195:
183:
171:
20:
207:
98:'s children. When his father died in 1817, he returned to Luxembourg where he obtained employment in an architect's office. This allowed him to save up for his education in painting and sculpture at the Royal Academy in Brussels where he received a diploma allowing him to become an art teacher. From 1824, he taught first at the Luxembourg Drawing School, then at the prestigious
75:
145:
Fresez not only produced fine landscapes but also portraits clearly depicting not just lively facial features but also the figure's clothing including, for example, the transparency of the lace. They represent mainly members of the grand-ducal family and other notable local figures. In 1841, he
150:
who was visiting
Luxembourg. It was so highly appreciated that the king asked for a copy for his wife. His landscapes, which he began to publish as early as 1826, were also of considerable artistic merit. A similar publication followed in 1833 and in 1855, he published his famous
155:. The landscapes are extremely detailed, many of them depicting Luxembourg's most beautiful scenes which can usually still be easily identified today. As a result, the works are of great documentary value, especially those of the
129:. The album contains a collected of lithographs based on 30 of his finest drawings, all considered to be of great documentary value. As a result, Fresez became a member of the Grand-Ducal Archeological Society (
289:
59:
126:
343:
194:
114:. At the Athénée he developed an innovative method of art teaching which, welcomed by the school, became a compulsory course for most of the students.
312:
A. Namur, "Notice sur feu J.-B. Fresez, professeur de dessin et de peinture à l'Athénée Royal Grand-Ducal de
Luxembourg", Imprimerie V. Buck, 1967.
170:
182:
58:. He attended the Luxembourg Drawing School where he was awarded the first prize when he was just 14, before continuing his art studies at the
328:
111:
348:
223:
Jean-Baptiste Fresez: "Album pittoresque du Grand-Duché de
Luxembourg", Reprint of the 1857 edition, Editions Kutter, 1968, 66 pp.
147:
206:
99:
50:
on 10 July 1800, Fresez came to
Luxembourg City with his parents in 1802 when his father started to work at the
34:'s most important 19th-century painter. He is remembered above all for his almost photographic images of the
353:
156:
110:. He spent all his holidays in Antwerp, studying the grand masters leading in 1826 to a diploma from the
19:
338:
333:
103:
83:
51:
35:
95:
226:
P. Blanc: "J.-B Fresez, portraitiste", Annuaire de la Société des amis des musées, 1928
55:
322:
107:
118:
91:
31:
74:
229:
239:
J. Mersch: "Vues anciennes 1598-1825", Editions P. Bruck, Luxembourg, 1977
236:
M. Noppeney: "Fresez, paysagiste et son époque", Linden & Hansen, 1932
87:
63:
47:
102:. Among his most notable students were the painter and photographer
242:
A. Namur: "Notices sur feu J.-B. Fresez", Imprimerie V. Buck, 1867
73:
18:
23:
Jean-Baptiste Fresez: Luxembourg from the
Alzette River (c. 1828)
82:
After graduating, he worked as an engraver and painter at the
94:. There he was also charged with giving art lessons to
78:
Jean-Baptiste Fresez: Vianden near the Bridge (c. 1857)
66:. In 1848, Fresez acquired Luxembourg nationality.
117:Fresez published views of Luxembourg City, helped
176:Jean-Baptiste Fresez: Ruins of Ansembourg Castle
137:). He died on 31 March 1867 in Luxembourg City.
146:presented a series of watercolour portraits to
121:with his album and, in 1857, published his own
153:Album pittoresque du Grand-Duché de Luxembourg
133:) and of the Brussels Institute of Fine Arts (
188:Plate with drawing of Brandenbourg by Fresez
8:
268:, Editions Guy Binsfeld, Luxembourg, 2006.
200:Historic photograph of Jean-Baptiste Fresez
290:Georgette Bisdorff, "Jean-Baptiste Fresez"
285:
283:
281:
279:
277:
260:
258:
256:
308:
306:
252:
166:
7:
135:Institut des Beaux-Arts de Bruxelles
131:Société archéologique du Grand-Duché
344:19th-century Luxembourgian painters
14:
212:Jean-Baptiste Fresez: Walferdange
205:
193:
181:
169:
123:Album pittoresque du Grand-Duché
52:Sept-Fontaines porcelain factory
127:Prince Henry of the Netherlands
1:
329:Luxembourgian lithographers
233:, no. 124 (2021), pp. 52-55
370:
300:Retrieved 19 January 2011.
159:before it was dismantled.
112:Royal Academy of Fine Arts
349:19th-century male artists
264:"Frenez, Jean-Baptiste",
157:fortress of Luxembourg
79:
24:
86:porcelain factory in
77:
22:
16:Luxembourgian painter
106:and the illustrator
28:Jean-Baptiste Fresez
266:Luxemburger Lexikon
104:Pierre Brandebourg
80:
36:City of Luxembourg
25:
84:Villeroy and Boch
361:
313:
310:
301:
299:
287:
272:
271:
262:
209:
197:
185:
173:
30:(1800–1867) was
369:
368:
364:
363:
362:
360:
359:
358:
319:
318:
317:
316:
311:
304:
297:
288:
275:
269:
263:
254:
249:
220:
213:
210:
201:
198:
189:
186:
177:
174:
165:
148:King William II
143:
72:
44:
17:
12:
11:
5:
367:
365:
357:
356:
351:
346:
341:
336:
331:
321:
320:
315:
314:
302:
273:
251:
250:
248:
245:
244:
243:
240:
237:
234:
227:
224:
219:
216:
215:
214:
211:
204:
202:
199:
192:
190:
187:
180:
178:
175:
168:
164:
161:
142:
139:
71:
68:
56:Rollingergrund
43:
40:
15:
13:
10:
9:
6:
4:
3:
2:
366:
355:
354:Male painters
352:
350:
347:
345:
342:
340:
337:
335:
332:
330:
327:
326:
324:
309:
307:
303:
296:No 61, 1999.
295:
291:
286:
284:
282:
280:
278:
274:
267:
261:
259:
257:
253:
246:
241:
238:
235:
232:
228:
225:
222:
221:
217:
208:
203:
196:
191:
184:
179:
172:
167:
162:
160:
158:
154:
149:
140:
138:
136:
132:
128:
125:dedicated to
124:
120:
115:
113:
109:
108:Michel Engels
105:
101:
97:
96:François Boch
93:
89:
85:
76:
69:
67:
65:
61:
60:Royal Academy
57:
53:
49:
41:
39:
37:
33:
29:
21:
293:
265:
230:
218:Bibliography
152:
144:
134:
130:
122:
119:Nicolas Liez
116:
81:
45:
27:
26:
339:1867 deaths
334:1800 births
298:(in French)
270:(in German)
323:Categories
247:References
92:River Saar
42:Early life
32:Luxembourg
294:Ons stad
231:ons stad
88:Mettlach
64:Brussels
46:Born in
163:Gallery
141:Artwork
100:Athénée
90:on the
54:in the
70:Career
48:Longwy
62:in
325::
305:^
292:,
276:^
255:^
38:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.