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in 1797. This last painting soon fell into a poor condition and was destroyed during alterations to the building in 1827. His "descent from the Cross" painted in 1780 is now visible in the Church of St Anselm and St
Cecilia which was built after the destruction of the
174:
While Rigaud consistently exhibited paintings at the Royal
Academy – showing a total of 155 works there between 1772 and 1815 – "his most lucrative and engrossing employment was decorative painting for the town and country houses of the nobility, including
84:. Jacques died on the journey, and his widow assumed her maiden name—Rigaud—by which the family became known. John had a brother Jacques Etienne Rigaud born 16 Jan 1741 and died 7 Mar 1767 at Turin.
388:
176:
231:. They did not last: a guidebook to the building, published in 1819, recorded that "these Paintings never dried perfectly and turned black. They exist no longer..."
187:". Some of his exhibits at the Academy were studies for ceiling paintings, and in 1797 he showed three works described as "specimen of fresco painting on
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184:
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Rigaud, Stephen
Francis Duthil (1984). "Facts and Recollections of the XVIIIth Century in a Memoir for John Francis Rigaud Esq. R.A.".
756:
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Taylor, Lyrica (2015). "A rediscovered Self-portrait by JF Rigaud (1742–1810): The art of family affection in 18th-century
England".
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on 9 September. He was the second son of James Dutilh or Rigaud and Jeanne Françoise
Guiraudet. His father came from a family of
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355:
192:
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A Dictionary of
Artists who have Exhibited Works in the Principal London Exhibitions of Oil Paintings from 1760 to 1880
776:
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In April 1770, he and Barry travelled together to
Florence, Bologna, and Turin. Rigaud then spent a short time in
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273:, "his historical paintings were not well received". He was also commissioned to paint two religious works: a
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in 1772 and was elected an associate of the
Academy in the same year. Also in 1772 he lodged at Mr. Luther's,
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238:
227:, representing "Providence", "Innocence", "Wisdom" and "Happiness" were painted at the expense of Alderman
111:, but had to return home due to family considerations. In January 1768, he set off once again, this time to
52:, and decorative painter. Of French descent, he was born in Turin and spent most of his career in England.
368:
497:
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Portrait of the artist with his wife Mary
Williams and children (Mary, Stephen and Betsy), in his studio
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119:, Bologna, and then, once again, to Rome. He settled there and studied the city's art, particularly the
343:, his portraits "tend to be strongly characterized and boldly conceived, even occasionally eccentric".
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Rigaud married Mary
Williams (1740? – 1808) on 21 July 1774. They had three daughters and one son,
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586:
The Churches of London: A History and Description of the Ecclesiastical Edifices of the Metropolis
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633:
625:
363:
289:
204:
49:
566:
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The Royal Academy: A Complete Dictionary of Contributors from its Foundations in 1769 to 1904
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223:, being mostly classical figures and imitations of bas-reliefs". His works at the
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403:, who also became a painter. After his wife's death, Rigaud lived with his son.
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Rigaud was also a portrait painter, and painted a group portrait of the artists
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Londinium Redivivium, or, an Ancient History and Modern Description of London
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On 10 February 1784 Rigaud was formally elected to the Royal Society, with
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as his diploma work. In 1795, he was appointed historical painter to
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215:, all these works were "executed in the fashionable Italian style of
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Soho and its Associations : Historical, Literary & Artistic
512:. London: Dulau & Co., 27 Bateman's Buildings, Soho. pp.
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203:(1780). He also helped decorate the common council chamber of the
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133:. While in Rome, Rigaud became friends with the Swedish sculptor
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The first edition of this text is available at Wikisource:
362:, his career as a painter seems to have declined. He translated
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73:
667:. Oxford University Press. 2004. Retrieved on 2 February 2008.
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in 1782. He also painted a series of naval heroes, including
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Entry of the Black Prince into London with his Royal Prisoner
87:
Having demonstrated an artistic ability, Rigaud studied with
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Godwin, George; John Britton (1839). "St Martin's Outwich".
372:(1802) and he restored painted decorations such as those in
95:. He left Beaumont to travel Italy and study painting in
44:(18 May 1742 – 6 December 1810) was an eighteenth-century
72:
merchants; his grandfather Jacques Dutilh had fled from
506:
Rimbault, Edward Francis (1895). George, Clinch (ed.).
