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435:. His work in Bergamo, the westernmost town of the Venetian republic, was to prove his best and most productive artistic period, when he received many commissions from wealthy merchants, well educated professionals and local aristocrats. He had become a rich colourist and an experienced draughtsman, who also developed the concept of the psychological portrait that revealed the thoughts and emotions of his subjects. In this he was continuing the tradition begun by
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470:. His next assignment was the decoration of the churches of S Bernardino and of Sant'Alessandro in Colonna, with frescoes and distemper paintings. He would finish five more altarpieces between 1521 and 1523. In 1523 he went for a brief stay in the Marche, obtaining there several commissions for altarpieces, which he would paint during his stay in Venice.
602:
At the end of his life, Lotto found it difficult to earn a living. Furthermore, in 1550, when he was about 70, one of his works had an unsuccessful auction in Ancona. As recorded in his personal account book, this deeply disillusioned him. As he had always been a deeply religious man, in 1552 he
177:
style (although it fits within the parametres of High
Renaissance painting), and, after his death, he gradually became neglected and then almost forgotten. This oblivion could be attributed to the fact that his works now remain in lesser known churches or in provincial museums.
550:. To cope with the many commissions he started to receive, he founded a workshop. He shipped five altarpieces for churches in the Marche and another one for the church Santa Maria Assunta in Celano (near Bergamo). Another altarpiece was for the Venetian church of
519:, used for worship at home. Though he painted in the Classical tradition, Lotto adds a personal touch to the intense emotions. Using contrasting poses and opposing movement, he breaks the traditional symmetry of the Virgin surrounded by angels and saints.
658:, Lotto was rediscovered at the end of the 19th century. Since then, many monographs and several exhibitions have been dedicated to Lorenzo Lotto, such as the exhibition in Venice in 1953 and one in the National Gallery of Art, Washington, USA, in 1998.
500:. In the same fresco he portrays Christ with vines sprouting from his hands, illustrating the words of the New Testament: "I am the vine, you are the branches". In 1524 he also painted cartoons with Old Testament stories, as models for the
160:
period, but his work maintained a generally similar High
Renaissance style throughout his career, although his nervous and eccentric posings and distortions represented a transitional stage to the Florentine and Roman Mannerists.
591:
In this last period of his life, Lorenzo Lotto would frequently move from town to town, searching for patrons and commissions. In 1532 he went to
Treviso. Next he spent about seven years in the Marche (Ancona, Macerata and
2038:
1031:
1744:, by David Alan Brown, Peter Humfrey, and Mauro Lucco, with contributions by Augusto Gentili et al. Washington, D.C.: Catalogue of the exhibition in the National Gallery of Art; New Haven: Yale University Press, 1997.
173:, but his independent career actually places him outside the Venetian art scene. He was certainly not as highly regarded in Venice as in the other towns where he worked, for he had a stylistic individuality, even an
327:, Paris) shows his youthful inexperience as a draughtsman, however the dramatic rocky landscape is accentuated by the red garment of the saint, while at the same time giving an early impression of his skill as a
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395:). Lotto was invited to Rome to decorate the papal apartments, but nothing survives of this work, as it was destroyed a few years later. This was probably because he had imitated the style of
248:'s Naturalism. As he grew older his style changed, perhaps evolving, from a detached Giorgionesque classicism, to a more vibrant dramatic setpiece, more reminiscent of his contemporary from
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152:, though much of his career was spent in other north Italian cities. He painted mainly altarpieces, religious subjects and portraits. He was active during the
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as he had a good knowledge of contemporary
Venetian painting. Though Bellini was doubtless not his teacher, the influence is clear in his early painting
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1997:
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As Venice was a city of great wealth and as popularity increased, he received many orders for private paintings, including ten portraits, among them,
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387:, Queen of Cyprus portraited as Saint Catherine, are paintings from this period. As he became a respected painter, he came to the attention of
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596:), before returning to Venice in 1540. He moved again to Treviso in 1542 and back to Venice in 1545. Finally he went back to Ancona in 1549.
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altarpiece for the church of San
Domenico; this two-tiered and rather conventionally painted polyptych consists of six panels. His portrait
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1792:, an exhibition catalog from The Metropolitan Museum of Art (fully available online as PDF), which contains material on Lotto (see index)
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Lotto soon left Venice, because there the competition for a young painter would have been too great, with established names such as
2110:
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1957:
331:. He painted his first altarpieces for the parish church San Cristina al Tiverone (1505) and the baptistery of the Cathedral of
169:
During his lifetime Lotto was a well-respected painter and certainly popular in
Northern Italy; he is traditionally included in
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583:(1568) (Kunsthistorisches Museum, Vienna). But in Venice he was overshadowed by Titian, who dominated the artistic scene.
