22:
136:
75:
150:. A change in the theatre's management in 1866 led to Maýr's removal and replacement by Smetana, who held the post for eight years. Maýr's bias in favour of Italian opera was replaced by Smetana's more balanced repertoire, which mixed Italian, German and French pieces with such Slavonic and Czech works as he could find. Apart from his own compositions (
52:) was erected in 1862 as a temporary home for Czech drama and opera until a permanent National Theatre could be built. It opened on 18 November 1862 and functioned for 20 years, during which time over 5,000 performances were presented. Between 1866 and 1876 the theatre staged the premieres of four of
180:, which opened on 11 June. Shortly thereafter the new building was badly damaged by fire and remained closed for two years. During this period the Provisional Theatre continued to operate, using other theatre premises. During its lifetime the Provisional theatre mounted more than 5,000 performances.
143:
The first principal conductor (or musical director) of the
Provisional Theatre, appointed in the autumn of 1862, was Jan Nepomuk Maýr – to the disappointment of Smetana, who had hoped for the position himself. Maýr held the position until September 1866; his tenure was marked by a professional
171:
Smetana was responsible for the establishment of an independent school attached to the theatre. He became the school's director and professor of theory. However, in 1874 Smetana became afflicted with deafness, which forced him to yield his duties as principal conductor to his assistant Adolf Čech,
109:. This covered the costs of building a small 800-seat theatre, which would act as a home for production of Czech drama and opera while longer-term plans for a permanent National Theatre could be implemented. The Provisional Theatre opened on 18 November 1862, with a performance of
172:
and to resign his post later that year. Maýr was reappointed to the conductorship; he had no interest in the school, which subsequently closed. The
Provisional Theatre continued as the main venue for Czech opera, several of
168:, but was nevertheless attacked by some parts of the music establishment for giving insufficient encouragement to native talent. Efforts to remove him from his post, and to reinstate Maýr, were unsuccessful.
127:. For the first year or so of its life, the Provisional Theatre alternated opera with straight plays on a daily basis, but from the start of 1864 opera performances were given daily.
93:, and under that regime's absolutist rule most aspects of Czech culture and national life had been discouraged or suppressed. Absolutism was formally abolished by a decree of the
635:
144:
rivalry with
Smetana, who criticised the theatre's conservatism and failure to fulfil its mission to promote Czech opera. Maýr retaliated by refusing to conduct Smetana's
545:
367:
549:
371:
610:
630:
571:
535:
620:
472:
450:
117:. Since there was at the time no Czech opera deemed suitable, the first opera performed at the theatre, on 20 November 1862, was
640:
625:
553:
375:
21:
146:
85:
Before the early 1860s almost all cultural institutions in Prague, including theatre and opera, were in
Austrian hands.
482:
397:
615:
499:
283:
177:
63:
110:
106:
173:
123:
165:
94:
78:
58:
53:
531:
468:
446:
90:
139:
Bedřich
Smetana, who succeeded Maýr as Principal Conductor, and was in turn succeeded by him
160:
118:
62:. The Provisional Theatre building was eventually incorporated into the structure of the
48:
34:
604:
460:
135:
74:
176:'s works being premiered there. In 1881 the theatre was incorporated into the
586:
573:
105:, and in 1861 announced a public subscription, which raised a sum of 106,000
507:
291:
164:, Smetana introduced works by the Czech composers Lepold Eugen Měchura and
97:
on 20 October 1860, which led to a Czech cultural revival. The
Bohemian
86:
102:
134:
73:
20:
101:(parliament) had acquired a site in Prague on the banks of the
81:, first Principal Conductor of the Prague Provisional Theatre
550:Ministry of Foreign Affairs of the Czech Republic
372:Ministry of Foreign Affairs of the Czech Republic
25:Prague Provisional Theatre on historic painting
546:"The historical development of Czech theatre"
368:"The historical development of Czech theatre"
8:
335:
333:
314:
312:
636:1862 establishments in the Austrian Empire
528:The Lives and Times of the Great Composers
238:
236:
234:
232:
204:
202:
66:, which opened its doors on 11 June 1881.
189:
277:
275:
47:
7:
611:Opera houses in the Czech Republic
504:Grove Music Online, ed. Laura Macy
288:Grove Music Online, ed. Laura Macy
14:
443:Smetana (Master Musicians series)
178:Czech National Theatre building
49:[ˈprozaciːmɲiːˈɟɪvadlo]
631:Music venues completed in 1862
16:Theatre in 19th-century Prague
1:
156:The Brandenburgers in Bohemia
147:The Brandenburgers in Bohemia
657:
621:Theatres completed in 1862
31:Prague Provisional Theatre
526:Steen, Michael (2003).
521:(subscription required)
305:(subscription required)
641:19th century in Prague
626:Music venues in Prague
530:. London: Icon Books.
483:"The National Theatre"
441:Clapham, John (1972).
398:"The National Theatre"
140:
89:was a province of the
82:
38:
26:
467:. London: Duckworth.
445:. London: J.M. Dent.
