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398:, were originally part of John Patteson's collection. Patteson had inherited many of Tillemans's paintings by his marriage into Macro's family, and these now form part of the Patteson Collection at Norwich Castle Museum. Tilleman painted numerous portraits of racehorses for his patrons, among whom were the Dukes of
1318:
252:
but he travelled extensively on commission. Cox Macro, his most faithful patron and the one for whom his work is best documented, gave him commissions, including battle and hunting scenes, landscapes, renovation work, and portraits from 1715. In 1716 Tillemans repainted part of a portrait of Macro by
128:
If we may judge from his success
Tillemans was a socially agreeable and charming man. A portrait of him reveals that he was a gentle, friendly-looking fellow, with long curling hair, presumably his own and not a wig, such as was commonly worn by members of the upper and professional classes in the
339:
During the early 1720s, Tillemans moved successfully into the field of painting dogs, horses and racing scenes and was one of the earliest painters of sporting scenes in
England; four of these works, "engraved by Claude du Bosc and published in 1723, are among the most spectacular early sporting
440:
The excellent plates engraved by Js. Sympson and Jn. Lloyds, from a set of three pictures descriptive of " Newmarket Horse Races," enable us to measure
Tilleman's talent as a horse painter. Equine anatomy had not yet been mastered — had been hardly approached seriously — by artists when these
1315:
212:
Tillemans worked in many different styles and rarely dated his work. After at first working as a copyist, he quickly made his name, and among his first important commissions in
England were two paintings of the interior of the
441:
pictures were painted, but the "different actions and postures," to quote from the inscription on the first of the series, are rendered with a skill that shows no inconsiderable advance in the art of horse portraiture.
475:
as steward to the
Society of the Virtuosi of St Luke. Vertue noted that Tillemans was acquainted with "people of Fashion & persons of Quality" and was in demand as a painter of country-house and estate views.
1810:
1403:
1581:
British and Irish
Paintings in Public Collections: An Index of British and Irish Oil Paintings by Artists Born Before 1870 in Public and Institutional Collections in the United Kingdom and Ireland
1239:, and died on 5 December 1734 while staying at Little Haugh Hall. Tillemans was buried on 7 December at Stowlangtoft church, Suffolk." Tate.org gives Tillemans date of death as 19 November 1734.
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157:. His collection of paintings had been sold in an auction conducted by Macro on 19 and 20 April 1733 and included paintings by James Tillemans, probably a son or other relation, and by
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298:
1637:
326:
The greater part of
Tillemans's oeuvre was painted from approximately 1720 onwards, and it is from the works painted over these years that he chiefly derives his fame.
378:
of landscape with a sporting element". Because both
Wootton and Tillemans omitted to sign many of their works, some of them are difficult to tell apart. Tillemans's
169:, placing it "in a niche at the top of a staircase in Little Haugh Hall". A portrait of the artist, engraved by T. Chambers, from a painting by Hissings, is given in
117:, Tillemans moved to England. In Tillemans's case he moved in 1708, induced to do so by a picture-dealer called Turner: he spent the rest of his life working there.
1909:
190:
Tillemans was brought to
England in 1708 by "Turner, a picture dealer"; his first works were copies of battle scenes made for Turner, particularly of the works of
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47:
936:
The
Noblemen's and Gentlemen's Several Strings or Trains of Running Horses, taking their Exercise up the Watering Course on the Warren Hill at Newmarket
290:
1001:
The Round Course or Plate Course, with diverse Jockeys and Horses in Different Actions and Postures, going to Start for the King's Plate at Newmarket
1275:
537:). This last painting, the "earliest complete topographical view of the river frontage in the 18th century", was commissioned either by the poet
1914:
226:
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97:
1684, the son of a diamond-cutter, and studied painting there under various masters. As he was the brother-in-law of another Flemish painter,
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1716), a self-portrait, with a pupil and Cox Macro, surrounded in the studio by paintings. (He also painted Macro's children in
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374:, Tillemans was one of the three founders of the English sporting school; their paintings "show the first marriage of the
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to "make about 500 drawings for a projected history of Northamptonshire", and some of these were later published in
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of the royal family making music was shown at the Bartholomew fair. He was commissioned in 1719 by the antiquary
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510:(1725). In such work the houses often stand in landscapes brought to life by animals and hunting scenes.
