36:
53:
411:
170:
The painting shows 10 persons seated in a garden around a table. Jordaens himself is on the left playing the lute. Jordaens' father, a merchant in canvases, is to his left holding a glass of wine in his hand. Next to him are
Jordaens' sisters Magdalena and Anna. Then follows his mother Barbara van
192:
in 1615. The painting is full of symbols of family harmony and bliss. Music represented by the lute is an embodiment of harmony and in the context of a family portrait it references a harmonious marriage. The dog and the grapevine twining round the pavilion symbolize conjugal fidelity.
200:. The raising of a goblet of wine by the father is likely a warning against excess in idle pleasures and a reminder of the need for restraint. The three putti hovering over the family likely represent the souls of the three daughters who had died young.
175:
fluttering above them among the foliage of the trees. In the foreground are the twins
Abraham and Isaac. The family dog is in the bottom centre. On the left of the dog is a table holding bottles. Higher up on the right, a
419:
618:
516:
512:
171:
Wolschaten holding her daughter
Elisabeth on her knees. Jordaens' sisters Maria and Catherina are on the right-hand side of the painting. They are looking up at tThree
434:
237:
in 1722. He recorded this in his diary calling the painting correctly a painting by
Jordaens of his father & mother and family. The painting was sold to the
648:
741:
440:
726:
537:
372:
35:
427:
588:
565:
731:
542:
455:
656:
603:
154:
751:
493:
275:
766:
188:
It has been speculated that the painting depicts the family's celebration of
Jordaens' admission as a master to the Antwerp
221:
It is believed that the painting remained in the
Jordaens family until the 18th century, when the work was acquired by the
580:
470:
365:
633:
501:
209:
144:
746:
721:
523:
736:
675:
485:
358:
756:
296:
242:
761:
52:
550:
336:
196:
The painting contains various religious symbols such as the bread and wine which symbolize the
699:
204:
328:
283:
238:
222:
189:
159:
91:
531:
693:
381:
246:
226:
139:
46:
715:
234:
230:
245:. At that time, it was wrongly attributed to Jordaens' teacher and father-in-law
177:
302:, London, J.M. Dent & Co., New York, E.P. Dutton & co., 1908, pp. 52-53
180:
enters with a tray of fruit. A basket of bread is in the centre of the table.
197:
72:
110:
412:
The
Tribute Money. Peter Finding the Silver Coin in the Mouth of the Fish
340:
332:
316:
172:
350:
354:
101:
83:
175 cm (69 in) × 137.5 cm (54.1 in)
686:
667:
420:
Erichthonius
Discovered by the Daughters of Cecrops
388:
97:
87:
79:
68:
60:
42:
21:
278:Self-Portrait with Parents, Brothers, and Sisters
203:The composition of the painting was inspired by
128:Self-Portrait with Parents, Brothers and Sisters
22:Self-Portrait with Parents, Brothers and Sisters
158:, it is one of four works by the artist in the
142:of himself with his parents and siblings. With
366:
8:
649:Triumph of Frederick Henry, Prince of Orange
373:
359:
351:
51:
18:
150:The Apostles Paul and Barnabas at Lystra
258:
397:Portrait of the Artist with his Family
310:
308:
122:Portrait of the Artist with his Family
28:Portrait of the Artist with his Family
589:Moses and his Ethiopian wife Zipporah
566:Jupiter Raised by the Nymph Adrasteia
270:
268:
266:
264:
262:
7:
604:Candaules Showing His Wife to Gyges
742:Group portraits by Flemish artists
509:As the Old Sang, So the Young Pipe
317:"Jordaens' Portrait of His Family"
14:
727:Paintings in the Hermitage Museum
299:Jacob Jordaens, his life and work
441:The Miraculous Draught of Fishes
213:(Chiesa di S. Ambrogio, Genoa).
34:
138:painting by the Flemish artist
1:
638:
623:
608:
593:
570:
555:
475:
460:
445:
401:
132:
241:in 1779 during the reign of
732:Paintings by Jacob Jordaens
783:
16:Painting by Jacob Jordaens
502:Apollo as Victor over Pan
456:The Satyr and the Peasant
107:
33:
26:
657:The Banquet of Cleopatra
315:Held, Julius S. (1940).