138:
77:
56:'s operas, including
24:
184:Notes and references
45:Czech pronunciation:
587:50.0807°N 14.4136°E
583: /
95:Emperor Franz Josef
616:Theatres in Prague
500:"Smetana, Bedřich"
348:Clapham, pp. 41–42
284:"Smetana, Bedřich"
226:Clapham, pp. 32–33
152:The Bartered Bride
141:
83:
59:The Bartered Bride
40:Prozatímní divadlo
27:
537:978-1-84046-679-9
485:. Narodni divaldo
400:. Narodni divaldo
339:Large, pp. 206–07
327:Large, pp. 233–38
318:Large, pp. 207–08
242:Large, pp. 124–25
208:Large, pp. 114–15
124:Les deux journées
648:
598:
597:
595:
594:
593:
592:50.0807; 14.4136
588:
584:
581:
580:
579:
576:
565:
563:
561:
556:on 30 April 2009
552:. Archived from
541:
522:
519:
517:
515:
506:. Archived from
498:Ottlová, Marta.
494:
492:
490:
478:
456:
428:
425:
419:
416:
410:
409:
407:
405:
394:
388:
387:
385:
383:
378:on 30 April 2009
374:. Archived from
364:
358:
355:
349:
346:
340:
337:
328:
325:
319:
316:
307:
306:
303:
301:
299:
290:. Archived from
282:Ottlová, Marta.
279:
270:
267:
261:
258:
252:
249:
243:
240:
227:
224:
218:
215:
209:
206:
197:
194:
113:'s tragic drama
79:Jan Nepomuk Maýr
64:National Theatre
51:
46:
656:
655:
651:
650:
649:
647:
646:
645:
601:
600:
591:
589:
585:
582:
577:
574:
572:
570:
569:
559:
557:
544:
538:
525:
520:
513:
511:
497:
488:
486:
481:
475:
459:
453:
440:
437:
432:
431:
426:
422:
417:
413:
403:
401:
396:
395:
391:
381:
379:
366:
365:
361:
356:
352:
347:
343:
338:
331:
326:
322:
317:
310:
304:
297:
295:
281:
280:
273:
268:
264:
259:
255:
250:
246:
241:
230:
225:
221:
216:
212:
207:
200:
195:
191:
186:
133:
111:Vítězslav Hálek
91:Habsburg Empire
72:
54:Bedřich Smetana
44:
17:
12:
11:
5:
654:
652:
644:
643:
638:
633:
628:
623:
618:
613:
603:
602:
567:
566:
542:
536:
523:
510:on 1 June 2013
495:
479:
473:
457:
451:
436:
433:
430:
429:
420:
411:
389:
359:
350:
341:
329:
320:
308:
294:on 1 June 2013
271:
262:
253:
244:
228:
219:
210:
198:
188:
187:
185:
182:
174:Antonín Dvořák
166:Josef Rozkošný
132:
129:
71:
68:
15:
13:
10:
9:
6:
4:
3:
2:
653:
642:
639:
637:
634:
632:
629:
627:
624:
622:
619:
617:
614:
612:
609:
608:
606:
599:
596:
555:
551:
547:
543:
539:
533:
529:
524:
509:
505:
501:
496:
484:
480:
476:
474:0-7156-0512-7
470:
466:
462:
458:
454:
452:0-460-03133-3
448:
444:
439:
438:
434:
427:Steen, p. 702
424:
421:
418:Large, p. 221
415:
412:
399:
393:
390:
377:
373:
369:
363:
360:
357:Large, p. 246
354:
351:
345:
342:
336:
334:
330:
324:
321:
315:
313:
309:
293:
289:
285:
278:
276:
272:
269:Large, p. 167
266:
263:
260:Large, p. 144
257:
254:
251:Large, p. 136
248:
245:
239:
237:
235:
233:
229:
223:
220:
217:Steen, p. 698
214:
211:
205:
203:
199:
196:Steen, p. 697
193:
190:
183:
181:
179:
175:
169:
167:
163:
162:
157:
153:
149:
148:
137:
130:
128:
126:
125:
120:
116:
112:
108:
104:
100:
96:
92:
88:
80:
76:
69:
67:
65:
61:
60:
55:
50:
42:
41:
36:
32:
23:
19:
568:
558:. Retrieved
554:the original
527:
512:. Retrieved
508:the original
503:
487:. Retrieved
464:
461:Large, Brian
442:
423:
414:
402:. Retrieved
392:
380:. Retrieved
376:the original
362:
353:
344:
323:
296:. Retrieved
292:the original
287:
265:
256:
247:
222:
213:
192:
170:
159:
155:
151:
145:
142:
122:
115:King Vukašín
114:
98:
84:
57:
39:
30:
28:
18:
590: /
605:Categories
578:14°24′49″E
575:50°04′51″N
119:Cherubini
463:(1970).
560:17 July
489:17 July
465:Smetana
435:Sources
404:17 July
382:17 July
161:Dalibor
131:History
107:florins
87:Bohemia
70:Origins
534:
514:12 May
471:
449:
298:12 May
103:Vltava
35:Czech
562:2009
532:ISBN
516:2009
491:2009
469:ISBN
447:ISBN
406:2009
384:2009
300:2009
158:and
99:Diet
29:The
121:'s
607::
548:.
502:.
370:.
332:^
311:^
286:.
274:^
231:^
201:^
154:,
43:,
37::
564:.
540:.
518:.
493:.
477:.
455:.
408:.
386:.
302:.
33:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.