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1189:(ed.), "Northamptonshire in the Early Eighteenth Century: the Drawings of Peter Tillemans and Others",
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from around 1703, making alterations to his face. That year he also painted Macro in the background of
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1279:(Oxford University Press, 2004). The first edition of this text is available at Wikisource:
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Ideal Landscape. Verso: Landscape Composition with Travellers, Gibbets and Wheels in the Distance
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194:, as well as small genre pictures. He enjoyed much success imitating the style and execution of
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Robert Raines, "Peter Tillemans, Life and Work, with a List of Representative Paintings",
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at books.google.com, accessed 7 February 2009. ONDB writes: "In 1733 Tillemans retired to
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Robert Raines, "Peter Tillemans, Life and Work, with a List of Representative Paintings",
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Animal Painters of England From the Year 1650: A brief history of their lives and works
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Animal Painters of England From the Year 1650: A brief history of their lives and works
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350:, 1734. Tillemans was working on this unfinished painting on the day before he died.
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Portrait of Master Edward and Miss Mary Macro, the children of Revd Dr Cox Macro
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Portrait of Master Edward and Miss Mary Macro, the children of Revd Dr Cox Macro
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62:, Tillemans was one of the founders of the English school of sporting painting.
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Bottoms, Edward, 'Tillemans, Peter (c.1684–1734), painter and draughtsman' in
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Tillemans painted several topographical works of views in Richmond and
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312:, painted in the same year as the battle, was originally catalogued as
165:, was one of Tillemans's pupils. Macro had a bust of Tillemans made by
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Christopher Wright, with Catherine May Gordon and Mary Peskett Smith,
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Two racehorses with grooms and hounds in the grounds of Newstead Abbey
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A View of the Garden and House at Upper Winchendon, Buckinghamshire
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The development of painting on sporting themes was centred on the
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141:"on account of his ill state of health". He died at the house of
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The South Garden at Wrest Park, the Seat in the Duchess's Square
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Portrait of a Nobleman on Horseback, a Palace and Gardens Beyond
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Hunting Piece: Going a Hunting with Lord Biron's Pack of Hounds
557:
1723) was one of three paintings done for the Earl of Radnor.
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The View of a Horse Match over the Long Course at New Market
124:(1971), Aubrey Noakes offers this description of Tillemans:
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A view of Chatsworth House and Park with horses and figures
1583:, Paul Mellon Centre for Studies in British Art, 2006, at
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The Royal Hospital from the South Bank of The River Thames
956:(grey and black wash, ink and white heightenings), c. 1720
1369:, vol. 2, London: Vintox & Co., 1900, pp. 207–11. At
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History and Antiquities of the County of Northamptonshire
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Taken from the road: Peter Tillemans in Northamptonshire
1191:
The Publications of the Northamptonshire Record Society,
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A Prospect of the Town of Stanford, from Parsons Cross
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is shown in the painting) or John Robartes, later 4th
947:(watercolour (brown), pen and ink (brown) on paper),
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A nobleman out shooting over his pointers in his park
173:'s 1805 revised edition of Rev. Matthew Pilkington's
28:, engraving by T. Chambers after Hissings's portrait
81:A bust of a man believed to be Peter Tillemans, by
297:(to whom he was also drawing instructor), and the
1586:British and Irish Paintings in Public Collections
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304:His "highly accurate" eponymous painting of the
1044:Three Hounds with Sportsman, a Hunt to the Left
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882:Mary Lidell, Mrs Mydellton and her son Richard
392:Three Hounds with Horsemen, a Hunt to the Left
334:Three Hounds with Horsemen, a Hunt to the Left
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1336:Bryan's Dictionary of Painters and Engravers
1589:books.google.com, accessed 14 February 2009
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1292:. London: Smith, Elder & Co. 1885–1900.
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1276:Oxford Dictionary of National Biography
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1116:A View of Richmond from Twickenham Park
519:A View of Richmond from Twickenham Park
289:(1791). His other patrons included the
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237:'s Academy of Painting and Drawing in
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1441:Peter Tillemans biography at Tate.org
1406:vads.co.uk, accessed 16 February 2009
1392:Peter Tillemans biography at Tate.org
1127:View of the Thames from Richmond Hill
1048:Norwich Castle Museum and Art Gallery
964:Norwich Castle Museum and Art Gallery
922:Norwich Castle Museum and Art Gallery
850:Norwich Castle Museum and Art Gallery
801:Norwich Castle Museum and Art Gallery
792:Norwich Castle Museum and Art Gallery
760:Norwich Castle Museum and Art Gallery
751:Norwich Castle Museum and Art Gallery
677:Norwich Castle Museum and Art Gallery
650:Norwich Castle Museum and Art Gallery
396:Norwich Castle Museum and Art Gallery
7:
1811:Peter Tillemans at Fineart-china.com
895:Salisbury and South Wiltshire Museum
69:in 1734, residing there since 1708.
