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306:. Summers Pyle painted portraits while visiting nearby Cape Cod. She contracted tuberculosis in sometime in 1909, for which she was successfully treated in Asheville NC. Once healthy, she returned to Wilmington where she continued to illustrate and publish, along with her charitable activities. Following dissension with her editor at
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in
America, when the proliferation of expense-saving improvements in printing practices and a "newly literate public," aligned. For women, particularly, this opened opportunities in a new market for their labor, and Katherine Pyle, as Howard Pyle's younger sister, was in a unique position to benefit
155:
Both Howard and her parents encouraged
Katharine's artistic inclinations, though the modest style of the Quaker household dictated that Katharine not be given too much praise. Howard wrote Margaret of then 13 year old Katharine: "Katie is doing wonderfully well. But do not tell her that I said so.
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Pyle continued to publish through to her last years. Her last titles continued to include materials and stories "seeming to lend themselves less adaptable for young people," and contemporary reviews did not always consider her to be up to this challenge. Her 1933 anthology,
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284:. These women studied in Howard's classes alongside Katharine, and many of them were her friends. When Pyle returned to from New York, she engaged with former classmates on numerous book projects, sometimes writing, sometimes illustrating.
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in 1886–1887 and as a book in 1887. During this period, Katharine was taxed with the responsibility of the Pyle household (Margaret Pyle had died in 1885), escaping this role only with her 1892 move to
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For I think it would be even better to speak slightingly of her verses than to praise them unduly. It would be the greatest misfortune to her should she ever become satisfied with her work."
148:, Katharine was the youngest child of William Pyle, a leather manufacturer, and Margaret Churchman Painter, an "amateur" writer. Her older brother (by ten years) was author and illustrator
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and author, primarily of books for young people, an influential member of the Pyle artistic family, active in
Philadelphia during the late 19th and early 20th centuries. A native of
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regarding several of her fairy tale submissions, the works of her final decade centered on "legendary fairy tales with moral messages."
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Books for Home
Reading: A Graded and Annotated List Based on the Course of Study and Recommended for Use in the Utica Public Schools
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Devree, Howard (31 Jan 1926). "Howard Pyle, Whose
Drawing Recreated History: HOWARD PYLE: A CHRONICLE. By Charles D. Abbott".
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from this trend. Howard Pyle was teacher and "sometime mentor" to a "whole school of
American women illustrators," including
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838:"Katharine Pyle Manuscript Collection, Helen Farr Sloan Library & Archives, Delaware Art Museum"
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Over the course of her career she wrote over 30 books and illustrated the works of others. The
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783:"Children's Books: CHARLEMAGNE AND HIS KNIGHTS. Told and Illustrated by Katharine Pyle".
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Katharine was educated at
Philadelphia's Women's Industrial School (1883) and at the
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While at the Art
Students League, Pyle continued to receive commissions from
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Pyle, Howard & Katharine, The Wonder Clock (1887), cover, 1st edition
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653:"Katharine Pyle: American painter, illustrator, and author, 1863–1938"
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in 1898, the book generally regarded as cementing her reputation.
228:, from 1902). That same year, she contributed the illustrations to
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400:(1919) "The Rajah brought the girl down, while the crows circled"
735:"Women Illustrators of the Golden Age of American Illustration"
104:(November 23, 1863 – February 19, 1938) was an American
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Amy in Acadia: A Story for Girls (1905) Helen Leah Reed
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Pyle moved to Boston in 1904, where she taught art at
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Delaware Art Museum: Katherine Pyle Files
Finding Aid
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Pyle, Howard (1853-1911), artist, writer, and teacher
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Illustrations from "Tales for Norse
Mythology", 1930
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The period between 1880 and 1914 is regarded as the
178:(1884). From 1886, she collaborated with Howard on
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335:has a substantial collection of her manuscripts.
370:(1923) "I hardly knew what to do, I was so glad"
1023:Philadelphia School of Design for Women alumni
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295:, written by Pyle and illustrated by Day.
224:(1895, republished in multiple editions as
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582:10.1093/anb/9780198606697.article.1700707
247:The Golden Age of Illustration in America
576:. Vol. 1. Oxford University Press.
