22:
393:
365:
442:
174:
121:
249:
292:
78:
835:
437:
and
Brouwer himself (c. 1636, Metropolitan Museum of Art, New York). Jan Cossiers is the second figure on the right and appears to have smoke in his mouth, as if tasting it before exhaling. This type of group portrait doubled as a representation of one of the five senses (in this case the sense of
57:
and religious subjects as well as portraits. Cossiers was one of the leading painters in
Antwerp after Rubens' death in 1640 and one of the most original colorists in 17th-century Flanders. He was an accomplished draughtsman who created some sensitive portrait drawings executed in a very varied and
490:
Cossiers made a series of portrait studies of his family members. Each of the drawings is numbered in the top left and most identify the sitter by name and are dated 1658. The series is characterized by the intimate treatment and particularly lifelike effects. The surviving portraits only depict
134:
as a 'wijnmeester' (a master who is the son of a master of the guild). It is possible that for a short while he was connected to Rubens' workshop. Apparently Rubens had chosen
Cossiers to accompany him to Madrid in 1628 but Cossiers' parents had opposed the idea. In 1630 Cossiers married Joanna
205:. He also was a portrait painter to the rich bourgeoisie. On 26 July of that year he married his second wife Maria van der Willigen. The couple had 11 children. He was elected a number of times as a 'consultor' of the 'Sodaliteit der getrouwden', a fraternity for married men established by the
258:
Cossiers started out as a painter of
Caravaggesque genre scenes. He later became involved in the execution of religious and mythological compositions that were part of the large commissions of the Rubens workshop in the 1630s. After the death of Rubens he became one of the leading painters of
344:
His works of the 1630s and 1640s were very colourful, which can be attributed to Rubens' influence. In his later works his palette became more subdued and his brushwork was applied more freely. His compositions in this late period emphasize the pathos of the figures through their exaggerated
307:
was auctioned at
Sotheby's on 3 December 2014, New York, lot 31. It shows the prodigal son while feasting and drinking in a tavern, unaware that his pocket is being picked. In the background the son is shown being expelled from the inn after completely squandering his inheritance.
404:
288:). It depicts a man in very elegant costume who is read his fortune by a gipsy woman. The man does not realise that his pocket is being picked by a young man. The light falls on the man creating a dramatic effect. Cossiers created many versions of this subject.
388:
Jan
Cossiers had received his training from leading portrait painters such as Cornelis de Vos and Abraham de Vries. He had thus learned the necessary skills to cater to the demand of the well-off bourgeoisie for individual and group portraits.
337:). During this period his work underwent the influence of the monumentality and palette of Rubens, whom he assisted on large commissions. After the death of Rubens he was able to fill the gap left by Rubens' enormous studio and supplied
783:
478:
on a kitchen scene (dated 1639, private collection). Cossiers painted the portraits of van
Utrecht and his wife Constancia in a kitchen amidst an extensive still life with game, lobster, fish and vegetables painted by van Utrecht.
459:
408:(Auctioned at Christie's on 19 April 2007, New York, lot 226) Jan Cossiers was able to portray the sitter's self-assured and dignified nature through details such as the sitter's left hand, which is resting securely at his waist.
749:
463:(Sold at Bonhams on 5 July 2006, London, lot 46), which are likely portraits of Adriaen Brouwer as well as representations of the sense of taste. The paintings are believed to be part of a series on the five senses.
316:
In the 1630s
Cossiers became connected to Rubens and commenced to paint history subjects. Examples are the mythological scenes he painted after designs by Rubens for the Torre de la Parada such as the
453:
271:
in a tavern, merry companies, smokers, drinkers, card players, backgammon players, fortune tellers, etc. Some of these works revisited the theme of the five senses popular in
Flemish genre art.
777:
319:
466:
As was common in
Antwerp’s art world at the time, Cossiers collaborated with other specialist artists, for whom he painted the figures. A garland portrait of Huygens by Cossiers and
21:
303:
451:
Jan Cossiers also painted a number of genre portraits that represent the five senses. These portraits can at the same time be regarded as tronies. Examples are the portraits of
392:
142:
In the 1630s Cossiers was able to obtain a number of large commissions thanks to the intervention of Rubens. He assisted Rubens in 1635 in the decorations for the
329:
278:
effects with dramatic lighting by a single light source so as to create dramatic effect and depth. An example of a work painted during this early period is the
618:
380:(Auctioned at Sotheby's 9 July 2011, New York, lot 39), which has the freedom of the brushwork and the subdued coloring of Cossiers' later period.
