426:, a poster for the Women's Liberation movement in Mexico, depicting a 'new Eve'. In the 1970s women artists of previous waves and generations responded to the more liberal climate and movement of the array of feminist waves. Many pushed the issues of women's liberation and consciousness within their work while others spoke out on issues instead of making art. She frequently spoke about women's "legendary powers" and the need for women to take back "the rights that belonged to them". Many artists involved in the Surrealism regarded women to be useful as muses but not seen as artists in their own right. Carrington was adopted as a femme-enfant by the Surrealists because of her rebelliousness against her upper-class upbringing.
548:. In this, she explained how she had a nervous breakdown, didn't want to eat, and left Spain. This is where she was imprisoned in an asylum. She illustrates all that was done to her: ruthless institutional therapies, sexual assault, hallucinatory drugs, and unsanitary conditions. It has been suggested that the events of the book should not be taken literally, given Carrington's state at the time of her institutionalization; however, recent authors have sought to examine the details of her institution in order to discredit this theory. She also created art to depict her experience, such as her
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674:. Her fascination with drawing horses began in her childhood. Horses also appear in her writings. In her first published short story, "The House of Fear", Carrington portrays a horse in the role of a psychic guide to a young heroine. In 1935, Carrington's first essay, "Jezzamathatics or Introduction to the Wonderful Process of Painting", was published before her story "The Seventh Horse". Carrington often used codes of words to dictate interpretation in her artwork. "Candlestick" is a code that she commonly used to represent her family, and the word "lord" for her father.
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500:, as were other Surrealists in the movement. She instead focused on magical realism and alchemy and used autobiographical detail and symbolism as the subjects of her paintings. Carrington was interested in presenting female sexuality as she experienced it, rather than as that of male surrealists' characterization of female sexuality. Carrington's work of the 1940s is focused on the underlying theme of women's role in the creative process.
516:(1937-38), Carrington reflects on her own identity, associating herself with both the horse and hyena. She offers her own interpretation of female sexuality by looking toward her own sexual reality rather than theorizing on the subject, as was custom by other Surrealists in the movement. Carrington's move away from the characterization of female sexuality subverted the traditional male role of the Surrealist movement.
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was important for emancipation. Carrington's political commitment led to her winning the
Lifetime Achievement Award at the Women's Caucus for Art convention in New York in 1986. Throughout the decade women identified and defined an array of relationships to feminist and mainstream concepts and concerns. Continuing through the decade women continued to question the meaning of existence through form and material.
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378:(they knew each other from bull fights) and agreed to a marriage of convenience with Carrington so that she would be accorded the immunity given to a diplomat's wife. The pair divorced in 1943. Meanwhile, Ernst had married Peggy Guggenheim in New York in 1941. That marriage ended a few years later. Ernst and Carrington never resumed their relationship.
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the biological cave." While this may seem to differ from certain modern feminist perspectives, the cave, of which
Carrington offers many versions, is the setting for a symbolic coming to life, not an actual birth-giving ("and this can mean aquatic or maternal, this can be double, in my opinion"; mĂšre and mer, following Simone de Beauvoir).
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Carrington primarily focused on psychic freedom in the belief that such freedom cannot be achieved until political freedom is also accomplished. Through these beliefs
Carrington understood that "greater cooperation and sharing of knowledge between politically active women in Mexico and North America"
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in the twentieth century. Carrington's views situated motherhood as a key experience to femininity. Carrington stated, "We, women, are animals conditioned by maternity.... For female animals love-making, which is followed by the great drama of the birth of a new animal, pushes us into the depths of
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Carrington's work is identified and compared with the surrealist movement. Within the surrealist movement, there was a strong exploration of the woman's body combined with the mysterious forces of nature. During this time women artists correlated the feminine figure with creative nature while using
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When
Carrington first came to Mexico she was preceded by the success of surrealist exhibitions which allowed her to create many connections within the surrealist movement. Her connections within these surrealist circles were influential in opening artistic doors that had long been closed to Mexican
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deals with ageing and the female body. It follows the story of older women who, in the words of
Madeleine Cottenet-Hage in her essay "The Body Subversive: Corporeal Imagery in Carrington, Prassinos and Mansour", seek to destroy the institutions of their imaginative society to usher in a "spirit of
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in southern France. The new couple collaborated and supported each other's artistic development. The two artists created sculptures of guardian animals (Carrington created a plaster horse head, while Ernst created his birds) to decorate their home in Saint Martin d'ArdĂšche. In 1939 Carrington and
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Carrington is credited with feminising surrealism. Her paintings and writing brought a woman's perspective to what had otherwise been a largely male-dominated artistic movement. Carrington demonstrated that women should be seen as artists in their own right and not to be used as muses by male
190:, Lancashire, England, into a Roman Catholic family. Her father, Harold Wylde Carrington, was a wealthy textile manufacturer, and her mother, Marie (née Moorhead), was from Ireland. She had three brothers: Patrick, Gerald, and Arthur. From 1920 until 1927 she lived at Crookhey Hall, a
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artists. After living in Mexico for seven years, Leonora
Carrington held her first solo exhibition at the Galeria Clardecor. Much of the initial response from the public was very encouraging, and for months afterwards the press published positive and approving critic reviews.
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After Ernst's arrest
Carrington was devastated and agreed to go to Spain with a friend, Catherine Yarrow. She stayed with family friends in Madrid until her paralyzing anxiety and delusions led to a psychotic break and she was admitted into an asylum. She was treated with
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in New York City. Carrington was invited to show her work in an international exhibition of
Surrealism, where she was the only female English professional painter. She became a celebrity almost overnight. In Mexico, she authored and successfully published several books.
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in London and was attracted to the
Surrealist artist before she even met him. In 1937 Carrington met Ernst at a party held in London. The artists bonded and returned together to Paris, where Ernst promptly separated from his wife. In 1938 they left Paris and settled in
370:). She was released from the asylum into the care of a keeper, and was told that her parents had decided to send her to a sanatorium in South Africa. En route to South Africa, she stopped in Portugal, where she made her escape. She went to the Mexican Embassy to find
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697:. She supervised the artistic design for the sets and costumes, with one of her sons, Gabriel Weisz. The repeated appearance of a white horse, Carrington's alter ego, and the elaborate surreal feasts and costumes show her influence and vision.
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says she, "describes a magical world where life is constantly re-envisioned through the prism of the imagination, and where everyone can change, be transformed, become something and someone else." In the same year, Carrington's short story
331:. Sporting white jodhpurs and a wild mane of hair, Carrington is perched on the edge of a chair in this curious, dreamlike scene, her hand outstretched toward a prancing hyena and her back to a tailless rocking horse flying behind her.
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529:(1937â38) joins both male and female into a whole, metaphoric of the worlds of the night and the dream. The symbol of the hyena is present in many of Carrington's later works, including "La Debutante" in her book of short stories
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further explores the duality that comes with being a woman. This concept of duality is explored by
Carrington using a mirror to assert duality of the self and the self being an observer with being observed. The hyena depicted in
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Nancy Deffebach. "Renaissance Science, Heresy, and Spirituality in the Art of Leonora Carrington". In "Arte y Ciencia: XXIV Coloquio Internacional de Historia del Arte." Mexico City: Universidad Nacional AutĂłnoma de MĂ©xico,
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After spending a year in New York, Leduc and Carrington went to Mexico, where many European artists fled in search of asylum, in 1942, which she grew to love and where she lived, on and off, for the rest of her life.
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and which tells the story of Carrington's life and art as she pursues her creative talents and breaks with 20th-century conventions about the ways in which an upper-class women and debutantes should behave.
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was donated by the Museo Leonora Carrington to be displayed in the Senate Building. Additionally, a temporary exhibit, titled "Un Viaje Sagrado", with 11 of her sculptures was held in the Senate Building.
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Leonora Carrington: a retrospective exhibition: Center for Inter-American Relations, New York City, Nov. 26-Jan. 4, 1976: University Art Museum, The University of Texas at Austin, Jan. 18-Feb. 29, 1976
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708:), and the realised price was USD $ 713,000, setting a new record for the highest price paid at auction for a living surrealist painter. Carrington painted portraits of the telenovela actor
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520:(1937â38) also offers insight into Carrington's interest in the "alchemical transformation of matter and her response to the Surrealist cult of desire as a source of creative inspiration."
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Van Raay, Stefan, Moorhead, Joanna and Arcq, Teresa. "Surreal Friends: Leonora Carrington, Remedios Varo and Kati Horna" (Lund Humphries in association with Pallant House Gallery, 2010)
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213:, where she attended Mrs Penrose's Academy of Art. She also, briefly, attended St Mary's convent school in Ascot. In 1927, at the age of ten, she saw her first Surrealist painting in a
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2016: Leonora Carrington: The Last Tuesday Society & Viktor Wynd's Museum of Curiosities, Fine Art & Natural History. Hackney, London, England, September â December 2016
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457:. Together they had two sons: Gabriel, an intellectual and poet, and Pablo, a doctor and Surrealist artist. Chiki Weisz died on 17 January 2007, at home. He was 97 years old.
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After spending part of the 1960s in New York City, Carrington lived and worked in Mexico once again. While in Mexico she was asked, in 1963, to create a mural which she named
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Carrington had an interest in animals, myth, and symbolism. This interest became stronger after she moved to Mexico and started a relationship with the émigré Spanish artist
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that celebrated women's role in the Surrealist movement. Her work was exhibited alongside pieces by her close friends, the Spanish painter Remedios Varo (1908â1963) and the
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2003: Frida Kahlo, Diego Rivera and 20th Century Mexican Art: The Jacques and Natasha Gelman Collection, National Museum of Mexican Art, Chicago, Illinois, USA.