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His next works are mostly wall paintings: in 1524 he painted a series of frescoes with the lives of saints (such as
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More than 20 private paintings date from the same period; they are mostly of religious and pious subjects, such as
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635:, 1538–1556), giving insight to his life and work. His influence was felt by many painters, including probably
366:
1532:
128:
1736:
Lorenzo Lotto malt Andrea Odoni: Kunstschaffen und
Kunstsammeln zwischen Bildverehrung, Bildskepsis, Bildwitz
455:
in
Bergamo. This altarpiece was commissioned by Count Alessandro Martinengo-Colleoni, grandson of the famous
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This was a productive period in his life, during which he painted several altarpieces and portraits.
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that Lotto was a friend of Palma the Elder. In
Treviso, a prospering town within the domain of the
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496:(near Bergamo). In the details he depicts scenes of each saint's life, such as in the fresco
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1755:(the first full-length study of Lorenzo Lotto since the monograph of Bernard Berenson)
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1583:"Marsilio Cassotti and his Wife Faustina - The Collection - Museo Nacional del Prado"
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The
Sleeping Child Jesus with the Madonna, St. Joseph and St. Catherine of Alexandria
636:
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575:(Royal Art Collection, Hampton Court) (1527) would later influence the portrait of
539:
423:(Pinacoteca Civica, Jesi); soon after he was painting altarpieces in Recanati: a
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391:, the papal architect, who was passing through Loreto (a pilgrimage site near
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611:. During that time he decorated the basilica of Santa Maria and painted a
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1747:
Humfrey, Peter - Lorenzo Lotto; New Haven, Yale University Press, 1997;
619:. He died in 1556 and was buried, at his request, in a Dominican habit.
2505:
1633:"Saint Jerome in Penitence - The Collection - Museo Nacional del Prado"
396:
203:
191:
1790:
Painters of reality: the legacy of Leonardo and Caravaggio in Lombardy
542:, but he was forced to leave after a few months after a conflict with
2510:
1715:
Benesch, Otto (December 1957). "New Contributions to Lorenzo Lotto".
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in Naples), who had survived an assassination attempt. The painting
222:
Little is known of his training. As a Venetian he was influenced by
2445:
2047:
Madonna and Child with Saint Jerome and Saint Nicholas of Tolentino
2039:
Mystical Marriage of St Catherine of Alexandria with Niccoló Bonghi
631:. Lorenzo Lotto himself left many letters and a detailed notebook (
234:, Edinburgh). However, in his portraits and in his early painting
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427:(c.1512, now in the Pinacoteca Comunale, Recanati and a fresco (
415:
In 1511 he was at work for the confraternity of the Buon Gesù in
1795:
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462:, which would be finished in 1516 and shows us the influence of
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1799:
1662:
Dictionnaire des Peintres, Sculpteurs, Dessinateurs et Graveurs
2258:
Portrait of Giovanni Agostino della Torre and his son Niccolò
538:
In Venice, Lotto first resided at the Dominican monastery of
447:, Venice). He began 1513 with a monumental altarpiece: the "
148:, draughtsman, and illustrator, traditionally placed in the
35:
Possible self-portrait, attributed to Lorenzo Lotto, 1540s,
2266:
Portrait of Giovanni della Volta with his Wife and Children
625:
included Lotto's biography in the third volume of his book
1738:, Berlin, Gebr. Mann Verlag 2021. ISBN 978-3-7861-2865-6
2079:
Madonna and Child with Saint Catherine and Saint James
1096:
Madonna and Child with Saint Catherine and Saint James
754:(c. 1504–1506). Church of Santa Cristina al Tiverone,
2784:
1982:
Madonna and Child with Saint Roch and Saint Sebastian
1899:
Madonna with Child between Sts. Flavian and Onuphrius
1785:
Lorenzo Lotto: rediscovered master of the Renaissance
1742:
Lorenzo Lotto: Rediscovered Master of the Renaissance
965:
Madonna and Child with Saint Roch and Saint Sebastian
882:
Madonna with Child between Sts. Flavian and Onuphrius
210:(1549), and finally, as a Franciscan lay brother, in
2282:
Portrait of Marsilio Cassotti and His Bride Faustina
2737:
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2209:
1840:
1833:
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107:
97:
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43:
21:
2151:Holy Family with the Family of St John the Baptist
1849:Madonna and Child with St Peter Martyr and a Donor
1780:Lotto's paintings in various museums of the world
741:Madonna with Child, St. Peter of Verona and Donor
335:(1506), both still on display in those churches.
