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Rigaud's works today populate the world's major museums. The exact number of paintings he produced remains in dispute, since he left a highly detailed catalogue but also more than a thousand different models which specialists agree he used. To these may be added the large number of copies in Rigaud's
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in
Catalan), on 20 December 1655. In 1665, he acquired a house "en lo carrer de las casas cremades" (now rue de l'Incendie, near the cathedral) and received the income from a parcel of vineyards in the Bompas territory. By his second marriage, he also acquired a house on place de l'Huile, but he soon
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there are reportedly other names (sources vary): different last names at birth: Hyacinthe-François-Honoré-Mathias-Pierre Martyr-André Jean Rigau y Ros or François
Hyacinthe Rigaud, or Hyacinthe Riguad and Hiacint Rigau, different first names at birth: Jyacintho, Francisco, Honorat, Matias, Pere,
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in
Catalan) in the parish of Saint-Jean de Perpignan, "as well as a painter", descended from a line of well-established artists in the Perpignanian basin who had been commissioned to decorate several tabernacles and other panels for liturgical use. Few of these have survived to the present
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874:. His instinct for impressive poses and grand presentations precisely suited the tastes of the royal personages, ambassadors, clerics, courtiers, and financiers who sat for him. Rigaud owes his celebrity to the faithful support he received from the four generations of
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700:, Gilberte Levallois-Clavel revealed certain aspects of the private relations between Rigaud and Pierre Drevet; their friendship came about at the beginning of the 1700s, after the painter produced a portrait of the engraver, in which he depicted himself as well.
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67:, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Knowledge (XXG).
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influence, proof of Rigaud's rare incursion into the domain of historical depictions or the "great genre". He bequeathed his mother the first version which would then, at her death, be left to the Grands
Augustins convent in
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died in 1631. On 25 July 1617, in the église de La Réal in
Perpignan, he married Madalena Roat. She was the widow of Pera Roat and on 1 November 1634 remarried in the église Saint-Mathieu in Perpignan, to Antoni
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In 1681, when
Hyacinthe Rigaud decided to move to Paris, inspired by Drevet who was also attracted to the capital, he had already established a good reputation amongst the local clientele, from Switzerland to
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Hyacinthe Rigaud was one of those French painters who knew the highest celebrity under the Ancien Régime. This admiration was deserved both for the surprising abundance of his work and for its constant
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962:, without even mentioning the hundreds of other paintings rediscovered since the accounts' publication in 1919. Rigaud painted many important figures in the world of art such as the sculptors
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origins, in 1685. Rigaud's portrait of Jean de
Brunenc, painted in 1687, a silk merchant, banker and consul of Lyon, assembles all the ingredients for which the painter was later successful.
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had strong ties with this city, as had, for example, Samuel Boissière who was trained in there, in Lyon. The identity of Rigaud's future depicted models shows that he worked for the city's
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Since Rigaud's paintings captured very exact likenesses along with the subject's costumes and background details, his paintings are considered precise records of contemporary fashions.
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Portrait of
Nicolas Le Camus, drawing, c. 1701, 38.4 cm × 29.4 cm (15.1 in × 11.6 in), Städelsches Kunstinstitut und Städtische Galerie, Frankfurt am Main
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Portrait of a young scholar, drawing, 1685, 31.4 cm × 25.5 cm (12.4 in × 10.0 in), Städelsches
Kunstinstitut und Städtische Galerie, Frankfurt am Main
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states that one of Rigaud's main reasons for his 1695 voyage was to paint his mother's portrait: "He painted her from many angles, and had her marble bust made by the notable
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The directorship of the Académie was shared until
February 1735 between Rigaud and the three other rectors: Guillaume Coustou, Claude-Guy Hallé, and Nicolas de Largillière
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1434:(1671–1745), half-length, in armor with a velvet-lined, leopard skin mantle and the Sash of the Order of Holy Spirit, the baton of a Marshal of France in his left hand
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Portrait of Cardinal Henri Oswald de La Tour d'Auvergne, 1732, oil on canvas, 142 cm × 113 cm (56 in × 44 in), private collection.
