1378:
1443:
1276:
562:, who painted mostly women, but "remained well within the bounds of propriety in their subject matter" because of their upper-middle-class status in French society. Valadon's marginalized status allowed her to enter the contemporary male dominated domain of art through modeling and her lack of formal academic training may have made her less influenced by academic conventions. She has been noted for that difference in her paintings of the nude women. She resisted typical depictions of women, emphasizing class trappings and their sexual attractiveness, through her realistic depiction of unidealised and self-possessed women who are not overly sexualised. She also painted many nude self-portraits across the span of her career, the later of which displayed her aging body realistically.
1411:
1061:
1428:
1501:
resistance to both academic and avant-garde conventions for representing the female nude have encouraged interest in her work: It has been argued that many of her images of women signal a form of resistance to some of the dominant representations of female sexuality in early twentieth-century
Western art. Many of her nudes painted from the 1910s onward are heavily proportioned and sometimes awkwardly posed. The feminist critics assert that they are conspicuously at odds with the svelte, 'feminine' type to be found in the imagery of both popular and 'high' art. Her self-portrait from 1931, when she was 66, stands out as one of the early examples of a woman painter recording her own physical decline.
1231:
1168:
1261:
1321:
1359:
1399:
1462:
534:
40:
1216:
1183:
1076:
1246:
1198:
1335:
1136:
1306:
580:
1091:
1291:
1106:
1046:
1121:
382:
1153:
463:
238:
194:(1911), included mostly female nudes, portraits of women, still lifes, and landscapes. She never attended the academy and was never confined within a set tradition or style of art. Despite not being confined to any tradition, she shocked the artistic world as the first woman painter to depict a male nude as well as less idealized images of women in comparison to those of her male counterparts.
342:, who was impressed by her bold line drawings and fine paintings. He purchased her work and encouraged her. She remained one of his closest friends until his death in 1917. Art historian Heather Dawkins believed that Valadon's experience as a model added depth to her own images of nude women, which tended to be less idealized than the representations of women by the male post-impressionists.
290:
638:, which was painted that year. She divorced Mousis in 1913. Valadon then married Utter in 1914. Utter managed her career as well as that of her son. Valadon and Utter regularly exhibited work together until the couple divorced in 1934, when Valadon was almost seventy. They continued a relationship until her death, nonetheless, and are buried together in the
475:
After her marriage to the well-to-do banker Paul Mousis, in 1896 Valadon became a full-time painter. She made a shift from drawing to painting in 1909. Her first large oils for the Salon related to sexual pleasures and they were some of the first examples in modern painting with a man being an object
256:
She had a series of jobs that included working in a milliner's workshop, at a factory making funeral wreaths, selling vegetables, and as a waitress. At the age of 15, she obtained a job in her most desired field: performing in the circus as an acrobat. She was able to work at the circus because of
1504:
Like many other talented female artists, although she is known to have been an important modern artist, Valadon never had been given a solo exhibition by a U.S. art institution. Her first institutional solo exhibition in the U.S., at the Barnes
Foundation in Philadelphia, was scheduled to open in
553:
Valadon's self-portraits, portraits, nudes, landscapes, and still lifes remain detached from trends and contemporaneous aspects of academic art. The subjects of
Valadon's paintings often reinvent the old master themes: women bathing, reclining nudes, and interior scenes. She preferred to paint
549:
Valadon was not confined to a specific style, yet both
Symbolist and Post-Impressionist aesthetics are clearly demonstrated within her work. She worked primarily with oil paint, oil pencils, pastels, and red chalk; she did not use ink or watercolor because these mediums were too fluid for her
1500:
As one of the best documented French artists of the early twentieth century, Valadon's body of work has been of great interest to feminist art historians, especially given her focus on the female form. Her work was candid and occasionally awkward, often characterized by strong lines, and her
280:
quarter of Paris, she pursued her interest in art, first working as a model and a muse for artists, observing and learning their techniques, as she could not afford art lessons herself. She observed and learned from artists, such as Pierre Puvis de
Chavannes, Henri de Toulouse-Lautrec, and
397:
Valadon was an acclaimed painter of her time, well-respected and championed by contemporaries such as Edgar Degas and Pierre-Auguste Renoir. She was admitted to professional associations and her works were admitted to juried exhibitions. She lived a bohemian life with rebellious vision.
1377:
428:
that are noted for their strong composition and vibrant colors. She was, however, best known for her candid female nudes. Her work attracted attention partly because, by painting unidealized nudes, she upset the social norms of the time that were created by male artists.
1567:
Suzanne
Valadon’s relationships with Edgar Degas and Toulouse-Lautrec are described in R.w. Meek’s two historical fiction novels, The Dream Collector, Book I “Sabrine & Sigmund Freud” and The Dream Collector, Book II “Sabrine & Vincent van Gogh.”