1465:, a lacy patterned Turkish carpet named for him.
1015:(1523). National Gallery of Art, Washington, USA
813:(1506–1508). Civic Museum Villa Colloredo Mels,
1147:(c. 1530). Metropolitan Museum of Art, New York
1032:Mystical Marriage of St Catherine of Alexandria
2103:Holy Family with Saint Catherine of Alexandria
778:(c. 1505). National Gallery of Art, Washington
411:The Marche (1511–1513) and Bergamo (1513–1525)
2461:
2380:Portrait of a Thirty-Seven-Year-Old Gentleman
1811:
587:Venice, the Veneto and the Marche (1532–1556)
8:
2412:Portrait of Brother Gregorio Belo of Vicenza
2055:Mystical Marriage of St Catherine and Saints
1370:Portrait of Brother Gregorio Belo of Vicenza
1214:Holy Family with SS Jerome, Anna and Joachim
2468:
2454:
2446:
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1818:
1804:
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29:
18:
992:Christ Taking Leave of his Mother (Lotto)
339:Recanati (1506–1508) and Rome (1508–1510)
244:, Washington), he shows the influence of
2356:Portrait of a Woman Inspired by Lucretia
1020:Marsilio Cassotti and His Bride Faustina
654:Thanks to the work of the art historian
311:was intended as an allegorical cover of
301:, he came under the patronage of bishop
2791:
2290:Portrait of a Gentleman with a Lion Paw
1558:"Saint Joseph and the Virgin's Suitors"
1475:
1323:(1543–1544). Pinacoteca di Brera, Milan
1108:Portrait of a Gentleman with a Lion Paw
403:; indeed he had done it before, in the
291:mentions in the third part of his book
206:(1513–1525); in Venice (1525–1549); in
2119:Holy Family with St Jerome and St Anne
2226:Portrait of Bishop Bernardo de' Rossi
1882:Santa Cristina al Tiverone Altarpiece
1331:(c. 1543). Pinacoteca di Brera, Milan
1281:, Pinacoteca Civica Francesco Podesti
1222:Holy Family with St. John the Baptist
899:Museo nazionale di Castel Sant'Angelo
752:Santa Cristina al Tiverone Altarpiece
7:
1373:(1548). Metropolitan Museum of Art,
2307:Portrait of a Young Man with a Book
2250:Portrait of a Young Man with a Lamp
1685:; MacMIlllan Publishers Ltd, 1990;
1072:Portrait of a Young Man with a Book
923:Santi Bartolomeo e Stefano, Bergamo
856:Saint Joseph and the Virgin Suitors
821:Portrait of a Young Man with a Lamp
441:Portrait of a Young Man with a Book
2372:Portrait of an Old Man with Gloves
1907:Mystic Marriage of Saint Catherine
1482:See article on the website of the
1328:Portrait of an Old Man with Gloves
870:Mystic Marriage of Saint Catherine
719:, 1547, Metropolitan Museum of Art
643:, born in Arcevia and active near
14:
2143:Madonna and Child with Two Donors
1998:Christ Taking Leave of his Mother
1701:Grote meesters uit de Renaissance
1562:Museo Nacional Thyssen-Bornemisza
1416:(1552–1556). Palazzo Apostolico,
1285:Portrait of a Man with a Felt Hat
1268:(1539). Church of San Nicolò or
1183:Madonna with Child and Two Donors
1178:(1533). National Gallery, London.
