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him as sociable and agreeable. John Opie's last portrait was of the Duke; it was completed just before his death. The Duke wrote a letter of sympathy to Amelia and said he was glad Royal etiquette allowed him to follow the Opie funeral procession in his carriage to St. Paul's
Cathedral...Writing to W.J. Fox in May 1832, she mentioned Demerara, her short story set on a West Indies plantation: 'I have sent Demerara to the Duke of Gloucester through Mrs. Opie who knows him well and has taken me up vehemently.'
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In 1781, having gained considerable experience as a portraitist travelling around
Cornwall, Opie moved to London with Wolcot. There they lived together, having entered into a formal profit-sharing agreement. Although Opie had received a considerable artistic education from Wolcot, the doctor chose to
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This was Prince
William Frederick, the Duke of Gloucester, a staunch advocate of the abolition of slavery. Amelia had first met him in the 1790s, when he was a guest of the Gurneys of Earlham on several occasions. Louisa and Richenda Gurney wrote glowing accounts of him in their journals, describing
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present him as a self-taught prodigy; a portrait of a boy shown at the
Society of Artists the previous year, had been described in the catalogue as "an instance of Genius, not having ever seen a picture." Wolcot introduced the "Cornish wonder" to leading artists, including Sir
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In 1805, Opie was appointed a professor at the Royal
Academy and from May 1806 gave a series of four lectures which were published as a book after his death, with a memoir by his widow Amelia Opie, in 1809. His students at the academy included
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The 2nd Baron, Richard (1716–1761) was a close friend of Horace
Walpole as was his brother, George, the 1st Earl (1721–1795). George was also friends with Joshua Reynolds, David Garrick and John Opie and became part of the 'Strawberry Hill'
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But Opie's love for his wife led him to desire her constant presence . Devoted as ever to his work , he was not willing to enter into society more than could be helped , while she , full of the joy of living , delighted in gaiety of all
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After the initial burst of popularity, Opie's style rapidly fell out of fashion. In response to this he began to work on improving his technique, while at the same time seeking to supplement his early education by the study of
232:(Peter Pindar), who visited him at the sawmill where he was working in 1775. Recognising a great talent, Wolcot became Opie's mentor, buying him out of his apprenticeship and insisting that he come to live at his home in
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The cash book is in the
Holkham Hall ... Mr. Robinson points out that Coke of Norfolk commissioned a number of paintings of his Whig friends, such as John Opie's painting of Charles James Fox which also now hangs at
220:, UK. He was the youngest of the five children of Edward Opie, a master carpenter, and his wife Mary (née Tonkin). He showed a precocious talent for drawing and mathematics, and by the age of twelve, he had mastered
257:, and to prospective patrons. The business arrangement with Wolcot lasted for a year, after which Opie informed the doctor that he now wished to go it alone, leading to the estrangement of the two former partners.
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497:; 508 portraits in all, mostly in oil, and 252 other pictures. Opie painted the portrait of Captain Mark Oates whom he had seen paint a butterfly when both men were young. Opie painted the portrait of
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The bluestockings actively participated in this project of promoting female learning through visual culture. ... Frances
Boscawen commissioned John Opie's 1786 portrait of Hannah More, while another ......
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and opened an evening school for poor children where he taught reading, writing, and arithmetic. His father, however, did not encourage his abilities, and apprenticed him to his own trade of carpentry.
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was the only female student that Opie ever taught. He painted her portrait between 1790 and 1800, and asked for her hand in marriage around 1796, but her father rejected the marriage.
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to follow the Opie funeral procession in his carriages to St Paul's
Cathedral. Opie's last portrait was of the Prince with whom Opie's wife, Amelia, shared a great interest in
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and in
December of that year was married to Mary Bunn. The match, however, proved to be an unhappy one and they were eventually divorced in 1796 after her elopement.
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An exhaustive list of Opie's exhibited works, private commissions etc. can be found in Ada Earland's book "John Opie and his circle" (1911, p. 251 ff.).
