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485:-style letters on industrial silkscreens to portray three breakdancers, the song's lyrics acknowledging the work, energy and spirit in breakdancing, rapping and graffiti: "Watch the street, see the modern art, it's the present and future tied to his heart." On Earth Day 1990, Fekner painted over it.
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Fekner raps, "Musicians were painting, painters were playing/ Styles were blending like the current trends...Watch the street see the modern art/ It's present and future tied to his heart." Fekner parades a series of found sounds, approximate rap, beat poetry and quick-cut imagery against a steady,
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Fekner's has created paintings, cast paper reliefs, video, music recordings and performance works, sculpture, photography and computer-generated work. Fekner has addressed issues involving concepts of perception and transformation, as well as specific environmental and sociological concerns such as
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focus on concepts that Fekner addresses in his outdoor spray-painted messages seen in New York and other cities in Canada, England, Sweden and
Germany. Like the stenciled messages, most of lyrics are slanted ideologically to the left and serve as warnings about corporate media, television, toxic
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The
Wooster Collective said, "For us, John Fekner's pioneering stencil work is as important to the history of the urban art movement as the work of artists like Haring, Basquiat. It was artists like Fekner, Leicht, Hambleton and others who truly held down the scene back in the early 1980s."
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painted at Gorman Park 85th Street Park in
Jackson Heights, Queens. Along with his accomplices on the park house roof, he painted the phrase in large white letters across the front of the building. Fekner appropriated the name of the popular hit written and recorded by the
1001:
is an album by an
American artist John Fekner, recorded and released in 1984 under the name John Fekner City Squad. In addition to playing keyboards, electronic drums and vocals, Fekner wrote and composed the music and lyrics for the eight songs on the album.
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in 1984. In addition to playing keyboards, electronic drums and vocals, he wrote the music and lyrics for the eight songs on the album which featured extensive sampling and tape loops of TV, radio, Native
American voices, phone and airport transmissions over
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art critic John
Russell wrote…Fekner is an artist who works not only in New York but with New York. The city in its more disinherited aspects is the raw material with which he has been working ever since he got a studio space in
1053:. Vocals are shared by Fekner, Sandra Seymour and the late Bear 167. It is a high energy rap songs about turning off the television and finding out that "what life is all about is right here on the block."
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in May 1984. Fekner, who was not trained as a musician, would use whatever tools were necessary when composing his music on electronic keyboards and drum machines. He experimented and extensively utilized
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who assisted with the outdoor stencil work. In
September, Fekner released his first rap/rock 12" EP on his own Vinyl Gridlock record label. The A-side, "2 4 5 7 9 11" had Kwame Monroe, aka
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Fekner recording tracks in 1983 and 1984 with his fellow musicians Dennis Mann, Sandra
Seymour, Jim Recchione, Paul Sottnick, Robert Morales, Richard Maffei and Steve Grivas, releasing
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offers plenty to chew on, both mentally and rhythmically. The rough sound and production do not detract from music that is basically tuneful and engaging, and images that are vivid.”
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Vinyl
Gridlock Records 10541-A, ASCAP. 1984–2007 Words and Music by John Fekner/Courtesy Estate of John Fekner/Drama Design Music Publishing Company, ASCAP all rights reserved.
529:. What in other hands might have been vandalism had a salutary effect. People in desolate parts of the city saw more, felt more, thought more and came out of their apathy.
255:) were spray painted in areas that were in need of construction, demolition or reconstruction. The projects succeeded when the existing condition was removed or remedied.
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where they shared a studio in 1976. In 1982, they began a series of work and installations using steel, cut metal, aluminum and automotive paints based on
Nishikado's
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programs for personal computers. Besides the main vocals and instruments, all the other aural information on the album was recorded on an inexpensive
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In 1983, Fekner formed his own band City Squad composed of musicians and non-musicians as an extension of Queensites, a group of teenagers from
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He went on to work outdoors in Queens and in the Bronx in ways that gave point and urgency to places long sunk in despair. With a word or two (
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Taylor, Marvin, Lynn Gumpert, Bernard Gendron, Roselee Goldberg, Carlo McCormick, Robert Siegle, Brian Wallis, and Matthew Yokobosky. (2006).
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Mirapaul, Matthew "A Brush, a Mouse, a Canvas: Mixing Paint and Pixels" New York Times . New York, N.Y.: June 13, 2001. p. H15 (1 page).