1077:Pinacoteca del Castello Sforzesco
451:" in the Dominican church of the
362:Young Man against a White Curtain
305:. The already mentioned painting
144:(c. 1480 – 1556/57) was an
16:Italian painter (c. 1480–1556/57)
2806:
2794:
2191:San Giacomo dell'Orio Altarpiece
717:Brother Gregorio Belo of Vicenza
439:and a good example would be his
228:Virgin and Child with St. Jerome
127:
2607:Antonio da Sangallo the Younger
1302:Fine Arts Museum, San Francisco
1137:Palazzo Pallavicini Rospigliosi
687:Venetian Woman in the Guise of
504:panels for the choir stalls of
399:, a rapidly rising star in the
2340:Triple Portrait of a Goldsmith
1703:; Rebo International BV, 2005
1175:Portrait of a Lady as Lucretia
746:National Museum of Capodimonte
615:for the Palazzo Apostolico in
317:National Museum of Capodimonte
1:
2879:16th-century Italian painters
2874:15th-century Italian painters
2690:
2653:
2030:Adoration of the Christ Child
1890:Adoration of the Christ Child
1857:Madonna and Child with Saints
1699:(in Dutch Translation :
1155:(1532). Pinacoteca comunale,
845:Adoration of the Christ Child
783:Madonna with Child and Saints
732:Santa Maria Maggiore, Bergamo
557:St. Nicholas of Bari in Glory
315:(1505) of the bishop (now in
2889:16th-century Venetian people
2884:15th-century Venetian people
2829:Italian Renaissance painters
232:National Gallery of Scotland
2388:Portrait of Febo da Brescia
2274:Portrait of Lucina Brembati
2218:Allegory of Virtue and Vice
2095:Saint Lucy Before the Judge
2022:Lament over the Dead Christ
1443:Allegory of Virtue and Vice
1152:Saint Lucy Before the Judge
953:Portrait of Lucina Brembati
763:Allegory of Virtue and Vice
571:, Berlin). His portrait of
407:of the Recanati polyptych.
308:Allegory of Virtue and Vice
237:Allegory of Virtue and Vice
146:Italian Renaissance painter
103:Polyptych of Saint Domenico
2910:
2755:Johann Joachim Winckelmann
2745:Art patronage of Julius II
2199:Presentation in the Temple
2127:Adoration of the Shepherds
1413:Presentation in the Temple
1289:National Gallery of Canada
970:National Gallery of Canada
908:(1510–1512). Civic Museum
707:Metropolitan Museum of Art
613:Presentation in the Temple
453:Santi Bartolomeo e Stefano
156:and the first half of the
2396:Portrait of Laura da Pola
2167:Altarpiece of the Halberd
2071:Christ Carrying the Cross
1949:Saint Jerome in Penitence
1940:Saint Jerome in Penitence
1923:Saint Jerome in Penitence
1873:Saint Jerome in Penitence
1697:Maestros del Renacimiento
1427:Thyssen-Bornemisza Museum
1359:Saint Jerome in Penitence
1320:Portrait of Laura da Pola
1308:The Alms of Saint Anthony
1275:Altarpiece of the Halberd
1060:Christ Carrying the Cross
929:Saint Jerome in Penitence
894:Saint Jerome in Penitence
860:Thyssen-Bornemisza Museum
833:Saint Jerome in Penitence
788:Scottish National Gallery
351:, (c. 1508), oil on panel
135:
126:
117:
37:Thyssen-Bornemisza Museum
28:
2315:Portrait of Andrea Odoni
2175:St Antoninus Giving Alms
2006:Santo Spirito Altarpiece
1958:The Entombment of Christ
1762:, Giunti, Firenze 2011.
1484:Museo Thyssen Bornemisza
1386:San Francesco alle Scale
1255:Santa Maria in Telusiano
1225:(c. 1536). Louvre, Paris
1217:(1534). Uffizi, Florence
1202:(c. 1534). Civic Museum
1113:Kunsthistorisches Museum
1101:Kunsthistorisches Museum
1084:Portrait of Andrea Odoni
1002:Santo Spirito Altarpiece
985:Museo Adriano Bernareggi
826:Kunsthistorisches Museum
672:Portrait of Andrea Odoni
605:Holy Sanctuary at Loreto
367:Kunsthistorisches Museum
321:St. Jerome in the Desert
2869:Italian Roman Catholics
2364:Portrait of a Gentleman
2323:Portrait of a Young Man
2298:Portrait of a Young Man
2242:Portrait of a Young Man
2087:Saint Nicholas in Glory
1682:Grove Dictionary of Art
1608:"Search the Collection"
1447:National Gallery of Art
1348:Madonna and four Saints
1242:Portrait of a Young Man
1125:Santa Maria dei Carmini
1120:Saint Nicholas in Glory
768:National Gallery of Art
565:Portrait of a Young Man
552:Santa Maria dei Carmini
532:Portrait of a Young Man
498:Martyrdom of St. Claire
478:Martyrdom of St. Claire
369:, Vienna (c. 1506) and
242:National Gallery of Art
2706:Sistine Chapel ceiling
2671:San Pietro in Montorio
2577:Bernardino delle Croci
2111:Crucifixion with Pietà
2014:Ponteranica Altarpiece
1974:Susanna and the Elders
1500:Nationalgallery.org.uk
1453:
1402:Portrait of an Old man
1313:Santi Giovanni e Paolo
1250:Crucifixion with Pietà
1012:Adoration of the Child
1006:Santo Spirito, Bergamo
997:Gemäldegalerie, Berlin
941:Susanna and the Elders
735:
720:
709:
693:
679:
633:Libro di spese diverse
548:Fra Damiano da Bergamo
540:Santi Giovanni e Paolo
535:
481:
372:Adoration of the Child
352:
349:Adoration of the Child
267:
2864:Italian male painters
2834:Painters from Bergamo
2602:Sebastiano del Piombo
2532:Mariotto Albertinelli
2159:Madonna of the Rosary
2135:Recanati Annunciation
1966:Martinengo Altarpiece
1436:
1404:(c. 1552, ascribed).