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With the outbreak of World War II Ernst, who was German, was arrested by the French authorities for being a "hostile alien". With the intercession of
266:(1936), given to her by her mother, but she received little encouragement from her family to forge an artistic career. The Surrealist poet and patron
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focused solely on Ernst and is laced with heavy symbolisms. The portrait was not her first Surrealist work; between 1937 and 1938 Carrington painted
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Tina Kinsella, "An Exploration of Animality and Sexual Difference in the Artworks of Frida Kahlo, Leonora Carrington and Bracha L. Ettinger"
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Carrington stated that: "I painted for myself...I never believed anyone would exhibit or buy my work." She was not interested in the writings of
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at Carrington's residence in Mexico City. Carrington discussed the art in her home and life as a surrealist. The film premiered in 2012 at the
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2015: Lorna Otero Project Album of Family, Miami, The Patricia & Phillip Frost Art Museum, Florida International University, Miami, USA
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1999: Surrealism: Two Private Eyes/The Nesuhi Ertegun and Daniel Filipacchi Collections, Solomon R. Guggenheim Museum, New York City, USA
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and was one of the last surviving participants in the surrealist movement of the 1930s. Carrington was also a founding member of the
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1976: Leonora Carrington : a retrospective exhibition, University Art Museum, University of Texas at Austin, Austin, Texas, USA
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2015: Mexico: Fantastic Identity. 20th Century Masterpieces from the FEMSA Collection, Museum of Latin American Art, Long Beach, USA
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2019: Surrealism in Mexico â Exhibitions â Di Donna Galleries, New York City, United States, 25 April â 29 June 2019
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1489:"CoordinaciĂłn de ComunicaciĂłn Social â Homenaje pĂłstumo en el Senado a la artista nacionalizada mexicana, Leonora Carrington"
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Hoff, Ann (Spring 2009). "'I Was Convulsed, Pitiably Hideous': Convulsive Shock Treatment in Leonora Carrington's Down Below".
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Aberth, Susan; Barnet-Sanchez, Holly; Carrington, Leonora (Autumn 1992). "Leonora Carrington: The Mexican Years, 1943â1985".
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2008: Works from the Natasha and Jacques Gelman Collection of Modern Mexican Art, Irish Museum of Modern Art, Ireland, Dublin
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also criticizes the shaming of the nude female body, and it is believed to be one of the first books to tackle the notion of
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2018: Leonora Carrington. Cuentos MĂĄgicos, Museo de Arte Moderno de la Ciudad de MĂ©xico, Mexico, April â September 2018
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was the champion of her work in Britain; James bought many of her paintings and arranged a show in 1947 for her work at the
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2019: The Story of the Last Egg, Wendi Norris Offsite Exhibition, New York City, United States, 23 May â 29 June 2019
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She later married Emerico Weisz (nicknamed "Chiki"), born in Hungary in 1911, a photographer and the darkroom manager for
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2010: Surreal Friends, Pallant House Gallery, Chichester, England and Sainsbury Centre for Visual Arts, Norwich, England.
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Leonora Carrington died on 25 May 2011, aged 94, in a hospital in Mexico City as a result of complications arising from
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2001â2002: Surrealism: Desire Unbound, The Tate, London, England and The Metropolitan Museum of Art, New York City, USA
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When painting, she used small brushstroke techniques building up layers in a meticulous manner, creating rich imagery.
342:, he was discharged a few weeks later. Soon after the Nazis invaded France, Ernst was arrested again, this time by the
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842:'s auction house in New York. At the time, this was a record amount paid for a work by a British-born female artist.
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Orenstein, Leonora Carrington; illustrated by Pablo Weisz; translated by Rochelle Holt; foreword by Gloria (1975).
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2009: Latitudes: Latin American Masters from the Femsa Collection, The Bowers Museum of Cultural Art, Santa Ana, USA
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Hertz, Erich (June 2010). "Disruptive Testimonies: The Stakes of Surrealist Experience in Breton and Carrington".
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2011: Exultation: Sex, Death and Madness in Eight Surrealist Masterworks, Wendi Norris Gallery, New York City, USA
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I didn't have time to be anyone's muse... I was too busy rebelling against my family and learning to be an artist.
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2012: In Wonderland: The Surrealist Adventures of Women Artists in Mexico and the United States, Los Angeles, USA
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2016: DalĂ, Ernst, MirĂł, Magritte ... : Surreal Encounters from the Collections Edward James, Roland Penrose
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2016: Surreal Encounters. Collecting the Marvellous, Scottish National Gallery of Modern Art, Edinburgh, Scotland
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but, according to her, because she had no intention of being "sold to the highest bidder" she brought a copy of
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Hubert, Renee (1 July 1991). "Leonora Carrington and Max Ernst: Artistic Partnership and Feminist Liberation".
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Ernst painted portraits of each other. Both capture the ambivalence in their relationship, but whereas Ernst's
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Hertz, Erich (2010). "Disruptive Testimonies: The Stakes of Surrealist Experience in Breton and Carrington".
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1976: Leonora Carrington: A retrospective exhibition, Center for Inter-American Relations, New York City, USA
221:. Her father opposed her career as an artist, but her mother encouraged her. She returned to England and was
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Talbot, Leonora Carrington; introduction by Marina Warner; translations by Kathrine; Warner, Marina (1988).
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399:. The statue was donated to Mexico City by Carrington in 2000 and was moved to its current location in 2006.
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1852:"Leonora Carrington: Surrealist painter and sculptor who found her artistic and spiritual home in Mexico"
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2011: The Colour of My Dreams The Surrealist Revolution in Art, Vancouver Art Gallery, Vancouver, Canada
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2013â2014: Leonora Carrington: The Celtic Surrealist, Irish Museum of Modern Art, Dublin, Ireland (solo)
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2020: Fantastic Women, Louisiana Museum of Modern art, HumlebĂŠk, Denmark, 25 July â 8 November 2020
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1968: Artistas BritĂĄnicos en MĂ©xico 1800/1968, Instituto Anglo-Mexicano de Cultura, Mexico City, Mexico
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Hertz, Erich. "Disruptive Testimonies: The Stakes of Surrealist Experience in Breton and Carrington."
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1993: Sujeto-Objeto, Museo Regional de Guanajuato, Guanajuato y Museo de Monterrey, Moneterrey, Mexico
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1991: GalerĂa de Arte del Auropuerto Internacional de la Ciudad de MĂ©xico, Mexico City, Mexico (solo)
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1637:"Leonora Carrington â Lancashire's Surrealist Painter | www.chorleyheritagecentre.co.uk"
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2009: Angels of Anarchy: Women Artists and Surrealism, Manchester Art Gallery, Manchester, England
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2014: Paper, Pencil & Ink: Prints & Other Works on Paper, Ruiz-Healy Art, San Antonio, USA
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2016: Strange Worlds: The Vision of Angela Carter, Royal West of England Academy, Bristol, England
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2016: Monstruosismos, Museo de Arte Moderno de Ciudad de MĂ©xico, Mexico, Bosque de Chapultepec
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3180:"NewlandsHouse.Gallery - Modern & Contemporary Art, Photography, Design | Newlands House"
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2007: Surrealism: Dreams on Canvas, Nassau County Museum of Art, Roslyn Harbor, New York, USA
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2014: Surrealism and Magic, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, USA
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House, NewlandsHouse Gallery-Modern & Contemporary Art, Photography, Design | Newlands.
3146:"Leonora Carrington painting auctioned for ÂŁ22.5m in record for British-born female artists"
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1966: Surrealism: A State of Mind, Universidad de California, Santa Barbara, California, USA
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2011: Night Scented Stock, Marianne Boesky Gallery, 118 East 64th Street, New York City, USA
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415:, and which was influenced by folk stories from the region. The mural is now located in the
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NewlandsHouse.Gallery - Modern & Contemporary Art, Photography, Design | Newlands House
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Gaensbauer, Deborah B. (1994). "Voyages of Discovery: Leonora Carrington's Magical Prose".
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Gloria Orenstein. "In Memory of the Most Magical Friend I Ever Had: Leonora Carrington",
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2016: Gabrielle Keiller, Ulla and Heiner Pietzsch, Hamburger Kunsthalle, Hamburg, Germany
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Educated by governesses, tutors, and nuns, she was expelled from two schools, including
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3430:"The Last Tuesday Society :: Leonora Carrington â The Viktor Wynd Collection"
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Chadwick, Whitney (1986). "Leonora Carrington: Evolution of a Feminist Consciousness".
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Chadwick, Whitney (1986). "Leonora Carrington: Evolution of a Feminist Consciousness".
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In November 2023, a posthumous ceremony celebrating Carrington's works was held in the
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1963: Pictures in the Edward James Collection, Worthing Art Gallery, Worthing, England
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2989:"How Leonora Carrington's Surrealist Art Imaginatively Reclaimed Female Perspectives"
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2393:(Revised and expanded ed.). Austin: University of Texas Press. p. 124-127.
2129:"El arte de ensueño de Leonora Larrington (sic) · ICAA Documents Project · ICAA/MFAH"
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1966: Surrealismo y Arte FantĂĄstico en MĂ©xico, Galeria Universitaria, Aristos, Mexico
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Kerrigan, Leonara Carrington; translations by Kathrine Talbot & Anthony (1988).