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on the invitational card. In reaction to the desolation of the abandoned burnt-out buildings of the South Bronx, Fekner stenciled
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wall mural and audio loop installation, Don Leicht's metal Space Invaders, Fred Baca's drawings and a live performance by
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opens by beautifully incorporating the "I'm-as-mad-as-hell-and-I'm-not-gonna-take-it-anymore" dialogue from the movie
387:"Your Space Has Been Invaded-Our Children are Fighting a Terrible War. Whole families are being sent to Battlescreen.
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in the 1970s. Ten years later, Fekner used the park as a base for his stencils projects. In May 1978, he curated the
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pre-fab pulse. But unlike the worst cases of art-rock hybrids where the pretentious intent overwhelms the medium,
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In 1976, Fekner began to spray paint temporary messages onto buildings in New York City using hand-cut cardboard
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artist as the guest rapper; and the B-side featured Dave Santaniello on rock vocals on "Rock Steady". On the
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gallery, Fekner agreed to create two new songs specifically for the show to be released as a 12" 33 1/3 rpm
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145:(born 1950) is an American artist known for his spray painted environmental and conceptual outdoor works.
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471:, which Fekner also created as a 6' Ă— 12' six-panel painting. Both the painting and song pay homage to
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with help from the Institute for Art and Urban Resources (P.S. 1). A group of thirty artists including
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Alternative Art, New York, 1965-1985 A Cultural Politics Book for the Social Text Collective
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featured Kwame Monroe, a.k.a. Bear 167, a South Bronx graffiti artist as the guest rapper.
346:. Fekner received his first international award at Toronto's Video Culture Festival in the
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limited-edition vinyl record under the name of "John Fekner City Squad." The A-side,
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or has been extensively edited by the subject or by someone connected to the subject
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wastes and other social issues. "Virtually every tune on the album is based on the
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called him "caption writer to the urban environment, ad-man for the opposition."
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1085:. “Sophisticated equipment isn't that much of a necessity,” says Fekner.
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Fekner began writing poetry as a young teenager, and his first outdoor
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in large white letters on an empty building in Gorman Park, New York.
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and spray paint. First seen on the industrial streets and highways of
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1634:, woostercollective.com, January 22, 2007. Retrieved January 1, 2008.
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Exhibition catalog essay, January 30 – March 25, 1982. p. 12–15
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Fashion Moda: A Bronx Experience, by Professor Sally Webster, 1996,
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an elderly person who has acutely perceived his experience of life."
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The Music Paper's Musicians’ Exchange -The Video Signal August 1988
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Do not give way to evil photographs of the South Bronx, 1979-1987
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at the same outdoor location in Queens which included the words
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The Lure of the Local Senses of Place in a Multicentered Society
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in 1976 and learned to regard the huge dilapidated building as "
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Ault, Julie; Collective, Social Text; Center, Drawing (2002).
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for instance) he mingled present with past on the side of the
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In February 1980, Fekner began working in, around, and out of
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Robert C. Morgan review of Idioblast on John Fekner's site
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http://www.lehman.cuny.edu/gallery/talkback/fmwebster.html
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John Russell - ART: 'New Work New York' At The New Museum
1465:(1st ed.). USA: Yale University Press. p. 7.
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Audio cassette/Photography book. 62 pages. Produced by
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It may need editing to conform to Knowledge (XXG)'s
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The Downtown Book The New York Art Scene, 1974-1984
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342:'s Alternate Media Center, the predecessor of its
1784:Kahane, Lisa; Frank, Peter; Ahearn, John (2008).
311:in large letters above one crumbling structure.
46:policy. There may be relevant discussion on the
1343:Stencil Projects 1978–1979, Lund & New York
1321:and Rockpool music magazines. In her review In
649:9 songs (Same as Idioblast plus E Z Gee Jammin)
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1401:Gumpert, Lynn, Curator, "New Work New York at
330:/Crash to experiment on the early interactive
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1632:"Catching Up With John Fekner and Don Leicht"
436:as vocal tracks on "2 4 5 7 9 11" and on his
373:Fekner began collaborating with Bronx artist
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1908:Robert C. Morgan, Domus Magazine, Italy 1985
1900:: CS1 maint: multiple names: authors list (
1767:Stencil Nation Graffiti, Community, and Art
1601:Russell, John "Art: 'New Work New York' at
793:13 track album release as mp3 available on
365:by K-8 students from a South Bronx school.