1396:Pinacoteca Capitolina
1353:San Giacomo dall’Orio
1298:Bust of a Bearded Man
1270:San Domenico, Cingoli
1265:Madonna of the Rosary
1199:Recanati Annunciation
919:Martinengo Altarpiece
800:(1506). Cathedral of
726:
715:
699:
685:
669:
530:
476:
449:Martinengo Altarpiece
355:In 1508 he began the
346:
266:(1539), oil on canvas
264:Madonna of the Rosary
262:
2859:Italian illustrators
2839:Painters from Venice
2700:St. Peter's Basilica
2567:Antonio da Correggio
2484:Principal proponents
2234:Allegory of Chastity
1727:Berenson, Bernard -
1637:www.museodelprado.es
1587:www.museodelprado.es
1537:2.chiesacattolica.it
1204:Villa Colloredo Mels
934:Allentown Art Museum
910:Villa Colloredo Mels
775:Allegory of Chastity
647:. Another pupil was
506:Santa Maria Maggiore
437:Antonello da Messina
431:) for the church of
194:(1503–1506); in the
2854:Italian draughtsmen
2632:Antonio Vassilacchi
2332:Triumph of Chastity
1731:; The Phaidon Press
1717:Burlington Magazine
1695:Ricketts Melissa -
1408:, Saint Petersburg.
1341:Pinacoteca di Brera
1235:Pinacoteca di Brera
1132:Triumph of Chastity
1044:Ritratto di coniugi
460:Bartolomeo Colleoni
283:and certainly with
271:Treviso (1503–1506)
171:the Venetian School
2597:Baldassare Peruzzi
2552:Moretto da Brescia
2537:Pellegrino Aretusi
2063:Life of the Virgin
1915:Recanati Polyptych
1454:
1384:(1550). church of
1311:(1542). Church of
1300:(1541, ascribed).
1245:, Uffizi, Florence
1004:(1521). Church of
811:Recanati Polyptych
736:
721:
710:
694:
680:
536:
523:Venice (1525–1532)
482:
357:Recanati Polyptych
353:
303:Bernardo de' Rossi
299:republic of Venice
268:
2894:Catholic painters
2782:
2781:
2727:The Last Judgment
2516:Leonardo da Vinci
2443:
2442:
2422:
2421:
2404:Portrait of a Man
1533:"Museo Diocesano"
1351:(1546) Church of
1336:Portrait of a Man
1168:Accademia Carrara
1037:Accademia Carrara
958:Accademia Carrara
770:, Washington, USA
756:Quinto di Treviso
429:St Vincent Ferrer
385:Catherine Cornaro
375:(c. 1508) in the
139:
138:
2901:
2811:
2810:
2799:
2798:
2797:
2790:
2750:Jacob Burckhardt
2695:
2694: 1502–1516
2692:
2658:
2657: 1492–1498
2655:
2612:Andrea del Sarto
2547:Ludovico Beretta
2477:High Renaissance
2470:
2463:
2456:
2447:
2300:(Gemäldegalerie)
1865:Asolo Altarpiece
1838:
1820:
1813:
1806:
1797:
1760:Lotto. I simboli
1758:Zanchi, Mauro -
1724:
1648:
1647:
1645:
1643:
1629:
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1508:
1506:
1492:
1486:
1480:
1451:Washington, D.C.
1406:Hermitage Museum
1259:Monte San Giusto
1186:(c. 1533–1535).