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Vol. 64, no. 2: (2010). Academic Search Premier, EBSCOhost (accessed 29 March 2012)
3783:"SFMOMA sold a Rothko for $ 50 million, this is what they bought with the proceeds"
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1961: El Retrato Mexicano ContemporĂĄneo, Museo de Arte Moderno, Mexico City, Mexico
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2015: Surrealism: The Conjured Life, Museum of Contemporary Art (MCA) Chicago, USA
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2015: Kahlo, Rivera & Mexican Modern Art, NSU Art Museum, Fort Lauderdale, USA
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2023: Leonora Carrington: RevelaciĂłn, Madrid, Spain, 11 February â 7 May 2023
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in New York. Some works are still hanging at James' former family home, currently
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2963:"Leonora Carrington: Surrealist painter's birthday honoured with a Google doodle"
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1938: Exposition Internationale du Surréalisme, Galerie Beaux-Arts, Paris, France
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2008: Talismanic Lens, Frey Norris Gallery, San Francisco, California, USA (solo)
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2011: The Good, The Bad, The Ugly?, Museum of Latin American Art, Long Beach, USA
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was adapted into an animated short film directed by Elizabeth Hobbs and starring
773:. This name is borrowed from a book by Carrington, in which, the Italian curator
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2103:"Cocodrilo, de Leonora Carrington, posa en su nuevo lecho de agua sobre Reforma"
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1186:, Museo Nacional de AntropologĂa, 1964 â illustrated by Leonora Carrington
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Three years after being released from the asylum and with the encouragement of
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797:, a children's nonfiction book written by Michelle Markell and illustrated by
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2015: Fields of Dream: The Surrealist Landscape, Di Donna, New York City, USA
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2015: Leonora Carrington: Tate Liverpool, England, 6 March â 31 May 2015
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1942: First Papers of Surrealism, Madison Avenue Gallery, New York City, USA
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The first major exhibition of her work in UK for twenty years took place at
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2340:"La pintora surrealista Leonora Carrington fallece en México a los 94 años"
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1938: Esposition du Surréalisme, Galerie Robert, Amsterdam, the Netherlands
992:
2008: Arte Americas The Latin American Art Fair, Tresart, Coral Gables, USA
4014:"Extravagant creatures : Leonora Carrington's matriarchal Surrealism"
3040:"The Milk of Dreams is the title of the 59th International Art Exhibition"
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1970: Impressionism to Surrealism, Worthing Art Gallery, Worthing, England
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4030:(Online version is titled "How Leonora Carrington Feminized Surrealism".)
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2822:
2342:[Surrealist painter Leonora Carrington dies in MĂ©xico aged 94].
1819:"Leonora Carrington Is Dead at 94; Artist and Author of Surrealist Work"
1516:"Leonora Carrington Is Dead at 94; Artist and Author of Surrealist Work"
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6690:
4481:
4090:
The Surreal Life of Leonora Carrington by Joanna Moorhead â review
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1972:
1951:
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Carrington and her son were the subject of the experimental short film
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commemorating her 98th birthday. The Doodle was based on her painting,
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350:". He managed to escape and flee to the United States with the help of
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1943: 20th Century Portraits, Museum of Modern Art, New York City, USA
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1969: Instituto Nacional de Bellas Artes, Sala Nacional, Mexico (solo)
865:, Los Angeles, California, United States, 9 July â 27 August 2022
630:, West Sussex, from 17 June to 12 September 2010, and subsequently in
186:
Mary Leonora Carrington was born on 6 April 1917 at Westwood House in
5726:
4117:
3926:
The Spiritual Journey of Alejandro Jodorowsky: The Creator of el Topo
1381:
The Viktor Wynd Museum of Curiosities, Fine Art & Natural History
921:
2015: Surrealism and Magic, Boca Raton Museum of Art, Boca Raton, USA
3972:, Public Conference, Maynooth University, Ireland (10 October 2014).
2860:
1590:
729:, drawn in surrealist style. The painting was inspired by a poem in
3903:
Aberth, Susan. "Leonora Carrington: The Mexican years, 1943â1985".
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2762:"Leonora Carrington's Alchemical Paintings and the Sacred Domestic"
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1965: Instituto Cultural Anglo-Mexicano, Mexico City, Mexico (solo)
909:
2016: Artists and Lovers, Ordovas Gallery, Mayfair, London, England
653:
In 2013 Carrington was the subject of a major retrospective at the
599:
The first important exhibition of her work appeared in 1947 at the
16:
British-Mexican artist, surrealist painter and novelist (1917â2011)
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in the ICAA Documents Project at The Museum of Fine Arts, Houston
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in London for one year, and with the help of her father's friend
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2938:"New Google Doodle Honors Surrealist Painter Leonora Carrington"
1254:(illustrated edition. New York: NYR Childrens' Collection, 2017)
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1999: Mirror Images: Women, Surrealism and Self-Representation,
638:, as part of a season of major international exhibitions called
163:(6 April 1917 – 25 May 2011) was a British-born,
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4121:
4062:"Writer Joanna Moorhead goes in search of her long-lost cousin"
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Vol. 51, no. 3: (Autumn 1992; accessed 1 April 2012) pgs. 83â85
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1991: The Mexican Museum, San Francisco, California, USA (solo)
3066:
2235:"Leonora Carrington â The Pioneer of Feminist Surrealism"
1242:(Trans. K. Talbot and M. Warner. New York: E. P. Dutton, 1988)
6375:
2073:
HernĂĄndez Santiago, Joel; Luis Carlos SĂĄnchez (28 May 2011).
2633:
Weisz-Carrington, Leonora Carrington; ill. by Pablo (1976).
1020:
1993: Regards des Femmes, Musée d'Art Moderne, Lieja, France
894:
2017: Surrealist Women, Mayoral, Barcelona, Spain, Barcelona
3892:, Vol. 7, no. 1: (1986. Retrieved 21 February 2012), pg. 38
3884:"Leonora Carrington: Evolution of a Feminist Consciousness"
3825:(Thames and Hudson, 2023. Princeton University Press, 2023)
1733:"Carrington, (Mary) Leonora (1917â2011), artist and writer"
983:
2010: Divine Comedy, Sotheby's New York, New York City, USA
374:, a poet and the Mexican Ambassador. Leduc was a friend of
217:
gallery in Paris and later met many Surrealists, including
209:
for her rebellious behaviour, until her family sent her to
144:
3861:
Automatic Woman: The Representation of Woman in Surrealism
3746:"Leonora Carrington's The Complete Stories â Dorothy"
3089:"Out of This World: The Surreal Art of Leonora Carrington"
2018:"Voyages of Discovery: Leonora Carrington's Magical Prose"
1357:
Sainsbury Centre for Visual Arts University of East Anglia
1113:
1956: GalerĂa de Arte Mexicano, Mexico City, Mexico (solo)
1080:
1969: GalerĂa de Arte Mexicano, Mexico City, Mexico (solo)
954:
2012: County Museum of Art, La Brea Park, Los Angeles, USA
3965:, Public Conference, Dublin City University (March 2014).
1077:
1969: Palacio de Bellas Artes, Mexico City, Mexico (solo)
824:, the upper house of the Mexican Congress. The sculpture
4051:
Leonora Carrington's Surrealist Paintings at disinfo.com
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1969: The Surrealists, Byron Gallery, New York City, USA
1056:
1987: Alexander Iolas Gallery, New York City, USA (solo)
795:
Out of This World: The Surreal Art of Leonora Carrington
3958:, Public Conference, Irish Museum of Modern Art (2013).
3597:
The oval lady, other stories : six surreal stories
3567:
Modern Women: Women Artists at The Museum of Modern Art
2050:"A British painter's nightmare in post-Civil War Spain"
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1942: Pierre Matisse Gallery, New York City, USA (solo)
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1965: GalerĂa Antonio Souza, Mexico City, Mexico (solo)
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1989: Museo Nacional de la Estampa, INBA, Mexico (solo)
677:
Carrington contributed to the 1973 Mexican horror film
338:, and other friends, including the American journalist
311:
features both artists in the composition, Carrington's
2628:
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2013: Max Ernst, Fondation Beyeler, Basel, Switzerland
198:, which exerted a great influence on her imagination.
4105:
Artwork of Leonora Carrington at Wendi Norris Gallery
4095:
Biography and work by Leonora Carrington at Artsy.net
3770:
Portrait of Max Ernst, National Galleries of Scotland
3290:"Leonora Carrington â The Story of the Last Egg"
346:, because his art was considered by the Nazis to be "
2589:
Symposium: A Quarterly Journal in Modern Literatures
2475:
Symposium: A Quarterly Journal in Modern Literatures
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2075:"Leonora Carrington y Renato Leduc, amor convenido"
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1965: GalerĂa Clardecor, Mexico City, Mexico (solo)
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1991: Sainsbury Art Centre, Norwich, England (solo)
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109:
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2417:. London: Thames & Hudson. 1990. p. 314.
2368:. London: Thames & Hudson. 1990. p. 183.
1948:The St Ives Artists: A Biography of Place and Time
1742:(online ed.). Oxford University Press. 2004.
1731:
1514:
235:(1936) to read instead. In 1935, she attended the
170:and novelist. She lived most of her adult life in
4100:Self portrait of Leonora Carrington at Met Museum
3564:Butler, Cornelia H.; Schwartz, Alexandra (2010).
3553:. The Center. 9 May 1975 – via Hathi Trust.
3316:"ExposiciĂłn: Leonora Carrington. Cuentos MĂĄgicos"
1809:
1807:
1287:, The Pierre and Maria-Gaetana Matisse Collection
1110:1959: Eros Galerie, Daniel Cordier, Paris, France
1050:1987: Brewster Gallery, New York City, USA (solo)
1044:1990: Brewster Gallery, New York City, USA (solo)
664:Carrington's art often depicts horses, as in her
3405:"Leonora Carrington (British, 1917 â 2011)"
2786:Leonora Carrington: The Mexican Years, 1943â1985
2678:; Kuenzli, R.; Raaberg, G.; et al. (1991).