1232:Peter Tillemans and Early Newmarket
974:Prospect Of Ashburnham Place Sussex
747:Four Hounds with Gentlemen Shooting
517:, to the west of London, including
467:Tillemans was also a member of the
1611:Peter Tillemans at The archive.org
1183:, vol. XLVII, 1980, pp. 21–59
1145:View of Uppark from the South-west
949:Courtauld Institute of Art Gallery
841:Courtauld Institute of Art Gallery
668:Scottish National Portrait Gallery
310:Scottish National Portrait Gallery
14:
1459:Painting in Britain, 1530 to 1790
1404:Portrait of the Rev. Dr Cox Macro
682:Bird's eye view of Clevedon Court
267:Master Edward and Miss Mary Macro
1316:Orleans House Gallery Collection
1289:Dictionary of National Biography
1094:View of Leicester from the South
988:Queen Anne in the House of Lords
823:Palace of Westminster Collection
600:Queen Anne in the House of Lords
322:Sporting and topographical works
315:The Battle of Killiecrankie 1689
233:1710). By 1711 Tillemans joined
837:Landscape with castle on a hill
445:In 1724, Tillemans worked with
115:Willem van de Velde the Younger
1437:Journal of the Walpole Society
1181:Journal of the Walpole Society
1118:, 1720s, Orleans House Gallery
471:, and in 1725 was recorded by
145:(1683–1767, later chaplain to
46:, best known for his works on
39:1684 – 5 December 1734) was a
1:
1915:18th-century Flemish painters
1623:Peter Tillemans at Artnet.com
1154:The Warren Hill at New Market
1084:Buckinghamshire County Museum
1071:View on the Downs near Uppark
918:The Newmarket Watering Course
855:Llangollen and the Dee Bridge
551:The Thames from Richmond Hill
388:The Newmarket Watering Course
94:
36:
1423:The Battle of Glenshiel 1719
981:(coloured engraving), 1719,
900:Newstead Abbey from the West
765:Foxhunting in Wooded Country
664:The Battle of Glenshiel 1719
461:Foxhunting in Wooded Country
225:(1708–14), the other of the
206:The Battle of Glenshiel 1719
788:Horse with Groom and Hounds
711:Chirk Castle from the North
484:Chirk Castle from the North
386:. Another Newmarket scene,
366:. Together with his friend
348:Horse with Groom and Hounds
149:) in Little Haugh Hall, in
1931:
1890:Flemish landscape painters
1502:Peter Tillemans at Artfund
909:Newmarket: the Long Course
873:Mary Lidell, Mrs Mydellton
864:London from Greenwich Park
846:Little Haugh Hall, Suffolk
828:Isola Bella, Lago Maggiore
380:Newmarket: the Long Course
370:(a pupil of Jan Wyck) and
248:His main residence was in
1885:Flemish portrait painters
1798:Accessed 13 February 2009
1708:Government Art Collection
1687:Accessed 13 February 2009
1644:Accessed 13 February 2009
1373:Accessed 13 February 2009
1131:Government Art Collection
1122:A View from Richmond Hill
1111:Government Art Collection
1098:Government Art Collection
1005:Government Art Collection
1003:(engraving and etching),
983:Government Art Collection
940:Government Art Collection
938:(engraving and etching),
913:Government Art Collection
784:(Old Speech Room Gallery)
729:The Duke of Kent's Family
706:Grosvenor Museum, Chester
633:Anne Reade, Mrs Myddelton
527:A View from Richmond Hill
384:Government Art Collection
1832:Accessed 7 February 2009
1813:Accessed 7 February 2009
1794:26 February 2010 at the
1779:Accessed 7 February 2009
1741:Accessed 7 February 2009
1729:Accessed 7 February 2009
1717:Accessed 7 February 2009
1713:3 September 2009 at the
1661:Accessed 7 February 2009
1625:Accessed 7 February 2009
1613:Accessed 7 February 2009
1601:Accessed 7 February 2009
1519:Accessed 7 February 2009
1504:Accessed 7 February 2009
1468:28 November 2007 at the
1443:Accessed 7 February 2009
1426:Accessed 1 February 2009
1394:Accessed 7 February 2009
1339:Accessed 7 February 2009
1325:Accessed 7 February 2009
1283:"Tillemans, Peter"
1220:(Ayer Publishing, 1971,
1218:Sportsmen in a Landscape
1034:The Thames at Twickenham
778:Harrow School and church
691:Castor Church South View
535:A Prospect of Twickenham
531:The Thames at Twickenham
422:The Thames at Twickenham
175:A Dictionary of Painters
163:Joseph Francis Nollekens
129:late eighteenth century.