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685:, like those of Antoine Domergue, the king's councillor and provincial governor of Lyon, in 1686, and "Mr Sarazin de Lion", of a famous dynasty of bankers of
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Jean Lafitte dit Lafita (died 1737), bailiff of Perpignan; his wife Claire-Marie-Madeleine-Géronime, the artist's sister; and their eldest daughter, Marie.
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908:, the royalty and nobility of Europe, and members of their courts and considered one of the most notable French portraitists of the classical period. For
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Working for the collège Saint-Éloi in his city since 1560, and acting as representative of its guild of painters and gilders, on 22 November 1630 Jacinto
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In spring 1696, Hyacinthe Rigaud returned to Paris, where he painted one of his most important portraits of the year. This was in fact solicited by the
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In reality, Rigaud painted a second painting, bearing the three stances presented to Coysevox: an oval painting kept in a private collection, copied by
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Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
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Portrait of the artist's mother, 1695, oil on canvas, 83 cm × 103 cm (33 in × 41 in), Musée du Louvre, Paris
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called "letters of recommendation written in the common language of all men", Rigaud's works today populate the world's major museums.
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and other gilders and colleagues participated in the development of the statutes and minutes of the city's collège Saint-Luc . Honorat
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ditto, oil on canvas, 1715 (full shot portrait, "State Portrait"), Musée national du château de Versailles et des Trianons, Versailles
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at the age 5, wearing the Coronation Robes, 1715, oil on canvas, Musée national du château de Versailles et des Trianons, Versailles
730:, which was his cabinet's ornament for the rest of his life". In his first will, dated 30 May 1707, the artist left the bust to the
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His year of birth unknown, on 5 July 1617 in the église de La Réal in Perpignan he married Antiga Franch, widow of Antoni Franch
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Rigaud is inseparable from his best-known work, a 1701 painting of Louis XIV in his coronation costume which today hangs in the
817:, and himself, rotate the post. This oligarchy would persist until the election of Coustou as sole director on 5 February 1735.
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four years later. It was in these cities that he became familiar with Flemish, Dutch and Italian painting, particularly that of
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coronation portrait of Louis XIV; The Presentation in the temple; portrait of Bossuet in winter costume; portraits of Louis XIV
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Content in this edit is translated from the existing French Knowledge (XXG) article at ]; see its history for attribution.
1028:, a museum dedicated to Rigaud's artwork, opened in Perpignan in 1833. The museum has since expanded to include works by
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933:; Rigaud was necessary to the 'gloire' of Louis XIV and participated in this shining of a reign whose majesty he fixed .
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Pierre Drevet (1663–1738), graveur du roi et ses élèves Pierre-Imbert Drevet (1697–1739), Claude Drevet (1697–1781)
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Joan Antoni Faget had already died, in 1647. The marriage contract was witnessed before Honoré Sunyer in Perpignan.
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Portrait of Charles Auguste d'Allonville de Louville, Marquis de Louville, 1708, oil on canvas, private collection
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is usually identified as the painter of the paintings of the retable of the église Saint-Jean-l'Évangéliste at
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Jacques Thuillier, professor at the Collège de France, member of the Haut comité des célébrations nationales
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On his death, Rigaud left behind a gallery of major figures with whom our imagination now populates the
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did not make the trip to Rome which was included in the scholarship. Rigaud was received into the
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He was trained in tailoring in his father's workshop, but perfected his skills as a painter under
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In 1709, he was made a noble by his hometown of Perpignan. In 1727, he was made a knight of the
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son, though the sculpture would then be left to the Academy which explains its presence in the
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on 20 July 1659, two days after his birth at rue de la Porte-d'Assaut. His baptismal name was
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The Académie Royale de Peinture Et de Sculpture: The Birth of the French School, 1648-1793
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Portrait of La comtesse de Selles Marguerite-Henriette de Labriffe , 1712, oil on canvas
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in Paris, as well as the second copy also requested by Louis XIV that now hangs at the
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ditto, oil on canvas, 238 cm × 149 cm (94 in × 59 in),
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in 1710, and he rose to the top of this institution before retiring from it in 1735.
2051:(in French). Preface by Xavier Salmon. Montpellier: Nouvelles Presses du Languedoc.