2214:
2212:
2210:
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1483:
1481:
1479:
1477:
1154:, H. Parisot, 1938 â with illustrations by
1029:1991: Serpentine Gallery, London, England (solo)
590:, and the post-classic Mayan mystical writings,
3847:Leonora Carrington: Surrealism, Alchemy and Art
1798:Leonora Carrington: Surrealism, Alchemy and Art
1687:See Carrington's "El Mundo Magico de Los Mayas"
739:, and this painting was eventually turned into
432:
3707:The house of fear : notes from Down below
3497:
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2883:"Leonora Carrington (English/Mexican b. 1917)"
1969:Portraits Unmasked: The Story Behind the Faces
1683:
1681:
855:, Petworth, England 12 July - 26 October 2024
694:The System of Doctor Tarr and Professor Fether
290:In 1936 Carrington saw the work of the German
6391:
4321:
4133:
4085:Leonora Carrington biography- The Art History
3863:(Lincoln, University of Nebraska Press, 1996)
3473:
3471:
3469:
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3465:
3463:
3461:
3459:
3457:
3455:
3015:"How Leonora Carrington Feminized Surrealism"
1163:(VVV magazine, 1944; Black Swan Press, 1983;
1086:1967: IX Bienal de Pintura, SĂŁo Paulo, Brazil
877:2018: The Leonora Carrington Museum opens in
786:as the Debutante (Older) and the Mother, and
769:59th International Art Exhibition was titled
8:
3730:: CS1 maint: multiple names: authors list (
3689:: CS1 maint: multiple names: authors list (
3619:: CS1 maint: multiple names: authors list (
3203:: CS1 maint: multiple names: authors list (
2657:: CS1 maint: multiple names: authors list (
2389:Barnitz, Jacqueline; Frank, Patrick (2015).
1900:"Leonora Carrington, Surrealist, Dies at 94"
1570:
1568:
1566:
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1562:
1560:
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1362:And Then We Saw the Daughter of the Minotaur
1173:, Libr. Les Pas Perdus, 1951, translated by
611:Sculpture by Carrington on display near the
7387:Officers of the Order of the British Empire
4020:. Vol. 96, no. 42. pp. 83â86
3968:Tina Kinsalla, "Surrealism to Subrealism".
2823:"Leonora Carrington: The Celtic Surrealist"
2068:
2066:
2064:
1053:1987: Art Space Mirage, Tokyo, Japan (solo)
861:2022: Leonora Carrington: El Mundo Magico,
851:2024: Leonora Carrington: Rebel Visionary,
719:In 2015, Carrington was honoured through a
7226:London International Surrealist Exhibition
6398:
6384:
6376:
4328:
4314:
4306:
4140:
4126:
4118:
3570:. New York: Museum of Modern Art. p.
2223:(5th ed.). London: Thames and Hudson.
1967:Francesca Bonazzoli and Michele Robecchi,
1800:. Lund Humphries. pp. 11, 20â43, 149.
1341:, 1946, San Francisco Museum of Modern Art
1258:The Complete Stories of Leonora Carrington
1071:1969: Galerie Pierre, Paris, France (solo)
716:, a friend of Carrington's first husband.
38:
20:
3833:Women Artists and the Surrealist Movement
3503:"Leonora Carrington (British, 1917â2011)"
3294:Gallery Wendi Norris â San Francisco
1791:
1789:
1787:
1785:
1783:
1781:
1779:
1777:
1775:
7221:Exposition Internationale du Surréalisme
3977:Leonora Carrington The Celtic Surrealist
1041:1990: Art Company, Leeds, England (solo)
1035:1991: Arnolfini, Bristol, England (solo)
3710:(1st ed.). New York: E.P. Dutton.
3669:(1st ed.). New York: E.P. Dutton.
3265:"Exhibitions â Di Donna Galleries"
1739:Oxford Dictionary of National Biography
1473:
1318:Scottish National Gallery of Modern Art
4196:The Giantess (The Guardian of the Egg)
3992:The Surreal Life of Leonora Carrington
3813:The Surreal Life of Leonora Carrington
3723:
3682:
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3196:
2919:"Leonora Carrington (English B. 1917)"
2901:"Leonora Carrington (English B. 1917)"
2802:The Surreal Life of Leonora Carrington
2788:(University of New Mexico Press, 1998)
2650:
2637:. London: Routledge & Kegan Paul.
2391:Twentieth-century art of Latin America
1346:The Giantess (The Guardian of the Egg)
4164:Self-Portrait (Inn of the Dawn Horse)
3840:A. "Visions: stories of women artists
3359:
3357:
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3349:
3347:
3345:
3343:
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3139:
3137:
2670:
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1662:
1660:
1658:
1280:Self-Portrait (Inn of the Dawn Horse)
667:Self-Portrait (Inn of the Dawn Horse)
513:Self-Portrait (Inn of the Dawn Horse)
7:
1226:, 1977; New York Review Books, 2024)
247:established by the French modernist
3954:Tina Kinsella, "We're frightened",
3835:(Thames and Hudson, New York, 1985)
3781:Desmarais, Charles (26 June 2009).
1615:. Phaidon Press. 2019. p. 90.
838:was sold for ÂŁ22.5 million at
473:(English Cemetery) in Mexico City.
299:International Surrealist Exhibition
7392:People educated at New Hall School
7307:21st-century English women artists
7297:20th-century Mexican women writers
7282:20th-century English women artists
4712:Isidro Eduardo Castellanos Paredes
3665:The seventh horse, and other tales
3115:"Festival Interview: Lizet Benrey"
3065:Hobbs, Elizabeth (19 April 2024).
1012:San Francisco Museum of Modern Art
243:, she was able to transfer to the
14:
7322:Alumni of Chelsea College of Arts
7175:The Surrealist Group in Stockholm
4046:Leonora Carrington at Wikiart.org
3113:Romani, Rebecca (19 March 2012).
1721:(Fulham: Star Fire, 2006), p. 312
1667:Leo Carrington & Sons website
1230:The Seventh Horse and Other Tales
1014:, San Francisco, California, USA.
617:Festival Internacional Cervantino
354:, who was a sponsor of the arts.
7382:Mexican women's rights activists
7342:British women's rights activists
5262:VĂctor Manuel HernĂĄndez Castillo
5247:Desiderio HernĂĄndez Xochitiotzin
4336:Past and present members of the
3640:. New York: St. Martin's Press.
3219:"Leonora Carrington. RevelaciĂłn"
3013:Emre, Merve (16 December 2020).
2313:Moorhead, Joanna (26 May 2011).
1446:
1432:
1418:
1404:
743:located on Paseo de la Reforma.
736:Alice's Adventures in Wonderland
636:Sainsbury Centre for Visual Arts
7362:Mexican people of Irish descent
7352:English people of Irish descent
4111:Leonora and Gabriel: An Instant
3963:Animality and Sexual Difference
3849:(Ashgate/Lund Humphries 2010),
2987:Solomon, Tessa (7 April 2021).
2936:Iyengar, Rishi (6 April 2015).
2016:Gaensbauer, Deborah B. (1994).
1898:Grimes, William (26 May 2011).
1536:"Leonora Carrington dead at 94"
1513:Grimes, William (26 May 2011).
1246:The Debutante and Other Stories
1171:Une chemise de nuit de flanelle
969:2011: Leonora Carrington &
807:Leonora and Gabriel: An Instant
487:The Magical World of the Mayans
7287:20th-century Mexican novelists
4188:The Kitchen Garden on the Eyot
3916:Lilus Kikus and Other Stories
3842:(Morton Grove, Illinois, 1993)
3599:. Santa Barbara: Capra Press.
3144:Khomami, Nadia (16 May 2024).
1934:(accessed online 4 April 2008)
1338:The Kitchen Garden on the Eyot
1300:The Horses of Lord Candlestick
1216:; New York Review Books, 2021)
1190:The Oval Lady: Surreal Stories
815:San Diego Latino Film Festival
672:The Horses of Lord Candlestick
417:Museo Nacional de AntropologĂa
1:
7312:21st-century Mexican painters
7292:20th-century Mexican painters
7120:Bureau of Surrealist Research
6007:Antonio RodrĂguez de la Serna
4338:SalĂłn de la PlĂĄstica Mexicana
4266:Casa Museo Leonora Carrington
4223:How Doth the Little Crocodile
4204:How Doth the Little Crocodile
3838:Sills, Leslie & Whitman.
3434:www.thelasttuesdaysociety.org
2736:"Leonora Carrington obituary"
2514:10.1080/00497878.1994.9979027
2315:"Leonora Carrington obituary"
2036:10.1080/00497878.1994.9979027
1323:The Temptation of St. Anthony
1262:Dorothy, a publishing project
1208:, 1976; Penguin Books, 2005,
889:Museum Boijmans Van Beuningen
753:Casa Museo Leonora Carrington
726:How Doth the Little Crocodile
540:, Carrington wrote about her
469:. Her remains were buried at
392:How Doth the Little Crocodile
245:Ozenfant Academy of Fine Arts
7402:People from Clayton-le-Woods
7347:English contemporary artists
4180:Les Distractions de Dagobert
3870:(article about Carrington),
3634:Carrington, Leonora (1977).
2827:Ăras Nua-EalaĂne na hĂireann
2601:10.1080/00397709.2010.483409
2554:Journal of Modern Literature
2487:10.1080/00397709.2010.483409
2282:"Leonora Carrington's Death"
2156:El mundo mĂĄgico de los Mayas
2153:Carrington, Leonora (1964).
1998:"Surrealism's Beating Heart"
1850:Silvano Levy (27 May 2011).
1766:UK public library membership
1330:Les Distractions de Dagobert
1306:The Meal of Lord Candlestick
1184:El Mundo MĂĄgico de Los Mayas
887:2017: Mad About Surrealism,
835:Les Distractions de Dagobert
491:National Anthropology Museum
445:Second marriage and children
422:In 1973 Carrington designed
413:El Mundo Magico de los Mayas
178:in Mexico during the 1970s.
