273:. Manson had assisted Aitken with hanging a show at the Tate and the Director was sufficiently impressed to suggest Manson took the job of Clerk, vacant since its former occupant had been pilfering the petty cash. Manson achieved by far the best results out of the four applicants taking the appropriate civil service exam, and, age 33, became Tate Clerk on 9 December 1912 with an annual salary of ÂŁ150. His reluctance to take the job had been overcome by his wife, who wanted provision for their two daughters; he continued to paint intensely at weekends.
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by a month, until August 1930. According to the Tate web site, he was "the least successful of Tate's
Directors." His own artistic ambitions had not been fulfilled, he had an unhappy marriage and he drank to excess; he suffered from depression, blackouts and paranoia; and he had long periods off work
288:, was still outside the official canon. When a Sickert was offered to the Tate in 1915, Manson wrote, "tell the Trustees I think it is a very good Sickert—but the question is whether he is important enough for the Tate. I think not; but as an old friend of the artist perhaps I am a prejudiced judge."
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He applied for a pension for his twenty-five years at the Tate on the grounds of having a nervous breakdown, and received one which he said was worth ÂŁ1 a day, along with the gift from staff of a paint box to upgrade his habit of carrying paint brushes in paper bags. His successor as
Director, Sir
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Manson arrived at the déjeuner given by the minister of Beaux Arts fantastically drunk—punctuated the ceremony with cat-calls and cock-a-doodle-doos, and finally staggered to his feet, hurled obscene insults at the company in general and the minister in particular, and precipitated himself on the
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My doctor has warned me that my nerves will not stand any further strain... I have begun to have blackouts, in which my actions become automatic. Sometimes these periods last several hours.... I had one of these blackouts at an official luncheon in Paris recently, and startled guests by suddenly
519:. Other achievements accomplished during his term of office included a formal change of name from "National Gallery, Millbank" to "Tate Gallery" in October 1932, the planting of cherry trees outside in 1933, the installation of electric lighting in 1935 and extra toilets. Manson was on the 1932
338:, Manson held his first solo show of work. In 1927, he became a member of the NEAC. His reputation as an artist was primarily as a flower painter and art was his main ambition, but he was uncertain as to whether this would allow him to earn a full-time living—in 1928 he asked
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gallery for 25 years, including serving as its director from 1930 to 1938. In the Tate's own evaluation he was the "least successful" of their directors. His time there was frustrated by his stymied ambition as a painter and he declined into
535:; he was drunk at Board meetings and on one occasion was wrapped in a blanket and carried out after he had fallen onto the floor. He suffered a public blow to his prestige, when a staff member wrote in a catalogue that the French artist
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the guests fled ices uneaten, coffee undrunk... I hope an example will be made, and that they will seize the opportunity for turning the sot out of the Tate, not because he is a sot, but because he has done nothing but harm to modern
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In March and April 1946, a memorial show was held at the
Wildenstein Gallery in London with 59 works in oil, watercolour, etchings, drawings and pastel, dating from 1903 to 1945. A second show was held in August and September at the
625:'s London gallery, had been held by customs officers, who needed to ascertain whether they were in fact art and thus exempt from duty. In such circumstances, the arbiter was the Director of the Tate. The artists included
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was dead and had been "a confirmed dipsomaniac"—neither of which was true—leading to a court case with Manson named as defendant; settlement in court on 17 February 1938 included the Tate purchase of an
Utrillo painting.
206:, where his wife gave music lessons at the front and Manson set up a studio at the rear, working out the family's tight budget on the kitchen wall much to her displeasure. In 1908 they moved to a small house at 98
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144:, and was encouraged by Lilian Beatrice Laugher, a violinist who had studied with Joachim in Berlin and was staying in the household, which by that time was at 7 Ardbeg Road, Herne Hill, London.
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Marriage
Certificate of James Alexander Manson and Margaret Emily Deering (his parents) gives James Alexander Manson's father's name as James Bolivar Manson. Certificate dated 10 December 1875
117:. His grandfather was also named James Bolivar Manson. He had an older sister, Margaret Esther Manson, a younger sister, Rhoda Mary Manson, and three younger brothers, Charles Deering Manson,
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1901 Census (London). Laugher is listed as a boarder at the Manson family home and with the profession of "teacher of violin". The Census gives Manson's age as 21 and
Laugher as 28.
