque groups flanking the main doorways on three sides of the quadrangle and the central doorway on the terrace also appear to have been designed by Cipriani.
360:
595:
185:
and other noblemen. When
William Chambers designed the Albany in London for Lord Holland, Cipriani painted a ceiling. He also painted part of a ceiling in
529:
640:
615:
293:
furniture which was growing popular in his later days and by the end of the 18th century became a rage. These designs were sometimes inlaid in
182:
339:
347:
550:
625:
167:
620:
266:
and the Lord Mayor's Gold Coach, built in 1762 and 1757 respectively in 1782, and repaired Verrio's paintings at
Windsor and
171:
316:
140:
565:
635:
540:
610:
95:
166:, which had brought him a favorable reputation. He also painted one of the canvases of the organ of the church of
630:
286:
308:, where Bartolozzi erected a monument to his memory. He had married an Englishwoman, by whom he had two sons.
107:
by some authors. Much of his work consisted of designs for prints, many of which were engraved by his friend
132:
487:
231:
312:
32:
590:
585:
108:
343:
259:
38:
539:
178:
267:
255:
205:
186:
263:
225:
305:
209:
128:
545:
320:
217:
201:
579:
520:
515:
459:
144:
301:
237:
65:
290:
190:
533:. Vol. 6 (11th ed.). Cambridge University Press. pp. 379–380.
294:
289:'s bands of ornament, and they were continually reproduced upon the elegant
271:
194:
489:
Picture collector's manual adapted to the professional man, and the amateur
245:. Oil on canvas, 26,5 cm diameter each. Collezione M (private collection)
282:
120:
100:
163:
148:
124:
208:
The central panel of the Royal
Academy's ante-room was painted by Sir
569:
258:; "The Descent of the Holy Ghost," after Gabbiani; and portraits for
514:
This article incorporates text from a publication now in the
340:
Agostino
Carlini; Francesco Bartolozzi; Giovanni Battista Cipriani
278:
241:
230:
246:
136:
381:
Le Arti Belle in
Toscana da mezzo il Secolo XVIII ai di Nostri
99:(1727 – 14 December 1785) was an Italian painter and
277:
He also decorated furniture. He designed many groups, of
131:, a Florentine artist of English descent, and then under
401:
399:
397:
395:
393:
391:
262:'s memoirs, 1780. He painted allegorical designs for the
170:
in
Florence and the main altarpiece of the church of the
384:(book). Florence: Tipografia Le Monnier. p. 44.
103:, who lived in England from 1755. He is also called
304:in west London, and was buried at Dovehouse Green,
81:
73:
58:
46:
23:
16:
Italian painter and engraver in
England (1727–1785)
566:12 artworks by or after Giovanni Battista Cipriani
436:. The Buildings of England. Yale University Press.
139:, where he became acquainted with the architect,
177:On his arrival to England he was patronized by
554:. Vol. 10. London: Smith, Elder & Co.
427:
425:
423:
285:and medallion subjects to form the centre of
8:
606:Immigrants to the Kingdom of Great Britain
432:Bradley, Simon; Pevsner, Nikolaus (2003).
31:
20:
601:Emigrants from the Grand Duchy of Tuscany
492:. London: T&W Boone. pp. 52–53.
472:
446:
405:
162:for the abbey of San Michele in Pelago,
62:14 December 1785 (aged 57–58)
596:Artists from the Grand Duchy of Tuscany
332:
189:, and a room with poetical subjects at
154:He had already painted two pictures, a
270:'s ceiling in the Banqueting House at
7:
365:Dizionario Biografico degli Italiani
541:"Cipriani, Giovanni Battista"
359:Visentini, Margherita Azzi (1981).
378:Saltini, Guglielmo Enrico (1862).
123:. His family were originally from
14:
641:18th-century Italian male artists
551:Dictionary of National Biography
507:
174:outside of the Porta San Gallo.
135:. He spent the years 1750–53 in
538:Fagan, Louis Alexander (1887).
222:Guide through the Royal Academy
168:Santa Maria Maddalena dei Pazzi
1:
616:18th-century Italian painters
361:"CIPRIANI, Giovanni Battista"
317:Charles Grignion the Younger
525:Cipriani, Giovanni Battista
367:(in Italian). Vol. 25.
657:
172:Oratory of GesĂą Pellegrino
92:Giovanni Battista Cipriani
37:from a larger painting by
25:Giovanni Battista Cipriani
486:Hobbes, James R. (1849).
348:National Portrait Gallery
30:
127:. He first studied with
530:Encyclopædia Britannica
319:(1754–1804); and
147:whom he accompanied to
133:Anton Domenico Gabbiani
626:Painters from Florence
311:Among his pupils were
250:
621:Italian male painters
434:London 6: Westminster
313:John Alexander Gresse
234:
143:, and the sculptor,
119:Cipriani was born in
141:Sir William Chambers
109:Francesco Bartolozzi
344:John Francis Rigaud
323:(1746–1793).