7327:British emigrants to Mexico
7317:21st-century women painters
7302:20th-century women painters
4672:Francisco CĂĄrdenas MartĂnez
4482:Gerardo Murillo ("Dr. Atl")
1641:chorleyheritagecentre.co.uk
1349:, 1947 (private collection)
1302:, 1938 (private collection)
1122:Art of This Century gallery
793:Carrington's life inspired
176:women's liberation movement
7433:
7367:Mexican surrealist writers
7337:British surrealist writers
7332:British surrealist artists
6180:José Guillermo Téllez Brun
6037:TrĂĄnsito Rojas Santamarina
5947:Jorge GermĂĄn RamĂrez Nieto
5697:Francisco Moreno Capdevila
5327:Juan Carlos JuĂĄrez Arreola
5257:Cuauhtémoc Hernåndez Landa
4056:Dos Surrealistas en MĂ©xico
3928:(Park Street Press 2008),
3521:"Viktor Wynd Fine Art Inc"
2219:Chadwick, Whitney (2012).
1975:, London, 2020, pp. 30â33.
1534:Paul Bond (22 June 2011).
1325:, 1945, Private collection
1285:Metropolitan Museum of Art
750:
655:Irish Museum of Modern Art
329:Metropolitan Museum of Art
286:Association with Max Ernst
7246:Paranoiac-critical method
5537:Ricardo MartĂnez de Hoyos
5522:Magdalena MartĂnez Franco
5517:Gustavo MartĂnez BermĂșdez
5242:José Hernåndez Delgadillo
5177:Consuelo GonzĂĄlez Salazar
5002:Javier FernĂĄndez Helguera
4997:Gabriel FernĂĄndez Ledesma
4041:Leonora Carrington's Cats
2346:(in Spanish). 26 May 2011
325:The Inn of the Dawn Horse
254:She became familiar with
37:
7412:Women surrealist artists
7130:Chicago Surrealist Group
7115:British Surrealist Group
6165:Eduardo Talledos SĂĄnchez
5582:Patricia MejĂa Contreras
5232:JesĂșs GutiĂ©rrez MartĂnez
5112:JosĂ© de JesĂșs GarcĂa Gil
4532:Osvaldo Barra Cunningham
4422:Colette Ălvarez Urbajtel
4260:Museo Leonora Carrington
4001:; Vol. 17, Iss. 1, 2016.
2766:aristocratsofthesoul.com
2684:Cambridge, Massachusetts
2566:10.2979/JML.2009.32.3.83
2366:Women, Art & Society
1987:. Retrieved 21 July 2007
1878:"Carrington Leonara bio"
1540:World Socialist Web Site
1391:Museo Leonora Carrington
1264:, 2017. Introduction by
891:, Netherlands, Rotterdam
757:Museo Leonora Carrington
613:University of Guanajuato
7372:Mexican women novelists
6092:Herlinda SĂĄnchez Laurel
6062:Antonio Ruiz El Corcito
6017:Manuel RodrĂguez Lozano
5512:HĂ©ctor MartĂnez Arteche
5267:Manuel Herrera Cartalla
5157:Jorge GonzĂĄlez Camarena
4907:Gonzalo de la Paz PĂ©rez
4852:Alejandro ChacĂłn Pineda
4742:Fernando Castro Pacheco
4352:Gilberto Aceves Navarro
3525:viktorwyndfineart.co.uk
2221:Women, Art, and Society
1840:. Retrieved 27 May 2011
1838:New Hall School website
1748:10.1093/ref:odnb/103734
809:. The film was made by
704:auctioned Carrington's
687:, loosely based on the
550:Portrait of Dr. Morales
327:, now exhibited at the
156:Mary Leonora Carrington
135:Gabriel and Pablo Weisz
7377:Mexican women painters
7357:English women painters
7241:Abstract expressionism
7110:Birmingham Surrealists
6799:Maxime Moses Alexandre
6776:Radojica ĆœivanoviÄ Noe
6441:Jacques-André Boiffard
6245:Sergio Valadez Estrada
6135:Luz Maria Solloa Junco
6077:Cecilia Sanchez Duarte
6012:Antonio RodrĂguez Luna
5732:Ignacio Nieves BeltrĂĄn
5542:Ăngel Mateos Benavides
5502:Ofelia MĂĄrquez Huitzil
5317:Alberto Jiménez Quinto
5252:Miguel HernĂĄndez UrbĂĄn
5117:Adalberto GarcĂa Ordaz
5027:Manuel Fuentes Estrada
4992:Alfredo FalfĂĄn Vivanco
4922:Francisco DĂaz de LeĂłn
4677:Alfredo Cardona ChacĂłn
4402:Ernesto Ălvarez CortĂ©s
4397:RamĂłn Alva de la Canal
4392:David Alfaro Siqueiros
4372:Rodolfo Aguirre Tinoco
4016:. The Critics. Books.
2415:Women, Art and Society
2048:Martin-Dominguez, J.,
1796:Aberth, Susan (2010).
1493:Senado de la RepĂșblica
1118:Exhibition by 31 Women
853:Newlands House Gallery
822:Senate of the Republic
680:The Mansion of Madness
619:
601:Pierre Matisse Gallery
493:
477:Themes and major works
442:
400:
304:Saint Martin d'ArdĂšche
280:West Dean, West Sussex
272:Pierre Matisse Gallery
7407:Weird fiction writers
7211:Surrealist techniques
7196:Surrealist automatism
7140:Fighting Cock Society
6879:Roger Gilbert-Lecomte
6864:Vratislav Effenberger
6804:Guillaume Apollinaire
6125:Adriano Silva Pantoja
6047:Mario Romero GonzĂĄlez
5967:Maria Antonieta Reyes
5807:Luis Ortiz Monasterio
5527:Pedro MartĂnez Osorio
5447:Catherine Mac Deville
5427:Armando LĂłpez Becerra
5412:Miguel Ledezma Campos
5207:JesĂșs Guerrero GalvĂĄn
5152:Esther GonzĂĄlez GĂłmez
5102:Carlos GarcĂa Estrada
4877:Maria Eugenia Chellet
4862:Carlos Antonio ChĂĄvez
4687:Julio Carrasco BretĂłn
4652:Alfonso Campos Quiroz
4492:Oscar Ăvila Soberanes
4457:Gustavo Arias Murueta
4172:Portrait of Max Ernst
3956:On Leonora Carrington
3320:Museo de Arte Moderno
1313:Portrait of Max Ernst
1165:New York Review Books
832:In May 2024 her work
826:El jaguar de la noche
710:Enrique Ălvarez FĂ©lix
659:The Celtic Surrealist
628:Pallant House Gallery
610:
484:
389:
314:Portrait of Max Ernst
251:in London (1936â38).
237:Chelsea School of Art
127:Emerico "Chiki" Weisz
67:, Lancashire, England
7191:Surrealist Manifesto
7145:The Firesign Theatre
6929:Comte de Lautréamont
6102:Alfredo Serrano Lara
6087:Sergio SĂĄnchez Ramos
6052:José Luis Rueda Leal
6027:JosĂ© Julio RodrĂguez
5997:Elvia Rivero Chavero
5972:JesĂșs Reyes Ferreira
5927:Abel RamĂrez Ăguilar
5872:Luz MarĂa PizĂĄ NĂșñez
5797:Carlos Orozco Romero
5677:Vicente JesĂșs Montes
5587:Deyanira Ăfrica Melo
5367:Carlos Lamothe Silva
5272:Elena Huerta Muzquiz
5132:Mauricio GarcĂa Vega
5092:Arturo GarcĂa Campos
5087:Arturo GarcĂa Bustos
4942:Francisco Dosamantes
4887:Chungtar Chong LĂłpez
4802:Erasto Cortés Juårez
4737:Antonio Castro LĂłpez
4642:Gloria Calero Sierra
4417:Manuel Ălvarez Bravo
4387:Rosa MarĂa Alfonseca
4077:12 June 2018 at the
4012:(28 December 2020).
3943:(Seix Barral 2011),
3922:Alejandro Jodorowsky
2717:La Femme Surrealiste
2680:Surrealism and Women
2528:"Leonora Carrington"
2440:New Literary History
2294:on 27 September 2013
1876:Carrington Leonara.
1698:"Leonora Carrington"
1366:Museum of Modern Art
1295:Museum of Modern Art
1248:(Silver Press, 2017)
1152:La Maison de la Peur
1124:, New York City, USA
747:Legacy and influence
685:Juan LĂłpez Moctezuma
542:psychotic experience
485:Leonora Carrington,
7397:People from Chorley
7079:Marianne Van Hirtum
7054:Simon Watson Taylor
6516:Christian Dotremont
6255:Nancy van Overveldt
6220:Guillermo Toussaint
6072:Juan Manuel Salazar
5952:Mario RendĂłn Lozano
5907:Francisco Quintanar
5802:Mario Orozco Rivera
5162:Melquiades GonzĂĄlez
5127:Antonio GarcĂa Vega
5122:Luis GarcĂa Robledo
4957:Evangelina Elizondo
4927:MarĂa Elena Delgado
4917:Antonio DĂaz CortĂ©s
4872:Tomas ChĂĄvez Morado
4827:JosĂ© VĂctor Crowley
4762:Guillermo Ceniceros
4732:Guillermo CastrejĂłn
4617:Alejandro Caballero
4612:Bruno Pablo Bresani
4407:JesĂșs Ălvarez Amaya
4242:The Hearing Trumpet
3939:Elena Poniatowska,
3889:Woman's Art Journal
3882:Chadwick, Whitney.
3859:Conley, Katharine.
3440:on 29 February 2020
3044:Biennial Foundation
2849:Woman's Art Journal
2635:The hearing trumpet
1717:Robinson, Michael.