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1462:The World Atlas of Street Art and Graffiti
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361:animation created at AMC which featured a
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1865:, Penguin Group (USA) Incorporated, 1985
1863:Get The Message-A Decade Of Social Change
1737:New, used & improved art for the 80's
745:VG#679 Unreleased-Video soundtrack only.
66:Learn how and when to remove this message
1806:Mapping the Terrain New Genre Public Art
1735:Frank, Peter; McKenzie, Michael (1987).
1664:Susan Orlean Stroll Magazine Spring 1985
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1033:. Invited by Diane Shamash, director of
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2479:New York Institute of Technology alumni
1459:Schacter, Rafael; Fekner, John (2013).
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1029:presented a joint exhibition entitled
344:Interactive Telecommunications Program
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1027:Minneapolis College of Art and Design
734:When The Future Collides With History
7:
2434:20th-century American male musicians
951:John Fekner Dennis Mann Steve Grivas
447:beats. Tracks on the album included
2217:Hong Kong (Free Ai Weiwei campaign)
1826:Street art the graffiti revolution
1488:Street art the graffiti revolution
14:
2474:American male classical composers
1682:. University of Minnesota Press.
956:John Fekner City Squad chronology
2394:
2393:
1609:March 19, 1982. p. C24 (1 page).
1358:(Wedgepress & Cheese, 1982)
663:, Published by B-Sellers, Japan
385:arcade game with the statement:
23:
2484:Musicians from Queens, New York
2469:American experimental composers
2429:20th-century American composers
1701:. Harry N Abrams Incorporated.
1618:Lippard, Lucy, "All Fired Up",
1233:Bear 167, J. Fekner, S. Seymour
2449:American contemporary painters
2444:21st-century American painters
2439:20th-century American painters
1205:
1126:
1111:sounds good, beat box or not.
803:Another 4 Years (Edit/Elect08)
292:In 1968, he painted the words
279:From The Monkey To The Monitor
1:
1102:experience. In a tune called
2327:Sarajevo Street Art Festival
1539:"Teletext Art – An Overview"
1371:(Wedge Press, Inc.#10, 1983)
875:Mobile Recording, Queens, NY
1511:Schwartzman, Allan (1985).
1419:. Wedgepress & Cheese.
1278:"Wheels Over Indian Trails"
1188:Recorded sound/voices loops
1006:, released on Fekner's own
765:Final Concerto Oil Drum Mix
2500:
2464:Culture jamming techniques
2286:Palestine (West Bank Wall)
2211:SĂŁo Paulo (Beco do Batman)
1446:February 21, 2007, at the
1148:"Halley's Comet/Rapicasso"
966:2 4 5 7 9 11 - Rock Steady
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519:Wheels Over Indian Trails,
408:Music projects / Idioblast
391:"Beauty's Only Street Deep
239:bridges, and later in the
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1843:Lippard, Lucy R. (1997).
1369:Beauty's Only Screen Deep
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1264:J. Fekner James Recchione
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563:VINYL GRIDLOCK RECORDS 33
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465:Wheels Over Indian Trails
1824:Lewisohn, Cedar (2008).
1753:Gumpert, Lynn, Curator,
1716:Deitch, Jeffrey (2011).
1588:F.Y.I by Jesse McKinley
1486:Lewisohn, Cedar (2008).
1281:J. Fekner D. Santaniello
1261:"The Sight Of The Child"
1072:Software Automatic Mouth
1008:independent record label
587:2 4 5 7 9 11/Rock Steady
434:Software Automatic Mouth
404:2006 exhibition in NYC.
352:Toxic Wastes From A to Z
299:In 1978, he curated the
277:In 1982, Fekner curated
2332:Sarasota Chalk Festival
2322:Pasadena Chalk Festival
1788:. Miss Rosen Editions.
1765:Howze, Russell (2008).
1345:(Edition Sellem, 1979)
1031:When Words Become Works
554:JOHN FEKNER CITY SQUAD
481:. Fekner spray painted
393:" was installed at the
176:in 1968 were the words
162:Native American Indians
2459:American photographers
2454:American male painters
1803:Lacy, Suzanne (1995).
1592:, Sunday, May 21, 1995
1093:Most of the lyrics on
1011:Vinyl Gridlock Records
941:Vinyl Gridlock Records
852:John Fekner City Squad
461:The Sight Of The Child
139:
129:, Poetry, Music, Video
2271:Sydney (Newtown area)
2203:Southeastern Brazil (
1755:New Work New York at
1648:Michael Pepe article
1415:Fekner, John (1982).