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181:(16 May 1761 – 9 April 1807) was an English historical and portrait painter. He painted many great men and women of his day, including members of the
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838:"William Frederick (1776–1834), 2nd Duke of Gloucester - by John Opie [held] at Trinity College, Cambridge"
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Thomas Lawrence,esq.,... J. M. W. Turner, James Northcote, esq.,... Peter Martineau...• ASSOCIATES Henry Bone...
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1799 Oil by Opie, probably of Princess Charlotte, listed in Ada Earland, John Opie and his Circle, 1911, p 268.
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John Opie Portrait of George 1st Marquess Townshend (..., 1767 Sale Date: April 26, 2018 Auction Closed
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where Opie had moved in 1791. This proved a happy marriage, lasting for Opie's last nine years of life.
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Opie's artistic abilities eventually came to the attention of local physician and satirist, Dr
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Opie died in April 1807, aged 45, at his home in Berners Street, and was buried at
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and other ladies of the court. Opie's residence at "Orange Court", Castle Street,
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Cornish worthies: sketches of some eminent Cornish men and families, volume 2
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Century Magazine/Volume 57/Issue 4/Cole's Old English Masters. John Opie
748:. Vol. 20 (11th ed.). Cambridge University Press. p. 129.
185:, and others who were notable in the artistic and literary professions.
840:. Art UK® is a registered trade mark of the Public Catalogue Foundation
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where he had gone to carry out some commissions for Holkham's owner,
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In 1786 he exhibited his first important historical subject, the
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Earland 1911, p.26; the artist's name is given as "Master Oppy".
1439:(Official website of the book of the same name by Viv Hendra)
817:. London: Smith, Elder & Co. 1885–1900. pp. 230–233.
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Lectures on painting, delivered at the Royal Academy of Arts
264:", Wolcot managed to have Opie introduced at the court of
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Prince William Frederick, Duke of Gloucester and Edinburgh
1349:(Boston: J.E. Tilton and company, 1859) pp. 191–201.
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whom he had met at parties in Norwich, including one at
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Biography of self-taught men: with an introductory essay
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Bluestockings Displayed: Portraiture, Performance and...
330:. Opie painted many of the society's members including
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280:. Opie also painted the portraits of Lady Salisbury,
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Letter on the Cultivation of the Fine Arts in England
1477:(Philip Mould Fine Paintings - accessed 23 Feb 2011)
1282:. Norfolk Chronicle Norfolk, England. 25 April 1807
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Although socially reticent, Opie was part of the "
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English historical and portrait painter (1761–1807)
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1199:(London, Longman, Hurst, Rees and Orme, 1809).
560:. Amongst the mourners at Opie's funeral were
505:- the county from which Opie's wife hailed.
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1420:Profile on Royal Academy of Arts Collections
1392:(online ed.). Oxford University Press.
1224:The Cornish Wonder - A Portrait of John Opie
554:Prince William Frederick, Duke of Gloucester
528:in Wolcot's edition of Matthew Pilkington's
1369:(London : Hutchinson & co., 1911).
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657:The Cornish Wonder, A Portrait of John Opie
350:and, later on in his career, his own wife
1361:(London: E. Stock, 1884) pp. 243–278.
1127:J. Blackwood, Paternoster Row. p. 311
1006:. Straight Enterprises. 1984. p. 1390
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1386:Simon, Robin. "Opie, John (1761–1807)".
1280:"FUNERAL OF THE LATE J. OPIE, ESQ. R. A"
1256:. Martineau Society. p. 20,21,22,23
921:Cambridge University Press. p. 62.
864:. © 2023 National Portrait Gallery. 2023
684:. No. 105. 15 July 1880. p. 5.
499:George Townshend, 1st Marquess Townshend
272:. He also received commissions to paint
1389:Oxford Dictionary of National Biography
1102:. Hutchinson & Company. p. 296
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892:. Hutichinson and Company. p. 147
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354:who was associated with the society.
