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His father was probably Kunz
Pleydenwurff, a well-respected painter and part-time mayor in Bamberg. Since 1457, Hans lived in Nuremberg where he established a new style of realism, influenced by
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Kalvarienberg of Georg Graf Löwenstein, canon at
Bamberg (Germanisches Nationalmuseum)
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73:, born in 1460, operated with Michael Wolgemut for the woodcuts of
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55:; c. 1420 – 9 January 1472) was a German painter.
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125:, canon at Bamberg (Germanisches Nationalmuseum)
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85:, his profession is unknown. Hans died at
62:painters. He probably was a teacher of
142:High Altar, 1465 for St. Michaelis in
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81:. Another son, Sebald, settled in
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123:Portrait of Georg Graf Löwenstein
159:, 1470, Alte Pinakothek, Munich
131:High Altar, Klarissenkirche in
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211:15th-century German painters
173:"Works by Hans Pleydenwurff"
117:Germanisches Nationalmuseum
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34:Dreikönigsaltar 1460-1465
99:Christ as Man of Sorrows
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137:Staatsgalerie Bamberg
43:Crucifixion of Christ
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216:German male painters
115:(1462, currently at
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71:Wilhelm Pleydenwurff
60:Northern Renaissance
221:People from Bamberg
111:, St. Elisabeth in
79:Nuremberg Chronicle
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49:Hans Pleydenwurff
25:Altar of the Magi
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146:, since 1811 in
75:Hartmann Schedel
64:Michael Wolgemut
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148:Alte Pinakothek
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164:External links
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93:Selected works
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181:(in German).
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53:Pleidenwurff
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206:1472 deaths
201:1420 births
157:Crucifixion
103:Kunstmuseum
195:Categories
109:Altarpiece
89:in 1472.
87:Nuremberg
178:Zeno.org
83:Eisleben
69:His son
133:Bamberg
113:Breslau
23:Detail
152:Munich
51:(also
144:Hof
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