376:
237:
and history paintings. There was a clear evolution in Cossiers' career, which was not unlike that of some of his Antwerp contemporaries such as
660:
Katlijne Van der Stighelen and Arnout Balis. "Vos, de (i)." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 20 February 2015
421:
364:
198:. After the death of Rubens in 1640 he was recognized as one of the leading history painters in Flanders and he received many commissions for
117:. This portrait is believed to show the three artist friends enjoying a smoke and a drink together during their residence in Aix-en Provence.
687:
587:
280:
441:
70:
on 15 July 1600. He received his first training from his father and then moved to the studio of the prominent portrait and history painter
195:
130:
Jan Cossiers returned to Antwerp in 1627. In the period between 18 September 1628 and 18 September 1629 he was admitted to the Antwerp
870:
865:
855:
669:
350:
860:
113:
100:
768:, Advisors: Wheelock, Arthur, PhD, 2007 Dissertation, University of Maryland University of Maryland (College Park, Md.), p. 8
734:
875:
563:
136:
635:
Rubens: A Genius at Work : the Works of Peter Paul Rubens in the Royal Museums of Fine Arts of Belgium Reconsidered
487:
Cossiers was a very accomplished draughtsman, which is shown by a number of portraits of children, including his own.
268:
179:
173:
150:. Rubens had the overall management of this project. He further assisted with Rubens' commission for decorating the
191:
147:
92:
818:
Adriaen van Utrecht and Jan Cossiers, 'Kitchen still life with the portraits of Adriaen en Constancia van Utrecht'
609:
Hans Vlieghe. "Cossiers, Jan." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 20 February 2015
402:
His portraits are characterised by their sensitive likenesses, psychological insight and casual elegance. In the
419:, i.e. head or facial studies, which investigate varieties of expression. Brouwer painted a tavern scene called
702:
491:
the artist's sons and not his five daughters. These portraits are executed in a very varied and fluid manner.
374:
Jan Cossiers did not entirely abandon the low life themes in this later stage of his career as shown by a late
839:
633:
Joost vander Auwera, Michel Draguet, Peter Paul Rubens, Arnout Balis, Sabine van Sprang, Michèle Van Kalck,
162:. Cossiers painted mythological scenes after designs by Rubens. Other Antwerp artists such as the brothers
120:
800:
714:
107:. Peiresc recommended Cossiers to Rubens. He also met up with other Flemish and Dutch artists such as
66:
Jan Cossiers was the son of Antoon, a watercolor painter, and Maria van Cleef. He was baptized in the
885:
880:
434:
213:
187:
99:, which had an important influence on his work. He was back in Aix-en-Provence in 1626. Here he met
566:
van 1453-1615, edited and published by Ph. Rombouts and Th. van Lerius, Antwerp, 1872-1876, p. 665
475:
430:
338:
199:
131:
780:
A young man (the painter Adriaen Brouwer?) holding a jug, from a series depicting the five senses
155:
151:
766:
Hoe schilder hoe wilder: Dissolute Self-Portraiture in Seventeenth-Century Dutch and Flemish Art
248:
242:
217:
104:
67:
718:
206:
54:
787:
412:
291:
212:
He had many pupils including Jan Carel van Bremt, Grée Melsen, Jacques (Jacob) de Langhe,
163:
88:
71:
301:
Another subject, which Cossiers reprised multiple times is that of the prodigal son. One
507:
Alternative spellings of name: Jan Caussiers, Jan Coetsiers, Jan Cotsiers, Jan Coutsiers
467:
77:
50:
95:. He visited Rome where he is recorded in October 1624. In Rome he likely saw work of
849:
341:
altarpieces to the many churches in Catholic Flanders as well as to the open market.
703:
Recently discovered signature of Jan Cossiers ends debate on authorship in the Prado
233:
Jan Cossiers was a versatile artist who worked in various genres such as portraits,
425:, which included tronie-style portraits of Jan Cossiers together with the painters
334:
285:
238:
143:
111:
and Johan Geerlof as is shown by the group portrait by Simon de Vos referred to as
108:
47:
632:
471:
426:
275:
167:
649:
The Collector's Cabinet: Flemish Paintings from New England Private Collections
202:
96:
26:
Portrait of a man holding a violin and a medallion with a miniature of a woman
234:
91:
in France in 1623, where he stayed with and studied under the Dutch painter
564:
De liggeren en andere historische archieven der Antwerpsche sint Lucasgilde
267:
Jan Cossiers' early works were depictions of 'low-life' themes such as the
139:
in Antwerp. He became the dean of the local Guild of Saint Luke in 1640.