155:The Banquet of Cleopatra
676:The Signs of the Zodiac
233:. There it was seen by
752:17th-century portraits
243:Catherine II of Russia
767:Paintings of children
538:St Petersburg c. 1638
428:Meleager and Atalanta
619:Nocturnal appearance
494:The Four Evangelists
486:The Painter's Family
581:The Rape of Europa
551:The Bagpipe Player
225:. It then entered
102:RKDimages ID: 8116
709:
708:
702:(major influence)
700:Peter Paul Rubens
471:Mercury and Argus
276:"Jacob Jordaens,
229:'s collection at
205:Peter Paul Rubens
118:
117:
774:
643:
640:
628:
625:
613:
610:
598:
595:
575:
572:
560:
557:
480:
477:
465:
462:
450:
447:
406:
403:
375:
368:
361:
352:
345:
344:
321:The Art Bulletin
312:
303:
294:
288:
287:
284:Hermitage Museum
272:
239:Hermitage Museum
223:Duke of Portland
210:The Circumcision
190:Guild of St Luke
160:Hermitage Museum
137:
134:
125:, also known as
111:edit on Wikidata
92:Hermitage Museum
56:
55:
38:
19:
782:
781:
777:
776:
775:
773:
772:
771:
747:Group portraits
722:1610s paintings
712:
711:
710:
705:
682:
668:Painting series
663:
641:
626:
611:
596:
573:
558:
532:The King Drinks
478:
463:
448:
404:
384:
379:
349:
348:
333:10.2307/3046687
314:
313:
306:
295:
291:
274:
273:
260:
255:
219:
186:
168:
135:
114:
50:
17:
12:
11:
5:
780:
778:
770:
769:
764:
759:
754:
749:
744:
739:
737:Self-portraits
734:
729:
724:
714:
713:
707:
706:
704:
703:
697:
694:Adam van Noort
690:
688:
684:
683:
681:
680:
671:
669:
665:
664:
662:
661:
653:
645:
634:Group Portrait
630:
615:
600:
585:
577:
562:
547:
546:
545:
540:
528:
520:
506:
498:
490:
482:
467:
452:
437:
432:
424:
416:
408:
392:
390:
386:
385:
382:Jacob Jordaens
380:
378:
377:
370:
363:
355:
347:
346:
304:
289:
257:
256:
254:
251:
247:Adam van Noort
227:Robert Walpole
218:
215:
185:
182:
167:
164:
145:Group Portrait
140:Jacob Jordaens
116:
115:
108:
105:
104:
99:
95:
94:
89:
85:
84:
81:
77:
76:
70:
66:
65:
62:
58:
57:
47:Jacob Jordaens
44:
40:
39:
31:
30:
24:
23:
15:
13:
10:
9:
6:
4:
3:
2:
779:
768:
765:
763:
760:
758:
757:Angels in art
755:
753:
750:
748:
745:
743:
740:
738:
735:
733:
730:
728:
725:
723:
720:
719:
717:
701:
698:
695:
692:
691:
689:
685:
678:
677:
673:
672:
670:
666:
659:
658:
654:
651:
650:
646:
636:
635:
631:
621:
620:
616:
606:
605:
601:
591:
590:
586:
583:
582:
578:
568:
567:
563:
553:
552:
548:
544:
543:Brussels 1640
541:
539:
536:
535:
534:
533:
529:
526:
525:
524:Self-Portrait
521:
518:
514:
510:
507:
504:
503:
499:
496:
495:
491:
488:
487:
483:
473:
472:
468:
459:(1620, 1625,
458:
457:
453:
443:
442:
438:
436:
433:
430:
429:
425:
422:
421:
417:
414:
413:
409:
399:
398:
394:
393:
391:
387:
383:
376:
371:
369:
364:
362:
357:
356:
353:
342:
338:
334:
330:
326:
322:
318:
311:
309:
305:
301:
300:
293:
290:
285:
281:
279:
271:
269:
267:
265:
263:
259:
252:
250:
248:
244:
240:
236:
235:George Virtue
232:
231:Houghton Hall
228:
224:
216:
214:
212:
211:
207:' altarpiece
206:
201:
199:
194:
191:
183:
181:
179:
174:
165:
163:
161:
157:
156:
152:(c.1618) and
151:
147:
146:
141:
130:
129:
124:
123:
112:
106:
103:
100:
96:
93:
90:
86:
82:
78:
74:
71:
67:
63:
59:
54:
48:
45:
41:
37:
32:
29:
25:
20:
674:
655:
647:
632:
617:
602:
587:
579:
564:
549:
530:
522:
517:Valenciennes
508:
500:
492:
484:
469:
454:
439:
426:
418:
410:
396:
395:
327:(2): 70–82.
324:
320:
298:
297:Max Rooses,
292:
277:
220:
208:
202:
195:
187:
169:
153:
149:
143:
127:
126:
121:
120:
119:
27:
762:Dogs in art
642: 1650
627: 1650
612: 1646
597: 1645
574: 1640
559: 1640
527:(1638–1640)
489:(1621–1622)
479: 1620
464: 1650
449: 1618
415:(1616–1634)
405: 1615
178:maidservant
166:Description
136: 1615
98:Identifiers
716:Categories
519:1638–1640)
435:1620–1623)
253:References
217:Provenance
80:Dimensions
389:Paintings
198:Eucharist
73:oil paint
696:(master)
88:Location
75:, canvas
687:Related
513:Antwerp
341:3046687
184:Meaning
679:(1640)
660:(1653)
652:(1652)
599:–1650)
584:(1643)
505:(1637)
497:(1625)
451:–1620)
423:(1617)
339:
69:Medium
49:
43:Artist
431:(1618
337:JSTOR
173:putti
131:is a
109:[
64:1615
61:Year
329:doi
718::
639:c.
624:c.
609:c.
594:c.
571:c.
556:c.
515:,
476:c.
461:c.
446:c.
402:c.
335:.
325:22
323:.
319:.
307:^
282:.
261:^
249:.
162:.
148:,
133:c.
644:)
637:(
629:)
622:(
614:)
607:(
592:(
576:)
569:(
561:)
554:(
511:(
481:)
474:(
466:)
444:(
407:)
400:(
374:e
367:t
360:v
343:.
331::
286:.
280:"
113:]
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.