122:Sportsmen in a Landscape
1752:"Ashburnham-past.co.uk"
1640:13 October 2013 at the
1107:View of Newmarket Heath
715:National Museum Cardiff
376:topographical tradition
137:, Tillemans retired to
1685:Artandarchitecture.org
1014:Royal Hospital Chelsea
738:Figures in a landscape
702:Chester and the Roodee
655:The Battle of Belgrade
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390:and a sporting scene,
358:in the market town of
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133:A chronic sufferer of
131:
89:Tillemans was born in
86:
29:
1905:Painters from Antwerp
1635:National Museum Wales
1517:Twickenham-museum.org
1193:vol. XXXIX, 1994/1996
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451:Haymarket opera house
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346:
340:prints in England".
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215:Palace of Westminster
204:
167:John Michael Rysbrack
83:John Michael Rysbrack
80:
24:
1777:Royal Collection.org
356:Newmarket Racecourse
306:Battle of Glen Shiel
273:1733). In 1717, his
54:subjects. Alongside
1823:Encore-editions.com
1365:Sir Walter Gilbey,
1149:Uppark, West Sussex
1075:Uppark, West Sussex
697:Charge de cavalerie
642:The Artist's Studio
626:Charge de cavalerie
570:The Artist's Studio
521:(later engraved by
469:Rose and Crown Club
449:on scenery for the
259:The Artist's Studio
1828:2006-11-12 at the
1457:Ellis Waterhouse,
1321:2009-01-07 at the
1140:Fitzwilliam Museum
891:New Hall, Bodenham
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549:. His panorama of
541:(his villa by the
494:paintings include
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291:Duke of Devonshire
275:conversation piece
239:Great Queen Street
210:
87:
65:Tillemans died in
30:
1895:Landscape artists
1102:Marlborough House
954:Le passage du gué
693:(drawing) c. 1719
430:Sir Walter Gilbey
382:(1723) is in the
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1237:Richmond, Surrey
1216:Noakes, Aubrey,
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996:Royal Collection
724:Audley End House
496:Chatsworth House
412:Earl of Portmore
299:Duke of Kingston
255:Frans van Mieris
227:House of Commons
192:Jacques Courtois
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868:Bank of England
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99:Pieter Casteels
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1870:1680s births
1847: at the
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229:in session (
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161:, who, like
159:Arthur Devis
155:Stowlangtoft
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56:John Wootton
32:
31:
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1875:1734 deaths
1371:Archive.org
1230:pp. 47–56:
994:. 1708–14,
962:, c. 1733,
771:. 1720–30,
561:Known works
523:P. Benazech
500:Holker Hall
295:Baron Byron
250:Westminster
186:Early works
1864:Categories
1762:6 February
1739:Artnet.com
1198:References
1129:, 1720–3,
515:Twickenham
410:, and the
394:, both in
293:, the 4th
219:Queen Anne
720:Dead game
602:, 1708–14
498:(1720s),
463:, 1720–30
360:Newmarket
217:, one of
147:George II
143:Cox Macro
107:Dirk Maas
1826:Archived
1792:Archived
1711:Archived
1638:Archived
1466:Archived
1319:Archived
911:, 1723,
821:. 1710,
808:, 1728,
666:, 1719,
648:. 1716,
400:Somerset
181:Painting
139:Richmond
111:Jan Wyck
105:such as
48:sporting
1159:Windsor
432:in his
404:Rutland
364:Suffolk
308:in the
221:in the
151:Suffolk
120:In his
91:Antwerp
67:England
44:painter
41:Flemish
1849:Art UK
1463:Online
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617:. 1710
591:. 1733
576:. 1716
543:Thames
502:, and
486:, 1725
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408:Bolton
406:, and
243:London
208:, 1719
171:Fuseli
135:asthma
85:(1727)
1851:site
1764:2009
1222:ISBN
529:and
490:His
113:and
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