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Even if they had only been registered from 1681 onwards, the date when he moved to
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Studies of Spaniels And Whippets, And A Study of a White Headdress, oil on canvas
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1996:"Musée Rigaud – 65.000 visiteurs depuis l'ouverture – «Une très belle surprise»"
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Découverte du Château de Versailles: offre culturelle du Château de Versailles
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Portrait of Louis Antoine de Pardaillan de Gondrin, Marquis d'Antin, c. 1710
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He was one of the most important portrait painters during the reign of King
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on 28 November 1733, Rigaud proposed that the four rectors of the Académie,
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Procès-Verbaux de l'Académie Royale de peinture et de sculpture, 1648-1793
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Visages du Grand Siècle, le portrait français sous le règne de Louis XIV
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ditto, oil on canvas, 1694 (full shot portrait), Musée du Louvre, Paris
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to the source of your translation. A model attribution edit summary is
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After Marcel Durliat. Cited by Olivier Poisson, "Les Rigau (d)", in
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427:; he was the son of a tailor, the grandson of painter-gilders from
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Hyacinthe's father, Josep Matias Pere Ramon Rigau, was a tailor (
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House located rue Louis-le-Grand (Paris 2) where the artist died
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2098:- Complete catalogue of Rigaud's works by French art historian
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511:(1682–1712), grandson of King Louis XIV (1638–1715) and son of
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Joan Antoni Marti, Guillem Andreu, Thomas Blat et Jaume Fuster
20:
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Peintres et doreurs en Roussillon aux XVIIe et XVIIIe siècles
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Híacint Francesc Honrat Mathias Pere Martyr Andreu Joan Rigau
1798:(in French). Vol. V. Paris: J. Baur. pp. 127–128.
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Rigaud died in Paris on 29 December 1743 at the age of 84.
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were ceded to France the following 7 November owing to the
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Members of the Académie royale de peinture et de sculpture
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Samuel Boissière, peintre de Montpellier, au XVIIe siècle
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The year 1695 also saw the production of two versions of
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is generally identified as the painter of the retable of
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Musée national du château de Versailles et des Trianons
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Rigaud was baptised with his Catalan name in the old
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2042:(in French). Perpignan: Connaissance du Roussillon.
469:at Montpellier from 1671 onwards, before moving to
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1905:Antoine-Joseph Dezallier d'Argenville 1745, p. 318
2049:Hyacinthe Rigaud (1659-1743), le peintre des rois
1896:Louis Hourticq, De Poussin à Watteau, Paris, 1921
591:(28 March 1609) and the retable at Montalba near
2040:La Famille et le milieu social du peintre Rigaud
1914:Jacques Proust, "Diderot et la Physiognomonie",
1213:Städelsches Kunstinstitut und Städtische Galerie
1110:Portrait of Louis XIV, c. 1700, oil on canvas,
927:
914:
2076:Le Livre de raison du peintre Hyacinthe Rigaud
2022:Le livre de raison du peintre Hyacinthe Rigaud
85:accompanying your translation by providing an
51:Click for important translation instructions.
38:expand this article with text translated from
2120:
998:. He also painted portraits of poets such as
953:Portrait of Jean-Baptiste de Montginot (1688)
904:He is renowned for his portrait paintings of
662:Little is known about Rigaud's activities in
8:
614:On 13 March 1647, Hyacinthe's father Matias
431:, and the elder brother of another painter (
2136:Académie Royale de Peinture et de Sculpture
1931:Hyacinthe Rigaud – Portrait d'une clientèle
1403:Portrait of Suzanne de Bourbers de Bernâtre
1006:, as well as religious figures such as the
499:Académie royale de peinture et de sculpture
440:Cathédrale Saint-Jean-Baptiste de Perpignan
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1539:"Catalan Art & The Artists – Painting"
583:is generally identified as the painter of
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384:and other members of the French nobility.
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16:Catalan-French baroque painter (1659–1743)
1064:An artwork displaying the Lafitte family
681:, his "youthful" portraits were probably
2092:- Official webpage of the Rigaud Museum.
1813:. Getty Research Institute. p. 352.