834:
474:. He is known to have collaborated with the still life and animal painter
358:
583:
43:
39:
35:
817:
723:
De groote schouburgh der Nederlantsche konstschilders en schilderessen
752:
Portrait of a gentleman, half-length, in a black coat and lace collar
416:
411:
Jan Cossiers moved in the circle of the famous Flemish genre painter
159:
440:
391:
76:
53:
depicting low life scenes. Later in his career he painted mostly
457:(Sold at Hampel (München), 2011-03-25 - 2011-03-26, lot 207) and
820:, dated 1639, at the Netherlands Institute for Art History
345:
emotional expressions and lively gestures. An example is
353:). Among his late religious paintings is also the large
186:
Cossiers enjoyed the patronage of the governors of the
38:, 15 July 1600 – Antwerp, 4 July 1671) was a Flemish
460:
Portrait of a gentleman, said to be Adriaen Brouwer
551:, Detroit Institute of Arts Wayne State, pp. 25–26
533:European Drawings 4: Catalogue of the Collections
549:Flemish and German Paintings of the 17th Century
274:These early works use the typical Caravaggesque
651:, Univ of Massachusetts Press, 1983, pp. 44–45
216:(who may be identical to Jacques de Langhe),
8:
357:(1655–6) in the Church of the Beguines in
263:Low-life subjects in a Caravaggesque style
103:, the famous humanist and close friend of
801:"Acquisitions of the month: October 2018"
527:
525:
523:
521:
519:
517:
515:
513:
363:
290:
247:
172:
119:
20:
705:, at Codart, Tuesday, 15 September 2015
535:, Getty Publications, 2001, pp. 123–125
500:
415:who was known, amongst others, for his
683:
681:
543:
541:
170:also worked on this large commission.
647:Jan Cossiers, Portrait of a Man, in:
588:Netherlands Institute for Art History
579:
577:
575:
559:
557:
7:
605:
603:
601:
599:
597:
595:
454:A man looking into his empty tankard
369:Young musician with a traverse flute
196:Archduke Leopold Wilhelm of Austria
778:Jan Cossiers (Antwerp 1600–1671),
750:Jan Cossiers (Antwerp 1600-1671),
735:Jan Cossiers (Antwerp 1600-1671),
688:Jan Cossiers (Antwerp 1600-1671),
670:Jan Cossiers (Antwerp 1600-1671),
14:
620:Gathering of Smokers and Drinkers
351:Royal Museum of Fine Arts Antwerp
114:Gathering of Smokers and Drinkers
46:. Cossiers' earliest works were
833:
638:, Lannoo Uitgeverij, 2007, p. 45
690:The Parable of the Prodigal Son
101:Nicolas-Claude Fabri de Peiresc
1:
220:and Franciscus van Verbist.
135:Darragon (or Dragon) in the
715:Johannis Cossiers biography
180:Parable of the Prodigal Son
16:Flemish painter (1600–1671)
902:
347:The Flagellation of Christ
192:Cardinal-Infante Ferdinand
148:Cardinal-Infante Ferdinand
871:Flemish portrait painters
259:altarpieces in Flanders.
866:Flemish history painters
856:Flemish Baroque painters
320:Prometheus carrying fire
405:Portrait of a gentleman
397:Portrait of a gentleman
284:(Musée des beaux-arts,
861:Flemish genre painters
764:Ingrid A. Cartwright,
448:
399:
371:
298:
255:
183:
127:
84:
28:
876:Painters from Antwerp
446:Portrait of young man
444:
395:
367:
304:version of this theme
294:
251:
176:
154:, a hunting lodge of
123:
80:
24:
842:at Wikimedia Commons
786:5 March 2016 at the
547:Julius Samuel Held,
435:Jan Davidsz. de Heem
188:Southern Netherlands
476:Adriaen van Utrecht
431:Joos van Craesbeeck
339:Counter-Reformation
200:Counter-Reformation
132:Guild of Saint Luke
672:The Fortune Teller
449:
400:
372:
330:Jupiter and Lycaon
299:
256:
253:The fortune teller
184:
156:Philip IV of Spain
152:Torre de la Parada
128:
85:
29:
838:Media related to
531:Nicholas Turner,
355:Passion of Christ
243:Theodoor Rombouts
218:Carel van Savoyen
214:Jacques de l'Ange
137:St. James' Church
105:Peter Paul Rubens
68:Antwerp Cathedral
893:
837:
821:
815:
809:
808:
797:
791:
775:
769:
762:
756:
747:
741:
732:
726:
719:Arnold Houbraken
712:
706:
700:
694:
685:
676:
667:
661:
658:
652:
645:
639:
630:
624:
616:
610:
607:
590:
581:
570:
569:
561:
552:
545:
536:
529:
508:
505:
312:History subjects
93:Abraham de Vries
87:He travelled to
901:
900:
896:
895:
894:
892:
891:
890:
846:
845:
830:
825:
824:
816:
812:
805:Apollo Magazine
799:
798:
794:
788:Wayback Machine
776:
772:
763:
759:
748:
744:
737:A Merry Company
733:
729:
713:
709:
701:
697:
686:
679:
668:
664:
659:
655:
646:
642:
631:
627:
617:
613:
608:
593:
582:
573:
567:
562:
555:
546:
539:
530:
511:
506:
502:
497:
485:
413:Adriaen Brouwer
386:
314:
265:
231:
226:
164:Cornelis de Vos
89:Aix-en-Provence
72:Cornelis de Vos
64:
17:
12:
11:
5:
899:
897:
889:
888:
883:
878:
873:
868:
863:
858:
848:
847:
844:
843:
829:
828:External links
826:
823:
822:
810:
792:
790:, at Dorotheum
770:
757:
742:
727:
707:
695:
677:
662:
653:
640:
625:
611:
591:
571:
553:
537:
509:
499:
498:
496:
493:
484:
481:
470:is now in the
468:Daniel Seghers
385:
382:
313:
310:
281:Fortune teller
264:
261:
230:
227:
225:
222:
63:
60:
58:fluid manner.
