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in the corner of the painting. The RHL monogram (meaning: Rembrandt
Harmenszoon Leidensis, i.e.: Rembrandt, son of Harmen from Leiden) is a particular type of signature that Rembrandt used only in 1628 and possibly in late 1627 or early 1629. The fact that the letters of the monogram were written in
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Similar to many other Dutch paintings of the 17th century, the early stage of this painting's life in
Holland, after it left Rembrandt's Leiden studio in which it was created, is not known. Still, the painting was previously known from the late 18th, or, more probably, early 19th century print by
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in
Nuremberg). He is looking directly at the viewer. The brushwork is sure, sensitive, spontaneous and bold, sometimes precise, sometimes broad and loose, and it clearly reveals the hand of a genius, who precisely knows how to best capture the transitory reaction of laughing.
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undertook extensive research, and published his results in the "Kroniek van het
Rembrandthuis" in 2007. His conclusion that the painting offered at the auction in Gloucestershire is a genuine Rembrandt was argued through a variety of evidence.
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181:"Democrite Philosophe son profonde meditation des (de?) faiblesses (?) tous ensemble. Nous concevons mille différ? nous formons mille projets que nous ne (?) pouvons executer. C?est une espece de folie r ce Philosophe Je (se?) ris."
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And lastly, a possible free copy of this painting, made by
Rembrandt's pupil or a follower, now probably in the collection of Edmond de Rothschild, might also be proof of attribution to Rembrandt of the Gloucestershire tronie.
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the wet paint of the surface is of major importance for dating the painting. Still, the problem was that
Rembrandt sometimes signed his pupils' paintings, as a kind of guarantee that they had come from his studio.
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radiography. It showed that the laughing figure was painted on top of an earlier (probably unfinished) painting very similar to the history pieces painted by
Rembrandt at that time, such as
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The painting shows a laughing man, bareheaded, with his head tilted back, dressed in a deep purple robe, surrounded by a rougher brown woolen cape. He also wears a polished metal
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before the sale, "their response was pretty dismissive", as auctioneer Philip
Allwood has said. So the painting was estimated at just £1000-1500, but was sold for £2.2 m.
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Thanks to the
Claessen's print, it was mentioned in 1933 in Kurt Bauch's book on Rembrandt, and even before that, in Ernest Wilhelm Moes's book on Dutch painting.
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Wetering 2007 – Wetering, Ernest van de: Rembrandt
Laughing, c. 1628 - a painting resurfaces, Kronik van het Rembrandthuis, Amsterdam, 2007, p. 18-40
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Rembrandt's interest in rendering effects, well known from his famous etchings of the same period, is also proof of attribution to Rembrandt.
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Turner 2000 – Turner, Jane: From Rembrandt to Vermeer / 17th-Century Dutch Artists (Grove Dictionary of Art), New York, 2000
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Rembrandt painted a picture of the same subject, with a different model and different pose, again c. 1630. See
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Despite that explanation, the painting is probably not representing Rembrandt as the laughing philosopher
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Jenkins 2013 - Jenkins, Tiffany: Let Rembrandt's self-portrait leave Britain, July 17, 2013
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Capon 2008 - Capon, Alex: Rembrandt portrait sold in Cotswolds now authenticated, 2008.
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22.2 cm × 17.1 cm (8.7 in × 6.7 in)
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In 2013 the painting was sold to the Getty Museum in California for £16.5m
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Although from the very first sight it is clear that this painting is a
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The third piece of evidence came after analysis of the painting with
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Podcast: Anne Woollett on "Rembrandt Laughing", March 15, 2017
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Getty 2021 - The J. Paul Getty Museum: Rembrandt Laughing
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Diana Bathing with her Nymphs with Actaeon and Callisto
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Ernst van de Wetering on "Rembrandt Laughing", 2011
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18:
1824:(2007 film)
1816:(2003 film)
1792:(1977 film)
1736:Works about
1666:(1647–1649)
1579:(including
1547:(1665–1669)
1258:(1662–1669)
1058:(1650–1652)
1018:(1645–1648)
718:(1632–1633)
222:masterpiece
216:Attribution
203:Rijksmuseum
146:Description
116: 1628
99:Los Angeles
55: 1628
1930:Categories
1066:(c. 1652)
547:The Senses
356:Capon 2008
338:Getty 2021
185:Democritus
174:Franz Hals
140:California
83:Dimensions
1908:Contested
1887:Rembrandt
1880:Rembrandt
1857:Namesakes
1805:Rembrandt
1773:Rembrandt
1765:Rembrandt
1757:Rembrandt
1738:Rembrandt
1555:(c. 1669)
1412:(c. 1662)
1273:Portraits
1234:(c. 1665)
1114:(c. 1655)
934:(c. 1639)
830:(c. 1635)
822:(c. 1635)
779:Artemisia
694:(c. 1631)
646:(c. 1630)
638:(1629–30)
606:(c. 1626)
550:(1624–25)
538:Paintings
526:paintings
509:Rembrandt
304:Footnotes
207:Amsterdam
122:painter
61:Catalogue
1882:(crater)
1631:The Mill
1581:etchings
1572:Drawings
1465:disputed
1463:(1635) (
1455:(c.1629)
1247:Lucretia
1223:Lucretia
1015:The Mill
522:etchings
282:See also
254:etchings
246:monogram
230:emeritus
91:Location
1890:(train)
1226:(1664)
1098:(1655)
811:Minerva
734:(1633)
566:(1620s)
232:at the
64:2013.60
1722:(1655)
1714:(1654)
1706:(1653)
1698:(1652)
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1594:(1634)
1576:prints
1563:(1669)
1539:(1662)
1531:(1662)
1523:(1660)
1515:(1659)
1507:(1658)
1499:(1654)
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894:(1637)
878:(1636)
870:(1636)
862:(1636)
854:(1635)
846:(1635)
838:(1635)
814:(1635)
806:(1635)
798:(1634)
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782:(1634)
774:(1634)
766:(1634)
758:(1633)
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742:(1633)
726:(1633)
710:(1632)
702:(1632)
686:(1631)
678:(1631)
670:(1631)
662:(1631)
630:(1628)
622:(1627)
614:(1627)
598:(1626)
590:(1626)
582:(1626)
574:(1626)
558:(1625)
152:gorget
128:tronie
77:copper
38:Artist
867:Danaë
771:Flora
189:globe
120:Dutch
111:is a
1574:and
983:Ruth
981:and
979:Boaz
69:Type
48:Year
205:in
75:on
73:Oil
1932::
528:,
524:,
520:,
260:.
176:.
142:.
138:,
113:c.
97:,
52:c.
1583:)
1467:)
501:e
494:t
487:v
320:.
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