878:whose portraits he painted; namely King
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1826:Académie Royale: A History in Portraits
1760:, Nantes-Toulouse, 1997, 1998, p. 42-43
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773:, and gave the second, in 1722, to the
648:Gaspard de Gueidan en joueur de musette
564:...). Hyacinthe's grandfather, Jacinto
1158:Portrait of a Scholar, oil on canvas,
921:According to the French art historian
912:, professor at the Collège de France:
722:Going back to the artist's biography,
1723:
1708:
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1185:Elizabeth Charlotte of the Palatinate
446:This is sometimes transliterated as
444:Jyacintho Rigau or Jacint Rigau i Ros
371:
358:
7:
1280:Philippe d'Orléans, Duke of Chartres
1071:Philipp Ludwig Wenzel von Sinzendorf
286:Académie de Peinture et de Sculpture
1777:Bibliothèque de l'École des chartes
1582:, Canet, éditions Trabucaire, 2006.
1314:Giovanni Francesco II Brignole Sale
786:Armand Jean le Bouthillier de Rancé
585:The Canonisation of Saint Hyacinthe
419:(7 November 1659). His family, the
415:ceded the city to France under the
2388:Nicolas de Largillière (1738–1742)
97:{{Translated|fr|Hyacinthe Rigaud}}
14:
1994:Torres, Maite (3 November 2017).
380:most famous for his portraits of
2587:18th-century French male artists
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2234:Louis Ferdinand Elle the Younger
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360:[ʒəˈsinriˈɣawˈrɔziˈsɛrə]
270:
25:
2360:acting as director (1733–1735)
1743:, Lyon, 2005, édition numérique
937:True "photographs", faces that
2486:Académie Royale d'Architecture
777:convent of his city of birth.
493:in 1682, but on the advice of
397:Self-portrait with a blue coat
95:You may also add the template
1:
2385:Guillaume Coustou (1735–1738)
1625:, n°10, March 1996, p. 54–55.
1200:, Nationalhistoriske Museum,
2567:18th-century French painters
2557:17th-century French painters
2078:(in French). Paris: Laurens.
1666:, Montpellier, Castel, 1845.
1171:Musée des beaux-arts de Lyon
1019:Musée d'art Hyacinthe Rigaud
2226:Louis Du Guernier the Elder
1739:Gilberte Levallois-Clavel,
1227:Gemäldegalerie Alte Meister
762:Christ expiant sur la Croix
716:Christ expiant sur la Croix
108:Knowledge (XXG):Translation
2608:
2481:Académie Royale de Musique
2446:Jean-Baptiste Marie Pierre
2179:Michel Corneille the Elder
1828:. Routledge. p. 294.
1809:Michel, Christian (2018).
1779:, 2003, t. 161, p. 67-113.
1756:Catalogue de l'exposition
59:Machine translation, like
2577:Prix de Rome for painting
2494:
2047:Perreau, Stéphan (2004).
1824:Williams, Hannah (2016).
1365:, (1727–1729), Versailles
345:
341:
337:
292:
278:
269:
260:
138:Self-portrait in a turban
130:
40:the corresponding article
2572:French portrait painters
2422:Jacques Dumont le Romain
2038:Colomer, Claude (1973).
1662:Henri Marcel Kühnholtz,
1467:Martir, Andreu, and Joan
1295:Louis of France, Dauphin
1079:Kunsthistorisches Museum
718:, Hyacinthe Rigaud, 1695
595:. The father of Honorat
376:), was a Catalan-French
352:Jacint Rigau-Ros i Serra
150:Jacint Rigau-Ros i Serra
2582:French Baroque painters
1418:, Archbishop of Cambrai
1347:Frederick IV of Denmark
1225:, oil on canvas, 1715,
1198:Frederick IV of Denmark
1162:, St Petersburg, Russia
1143:Wallraf-Richartz Museum
888:Louis, Duke of Burgundy
798:Following the death of
513:Louis the Grand Dauphin
509:Louis, Duke of Burgundy
106:For more guidance, see
2471:French Academy in Rome
2404:Charles-Antoine Coypel
2369:Nicolas de Largillière
2074:Roman, Joseph (1919).
1918:, 13, 1961, p.317–319.