15:
13:
10:
9:
6:
4:
3:
2:
898:
887:
884:
882:
879:
877:
874:
872:
869:
867:
864:
862:
859:
857:
854:
853:
851:
841:
836:
832:
831:
827:
819:
814:
811:
806:
802:
796:
793:
789:
785:
782:
781:
774:
771:
767:
761:
758:
755:at Christie’s
754:
753:
746:
743:
739:
738:
731:
728:
724:
720:
716:
711:
708:
704:
699:
696:
692:
691:
684:
682:
678:
675:at Christie’s
674:
673:
666:
663:
657:
654:
650:
644:
641:
637:
636:
629:
626:
623:at the Louvre
622:
621:
615:
612:
606:
604:
602:
600:
598:
596:
592:
589:
585:
580:
578:
576:
572:
565:
560:
558:
554:
550:
544:
542:
538:
534:
528:
526:
524:
522:
520:
518:
516:
514:
510:
504:
501:
494:
492:
488:
482:
480:
477:
473:
469:
464:
462:
461:
456:
455:
447:
443:
439:
436:
433:(1600-1671),
432:
428:
424:
423:
418:
414:
409:
407:
406:
398:
394:
390:
383:
381:
379:
378:
377:Merry Company
370:
366:
362:
360:
356:
352:
348:
342:
340:
336:
332:
331:
326:
322:
321:
311:
309:
306:
305:
297:
293:
289:
287:
283:
282:
277:
272:
270:
262:
260:
254:
250:
246:
244:
240:
236:
228:
223:
221:
219:
215:
210:
208:
204:
201:
197:
193:
189:
182:
181:
175:
171:
169:
165:
161:
157:
153:
149:
145:
140:
138:
133:
126:
125:Banquet scene
122:
118:
116:
115:
110:
106:
102:
98:
94:
90:
83:
79:
75:
73:
69:
61:
59:
56:
52:
49:
48:Caravaggesque
45:
41:
37:
33:
27:
23:
19:
840:Jan Cossiers
813:
804:
795:
779:
773:
765:
760:
751:
745:
740:at Sotheby’s
736:
730:
722:
710:
698:
693:at Sotheby’s
689:
671:
665:
656:
648:
643:
634:
628:
619:
614:
584:Jan Cossiers
548:
532:
503:
489:
486:
465:
458:
452:
450:
445:
420:
410:
403:
401:
396:
387:
375:
373:
368:
354:
346:
343:
335:Prado Museum
328:
324:
318:
315:
302:
300:
295:
286:Valenciennes
279:
273:
269:prodigal son
266:
257:
252:
239:Simon de Vos
232:
211:
209:in Antwerp.
207:Jesuit order
185:
177:
144:joyous entry
141:
129:
124:
112:
109:Simon de Vos
86:
81:
65:
32:Jan Cossiers
31:
30:
25:
18:
886:1671 deaths
881:1600 births
472:Mauritshuis
427:Jan Lievens
422:The Smokers
276:chiaroscuro
203:altarpieces
168:Paul de Vos
51:genre works
44:draughtsman
850:Categories
568:(in Dutch)
97:Caravaggio
384:Portraits
325:Narcissus
296:Ecce Homo
82:Narcissus
784:Archived
483:Drawings
438:taste).
359:Mechelen
190:such as
725:, (1718
586:at the
417:tronies
229:General
146:of the
55:history
40:painter
36:Antwerp
160:Madrid
495:Notes
235:genre
158:near
717:in:
327:and
241:and
224:Work
194:and
178:The
166:and
62:Life
42:and
852::
803:.
721:,
680:^
594:^
574:^
556:^
540:^
512:^
429:,
361:.
323:,
245:.
74:.
807:.
349:(
333:(
34:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.