1672:29 May 2011 at the
1613:Great Women Artists
1578:Woman's Art Journal
1201:The Hearing Trumpet
568:The Hearing Trumpet
562:The Hearing Trumpet
397:Paseo de la Reforma
309:The Triumph of Love
165:naturalized Mexican
7267:Leonora Carrington
6556:Alberto Giacometti
6546:Gordon Onslow Ford
6481:Leonora Carrington
6320:Moisés Zabludovsky
6290:Alfonso Villanueva
6275:Reynaldo VelĂĄzquez
6200:Maria Teresa Toral
6130:Waldemar Sjölander
6002:Gilberto RodrĂguez
5717:Eduardo Nasta Luna
5662:Roberto Montenegro
5487:Maria Luisa Martin
5467:Francisco MagallĂĄn
5422:Rosa Lie Johansson
5372:Carmen Lang Merino
5192:Alfredo Guati Rojo
5167:Silvia H. GonzĂĄlez
5107:JosĂ© GarcĂa Narezo
5097:HĂ©ctor GarcĂa Cobo
5062:José Gama Gonzålez
4987:Enrique EcheverrĂa
4947:Guillermina Dulché
4902:Alberto de la Vega
4867:José Chåvez Morado
4837:Marco Antonio Cruz
4692:Leonora Carrington
4607:Enrique Bostelmann
4412:Lola Ălvarez Bravo
4149:Leonora Carrington
4072:Leonora Carrington
3866:Moorhead, Joanna.
3750:dorothyproject.com
2006:, 18 February 2021
1904:The New York Times
1824:The New York Times
1426:Visual arts portal
1252:The Milk of Dreams
1224:St. Martin's Press
1177:, with a cover by
771:The Milk of Dreams
706:Juggler (El Juglar
620:
582:. The two studied
494:
439:Leonora Carrington
424:Mujeres conciencia
401:
362:shock therapy and
223:presented at Court
168:surrealist painter
25:Leonora Carrington
7254:
7253:
7231:Women surrealists
7201:Surrealist cinema
7049:Philippe Soupault
6681:BenjamĂn Palencia
6373:
6372:
6315:Mariana Yampolsky
6150:Hermenegildo Sosa
6022:Ignacio RodrĂguez
5897:Alejandro Quijano
5847:HĂ©ctor PĂ©rez Cruz
5172:Gregorio GonzĂĄlez
4897:Myriam de la Riva
4752:Elizabeth Catlett
4727:Carmen Castilleja
4722:Fidencio Castillo
4682:Angélica Carrasco
4582:Ignacio M. Beteta
4382:Ernesto AlcĂĄntara
4303:
4302:
4262:(San Luis PotosĂ)
4058:, 15 January 2006
3990:Joanna Moorhead,
3912:Elena Poniatowska
3855:978-1-84822-056-0
3845:Aberth, Susan L.
3829:Chadwick, Whitney
3819:Moorhead, Joanna
3810:Moorhead, Joanna
3244:"Fantastic Women"
3120:KPBS Public Media
2923:www.christies.com
2905:www.christies.com
2887:www.christies.com
2644:978-0-7100-8637-2
2400:978-1-4773-0804-2
1996:McConnell, Reed.
1985:Max Ernst profile
1764:(Subscription or
1462:Women Surrealists
1283:, 1936â1937, The
1240:The House of Fear
712:, son of actress
670:and the painting
657:, Dublin. Titled
554:Map of Down Below
455:Spanish Civil War
276:West Dean College
153:
152:
7424:
7206:Surrealist music
7125:Chicago Imagists
7105:Les Automatistes
7044:Louis Scutenaire
6984:VĂtÄzslav Nezval
6824:Georges Bataille
6741:Dorothea Tanning
6726:JindĆich Ć tyrskĂœ
6701:Aminollah Rezaei
6596:Jacqueline Lamba
6586:Gerome Kamrowski
6531:Curt Echtermeyer
6486:Ithell Colquhoun
6400:
6393:
6386:
6377:
6355:Francisco ZĂșñiga
6285:Fernando Vilchis
6265:Zalathiel Vargas
6205:Ăngeles TorrejĂłn
5957:MarĂa Luisa Reid
5937:Everardo RamĂrez
5912:Adolfo Quinteros
5882:Enrique Pontones
5877:Salvador Pizarro
5817:Fernando Pacheco
5737:Leonardo Nierman
5692:Alejandro Moreno
5687:Virginia Morales
5627:Benito Messeguer
5482:Salvador Manzano
5417:Alfredo LeĂłn Gil
5382:Gerardo Lartigue
5322:Heriberto JuĂĄrez
5212:Lorenzo Guerrero
5182:Ignacio Granados
5072:José Julio Gaona
5022:Pedro Friedeberg
4967:Augusto Escobedo
4912:Javier del Cueto
4807:Francisco Corzas
4657:Federico Canessi
4577:Roberto Berdecio
4512:Octavio Bajonero
4507:Ignacio AsĂșnsolo
4462:Gabriela Arévalo
4330:
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3511:
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3499:
3450:
3449:
3447:
3445:
3436:. Archived from
3426:
3420:
3419:
3417:
3415:
3401:
3336:
3335:
3333:
3331:
3326:on 23 March 2023
3322:. Archived from
3312:
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3303:
3301:
3286:
3280:
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3277:
3275:
3261:
3255:
3254:
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3229:
3223:FundaciĂłn MAPFRE
3215:
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2301:
2299:
2290:. Archived from
2278:
2272:
2271:
2269:
2267:
2257:
2251:
2250:
2248:
2246:
2239:artincontext.org
2231:
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2174:
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2059:
2058:, 22 August 2017
2046:
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1428:
1423:
1422:
1414:
1412:Biography portal
1409:
1408:
1407:
1377:The Memory Tower
615:during the 2015
504:ironic stances.
440:
419:in Mexico City.
352:Peggy Guggenheim
241:Serge Chermayeff
188:Clayton-le-Woods
162:
149:
146:
79:
56:
54:
42:
32:
21:
7432:
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7257:
7256:
7255:
7250:
7179:
7088:
7019:Raymond Queneau
7014:Jacques Prévert
7004:Rastko PetroviÄ
6964:Robert Melville
6944:Georges Limbour
6924:Philip Lamantia
6829:Monny de Boully
6791:
6785:
6771:James F. Walker
6761:Albert Valentin
6751:Kristians Tonny
6721:Martin Stejskal
6696:Toni del Renzio
6676:Wolfgang Paalen
6671:MĂ©ret Oppenheim
6651:E. L. T. Mesens
6616:Georges Malkine
6551:Esteban Francés
6511:Ăscar DomĂnguez
6466:Jacques Brunius
6461:Emmy Bridgwater
6409:
6404:
6374:
6369:
6330:Ăngel Zamarripa
6280:Gabriel Vergara
6270:Octavio VĂĄzquez
6235:Cordelia Urueta
6230:Lucinda Urrusti
6175:Leticia TarragĂł
6032:Oscar RodrĂguez
5987:Antonio Reynoso
5982:José Reyes Meza
5932:Antonio RamĂrez
5902:Yolanda Quijano
5857:Aida Petit Jean
5837:Mariano Paredes
5792:Trinidad Osorio
5767:Pablo O'Higgins
5742:Claudia Nierman
5712:Rogelio Naranjo
5707:Carlos Nakatani
5667:Gustavo Montoya
5607:Antonio Mendoza
5602:Leopoldo MĂ©ndez
5547:Daniel Manrique
5492:Francisco MarĂn
5387:Paulina Lavista
5292:MarĂa Izquierdo
5282:Francisco Icaza
5277:Rodolfo Hurtado
5217:Xavier Guerrero
5202:Carlos Guerrero
5197:Arturo Guerrero
5042:Guillermo Gadda
5017:Leopoldo Flores
4892:Azteca de Gyves
4857:Blanca Charolet
4772:Enrique Climent
4767:Pedro Cervantes
4757:Alberto Cavazos
4707:Pilar Castañeda
4632:Yolanda Cabrera
4622:RocĂo Caballero
4562:Alberto BeltrĂĄn
4557:Angelina Beloff
4542:Feliciano BĂ©jar
4527:Silvia Barbescu
4367:Ignacio Aguirre
4340:
4334:
4304:
4299:
4291:(first husband)
4271:
4248:
4229:
4210:
4151:
4146:
4079:Wayback Machine
4037:
4023:
4021:
4008:
3994:(Virago, 2017).
3876:(24 April 2010)
3873:Daily Telegraph
3807:
3805:Further reading
3802:
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3269:www.didonna.com
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2502:Women's Studies
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2023:Women's Studies
2015:
2014:
2010:
1995:
1991:
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1958:, 2008), p. 44.
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1817:(26 May 2011).
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848:
790:as the Hyaena.