1089:Royal Collection
1053:Saint Petersburg
1049:Hermitage Museum
887:Borghese Gallery
798:Asolo Altarpiece
794:, United Kingdom
730:of the choir of
677:Royal Collection
656:Bernard Berenson
641:Ercole Ramazzani
287:. Nevertheless,
224:Giovanni Bellini
202:(1508–1510); in
198:(1506–1508); in
154:High Renaissance
131:
112:High Renaissance
100:
33:
19:
2909:
2908:
2904:
2903:
2902:
2900:
2899:
2898:
2819:
2818:
2817:
2805:
2795:
2793:
2785:
2783:
2778:
2733:
2719:Transfiguration
2693:
2656:
2649:The Last Supper
2636:
2592:Maffeo Olivieri
2572:Piero di Cosimo
2557:Gasparo Cairano
2520:
2491:Donato Bramante
2479:
2474:
2444:
2439:
2418:
2348:Venus and Cupid
2205:
1932:Transfiguration
1829:
1824:
1776:
1723:(657): 410–413.
1714:
1668:, Paris, 1976;
1666:Librairie Gründ
1657:
1652:
1651:
1641:
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1631:
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1518:
1514:
1504:
1502:
1496:"Lorenzo Lotto"
1494:
1493:
1489:
1481:
1477:
1472:
1459:
1439:Duke University
1392:The Crossbowman
1144:Venus and Cupid
905:Transfiguration
875:Alte Pinakothek
702:Venus and Cupid
664:
589:
525:
425:Transfiguration
413:
405:Transfiguration
377:National Museum
341:
323:(1500 or 1506;
281:Palma the Elder
273:
220:
190:, he worked in
184:
167:
150:Venetian school
98:
73:
67:
58:
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49:
39:
24:
17:
12:
11:
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2765:Giorgio Vasari
2762:
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2582:Girolamo Genga
2579:
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2564:
2559:
2554:
2549:
2544:
2542:Fra Bartolomeo
2539:
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2384:
2376:
2368:
2360:
2352:
2344:
2336:
2328:
2319:
2311:
2303:
2294:
2293:(c. 1524–1525)
2286:
2278:
2270:
2262:
2254:
2246:
2238:
2230:
2222:
2213:
2211:
2207:
2206:
2204:
2203:
2202:(c. 1552–1556)
2195:
2187:
2179:
2178:(c. 1540–1542)
2171:
2163:
2155:
2147:
2146:(c. 1533–1535)
2139:
2131:
2123:
2115:
2114:(c. 1529–1534)
2107:
2099:
2091:
2083:
2075:
2067:
2059:
2051:
2043:
2035:
2026:
2018:
2010:
2002:
1994:
1993:(c. 1519–1520)
1986:
1978:
1970:
1962:
1954:
1945:
1944:(c. 1513–1514)
1936:
1928:
1919:
1911:
1903:
1895:
1886:
1885:(c. 1504–1506)
1878:
1869:
1861:
1853:
1844:
1842:
1835:
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1830:
1825:
1823:
1822:
1815:
1808:
1800:
1794:
1793:
1787:
1782:
1775:
1774:External links
1772:
1771:
1770:
1756:
1745:
1739:
1734:Kaap, Henry -
1732:
1725:
1712:
1693:
1677:
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1471:
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1458:
1455:
1437:Students from
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988:
983:(c. 1519–20).