315:(1741–1794);
39:John Francis Rigaud
636:Royal Academicians
449:, pp. 379–30.
251:
611:Italian engravers
300:Cipriani died in
256:Benvenuto Cellini
206:Courtauld Gallery
105:Giuseppe Cipriani
89:
88:
648:
555:
543:
534:
513:
511:
510:
494:
493:
482:
476:
470:
464:
463:
456:
450:
444:
438:
437:
429:
418:
415:
409:
403:
386:
385:
375:
369:
368:
356:
350:
337:
264:Gold State Coach
226:Joseph Nollekens
187:Buckingham House
183:Duke of Richmond
151:in August 1755.
129:Ignatius Hugford
98:
35:
21:
656:
655:
651:
650:
649:
647:
646:
645:
631:Rococo painters
576:
575:
562:
546:Stephen, Leslie
537:
523:, ed. (1911). "
519:
508:
506:
498:
497:
485:
483:
479:
471:
467:
458:
457:
453:
445:
441:
431:
430:
421:
416:
412:
404:
389:
377:
376:
372:
358:
357:
353:
338:
334:
329:
210:Joshua Reynolds
117:
94:
69:
63:
54:
53:Florence, Italy
51:
42:
26:
17:
12:
11:
5:
654:
652:
644:
643:
638:
633:
628:
623:
618:
613:
608:
603:
598:
593:
588:
578:
577:
574:
573:
561:
560:External links
558:
557:
556:
535:
521:Chisholm, Hugh
496:
495:
477:
475:, p. 380.
465:
451:
439:
419:
410:
408:, p. 379.
387:
370:
351:
331:
330:
328:
325:
321:Mauritius Lowe
218:Joseph Baretti
202:Somerset House
160:St Peter Igneo
116:
113:
87:
86:
83:
82:Known for
79:
78:
75:
71:
70:
64:
60:
56:
55:
52:
48:
44:
43:
36:
28:
27:
24:
15:
13:
10:
9:
6:
4:
3:
2:
653:
642:
639:
637:
634:
632:
629:
627:
624:
622:
619:
617:
614:
612:
609:
607:
604:
602:
599:
597:
594:
592:
589:
587:
584:
583:
581:
571:
567:
564:
563:
559:
553:
552:
547:
542:
536:
532:
531:
526:
522:
517:
516:public domain
505:
504:
503:
502:
491:
490:
481:
478:
474:
473:Chisholm 1911
469:
466:
461:
455:
452:
448:
447:Chisholm 1911
443:
440:
435:
428:
426:
424:
420:
414:
411:
407:
406:Chisholm 1911
402:
400:
398:
396:
394:
392:
388:
383:
380:
374:
371:
366:
362:
355:
352:
349:
345:
341:
336:
333:
326:
324:
322:
318:
314:
309:
307:
303:
298:
296:
292:
288:
284:
280:
275:
273:
269:
265:
261:
260:Thomas Hollis
257:
248:
244:
243:
239:
233:
229:
227:
223:
219:
216:According to
214:
211:
207:
203:
198:
196:
192:
188:
184:
180:
175:
173:
169:
165:
161:
157:
152:
150:
146:
145:Joseph Wilton
142:
138:
134:
130:
126:
122:
114:
112:
110:
106:
102:
97:
93:
84:
80:
76:
72:
67:
61:
57:
49:
45:
40:
34:
29:
22:
19:
568: at the
549:
528:
501:Attribution:
500:
499:
488:
480:
468:
460:"New Page 1"
454:
442:
433:
413:
382:
379:
373:
364:
354:
335:
310:
299:
276:
252:
235:
221:
215:
199:
176:
159:
155:
153:
118:
104:
91:
90:
18:
591:1785 deaths
586:1727 births
417:GE Saltini.
302:Hammersmith
179:Lord Tilney
74:Nationality
66:Hammersmith
580:Categories
327:References
291:satin-wood
191:Standlynch
156:St Tesauro
295:marquetry
287:Pergolesi
272:Whitehall
195:Wiltshire
68:, England
236:Pair of
121:Florence
101:engraver
85:painting
548:(ed.).
518::
306:Chelsea
283:amorini
220:in his
164:Pistoia
149:England
125:Pistoia
77:Italian
570:Art UK
512:
279:nymphs
268:Rubens
238:Tondos
181:, the
544:. In
242:Putti
240:with
572:site
281:and
247:Rome
158:and
137:Rome
115:Life
59:Died
50:1727
47:Born
527:".
200:At
193:in
582::
422:^
390:^
363:.
346:,
342:,
274:.
197:.
111:.
96:RA
484:*
462:.
249:.
41:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