1343:Edwards, B. B. & Bulfinch, S. G.
422:friends. John and Amelia lived at 8
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1152:. Artnet Worldwide Corporation. 2024
1077:William Betty as "The Young Roscius"
1043:(National Portrait Gallery, London).
276:, both the nephew and son-in-law of
1222:Hendra, Viv (2007). "The Funeral".
1208:"Memorials of St Paul's Cathedral"
1443:198 artworks by or after John Opie
1430:The Cornish wonder: John Opie R.A.
659:. Truro: Truran. pp. 3, 165.
204:Opie was born in Harmony Cottage,
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1551:18th-century English male artists
1546:19th-century English male artists
1081:National Portrait Gallery, London
19:For the Virginia politician, see
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1183:. 14 February 1792. p. 109.
861:National Portrait Gallery London
814:Dictionary of National Biography
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1250:Martineau Society - Amelia Opie
1124:Men who have made themselves...
1536:People from St Agnes, Cornwall
1516:Burials at St Paul's Cathedral
1226:. Truro: Truran. p. 173.
1067:(Philip Mould Fine Paintings).
1031:(Philip Mould Fine Paintings).
948:Cornwall: Romans to Victorians
596:Amelia Opie by John Opie, 1798
501:who, in February 1792 became
326:who would play host to the
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1506:19th-century English painters
1501:18th-century English painters
1463:Young woman in a white dress
1406:UK public library membership
1326:Cole's old English masters.
1055:(National Portrait Gallery).
260:Through the influence of "a
249:, who was to compare him to
368:Boydell Shakespeare Gallery
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1511:British landscape painters
1425:John Opie on Artcyclopedia
576:. Opie had no children.
503:Lord Lieutenant of Norfolk
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1531:English portrait painters
1435:23 September 2017 at the
1041:Portrait of F. Bartolozzi
608:Henry Fuseli by John Opie
305:Charlotte, Princess Royal
299:In 1799, Opie painted (
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1367:John Opie and his circle
1353:Tregellas, Walter Hawken
1096:John Opie and His Circle
889:John Opie and His Circle
388:Assassination of James I
951:. Pen and Sword Books.
745:Encyclopædia Britannica
706:Rogers, 1878, pp. 10-14
548:, in the crypt next to
1521:Painters from Cornwall
1398:10.1093/ref:odnb/20800
1053:Portrait of J S Munden
991:Earland, 1911, p. 124.
827:Earland 1911, pp. 31–2
767:Earland 1911, pp.20-1
697:Earland 1911, pp. 1–8.
530:Dictionary of Painters
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328:Blue Stockings Society
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1526:English male painters
1247:Farrant, Ann (2015).
1003:The Magazine Antiques
585:John Opie's paintings
570:Peter Finch Martineau
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282:Lady Charlotte Talbot
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1093:Earland, A. (1911).
886:Eraland, A. (1911).
655:Hendra, Viv (2007).
515:Teaching and writing
443:Francesco Bartolozzi
183:British Royal Family
1453:John Opie on Artnet
562:Sir Thomas Lawrence
546:St Paul's Cathedral
435:Mary Wollstonecraft
404:Shakespeare Gallery
348:Mary Wollstonecraft
108:Historical painting
1541:Royal Academicians
1471:A Boy with a Staff
1379:Opie and his works
1180:The London Gazette
1121:Blackwood, James.
1029:Dr. Samuel Johnson
982:Earland 1911, p.50
776:Earland 1911, p.12
758:Earland 1911, p.26
739:"Opie, John"
491:Elizabeth Inchbald
381:English literature
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322:villa owned by
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200:, John Opie (n.d.)
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1404:(Subscription or
1374:Rogers, John Jope
1233:978-1-85022-216-3
1065:Charles james Fox
945:Tait, D. (2018).
915:Eger, E. (2013).
666:978-1-85022-216-3
509:Jane Beetham Read
455:Charles James Fox
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