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With the Keeper, he was jointly responsible for staff supervision, office administration and care of the collection. Manson is considered to have given Aitken a liking for French
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described him as having, "a flushed face, white hair and a twinkle in his eye; and this twinkling got him out of scrapes that would have sunk a worthier man without trace."
641:(a large, smooth, egg-shaped marble) to be "idiotic" and "not art". Letters were written to the press, critics signed a protest petition, and Manson was criticised in the
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310:(NEAC). Because his work for the gallery was considered indispensable, he was exempt from military service; in 1917, he was promoted to Assistant Keeper. In 1919,
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In 1903, Manson left the bank job, hanging his silk hat on a pole and encouraging his colleagues to aim stones at it. He married
Laugher and they moved to the
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After a year, the
Mansons returned to London and their daughter Mary was born, followed two years later by Jean. They lived in the top two floors of 184
56:, culminating in a drunken outburst at an official dinner in Paris. Although his art policies were more advanced than previously at the Tate and embraced
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In the period before a public announcement was made of his leaving the Tate, he was the cause of further controversy. A number of sculptures, chosen by
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discovered that Manson had boosted his low salary by selling from the basement work, which was referred to by the staff as "Director's stock".
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Tom
Furness, 'James Bolivar Manson 1879–1945', artist biography, January 2011, in Helena Bonett, Ysanne Holt, Jennifer Mundy (eds.),
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During his time as
Director, there was no annual funding for acquisitions from the government; he had to decline
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234:, for which Manson designed and helped to make costumes. In 1910 also, he became a member and Secretary of the
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342:'s advice on the matter. However, in 1930, he became Director of the Tate, a post which he held until 1938.
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The high points of his "irregular and dull" exhibition programme were centenaries, in 1933 of the birth of
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art critic, praised advances in the gallery's position on art since its foundation, others—notably
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British selection committee, as well as staging shows in Brussels in 1932 and Bucharest in 1936.
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and that Manson said Henry Moore would not be shown at the Tate as long as he was the Director.
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in order to "get away from women" and make time to paint, alighting first in Harrington Road,
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as the gallery lacked funds for transport and insurance. Manson complained to his friend,
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Kenneth Clark has stated that Manson was asked to resign on health grounds because of a
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and Manson, who was, according to Wendy Baron, of "too little individual character".
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about the conservative taste of the trustee board—which had rejected a work by both
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ambassadress, Lady Phipps, some say with amorous intent others with lethal intent.
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He also wrote art criticism, as well as an introduction to the Tate's collection,
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in Paris, renting a room for ÂŁ1 a month and economising in a shared studio with
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and, in summer 1911, the Mansons stayed with him at a holiday home in
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1079:, 3 February 2007. Retrieved from findarticles.com, 18 December 2007.
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The Modern British Paintings, Drawings and Sculpture, London 1964, II
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Manson had a minor accident, which delayed his taking up the post of
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Towards the end of his term of office, Manson's life declined into
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in Paris to celebrate the British Exhibition taking place at the
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179:, who became a lifelong friend and with whom he studied at the
47:– 3 July 1945 in London) was an artist and worked at the
60:, he stopped short of accepting newer artistic movements like
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if the Tate could borrow a study of Eve by French sculptor
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as the Paris secretary, aiming to show artists inspired by
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tour, and in 1935 substituted an exhibition by Professor
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in 2008, but omitted eight of the 17 members, including
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In 1973, a retrospective was held at Maltzahn Gallery,
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On 4 March 1938, Manson attended a dinner organised by
334:; the group ceased three years later. In 1923, at the
1161:"Archival material relating to James Bolivar Manson"
653:At the age of 58, Manson announced his retirement:
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recorded the eventualities in a letter to his wife:
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sculptures, and, in 1935, declined to buy Matisse's
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613:, The Louise and Walter Arensberg Collection, 1950.
210:, where they stayed for 30 years. Lilian succeeded
998:Volume 2, p. 1056. Art Dictionaries Ltd, Bristol.
416:work, neglecting London shows by artists such as
91:James Bolivar Manson was born at 65 Appach Road,
710:and many other galleries in Britain and abroad.