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A Brief Account of the Guildhall of the City of London
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There is an account of the state of the painting in
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of John Boydell in the late 1780s. According to the
546:. Vol. 6. London: Henry Graves. p. 300.
253:Rigaud also produced history paintings, such as
129:describes as "one of his most important works":
257:(1775), and several works for the galleries of
565:. London: John Nichols and Son. 1819. p.
8:
722:21 artworks by or after John Francis Rigaud
683:. London: Smith, Elder & Co. 1885–1900.
657:. and Martin Myrone. "John Francis Rigaud"
531:. London: George Bell and Sons. p. 53.
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576:
358:. However, after 1800, according to the
664:Oxford Dictionary of National Biography
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468:Cust and Myrone, "John Francis Rigaud".
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354:of Sweden and was made a member of the
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199:in Piccadilly (1772 and 1774) and at
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103:, where he was made a member of the
91:of Turin, historical painter to the
605:. Vol. 4. London. p. 411.
159:in December 1771. He exhibited his
425:St James' Church, Great Packington
14:
787:18th-century English male artists
782:19th-century English male artists
480:The Volume of the Walpole Society
131:Hercules Resting from his Labours
82:revocation of the Edict of Nantes
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680:Dictionary of National Biography
360:Dictionary of National Biography
341:Dictionary of National Biography
288:for the newly rebuilt church of
271:Dictionary of National Biography
213:Dictionary of National Biography
126:Dictionary of National Biography
601:Malcolm, James Peller (1807).
249:, by John Francis Rigaud 1780.
195:offered him work in London at
107:in 1766. He then travelled to
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752:19th-century English painters
742:18th-century English painters
504:lived at no. 49 in 1811. See
401:Stephen Francis Dutilh Rigaud
674:"Rigaud, John Francis"
331:, Sir William Chambers, and
327:in 1777 and another of Sir
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356:Royal Academy of Stockholm
325:Giovanni Battista Cipriani
89:Claudio Francesco Beaumont
80:with his family after the
757:English portrait painters
542:Graves, Algernon (1905).
527:Graves, Algernon (1884).
500:lived at no. 14 in 1787,
348:Samson Breaking his Bands
309:Samson Breaking his Bands
211:(1796). According to the
772:English history painters
295:Sardinian Embassy Chapel
282:Sardinian Embassy Chapel
618:The British Art Journal
239:Johann Reinhold Forster
415:on 6 December 1810 at
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369:A Treatise on Painting
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275:Descent from the Cross
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137:and the Irish painter
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747:English male painters
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207:in London (1794) and
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703:at Wikimedia Commons
317:Francesco Bartolozzi
171:(now no. 25), Soho.
105:Accademia Clementina
713:John Francis Rigaud
701:John Francis Rigaud
339:. According to the
267:Shakespeare Gallery
155:before leaving for
135:Johan Tobias Sergel
64:on 18 May 1742 and
60:Rigaud was born in
37:John Francis Rigaud
26:John Francis Rigaud
777:Royal Academicians
711:Works by or about
589:. London: C. Tilt.
496:Another Huguenot,
486:– via JSTOR.
423:and was buried in
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762:1742 births
352:Gustavus IV
337:Lord Nelson
297:during the
181:Lord Sefton
139:James Barry
121:old masters
736:Categories
717:Wikisource
655:Cust, L. H
183:, and the
177:Lord Gower
70:Protestant
56:Early life
630:1467-2006
286:Ascension
225:Guildhall
205:Guildhall
638:24913965
413:apoplexy
277:for the
161:Hercules
113:Piacenza
97:Florence
66:baptised
50:portrait
395:, 1782.
163:at the
101:Bologna
99:and in
46:history
726:Art UK
636:
628:
384:Family
323:, and
311:(1784)
247:Tahiti
157:London
147:London
78:Geneva
32:(1793)
634:JSTOR
431:Notes
407:Death
153:Paris
117:Parma
62:Turin
728:site
626:ISSN
376:and
366:'s
261:and
241:and
219:and
109:Rome
74:Lyon
715:at
659:DNB
516:-7.
514:106
419:in
245:in
76:to
28:by
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567:39
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