976:
961:
949:
946:Uffizi Gallery
937:
936:, Pennsylvania
925:
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878:
866:
853:
841:
829:
817:
808:
795:
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771:
759:
749:
663:
662:Selected works
660:
649:Durante Nobili
623:Giorgio Vasari
588:
585:
569:Gemäldegalerie
524:
521:
480:(1524), fresco
419:, painting an
412:
409:
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337:
289:Giorgio Vasari
272:
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218:Apprenticeship
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88:Known for
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70:Loreto, Marche
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2743:
2742:
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2736:
2729:
2728:
2724:
2721:
2720:
2716:
2713:
2712:Raphael Rooms
2710:
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2701:
2698:
2688:
2687:
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2633:
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2627:Palma Vecchio
2625:
2623:
2620:
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2615:
2613:
2610:
2608:
2605:
2603:
2600:
2598:
2595:
2593:
2590:
2588:
2587:Lorenzo Lotto
2585:
2583:
2580:
2578:
2575:
2573:
2570:
2568:
2565:
2563:
2562:Giulio Clovio
2560:
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2555:
2553:
2550:
2548:
2545:
2543:
2540:
2538:
2535:
2533:
2530:
2529:
2527:
2525:Other artists
2523:
2517:
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2507:
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2448:
2435:
2434:Suardi Chapel
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2019:
2016:
2015:
2011:
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1828:
1827:Lorenzo Lotto
1821:
1816:
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1809:
1807:
1802:
1801:
1798:
1791:
1788:
1786:
1783:
1781:
1778:
1777:
1773:
1769:
1768:88-09-76478-1
1765:
1761:
1757:
1754:
1753:0-300-06905-7
1750:
1746:
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1740:
1737:
1733:
1730:
1729:Lorenzo Lotto
1726:
1722:
1718:
1713:
1710:
1709:90-5841-089-7
1706:
1702:
1698:
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1692:
1691:1-884446-00-0
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1674:2-7000-0156-7
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1488:
1485:
1479:
1476:
1469:
1464:
1461:
1460:
1456:
1452:
1448:
1444:
1441:view Lotto's
1440:
1435:
1428:
1424:
1421:
1419:
1415:
1414:
1410:
1407:
1403:
1400:
1397:
1393:
1390:
1387:
1383:
1382:
1378:
1376:
1375:New York City
1372:
1371:
1367:
1364:
1360:
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1233:(1538–1545).
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1123:(1527–1529).
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1105:
1102:
1099:, (c. 1527).
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921:(1513–1516),
920:
917:
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911:
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902:
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895:
891:
888:
884:
883:
879:
876:
873:(1506–1508),
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642:
638:
637:Giovanni Busi
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629:
624:
620:
618:
614:
610:
607:, becoming a
606:
600:
597:
595:
586:
584:
582:
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577:Jacopo Strada
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566:
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559:
558:
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541:
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490:Suardi Chapel
487:
486:Saint Barbara
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217:
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214:(1549–1556).
213:
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201:
197:
193:
189:
181:
179:
176:
175:idiosyncratic
172:
164:
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159:
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142:Lorenzo Lotto
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48:Lorenzo Lotto
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42:
38:
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27:
23:Lorenzo Lotto
20:
2844:1480s births
2769:
2760:Leonardeschi
2725:
2717:
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2647:
2586:
2501:Michelangelo
2410:
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2069:
2061:
2053:
2045:
2037:
2032:(Washington)
2029:
2020:
2012:
2004:
1996:
1990:Holy Trinity
1988:
1980:
1972:
1964:
1956:
1948:
1939:
1930:
1922:
1913:
1905:
1897:
1889:
1880:
1872:
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1826:
1759:
1741:
1735:
1728:
1720:
1716:
1700:
1696:
1680:
1661:
1640:. Retrieved
1636:
1627:
1615:. Retrieved
1611:
1602:
1590:. Retrieved
1586:
1577:
1565:. Retrieved
1561:
1552:
1540:. Retrieved
1536:
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1503:. Retrieved
1499:
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1463:Lotto carpet
1442:
1423:Selfportrait
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573:Andrea Odoni
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497:
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477:
443:(now in the
440:
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99:Notable work
2849:1557 deaths
2813:Visual arts
2730:(1536–1541)
2722:(1516–1520)
2714:(1509–1524)
2708:(1508–1512)
2702:(1506–1513)
2681:(1501–1504)
2667:(1498–1499)
2641:Major works
2399:(1543–1544)
2391:(1543–1544)
2325:(Accademia)
2186:(1538–1545)
2090:(1527–1529)
2050:(1523–1524)
1969:(1513–1516)
1961:(1513–1516)
1951:(Allentown)
1935:(1510–1512)
1918:(1506–1508)
1910:(1506–1508)
1676:(in French)
1660:Benezit E.
1277:(c. 1539).
1192:Los Angeles
1135:(c. 1530).
1111:(c. 1527).
987:in Bergamo.
968:(c. 1518).
956:(c. 1518).
897:(c. 1509).
858:(c. 1508).
836:(c. 1506).
824:(c. 1506).
786:(c. 1505).
734:, 1524–1531
609:lay brother
603:joined the
457:condottiere
401:Papal court
329:miniaturist
78:Nationality
2823:Categories
1679:Turner J.
1612:Gallery.ca
1470:References
1381:Assumption
1339:(c. 1545)
1287:(c. 1541)
1075:(c. 1526)
948:, Florence
932:, (1515).