467:." Manson's response was, "Over my dead body."
903:, pp. 62–70. Tate Gallery Publishing, London.
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1124:35 artworks by or after James Bolivar Manson
1110:, 5 March 2008. Retrieved 15 September 2008.
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996:Dictionary of Artists in Britain since 1945
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444:and also the offer of a gift of three
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306:. From 1915, he showed work with the
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436:for ÂŁ2000, turned down the loan of
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214:'s mother as music director at the
1759:People educated at Alleyn's School
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1774:19th-century English male artists
1769:20th-century English male artists
781:collection online, material from
670:Manson left his wife and home in
1135:The Camden Town Group in Context
1071:"Culture's still a low priority"
947:1901 Census (London) RGB/492 p35
808:"Archive journeys: Tate history"
85:Still Life: Tulips in a Blue Jug
1739:Directors of the Tate galleries
1015:"Sir Robert Sainsbury Obituary"
113:Manson's middle name was after
969:Buckman, David (1973), pp. 8–9
396:'s offer to loan his painting
224:took notice of her revival of
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1754:20th-century English painters
1744:19th-century English painters
1194:Director of the Tate Gallery
793:. Retrieved 18 December 2007.
713:A major retrospective of the
706:, London. His work is in the
257:Lilian was a close friend of
138:Heatherley School of Fine Art
21:James Manson (disambiguation)
1386:Outset Contemporary Art Fund
1091:Buckman, David (1973), p. 46
1060:Buckman, David (1973), p. 42
515:and in 1937 of the death of
451:. In 1938, Manson asked Sir
280:and to have highlighted the
621:and en route from Paris to
496:, coinciding with the 1934
111:Walter Scott Publishing Co.
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1688:Allied Artists Association
899:Spalding, Frances (1998).
611:Philadelphia Museum of Art
284:, even though its leader,
124:At the age of 16, he left
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1146:Manson's work in the Tate
609:, c.1920, veined marble.
347:Hours in the Tate Gallery
183:, still dominated by the
159:by J.B. Manson, est. 1913
1621:Maxwell Gordon Lightfoot
1281:Palais de Danse, St Ives
1102:"Velvet Revolutionaries"
813:29 December 2007 at the
32:James Bolivar Manson as
1703:Cumberland Market Group
1276:Barbara Hepworth Museum
994:Buckman, David (2006),
925:Buckman, David (1973),
672:Hampstead Garden Suburb
658:crowing like a cock....
639:Sculpture for the Blind
603:Sculpture for the Blind
302:In 1914, he joined the
296:Still Life with Flowers
157:Lucien Pissarro Reading
1591:Spencer Frederick Gore
1375:Sir Joseph Duveen, Bt.
775:"James Bolivar Manson"
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631:Raymond Duchamp-Villon
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434:Interior with a Figure
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298:by J.B. Manson, c.1919
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253:by J.B. Manson, c.1912
242:Employment at the Tate
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87:by J.B. Manson, c.1912
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1749:English male painters
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142:Lambeth School of Art
107:Makers of British Art
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1165:UK National Archives
927:James Bolivar Manson
745:Notes and references
633:. Manson pronounced
371:Director of the Tate
365:Director of the Tate
361:and Dutch painting.
349:(1926) and books on
308:New English Art Club
119:Robert Graham Manson
103:Cassell & Co Ltd
41:James Bolivar Manson
19:For other uses, see
1764:People from Brixton
1601:James Dickson Innes
1493:Frankfurt Art Theft
1455:The Weather Project
1020:The Daily Telegraph
901:The Tate: A History
727:James Dickson Innes
635:Constantin Brâncuși
607:Constantin Brâncuși
442:Courtyard in France
359:John Singer Sargent
336:Leicester Galleries
140:from 1890 and then
1137:, Tate, May 2012,
1100:Lambirth, Andrew.
1069:Glazebrook, Mark.
785:, Dennis Farr and
693:Ferens Art Gallery
645:; he backed down.