775:Cecilia Alemani
767:Venice Biennale
759:
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689:Edgar Allan Poe
640:Surreal Friends
572:gender identity
479:
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258:from a copy of
249:Amédée Ozenfant
232:Eyeless in Gaza
203:New Hall School
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7036:
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6576:Valentine Hugo
6573:
6571:Jacques HĂ©rold
6568:
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6561:Julio GonzĂĄlez
6558:
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6526:Marcel Duhamel
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6350:Nahum B. Zenil
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6340:Ălvaro Zardoni
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6335:Beatriz Zamora
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6250:Ăngel Vallarta
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6107:Victor Scareño
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5867:Ăngel Pichardo
5864:
5862:Feliciano Peña
5859:
5854:
5852:Antonio PelĂĄez
5849:
5844:
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5834:
5829:
5824:
5822:Javier Padilla
5819:
5814:
5809:
5804:
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5794:
5789:
5784:
5782:Armando Ortega
5779:
5777:Carlos Olachea
5774:
5769:
5764:
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5757:Isidoro Ocampo
5754:
5752:Luis Nishizawa
5749:
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5709:
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5702:NicolĂĄs Moreno
5699:
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5684:
5682:Aliria Morales
5679:
5674:
5672:Francisco Mora
5669:
5664:
5659:
5654:
5652:RaĂșl Monje Poo
5649:
5644:
5642:Alfonso Michel
5639:
5637:Guillermo Meza
5634:
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5592:Eliana Menassé
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5567:Arturo Mecalco
5564:
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5532:JesĂșs MartĂnez
5529:
5524:
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5499:
5497:Arturo MĂĄrquez
5494:
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5459:
5457:Maridel Macluf
5454:
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5409:
5404:
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5379:
5374:
5369:
5364:
5359:
5354:
5352:Macrina Krauss
5349:
5344:
5339:
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5329:
5324:
5319:
5314:
5309:
5304:
5302:Carlos Jaurena
5299:
5294:
5289:
5287:Xavier Iñiguez
5284:
5279:
5274:
5269:
5264:
5259:
5254:
5249:
5244:
5239:
5234:
5229:
5227:Luis Gutiérrez
5224:
5219:
5214:
5209:
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5199:
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5184:
5179:
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5169:
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5084:
5079:
5074:
5069:
5067:Vicente GandĂa
5064:
5059:
5057:Mario Gallardo
5054:
5052:JesĂșs Gallardo
5049:
5044:
5039:
5034:
5029:
5024:
5019:
5014:
5009:
5004:
4999:
4994:
4989:
4984:
4982:Manuel Echauri
4979:
4977:Arturo Estrada
4974:
4972:JesĂșs Escobedo
4969:
4964:
4959:
4954:
4952:Armando Eguiza
4949:
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4829:
4824:
4822:Christa Cowrie
4819:
4814:
4809:
4804:
4799:
4794:
4789:
4787:Flaviano Coral
4784:
4779:
4774:
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4759:
4754:
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4709:
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4674:
4669:
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4662:Federico CantĂș
4659:
4654:
4649:
4644:
4639:
4637:Celia CalderĂłn
4634:
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4624:
4619:
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4609:
4604:
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4579:
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4569:
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4529:
4524:
4519:
4517:Santos Balmori
4514:
4509:
4504:
4499:
4494:
4489:
4487:Abelardo Ăvila
4484:
4479:
4474:
4472:Rolando Arjona
4469:
4467:Javier Arévalo
4464:
4459:
4454:
4452:Luis Y. AragĂłn
4449:
4447:Chappie Angulo
4444:
4439:
4434:
4429:
4424:
4419:
4414:
4409:
4404:
4399:
4394:
4389:
4384:
4379:
4377:Lourdes Alaniz
4374:
4369:
4364:
4359:
4354:
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4346:
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4341:
4335:
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4332:
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4130:
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4102:
4097:
4092:
4087:
4082:
4068:
4059:
4053:
4048:
4043:
4036:
4035:External links
4033:
4032:
4031:
4018:The New Yorker
4006:
4002:
3995:
3988:
3975:Sean Kissane,
3973:
3966:
3959:
3952:
3949:978-6070706325
3937:
3919:
3909:
3900:
3893:
3880:
3877:
3864:
3857:
3843:
3836:
3826:
3822:Surreal Spaces
3817:
3816:(Virago, 2017)
3806:
3803:
3800:
3799:
3773:
3762:
3737:
3716:
3696:
3675:
3653:
3647:978-0312762100
3646:
3637:The stone door
3626:
3606:978-0884960362
3605:
3587:
3580:
3556:
3537:
3512:
3451:
3421:
3337:
3307:
3281:
3256:
3235:
3210:
3170:
3133:
3105:
3080:
3057:
3031:
3019:The New Yorker
3005:
2979:
2954:
2928:
2910:
2892:
2874:
2839:
2814:
2790:
2778:
2752:
2726:
2707:
2700:
2664:
2643:
2622:
2579:
2544:
2519:
2508:(3): 271â284.
2492:
2465:
2452:10.2307/469210
2446:(3): 715â745.
2430:
2424:978050020405-4
2423:
2406:
2399:
2381:
2374:
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2305:
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2252:
2226:
2204:
2191:10.2307/777352
2169:
2145:
2120:
2094:
2060:
2041:
2008:
1989:
1977:
1960:
1956:Lund Humphries
1936:
1932:Leonora and me
1924:
1890:
1868:
1842:
1830:
1815:William Grimes
1803:
1771:
1756:
1723:
1710:
1689:
1677:
1654:
1628:
1622:978-0714878775
1621:
1604:
1552:
1526:
1521:New York Times
1505:
1472:
1471:
1469:
1466:
1465:
1464:
1458:
1457:
1454:England portal
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1303:
1297:
1288:
1274:
1271:
1270:
1269:
1255:
1249:
1243:
1237:
1227:
1220:The Stone Door
1217:
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844:
748:
745:
544:in her memoir
478:
475:
471:Panteón Inglés
462:
459:
446:
443:
436:
383:
380:
323:, also called
287:
284:
192:Gothic Revival
183:
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151:
150:
141:
137:
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133:
129:
128:
121:
117:
116:
111:
107:
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101:
100:Known for
97:
96:
93:
89:
88:
82:
80:(aged 94)
74:
70:
69:
59:
48:
44:
43:
35:
34:
27:
24:
15:
13:
10:
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6:
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7161:
7160:La MandrĂĄgora
7158:
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7148:
7146:
7143:
7141:
7138:
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7074:Jacques Vaché
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7059:André Thirion
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5362:MarĂa Lagunes
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4817:Hugo Covantes
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4797:Ălvaro CortĂ©s
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4647:Susana Campos
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4587:Helen Bickham
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4567:FĂ©lix BeltrĂĄn
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4552:Valerio Bello
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4362:Aurea Aguilar
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4268:(Mexico City)
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3409:mutualart.com
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3296:. 23 May 2019
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2595:(2): 89â104.
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1175:Yves Bonnefoy
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979:
977:Fine Art Inc.
976:
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808:
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789:
785:
781:
780:The Debutante
776:
772:
768:
765:In 2022, the
763:
758:
754:
746:
744:
742:
738:
737:
732:
731:Lewis Carroll
728:
727:
722:
721:Google Doodle
717:
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696:
695:
690:
686:
682:
681:
675:
673:
669:
668:
662:
660:
656:
651:
650:(1912â2000).
649:
646:photographer
645:
641:
637:
633:
629:
625:
618:
614:
609:
605:
602:
597:
595:
594:
589:
585:
581:
580:Remedios Varo
576:
573:
569:
566:sisterhood."
564:
563:
557:
555:
551:
547:
543:
539:
534:
532:
531:The Oval Lady
528:
527:Self-Portrait
523:
522:Self Portrait
519:
518:Self-Portrait
515:
514:
508:
505:
501:
499:
498:Sigmund Freud
492:
489:(1963â1964),
488:
483:
476:
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472:
468:
460:
458:
456:
452:
444:
435:
431:
427:
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420:
418:
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409:
405:
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394:
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388:
381:
379:
377:
376:Pablo Picasso
373:
369:
365:
361:
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349:
345:
341:
337:
332:
330:
326:
322:
321:
320:Self-Portrait
316:
315:
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305:
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296:
293:
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277:
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257:
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227:Aldous Huxley
224:
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145:leocarrington
142:
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134:
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125:
122:
118:
115:
112:
108:
102:
98:
94:
90:
85:
75:
71:
66:
62:
61:Clayton Green
49:
45:
41:
36:
31:
22:
19:
7170:Refus Global
7165:Monty Python
7084:Roger Vitrac
7064:Dylan Thomas
7034:Marko RistiÄ
7024:Herbert Read
6909:Nelly Kaplan
6904:Alfred Jarry
6894:IrĂšne Hamoir
6889:Julien Gracq
6834:André Breton
6809:Louis Aragon
6716:André Souris
6641:Oscar Mellor
6626:André Masson
6506:Paul Delvaux
6480:
6476:Claude Cahun
6436:Hans Bellmer
6431:EugĂšne Atget
6365:Celso Zubire
6345:Gerardo Zarr
6240:Luis Valsoto
6155:Rosendo Soto
6145:Juan Soriano
6067:Froylan Ruiz
6057:JosĂ© L. RuĂz
6042:Rosa Rolanda
5992:Diego Rivera
5832:Uriel Parker
5722:Antonio Nava
5617:Oscar Merino
5557:John Mc.Ghee
5552:Rafael MazĂłn
5392:AgustĂn Lazo
5307:Abel Jiménez
5142:Andrea GĂłmez
5082:MarĂa GarcĂa
5077:Andrés Garay
5047:Byron Galvez
5012:David Flores
4962:Laura Elenes
4847:GermĂĄn Cueto
4777:Arnaldo Coen
4702:Beatriz Caso
4691:
4592:Ăngel Bracho
4572:Luis BeltrĂĄn
4502:HĂ©ctor Ayala
4427:Jorge Alzaga
4289:Renato Leduc
4240:
4221:
4202:
4194:
4186:
4178:
4170:
4162:
4148:
4109:
4066:The Guardian
4065:
4022:. Retrieved
4017:
3998:
3991:
3979:(DAP 2013),
3976:
3940:
3925:
3915:
3904:
3896:
3887:
3871:
3867:
3860:
3846:
3839:
3832:
3821:
3811:
3790:. Retrieved
3786:
3776:
3765:
3753:. Retrieved
3749:
3740:
3706:
3699:
3664:
3656:
3636:
3629:
3596:
3590:
3566:
3559:
3549:
3528:. Retrieved
3524:
3515:
3506:
3444:19 September
3442:. Retrieved
3438:the original
3433:
3424:
3412:. Retrieved
3408:
3328:. Retrieved
3324:the original
3319:
3310:
3298:. Retrieved
3293:
3284:
3272:. Retrieved
3268:
3259:
3247:. Retrieved
3238:
3226:. Retrieved
3222:
3213:
3187:. Retrieved
3183:
3173:
3161:. Retrieved
3150:The Guardian
3149:
3124:. Retrieved
3118:
3108:
3096:. Retrieved
3092:
3083:
3068:
3060:
3048:. Retrieved
3043:
3034:
3022:. Retrieved
3018:
3008:
2996:. Retrieved
2992:
2982:
2970:. Retrieved
2966:
2957:
2945:. Retrieved
2941:
2931:
2922:
2913:
2904:
2895:
2886:
2877:
2852:
2848:
2842:
2830:. Retrieved
2826:
2817:
2806:Virago Press
2801:
2798:Moorhead, J.
