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144:, is probably the best-known example. Tintoretto's painting of 1592–1594, a work of his final years, departs drastically from this compositional formula. The centre of the scene is occupied not by the apostles but instead by secondary characters, such as a woman carrying a dish and the servants taking the dishes from the table. The table at which the apostles sit recedes into space on a steep diagonal. Furthermore, Tintoretto's painting features a more personal use of light, which appears to come into obscurity from both the light on the ceiling and from Jesus'
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several times during his artistic career. His earlier paintings for the Chiesa di San
Marcuola (1547) and for the Chiesa di San Felice (1559) depict the scene from a frontal perspective, with the figures seated at a table placed parallel to the picture plane. This follows a convention observed in
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devices in its complex and radically asymmetrical composition. In its dynamism and emphasis on the quotidian—the setting is similar to a
Venetian inn—the painting points the way to the
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ideals and the
Catholic Church's belief in the didactic nature of religious art."
167:. "The ability of this dramatic scene to engage viewers was well in keeping with
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123:(1523) exemplifies the frontal composition that is customary for this subject.
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365 cm × 568 cm (144 in × 224 in)
96:. An oil painting on canvas executed in 1592–1594, it is housed in the
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92:is a painting by the Italian Renaissance artist
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134:Leonardo da Vinci's late 1490s mural painting
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132:most paintings of the Last Supper, of which
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638:Saint Mark series (1548 or 1562–1566)
427:Portrait of Queen Christina of Denmark
328:Portrait of Procurator Jacopo Soranzo
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657:Saint Mark's Body Brought to Venice
489:Saint Mark's Body Brought to Venice
403:Mars and Venus Surprised by Vulcan
267:Christ Washing the Disciples' Feet
190:, Volume II, 13th edition. p. 494.
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650:Finding of the Body of Saint Mark
481:Finding of the Body of Saint Mark
98:Basilica di San Giorgio Maggiore
76:Basilica di San Giorgio Maggiore
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497:Portrait of Doge Pietro Loredan
188:Gardner's Art Through the Ages
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251:Madonna and Child with Saints
16:Painting by Jacopo Tintoretto
1001:Paintings of the Last Supper
574:The Vision of Saint Nicholas
527:Christ at the Sea of Galilee
687:Marietta Robusti (daughter)
535:The Origin of the Milky Way
435:Saint George and the Dragon
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692:Scuola Grande di San Rocco
543:Bacchus, Venus and Ariadne
458:Portrait of Alvise Cornaro
443:The Deliverance of Arsinoe
411:Presentation at the Temple
373:Presentation of the Virgin
358:Joseph and Potiphar's Wife
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936:Other media (by location)
682:Domenico Tintoretto (son)
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920:Sculptures (by sculptor)
865:Signorelli (Lamentation)
828:conservation-restoration
343:Assumption of the Virgin
127:Tintoretto depicted the
991:Paintings by Tintoretto
904:Paintings (by location)
259:Esther Before Ahasuerus
152:hover above the scene.
860:Signorelli (Communion)
700:(studio of Tintoretto)
419:Susanna and the Elders
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761:Paintings (by artist)
698:Judith and Holofernes
665:Fasti of the Gonzagas
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643:Miracle of the Slave
1006:Paintings in Venice
969:Christianity portal
711:formerly attributed
169:Counter-Reformation
962:Visual arts portal
754:Last Supper in art
243:The Siege of Asola
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559:Baptism of Christ
388:Leda and the Swan
94:Jacopo Tintoretto
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89:The Last Supper
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597:Self Portrait
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298:Cain and Abel
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313:Adam and Eve
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148:. A host of
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1021:Dogs in art
1016:Cats in art
818:Ghirlandaio
707: 1577
667:(1578–1580)
624:(1592–1594)
621:Last Supper
614: 1588
589:Il Paradiso
582: 1582
567: 1580
546:(1576–1577)
538:(1575–1580)
520: 1570
505: 1567
492:(1562–1566)
484:(1562–1566)
473:Crucifixion
466: 1560
451: 1560
430:(1555–1556)
422:(1555–1556)
414:(1554–1556)
406:(1551–1554)
396: 1550
381: 1551
366: 1555
351: 1555
336: 1550
321: 1550
306: 1550
291: 1550
275: 1548
262:(1546–1547)
254:(1545–1546)
246:(1544–1545)
157:Last Supper
129:Last Supper
119:'s woodcut
22:Last Supper
985:Categories
911:Strasbourg
870:Tintoretto
605:Visitation
282:Visitation
228:Tintoretto
175:References
64:Dimensions
948:Jerusalem
813:Fernandes
551:The Muses
284:(Bologna)
235:Paintings
161:Mannerist
104:, Italy.
49:1592–1594
880:van Gent
875:Veronese
850:Rosselli
840:Perugino
823:Leonardo
808:El Greco
778:Castagno
607:(Venice)
108:Overview
72:Location
927:Dircksz
788:Cranach
768:Barocci
675:Related
530:(1570s)
165:Baroque
146:aureola
943:Dublin
890:Warhol
855:Rubens
845:Pisani
793:Crespi
600:(1588)
592:(1588)
554:(1578)
507:–1570)
476:(1565)
468:–1565)
398:–1560)
383:–1556)
150:angels
102:Venice
80:Venice
54:Medium
36:Artist
895:White
885:Vouet
835:Nolde
773:Bouts
512:Danaë
142:Italy
138:Milan
798:Dalí
46:Year
783:Cox
709:) (
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