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187:. Its provenance doesn't go further back than an advertisement by Alan Jacobs Gallery Ltd., London, in 1984. This is typical for flower still life paintings: once they leave a collection, descriptions of them are too varied to pinpoint them exactly, and Ruysch's production was unusually high for a woman painter, mostly because she remained productive throughout her (very long) life.
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Ruysch has been recorded as making pendant paintings, with one painting of flowers (called a "bloemstuk") and another of fruit ("fruitstuk"), often on a forest floor. A pendant to this painting is unknown. Various attempts have been made to "read" her paintings in terms of the plants and insects
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shown in them, but generally they were simply treasured for their beauty and "cleverness". In this painting there are several botanically correct plants, with various insects on them.
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106.68 cm × 83.82 cm (42.00 in × 33.00 in)
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Roses, Convolvulus, Poppies and Other
Flowers in an Urn on a Stone Ledge
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Roses, Convolvulus, Poppies and Other
Flowers in an Urn on a Stone Ledge
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Roses, Convolvulus, Poppies and Other
Flowers in an Urn on a Stone Ledge
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Other "Flowers in a vase on a ledge" paintings by Ruysch are:
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Flower in a terracotta vase on a stone parapet, ca. 1688
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The white rose is host to a spider, beetle, and ants.
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142:The pink rose hangs above a milk thistle.
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280:National Museum of Women in the Arts
183:This painting was gifted in 1986 by
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106:and is now in the collection of the
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254:A Flower Painting by Rachel Ruysch
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130:The central flower is a peony.
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300:Paintings by Rachel Ruysch
166:Foxglove with a butterfly.
94:on canvas painting by the
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16:Painting by Rachel Ruysch
203:Alte Pinakothek, Munich
102:. It is an example of
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62:Dimensions
278:, in the
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49:1688
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269:RKD
92:oil
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