2793:
2785:
2781:
2769:. Retrieved
2765:
2760:Carrington.
2755:
2743:. Retrieved
2739:
2734:Carrington.
2729:
2720:
2716:
2715:"Obliques".
2710:
2679:
2634:
2592:
2588:
2582:
2560:(3): 83â98.
2557:
2553:
2547:
2535:. Retrieved
2531:
2522:
2505:
2501:
2495:
2478:
2474:
2468:
2443:
2439:
2433:
2414:
2409:
2390:
2384:
2365:
2360:
2348:. Retrieved
2343:
2334:
2322:. Retrieved
2319:The Guardian
2318:
2308:
2298:25 September
2296:. Retrieved
2292:the original
2285:
2276:
2266:25 September
2264:. Retrieved
2255:
2243:. Retrieved
2238:
2229:
2220:
2185:(3): 83â85.
2182:
2178:
2172:
2162:25 September
2160:. Retrieved
2155:
2148:
2136:. Retrieved
2132:
2123:
2111:. Retrieved
2106:
2097:
2085:. Retrieved
2083:(in Spanish)
2078:
2053:
2044:
2027:
2021:
2011:
2001:
1992:
1980:
1968:
1963:
1947:
1939:
1927:
1915:. Retrieved
1903:
1893:
1881:. Retrieved
1871:
1859:. Retrieved
1855:
1845:
1833:
1822:
1797:
1737:
1726:
1718:
1713:
1701:. Retrieved
1692:
1645:. Retrieved
1640:
1631:
1612:
1607:
1585:(1): 37â42.
1582:
1576:
1543:. Retrieved
1539:
1529:
1520:
1508:
1496:. Retrieved
1492:
1386:
1376:
1370:
1361:
1352:
1344:
1336:
1328:
1322:
1311:
1305:
1299:
1290:
1278:
1257:
1251:
1245:
1239:
1229:
1219:
1199:
1189:
1183:
1170:
1160:
1151:
833:
831:
825:
819:
811:Lizet Benrey
806:
804:
794:
792:
788:Alexa Davies
784:Joanna David
779:
770:
764:
760:
740:
734:
724:
718:
705:
699:
692:
691:short story
683:directed by
678:
676:
671:
665:
663:
658:
652:
639:
621:
598:
591:
577:
567:
560:
558:
553:
549:
545:
538:André Breton
535:
530:
526:
521:
517:
511:
509:
506:
502:
495:
486:
464:
448:
433:
428:
423:
421:
412:
410:
406:
402:
390:
372:Renato Leduc
356:
333:
324:
319:
312:
308:
289:
268:Edward James
263:
260:Herbert Read
253:
230:
200:
185:
155:
154:
124:Renato Leduc
78:(2011-05-25)
57:6 April 1917
18:
7277:2011 deaths
7272:1917 births
6959:DuĆĄan MatiÄ
6869:Paul Ăluard
6854:René Daumal
6849:René Crevel
6790:Writers and
6746:Karel Teige
6736:Yves Tanguy
6591:Wifredo Lam
6581:Frida Kahlo
6541:Leonor Fini
6471:Luis Buñuel
6446:Bill Brandt
6421:Eileen Agar
6360:JosĂ© ZĂșñiga
6295:Luis Vizuet
6215:Jorge Tovar
6190:Luis Toledo
5977:Mario Reyes
5922:Alice Rahon
5917:Fanny Rabel
5887:Pedro Preux
5842:TomĂĄs Parra
5827:Sandra Pani
5597:Olga MĂ©ndez
5577:Jaime MejĂa
5507:Mary MartĂn
5442:Amador Lugo
5437:Nacho LĂłpez
5432:Julia LĂłpez
5402:Paula Lazos
5377:Marisa Lara
5357:Pablo Kubli
5342:Frida Kahlo
5297:Tania Janco
5147:Mauro GĂłmez
5037:Dina Frumin
5007:Luis Filcer
4882:Julio Chico
4832:HĂ©ctor Cruz
4747:Vita Castro
4597:Adrian Brun
4537:SofĂa Bassi
4522:Pedro Banda
4477:Luis Arenal
4357:Luis Acosta
4010:Emre, Merve
3905:Art Journal
3098:28 February
3093:Amanda Hall
3050:28 February
3024:28 February
2998:28 February
2993:ARTnews.com
2723:: 91. 1977.
2690:. pp.
2676:Caws, M. A.
2179:Art Journal
2087:19 December
2003:The Baffler
1861:26 December
1316:, c. 1939,
1222:(New York:
1194:Capra Press
975:Viktor Wynd
971:Tilly Losch
846:Exhibitions
799:Amanda Hall
714:MarĂa FĂ©lix
453:during the
451:Robert Capa
368:barbiturate
336:Paul Ăluard
219:Paul Ăluard
194:mansion in
172:Mexico City
92:Citizenship
84:Mexico City
76:25 May 2011
7261:Categories
7155:Grup d'Elx
7135:Dau al Set
6989:Paul Nougé
6974:Max Morise
6969:René Ménil
6781:Unica ZĂŒrn
6656:Lee Miller
6407:Surrealism
5647:Flor Minor
5337:Jazzamoart
5187:Irma GrizĂĄ
5137:Elva Garma
4932:Olga Dondé
4812:Olga Costa
4432:Pablo Amor
4295:Surrealism
4215:Sculptures
4114:at YouTube
3970:Surrealism
3717:0525246487
3676:0525483845
2701:0262530988
2107:La Jornada
2030:(3): 275.
1768:required.)
1719:Surrealism
1468:References
1387:Gatomaquia
1161:Down Below
863:Mixografia
751:See also:
702:Christie's
648:Kati Horna
624:Chichester
546:Down Below
348:degenerate
340:Varian Fry
292:surrealist
264:Surrealism
256:Surrealism
207:Chelmsford
182:Early life
114:Surrealism
53:1917-04-06
7417:Max Ernst
7150:The Goons
6994:Paul PÄun
6949:LĂ©o Malet
6914:Petr KrĂĄl
6884:Yvan Goll
6792:theorists
6666:Joan MirĂł
6601:Dora Maar
6536:Max Ernst
6491:Gala DalĂ
6097:SebastiĂĄn
5397:Rina Lazo
5347:James Key
4285:(partner)
4283:Max Ernst
4175:(c. 1939)
4156:Paintings
3897:Symposium
3726:cite book
3685:cite book
3615:cite book
3530:4 October
3330:2 October
3158:0261-3077
3126:24 August
2855:(1): 38.
2808:, 2017),
2804:(London:
2688:MIT Press
2653:cite book
2617:155670412
2609:0039-7709
2574:162017220
2080:Excélsior
1912:0362-4331
1291:Green Tea
1206:Routledge
1179:Max Ernst
1156:Max Ernst
762:artists.
741:Cocodrilo
644:Hungarian
593:Popol Vuh
559:Her book
467:pneumonia
360:Cardiazol
295:Max Ernst
262:'s book,
215:Left Bank
196:Cockerham
120:Spouse(s)
7100:Acéphale
6706:Kay Sage
6426:Jean Arp
4075:Archived
4024:26 April
3787:Datebook
3414:11 March
3199:cite web
2972:10 April
2537:11 March
2287:Fox News
2261:"quotes"
2113:22 March
1944:Bird, M.
1917:11 March
1670:Archived
1545:23 April
1398:See also
1393:, Mexico
1389:, 2009,
1383:, London
1379:, 1995,
1364:, 1953,
1355:, 1947,
1293:, 1942,
1273:Artworks
881:, MĂ©xico
700:In 2005
588:kabbalah
437:â
211:Florence
132:Children
110:Movement
103:Painting
86:, Mexico
7184:Related
6691:Man Ray
6414:Artists
6117:Sikuame
4345:Artists
4276:Related
4253:Museums
3999:Femspec
3941:Leonora
3792:27 June
3189:28 July
2947:6 April
2869:1358235
2832:6 April
2350:17 June
2344:El PaĂs
2055:El PaĂs
1973:Prestel
1952:Farnham
1703:18 July
1647:25 June
1599:1358235
1236:, 1988)
1196:, 1975)
1167:, 2017)
840:Sotheby
634:at the
632:Norwich
584:alchemy
364:Luminal
344:Gestapo
297:at the
140:Website
105:Writing
65:Chorley
7093:Groups
5727:Nefero
4245:(1974)
4234:Novels
4226:(1998)
4207:(1998)
4199:(1947)
4191:(1946)
4183:(1945)
4167:(1938)
3983:
3947:
3932:
3918:(1954)
3853:
3755:17 May
3714:
3673:
3644:
3603:
3578:
3507:Artnet
3300:17 May
3274:17 May
3249:17 May
3228:17 May
3163:16 May
3156:
2867:
2810:p. 131
2698:
2641:
2615:
2607:
2572:
2460:469210
2458:
2421:
2397:
2372:
2245:12 May
2199:777352
2197:
2138:12 May
2109:. UNAM
1910:
1883:14 May
1762:
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