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1735:
1732:
1730:
1727:
1725:
1722:
1721:
1719:
1704:
1701:
1699:
1696:
1694:
1691:
1689:
1686:
1684:
1681:
1680:
1678:
1674:
1668:
1665:
1663:
1660:
1659:
1657:
1653:
1647:
1644:
1642:
1639:
1637:
1634:
1632:
1629:
1627:
1624:
1622:
1619:
1617:
1616:Wyndham Lewis
1614:
1612:
1609:
1607:
1606:Augustus John
1604:
1602:
1599:
1597:
1594:
1592:
1589:
1587:
1584:
1582:
1581:Harold Gilman
1579:
1577:
1574:
1572:
1569:
1567:
1564:
1563:
1561:
1557:
1553:
1544:
1539:
1537:
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1521:
1509:
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1503:
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1500:
1496:
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1473:
1471:
1470:
1466:
1464:
1463:
1459:
1457:
1456:
1452:
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1440:
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1433:
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1425:
1423:
1420:
1418:
1415:
1413:
1410:
1408:
1405:
1404:
1403:
1400:
1399:
1397:
1393:
1387:
1384:
1382:
1381:Charles Clore
1378:
1376:
1373:
1371:
1367:
1365:
1361:
1360:
1358:
1354:
1347:
1346:Maria Balshaw
1344:
1342:
1338:
1336:
1332:
1330:
1326:
1324:
1320:
1318:
1315:
1313:
1310:
1307:
1306:D. S. MacColl
1304:
1301:
1297:
1296:
1294:
1290:
1282:
1279:
1278:
1277:
1274:
1272:
1269:
1267:
1264:
1262:
1259:
1257:
1254:
1253:
1251:
1247:
1243:
1236:
1231:
1229:
1224:
1222:
1217:
1216:
1213:
1204:
1195:
1189:
1183:
1178:
1172:
1166:
1162:
1158:
1155:
1154:
1149:
1147:
1144:
1143:
1140:
1136:
1132:
1129:
1125:
1122:
1121:
1117:
1109:
1108:
1107:The Spectator
1103:
1097:
1094:
1088:
1086:
1082:
1078:
1077:
1076:The Spectator
1072:
1066:
1063:
1057:
1055:
1051:
1047:
1046:
1041:
1036:
1034:
1030:
1026:
1022:
1021:
1016:
1011:
1008:
1005:
1004:0-9532609-5-X
1001:
997:
991:
989:
987:
985:
981:
975:
972:
966:
964:
962:
960:
958:
956:
954:
950:
944:
941:
935:
932:
928:
922:
920:
918:
914:
910:
909:1-85437-231-9
906:
902:
896:
894:
892:
890:
888:
886:
884:
882:
880:
878:
876:
874:
872:
870:
868:
866:
864:
862:
860:
858:
856:
854:
852:
850:
848:
846:
844:
842:
840:
838:
836:
834:
832:
830:
828:
824:
820:
816:
812:
809:
804:
802:
800:
796:
792:
788:
787:Martin Butlin
784:
780:
776:
771:
769:
767:
765:
763:
761:
759:
757:
755:
751:
744:
742:
740:
739:Wyndham Lewis
736:
732:
731:Augustus John
728:
724:
720:
716:
711:
709:
705:
700:
698:
694:
685:
683:
681:
680:Royal Academy
677:
673:
668:
666:
659:
654:
648:
646:
644:
640:
636:
632:
628:
624:
620:
612:
608:
604:
600:
596:
594:
588:
583:
579:
574:
572:
568:
564:
560:
559:Kenneth Clark
553:
549:
545:
541:
538:
534:
526:
524:
522:
518:
514:
509:
507:
503:
499:
495:
491:
490:Expressionism
487:
483:
479:
478:
473:
468:
466:
463:of my friend
462:
458:
454:
450:
447:
443:
439:
435:
431:
427:
423:
419:
415:
411:
407:
403:
399:
395:
387:
383:
379:
377:
376:Kenneth Clark
372:
364:
362:
360:
356:
352:
348:
343:
341:
337:
333:
329:
325:
324:Impressionist
321:
317:
316:Monarro Group
313:
309:
305:
297:
293:
289:
287:
283:
279:
278:Impressionism
274:
272:
268:
264:
260:
252:
251:Self-Portrait
248:
241:
239:
237:
233:
232:
227:
223:
222:
217:
213:
209:
208:Hampstead Way
205:
201:
200:Adelaide Road
196:
194:
190:
186:
182:
178:
177:Jacob Epstein
174:
170:
166:
165:Latin Quarter
158:
154:
147:
145:
143:
139:
135:
134:George Newnes
131:
127:
122:
120:
116:
115:SimĂłn BolĂvar
112:
108:
104:
100:
99:
94:
86:
82:
75:
73:
71:
67:
66:Expressionism
63:
59:
58:Impressionism
55:
50:
46:
42:
35:
30:
26:
22:
1698:London Group
1662:Paul Gauguin
1626:J. B. Manson
1625:
1596:Duncan Grant
1571:Robert Bevan
1566:Walter Bayes
1506:
1505:Purchase of
1497:
1474:
1467:
1460:
1453:
1402:Turner Prize
1335:Alan Bowness
1317:J. B. Manson
1316:
1271:Tate St Ives
1256:Tate Britain
1193:
1156:(2nd column)
1152:
1134:
1126: at the
1105:
1096:
1074:
1065:
1043:
1040:"Black-Outs"
1018:
1010:
995:
974:
943:
934:
926:
900:
790:
723:Duncan Grant
719:Tate Britain
717:was held at
712:
701:
689:
669:
661:
656:
652:
638:
616:
602:
590:
585:
581:
576:
556:
530:
510:
493:
477:Sunday Times
475:
472:Frank Rutter
469:
460:
441:
433:
397:
391:
386:Tate Britain
368:
346:
344:
328:Claude Monet
304:London Group
301:
295:
275:
256:
250:
229:
219:
212:Bernard Shaw
197:
162:
156:
123:
106:
96:
90:
84:
40:
39:
25:
1729:1945 deaths
1724:1879 births
1395:Exhibitions
1356:Benefactors
1329:Norman Reid
1266:Tate Modern
783:Mary Chamot
704:Cork Street
488:and German
465:Henry Moore
430:Henry Moore
398:La Causette
314:formed the
109:series for
105:and of the
64:and German
1718:Categories
1655:Influences
1611:Henry Lamb
1476:Shibboleth
1462:Embankment
1364:Henry Tate
1197:1930–1938
735:Henry Lamb
649:Retirement
571:Clive Bell
533:alcoholism
486:Surrealism
326:painters,
218:; in 1910
76:Early life
62:Surrealism
54:alcoholism
1693:Vorticism
1499:Tate Etc.
1469:Test Site
1370:Hugh Lane
1292:Directors
1249:Galleries
595:request.
587:painting.
470:Although
446:Roger Fry
355:Rembrandt
340:Roger Fry
267:Alfriston
261:director
221:The Times
204:Hampstead
195:tutored.
1308:(Keeper)
1302:(Keeper)
811:Archived
627:Jean Arp
569:museum.
418:Van Gogh
357:(1929),
353:(1927),
148:Marriage
36:Director
1559:Artists
561:at the
537:Utrillo
527:Decline
506:Sickert
438:Picabia
422:Matisse
226:Purcell
187:enemy,
130:Dulwich
93:Brixton
1128:Art UK
1002:
907:
686:Legacy
567:Louvre
410:Renoir
374:sick.
271:Sussex
45:London
1486:Other
1025:Degas
552:Paris
502:Tonks
498:Ashes
406:Monet
351:Degas
1442:2013
1437:2012
1432:2011
1427:2010
1422:2009
1417:2008
1412:2007
1407:2006
1379:Sir
1368:Sir
1362:Sir
1339:Sir
1333:Sir
1327:Sir
1321:Sir
1298:Sir
1242:Tate
1130:site
1045:Time
1000:ISBN
905:ISBN
819:Tate
779:Tate
708:Tate
697:Hull
629:and
474:, a
449:oils
420:and
408:and
330:and
259:Tate
175:and
49:Tate
34:Tate
637:'s
605:by
550:in
440:'s
228:'s
1720::
1163:.
1104:,
1084:^
1073:,
1053:^
1042:,
1032:^
1017:,
983:^
952:^
916:^
826:^
817:,
798:^
789:,
777:,
753:^
737:,
733:,
729:,
725:,
695:,
269:,
238:.
202:,
171:,
128:,
1542:e
1535:t
1528:v
1234:e
1227:t
1220:v
1167:.
911:.
23:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
