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At the extreme right stands the elderly couple's son. The servant filling his glass is pointing at him, as does his daughter with her small guitar. His wife sits in front of him. A small running dog at the bottom center symbolizes loyalty. In the background runs a small brook, probably the
Maelbeek near Brussels.
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the artist animates the portrait of three generations of a family through his sense for psychology. The elder parents in black clothes are depicted on the left. Their daughter stands towards the middle, while her husband (an architect as shown by the plan on the table) and her son point towards her.
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Little is known about the life of Pieter van der Plas. He is believed to have been born in
Brussels around 1590. He was in 1610 registered as a pupil in the records of the guild of painters of Brussels. His master was the painter Ferdinand de Berndt. Between 1610 and 1650 he was active in Brussels,
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He received various pupils. On 30 June 1637 Nicolaes de Smet was registered as his pupil. On 20 March 1640 Frans de Smet was registered as his pupil. On 10 May 1645 Pieter
Vollesom was registered as his pupil in the records of the painters' guild of Brussels. His last known dated painting dates
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Two of his portrait paintings show donors distributing bread and clothes to orphans while being looked upon by the Virgin and Child with St. Anne. One of these is signed jointly by Pieter van der Plas and the younger
Brussels portrait painter
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Pieter van der Plas painted portraits of individuals as well as group portraits for the local guilds in
Brussels. The style of his paintings is similar to that of his younger contemporary painters
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Catalogue descriptif et historique du Musée royal de
Belgique, Bruxelles : précédé d'une notice historique sur sa formation et sur ses accroissements
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in the Dutch
Republic, was active in Brussels in the period 1630 to 1650. P.V. Plas was a still life painter who worked in the Flemish style.
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79:(also known as Pieter van de Plassen, P. van Dillen and the Monogrammist P.V.P.). This artist, originally from the area of
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in the first part of the 17th century. He is known for his individual and group portraits and
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Pieter van der Plas has sometimes been confused with the artist referred to as
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An architect showing plans to a family in aristocratic attire in a landscape
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An architect showing plans to a family in aristocratic attire in a landscape
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38:(c. 1595 – c. 1661) was a Flemish painter and tapestry designer active in
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Vier mannen geknield (leden van het
Brusselse zoutvisverkopersambacht?)
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Also known as: 'Pieter van der Plaas' and 'Pieter van der
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He is believed to have died in
Brussels between 1650 and 1661.
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where he had become a master at the local guild in 1619.
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282:La Corporation des Peintres de Bruxelles
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154:) shows his interest in genre painting.
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307:Netherlands Institute for Art History
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120:In a large group portrait entitled
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287:Messager des sciences historiques
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233:Pieter van der Plas the Elder,
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391:17th-century Flemish painters
70:Portrait of four kneeling men
36:Pieter van der¨Plas the Elder
251:, Viking Press, 1960, p. 248
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247:Reginald Howard Wilenski,
381:Flemish portrait painters
152:National Gallery (Norway)
144:. A painting depicting a
396:Flemish tapestry artists
371:Flemish Baroque painters
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209:Pieter van der Plas (I)
376:Flemish genre painters
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386:Artists from Brussels
345:Pieter van der Plas I
318:Pieter van der Plas,
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32:Pieter van der Plas I
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347:at Wikimedia Commons
97:Gillis van Tilborch
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292:(in French)
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235:Falcon hunt
147:Falcon hunt
142:John Milton
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355:Categories
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158:References
303:P.V. Plas
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40:Brussels
305:at the
211:at the
81:Alkmaar
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150:(the
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50:Life
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