1867:26 August 2006 at the
1790:de Montaiglon, Anatole
1416:Charles de Saint-Albin
1378:Augustus III of Poland
1234:Martin van der Bogaert
1223:Augustus II the Strong
1086:Philippe de Courcillon
1065:
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954:
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919:
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807:Nicolas de Largillière
793:Order of Saint Michael
724:Dezallier d'Argenville
719:
659:
535:
516:
460:Treaty of the Pyrenees
417:Treaty of the Pyrenees
411:, a few months before
400:
356:Catalan pronunciation:
212:Paul Pezet (presumed)
2440:Jean-Baptiste Lemoyne
1943:"L'histoire du musée"
1100:Portrait of Louis XIV
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225:painting, portraiture
79:copyright attribution
2562:French male painters
2464:Related Institutions
2398:Pierre-Jacques Cazes
2024:, Paris, 1919, p. 66
1773:Ariane James-Sarazin
1545:on 28 September 2007
1537:Catalogne Nord.com.
1202:Frederiksborg Palace
1167:Pierre Imbert Drevet
1116:Parliament of Canada
899:Palace of Versailles
884:Louis, Grand Dauphin
373:[jasɛ̃tʁiɡo]
2337:Corneille Van Clève
2313:Charles de La Fosse
2247:Hans van der Burcht
1215:, Frankfurt am Main
1052:Painting depicting
782:duke of Saint-Simon
746:, named Hyacinthe.
526:Perpignan in 1642 (
407:, then part of the
403:Rigaud was born in
2410:Louis de Silvestre
2349:Louis de Boullogne
2283:Antoine de Ratabon
2169:Laurent de La Hyre
1178:Louis XV of France
1155:, location unknown
1066:
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1008:cardinal de Fleury
955:
931:galerie des Glaces
868:
803:Louis de Boullogne
764:, with a distinct
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536:
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320:Louis de Boullogne
87:interlanguage link
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2526:France portal
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2374:Guillaume Coustou
2202:Gérard van Opstal
2197:Justus van Egmont
2192:Eustache Le Sueur
2164:Sébastien Bourdon
2000:Made In Perpignan
1969:"Les collections"
1835:978-1-4094-5742-8
1209:Sébastien Bourdon
1069:Portrait of Graf
986:; the architects
910:Jacques Thuillier
815:Guillaume Coustou
558:Montalba-d'Amélie
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2379:Hyacinthe Rigaud
2364:Claude-Guy Hallé
2331:François de Troy
2319:Antoine Coysevox
2184:François Perrier
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960:book of accounts
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2243:Henri Mauperché
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2154:Charles le Brun
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1547:. Retrieved
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1278:Portrait of
1266:(1656-1735)
1232:Portrait of
1221:Portrait of
1207:Portrait of
1196:Portrait of
1183:Portrait of
1176:Portrait of
1165:Portrait of
1151:Portrait of
1137:Portrait of
1112:Centre Block
1098:
1084:Portrait of
1016:
956:
936:
928:
920:
915:
903:
892:
869:
861:
819:
799:
797:
790:
784:, to depict
779:
761:
759:
748:
721:
715:
702:
691:
676:
661:
652:Musée Granet
647:
642:playing the
625:
619:
615:
613:
609:Peyrestortes
604:
596:
584:
580:
576:
574:
569:
565:
544:
542:
518:
515:(1661–1711).
491:prix de Rome
467:Antoine Ranc
464:
447:
443:
437:
420:
402:
396:
364:
351:
350:
327:Succeeded by
294:
254:Prix de Rome
231:Notable work
215:Antoine Ranc
180:(1743-12-29)
160:18 July 1659
137:
83:edit summary
74:
45:
37:
18:
2552:1743 deaths
2547:1659 births
2454:(1789–1793)
2448:(1770–1789)
2442:(1768–1770)
2436:(1765–1768)
2430:(1763–1765)
2418:(1760–1763)
2412:(1752–1760)
2406:(1747–1752)
2400:(1744–1747)
2394:(1742–1744)
2392:René Frémin
2358:took turns
2351:(1722–1733)
2345:(1714–1722)
2339:(1711–1714)
2333:(1708–1711)
2327:(1705–1708)
2321:(1702–1705)
2315:(1699–1702)
2309:(1695–1699)
2307:Noël Coypel
2303:(1690–1695)
2297:(1683–1690)
2291:(1675–1683)
2285:(1655–1670)
2218:académistes
2002:(in French)
1975:(in French)
1949:(in French)
1928:(in French)
1894:(in French)
1880:(in French)
1852:, Inv.7492)
1770:(in French)
1754:(in French)
1736:(in French)
1721:(in French)
1711:, p. 9
1706:(in French)
1691:(in French)
1676:(in French)
1660:(in French)
1282:(1674–1723)
1022: [
1000:La Fontaine
917:perfection.