216:. In 1893, her art was exhibited at the
170:Her first published works were poems in
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800:"Review of Charlemagne and His Knights"
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165:Philadelphia School of Design for Women
68:Philadelphia School of Design for Women
570:Hawkes, Elizabeth H. (February 2000).
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232:’s highly praised book of poetry,
222:The Rabbit Witch and Other Stories
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1008:Writers from Wilmington, Delaware
998:Artists from Wilmington, Delaware
519:Tales from Greek Mythology (1928)
462:The Rabbit Witch, and Other Tales
415:c (1920) front cover illustration
385:(1916) "Merrymind and his burden"
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923:, John and Jane Reid's Web Sites
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886:Works by or about Katharine Pyle
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353:The Rabbit Witch and Other Tales
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76:Artist, writer of children books
355:(1895) front cover illustration
934:Online Books by Katharine Pyle
882:at the University of Delaware.
860:Library, Utica Public (1913).
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627:"Biography of Katharine Pyle"
508:Fairy Tales from Far and Near
466:Careless Jane and Other Tales
428:Charlemagne & His Knights
278:Ellen Bernard Thompson (Pyle)
226:Careless Jane and Other Tales
140:(1887) poem and "decoration"
16:American poet and illustrator
917:"Katharine Pyle 1863 - 1938"
804:The American Magazine of Art
677:"Review of In Sunshine Land"
514:Wonder Tales from Many Lands
490:Once Upon a Time in Delaware
472:Prose and Verse for Children
218:World's Columbian Exposition
901:(public domain audiobooks)
523:Charlemagne and his Knights
321:Charlemagne and his Knights
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938:University of Pennsylvania
866:. Library and the Schools.
693:10.1177/002205749404002215
253:Golden Age of Illustration
921:Collecting Delaware Books
502:Tales of Wonder and Magic
496:Tales of Folk and Fairies
449:(1888), with her brother
398:Tales of Folk and Fairies
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1003:Drexel University alumni
687:(22 (1005)): 382. 1894.
681:The Journal of Education
413:Tales of Wonder and Magi
383:Granny's Wonderful Chair
84:Writing and illustration
59:Wilmington, Delaware, US
47:Wilmington, Delaware, US
895:Works by Katharine Pyle
733:Goodman, Helen (1987).
262:Elizabeth Shippen Green
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970:Children's literature
880:Katharine Pyle papers
625:Hawkes, Elizabeth H.
456:The Counterpane Fairy
289:The Counterpane Fairy
241:The Counterpane Fairy
184:Harper’s Young People
172:St. Nicholas magazine
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1018:American women poets
787:: BR13. 19 Feb 1933.
368:The Black Eyed Puppy
293:Where the Wind Blows
287:Her own first book,
258:Ethel Franklin Betts
146:Wilmington, Delaware
1013:Poets from Delaware
948:Library of Congress
739:Woman's Art Journal
657:Delaware Art Museum
548:Faery Tales of Weir
478:The Christmas Angel
333:Delaware Art Museum
282:Jessie Wilcox Smith
193:Art Students League
552:Anna McClure Sholl
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940:Online Books Page
591:978-0-19-860669-7
274:Sarah S. Stilwell
266:Charlotte Harding
191:to enroll at the
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451:Howard Pyle
174:(1880) and
150:Howard Pyle
106:illustrator
93:Howard Pyle
982:Categories
927:2013-03-01
846:2018-06-20
662:2022-08-25
558:References
120:Early life
110:Wilmington
816:2151-254X
759:0270-7993
717:220800499
701:0022-0574
95:(brother)
89:Relatives
899:LibriVox
824:23954786
709:44040899
236:(1895).
144:Born in
114:Delaware
936:at the
888:at the
767:1358335
550:(1918)
538:(1895)
956:Portal
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609:: BR2.
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525:(1932)
516:(1923)
510:(1922)
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492:(1911)
486:(1906)
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474:(1899)
458:(1898)
430:(1932)
327:Legacy
280:, and
841:(PDF)
820:JSTOR
763:JSTOR
713:S2CID
705:JSTOR
630:(PDF)
441:Books
812:ISSN
755:ISSN
697:ISSN
586:ISBN
302:, a
212:and
199:Work
53:Died
41:Born
946:at
897:at
747:doi
689:doi
578:doi
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