1337:Selected bibliography
1250:J. Fekner, S. Seymour
1182:"Travelogue The 80's"
871:Monkey Hill Studios,
767:on David Wojnarowicz-
527:Queens-Midtown Tunnel
243:, his signs (such as
219:throughout the park.
138:
44:neutral point of view
2400:Category: Street art
2197:Berlin (Berlin Wall)
1622:, December 2–8, 1981
1244:"I Get Paid To Clap"
773:Red Hot Organization
769:Optic Nerve (CD-ROM)
1739:. Abbeville Press.
1697:Edlin, Jay (2011).
1201:
1122:
714:The Beat (89 Remix)
621:VG#10541-A/10542-B
513:, for instance, or
281:which featured his
213:Richard Artschwager
100:New York City, U.S.
1718:Art in the Streets
1377:(B-Sellers, 1985)
1313:was popular among
1309:Upon its release,
1199:
1120:
1023:Walker Arts Center
781:LPEPMP3-Selections
771:. Produced by the
669:I Get Paid To Clap
453:I Get Paid To Clap
449:Travelogue The 80s
395:Wooster Collective
377:at PS1 now called
201:Gordon Matta-Clark
140:
2406:
2405:
2348:Built environment
2307:The Cans Festival
1854:978-1-56584-247-2
1835:978-1-85437-767-8
1795:978-1-57687-432-5
1776:978-1-933149-22-6
1769:. Manic d Press.
1746:978-0-89659-650-4
1727:978-0-8478-3648-2
1708:978-0-8109-9744-8
1689:978-0-8166-3794-2
1545:. August 16, 2013
1497:978-1-85437-767-8
1426:978-91-85752-32-4
1301:
1300:
1216:Lead vocals/voice
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1194:
1137:Lead vocals/voice
994:
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989:
821:
820:
814:mp3 available on
687:Between C & D
607:Idioblast (album)
478:The Three Dancers
439:Idioblast (album)
359:computer graphics
316:Martin Nisenholtz
245:Industrial Fossil
207:, Len Bellinger,
160:, mass media and
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2227:Northern Ireland
2133:Lists of artists
2094:Stencil graffiti
2084:Reverse graffiti
2021:Installation art
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1919:Official website
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689:" Magazine, NYC
647:Cassette Gazette
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503:Long Island City
420:, a South Bronx
399:11 Spring Street
318:invited Fekner,
211:, Lou Forgione,
187:about a park in
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2036:Spray paint art
2016:Hip hop culture
1991:Culture jamming
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1672:Further reading
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1323:Stroll Magazine
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983:Concrete People
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708:VG#33331/44442
695:Concrete People
627:Another 4 Years
610:8 songs (ASCAP)
600:VG#10538/10539
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549:
515:Broken Promises
491:
414:Jackson Heights
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253:Decay/Abandoned
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193:Itchycoo Chiefs
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97:October 6, 1950
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36:autobiography
32:This article
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2358:Public space
2312:Living Walls
2247:Philadelphia
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1547:. Retrieved
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2419:1950 births
2378:Visual arts
2317:See No Evil
2256:Balmy Alley
2099:Sticker art
2005:terminology
975:Idioblast''
910:spoken word
886:Avant-garde
795:iTunes Plus
547:Discography
320:Andy Warhol
249:Urban Decay
241:South Bronx
209:Lucio Pozzi
185:Small Faces
151:urban decay
143:John Fekner
94:John Fekner
84:John Fekner
2413:Categories
2353:Public art
2302:Beton Fest
2119:Wheatpaste
2042:Subway Art
2026:Propaganda
1967:Street art
1871:0525242562
1514:Street art
1417:Queensites
1356:Queensites
1165:"The Beat"
1100:Street Art
1017:Background
894:industrial
873:Aura Sonic
869:1983–1984
763:Listed as
681:VG#10569
661:Fran Kuzui
638:VG#10555
402:street art
375:Don Leicht
328:John Matos
237:East River
205:Don Leicht
168:Early life
158:pollutants
127:Multimedia
56:March 2019
2383:Vandalism
2232:Melbourne
2201:Brazil (
2124:Wildstyle
2109:Throw ups
2011:Handstyle
1896:cite book
1720:. Skira.