736:Louis XIV's
668:Montpellier
315:Preceded by
197:Nationality
47:(July 2023)
2541:Categories
2272:Directeurs
2020:J. Roman,
1724:Roman 1919
1709:Roman 1919
1694:Roman 1919
1440:References
1094:Versailles
1056:in prayer.
1034:Raoul Dufy
964:Desjardins
452:Roussillon
450:After the
429:Roussillon
369:pronounced
217:(presumed)
156:1659-07-18
2354:The four
2216:Founding
2143:Founding
1612:. p. 248.
1521:Citations
1250:Paintings
1229:, Dresden
1204:, Denmark
1145:, Cologne
906:Louis XIV
880:Louis XIV
872:Louis XIV
853:Clientele
800:directeur
775:Dominican
771:Perpignan
751:Géricault
696:from the
694:engravers
683:pre-dated
650:, 1738),
623:sold it.
554:Perpignan
483:Rembrandt
405:Perpignan
388:Biography
382:Louis XIV
299:1733–1735
295:In office
265:Signature
205:Education
164:Perpignan
101:talk page
42:in French
2504:Category
2356:recteurs
2147:(elders)
2067:58986292
1865:Archived
1638:, p. 54.
1636:op. cit.
1608:Lugand,
1477:Balasco.
1363:Louis XV
1173:, France
1125:, Madrid
1118:, Ottawa
1081:, Vienna
1073:, 1712,
988:De Cotte
980:La Fosse
972:Coysevox
968:Girardon
876:Bourbons
728:Coysevox
620:pentiner
479:Van Dyck
456:Cerdanya
454:and the
308:Louis XV
240:Movement
77:provide
2145:anciens
2006:26 July
1979:26 July
1953:26 July
1848:Paris,
1610:op. cit
1549:15 June
1107:, Paris
1038:Picasso
1012:Bossuet
1004:Boileau
996:Gabriel
984:Mignard
939:Diderot
847:Plaque.
766:Flemish
744:Gaspard
644:musette
433:Gaspard
425:Catalan
423:, were
304:Monarch
244:Baroque
99:to the
81:in the
44:.
2424:(1763)
2065:
2055:
1832:
1105:Louvre
945:Legacy
895:Louvre
835:House.
740:Louvre
545:sastre
539:Family
487:Titian
475:Rubens
399:(1696)
256:(1682)
250:Awards
200:French
190:France
140:(1698)
1916:CAIEF
1445:Notes
1026:]
755:Dijon
753:, in
687:Swiss
679:Paris
616:Rigau
605:major
597:minor
581:minor
577:major
570:minor
566:major
421:Rigau
413:Spain
186:Paris
168:Spain
61:DeepL
2063:OCLC
2053:ISBN
2008:2023
1981:2023
1955:2023
1830:ISBN
1551:2007
1017:The
1010:and
994:and
982:and
970:and
664:Lyon
562:Joch
528:ADPO
485:and
471:Lyon
175:Died
146:Born
75:must
73:You
1002:or
795:.
646:" (
532:ca)
435:).
63:or
2543::
2061:.
1998:.
1971:.
1945:.
1587:^
1559:^
1529:^
1316:,
1114:,
1092:,
1040:.
1032:,
1024:fr
990:,
978:,
925:,
901:.
813:,
809:,
734:,
708:.
654:,
611:.
560:,
556:,
552:,
481:,
477:,
188:,
166:,
2477:)
2473:(
2128:e
2121:t
2114:v
2069:.
2010:.
1983:.
1957:.
1838:.
1553:.
1301:"
658:.
638:"
548:(
534:)
530:(
367:(
354:(
158:)
154:(
110:.
103:.
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