517:Deposition
421:Entombment
2771:The Lives
2686:Mona Lisa
2622:Tamagnino
2617:Il Sodoma
2496:Giorgione
2407:(c. 1545)
2383:(c. 1543)
2375:(c. 1543)
2367:(c. 1535)
2359:(c. 1533)
2351:(c. 1530)
2343:(c. 1530)
2335:(c. 1530)
2327:(c. 1530)
2310:(c. 1526)
2302:(c. 1526)
2277:(c. 1518)
2253:(c. 1506)
2245:(c. 1506)
2237:(c. 1505)
2170:(c. 1539)
2154:(c. 1536)
2138:(c. 1534)
2130:(c. 1534)
2082:(c. 1527)
2025:(c. 1522)
1985:(c. 1518)
1927:(c. 1509)
1877:(c. 1506)
1860:(c. 1505)
1841:Religious
1834:Paintings
1429:, Madrid.
1394:(1551).
1170:, Bergamo
1039:, Bergamo
960:, Bergamo
792:Edinburgh
488:) in the
468:Giorgione
445:Accademia
277:Giorgione
254:Correggio
246:Giorgione
182:Biography
158:Mannerist
122:Signature
2801:Painting
1892:(Kraków)
1642:June 11,
1592:June 11,
1567:June 11,
1457:See also
1388:, Ancona
1365:, Madrid
1361:(1546).
1355:, Venice
1315:, Venice
1208:Recanati
1166:(1533).
1127:, Venice
1115:, Vienna
1103:, Vienna
1091:, London
1087:(1527).
1063:(1526).
1055:, Russia
1047:(1524).
1035:(1523).
1027:, Madrid
1023:(1523).
944:(1517),
914:Recanati
885:(1508).
877:, Munich
852:, Kraków
850:EUROPEUM
848:(1508).
828:, Vienna
815:Recanati
766:(1505).
758:, Veneto
748:, Naples
744:(1503).
728:Intarsia
705:, 1530,
689:Lucretia
675:(1527),
544:intarsia
513:Madonnas
502:intarsia
494:Trescore
464:Bramante
393:Recanati
389:Bramante
186:Born in
165:Overview
108:Movement
92:Painting
2787:Portals
2738:Related
2506:Raphael
2427:Chapels
2210:Secular
1942:(Sibiu)
1875:(Paris)
1655:Sources
1617:7 April
1542:7 April
1505:7 April
1445:at the
1343:, Milan
1237:, Milan
1079:, Milan
1067:, Paris
840:, Paris
546:artist
397:Raphael
365:in the
240:(1505;
230:(1506;
204:Bergamo
192:Treviso
82:Italian
72:, Italy
66:1556/57
57:, Italy
51:c. 1480
2673:(1500)
2511:Titian
2436:(1524)
2415:(1547)
2318:(1527)
2285:(1523)
2269:(1515)
2261:(1515)
2229:(1505)
2221:(1505)
2194:(1546)
2162:(1539)
2122:(1534)
2106:(1533)
2098:(1532)
2074:(1526)
2066:(1525)
2058:(1524)
2042:(1523)
2034:(1523)
2017:(1522)
2009:(1521)
2001:(1521)
1977:(1517)
1953:(1515)
1925:(Rome)
1902:(1508)
1894:(1508)
1868:(1506)
1852:(1503)
1766:
1751:
1707:
1689:
1672:
1418:Loreto
1398:, Rome
1293:Ottawa
1279:Ancona
1139:, Rome
1065:Louvre
974:Ottawa
889:, Rome
864:Madrid
838:Louvre
806:Veneto
692:(1533)
639:, and
617:Loreto
581:Titian
534:(1526)
381:Kraków
325:Louvre
285:Titian
212:Loreto
208:Ancona
196:Marche
188:Venice
55:Venice
2678:David
2664:Pietà
2183:Pietà
1425:(?).
1230:Pietà
802:Asolo
515:or a
383:with
333:Asolo
250:Parma
1764:ISBN
1749:ISBN
1705:ISBN
1687:ISBN
1670:ISBN
1644:2020
1619:2018
1594:2020
1569:2020
1544:2018
1522:15:5
1520:John
1507:2018
1194:, US
1157:Jesi
645:Jesi
628:Vite
594:Jesi
466:and
417:Jesi
347:The
294:Vite
200:Rome
63:Died
44:Born
1449:in
579:by
492:in
379:in
2825::
2691:c.
2654:c.
1721:99
1719:.
1664:;
1635:.
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1291:,
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279:,
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252:,
2789::
2696:)
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1819:e
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1546:.
1509:.
567:(
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