1577:Idioblast
1573:Rapicasso
1331:Idioblast
1311:Idioblast
1267:A. Lelcht
1247:J. Fekner
1230:J. Fekner
1213:Writer(s)
1185:J. Fekner
1168:J. Fekner
1154:J. Fekner
1151:J. Fekner
1134:Writer(s)
1109:Idioblast
1104:Rapicasso
1095:Idioblast
1063:Idioblast
1057:Recording
1004:Idioblast
998:Idioblast
832:Idioblast
824:Idioblast
727:Flexidisc
683:Flexidisc
640:Flexidisc
525:near the
469:Rapicasso
443:rock/rap/
314:In 1981,
309:Last Hope
153:, greed,
106:Education
48:talk page
2266:Sarajevo
2241:5 Pointz
2205:pichação
2187:Adelaide
2145:Graffiti
2001:Graffiti
1981:Activism
1549:June 19,
1543:CHIPFLIP
1444:Archived
1329:wrote, "
1200:Side two
1121:Side one
947:Producer
906:rap rock
866:Recorded
861:May 1984
858:Released
850: by
725:VG#678
457:The Beat
432:and SAM-
426:Apple II
422:graffiti
418:Bear 167
389:" Their
379:MoMA PS1
348:Videotex
332:teletext
283:NOTV4U2C
264:graffiti
229:stencils
174:graffiti
155:chemical
2341:Related
2281:Toronto
2192:Atlanta
2150:Stencil
2104:Tagging
1974:Culture
1315:Club DJ
1305:Reviews
1083:Walkman
1051:Network
986:(1986)
979:(1984)
969:(1983)
902:hip hop
783:(ASCAP)
753:(ASCAP)
697:(ASCAP)
671:(ASCAP)
589:(ASCAP)
568:⁄
560:Format
535:in the
489:Reviews
473:Picasso
445:hip hop
336:Telidon
334:system
272:rapping
217:in situ
2398:
2295:Events
2276:Tehran
2180:Places
2140:Street
2079:Poster
2074:Pieces
1884:
1869:
1851:
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1813:
1792:
1773:
1743:
1724:
1705:
1686:
1521:
1494:
1469:
1423:
1381:
1362:
1349:
1219:Length
1140:Length
1068:Votrax
920:Length
914:poetry
816:iTunes
499:P.S. 1
430:Votrax
235:, the
233:Queens
189:Newham
34:is an
2069:Mural
2052:Types
1389:Notes
1297:36:34
1210:Title
1131:Title
1089:Theme
1075:(SAM)
937:Label
881:Genre
557:Year
511:Decay
356:8-bit
354:, an
274:. I
2222:Kyiv
1902:link
1882:ISBN
1867:ISBN
1849:ISBN
1830:ISBN
1811:ISBN
1790:ISBN
1771:ISBN
1741:ISBN
1722:ISBN
1703:ISBN
1684:ISBN
1551:2024
1519:ISBN
1492:ISBN
1467:ISBN
1421:ISBN
1379:ISBN
1360:ISBN
1347:ISBN
1287:4:23
1270:2:12
1253:4:34
1236:6:26
1191:9:19
1174:3:32
1157:6:08
1070:and
1035:MCAD
1025:and
898:rock
807:2008
786:2008
756:1999
738:1989
718:1989
700:1986
674:1985
652:1985
631:1984
613:1984
592:1983
573:RPM
467:and
326:and
270:and
251:and
110:NYIT
90:Born
1319:CMJ
1206:No.
1127:No.
581:EP
578:LP
501:in
483:LCD
475:'s
397:'s
363:rap
340:NYU
338:at
123:Art
2415::
2258:,
2209:,
1898:}}
1894:{{
1880:.
1828:.
1657:^
1639:^
1605:"
1541:.
1490:.
1325:,
1275:4.
1258:3.
1241:2.
1224:1.
1179:3.
1162:2.
1145:1.
1039:EP
972:''
929:34
925:36
912:,
908:,
904:,
900:,
896:,
892:,
888:,
797:.
775:.
459:,
455:,
451:,
322:,
289:.
266:,
247:,
203:,
164:.
125:,
2262:)
2254:(
2243:)
2239:(
2213:)
2207:)
2007:)
2003:(
1959:e
1952:t
1945:v
1904:)
1890:.
1857:.
1838:.
1819:.
1798:.
1779:.
1759:,
1749:.
1730:.
1711:.
1692:.
1553:.
1527:.
1500:.
1475:.
1429:.
927::
705:♦
616:♦
597:♦
570:3
566:1
463:,
69:)
63:(
58:)
54:(
50:.
40:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