3032:
509:
Valadon was well known during her lifetime, especially toward the end of her career, in the 1920s more specifically, as she helped to transform the female nude that depicted expression through a woman's experience. Her works are in the collection of the
337:
Valadon learned and furthered her art by observing the techniques of the artists for whom she posed. She was considered a very focused, ambitious, rebellious, determined, self-confident, and passionate woman. In the early 1890s, she befriended
554:
working-class models. Art historian
Patricia Mathews suggests that Valadon's working-class status and experience as a model influenced her intimate, familiar observation of these women and their bodies. In this respect she differed from
358:
1442:
2777:
1427:
1410:
3285:
1275:
630:
Valadon married the stockbroker Paul Mousis in 1895. For 13 years, she lived with him in an apartment in Paris and in a house in the outlying region. In 1909, Valadon began an affair with the painter
1358:
4291:
1060:
273:
and it is speculated that this was the inspiration for a painting of
Valadon by Morisot. A fall from a trapeze that injured her back is what ultimately ended her circus career after one year.
1260:
364:
5057:
4181:
1230:
1398:
1461:
369:, is of her head and shoulders in profile. Valadon frequented the bars and taverns of Paris with her fellow painters and she was Toulouse-Lautrec's subject in his oil painting
1167:
1528:
in Paris is named Place
Suzanne Valadon. At the top of the funicular, and less than 50 meters to its east, are the steps named rue Maurice Utrillo after her son the artist.
3085:
444:
in Paris. Valadon was the first woman painter accepted as an exhibitor in the Salon de la
Nationale in 1894, which is notable since competition for acceptance was fierce.
4241:
1215:
334:
as he felt that she especially preferred modeling for older artists. She was Toulouse-Lautrec's lover for two years, which ended when she attempted suicide in 1888.
4668:
4041:
4221:
3954:
3652:
1384:
447:
She exhibited in the Salon d'Automne from 1909, in the Salon des Independants from 1911, and in the Salon des Femmes Artistes Modernes during 1933-1938. Notably,
215:
1182:
1928:
413:. She produced mostly drawings between 1883 and 1893, and began painting in 1892. Her first models were family members, especially her son, mother, and niece.
1320:
4401:
5037:
5027:
4064:
4601:
4151:
3846:
3791:
1075:
1197:
5072:
1554:(2009), traces the relationship between Valadon and Degas. Several have speculated Valadon was the basis for the character Suzanne Rouvier in the
627:, writing impassioned notes about "her whole being, lovely eyes, gentle hands, and tiny feet". After six months she left, leaving him devastated.
506:) (1914). In her lifetime, Valadon produced approximately 273 drawings, 478 paintings, and 31 etchings, excluding pieces given away or destroyed.
253:. She did not know her father. Known to be quite independent and rebellious, she attended primary school until age eleven when she began working.
565:
Valadon emphasized the importance of the composition of her portraits over techniques such as painting expressive eyes. Her later works, such as
550:
preference. Valadon's paintings feature rich colors and bold, open brushwork often featuring firm black lines to define and outline her figures.
4441:
1135:
678:
176:
2907:
2583:
1334:
5032:
5022:
3705:
3511:
3417:
3351:
3326:
3293:
3169:
3136:
2122:
1847:
1673:
1245:
5077:
4281:
3864:
3813:
1025:
996:
543:
306:
Valadon began working as a model in 1880 in Montmartre at age 15. She modeled for more than ten years for many different artists including
4651:
4111:
4034:
5042:
948:
893:
877:
345:
Morisot's 1880 drawing of Valadon as a tightrope walker preceded it, but the most recognizable early image of Valadon is in Renoir's
5047:
4678:
4421:
3757:
3753:
3678:
3628:
3601:
3538:
3475:
3471:
3461:
258:
1305:
784:
3093:
5062:
4551:
4251:
4141:
980:
39:
1290:
533:
5052:
4777:
4581:
4027:
3970:
221:
919:
5067:
4631:
4451:
3839:
488:
386:
190:
3372:
Burns, Janet M. C. (1993). "Looking as Women: The Paintings of Suzanne Valadon, Paula Modersohn-Becker and Frida Kahlo".
2708:
476:
of desire by a woman similar to that idealized treatment of women by male artists. These notable Salon paintings include
4471:
3919:
3052:
2415:
2078:
1341:
985:
969:
330:. She modeled under the name "Maria" before being nicknamed "Suzanne" by Toulouse-Lautrec, after the biblical story of
4761:
4311:
1045:
1001:
767:
48:
4705:
4161:
1105:
4621:
4341:
4321:
4081:
4071:
3556:
Mathews, Patricia (1991). "Returning the Gaze: Diverse Representations of the Nude in the Art of Suzanne Valadon".
964:
959:
646:
519:
391:
3254:
4980:
4411:
4301:
4201:
4121:
2951:
1982:
1389:
943:
790:
735:
711:
327:
311:
226:
154:
1536:
A novel based on the life of Suzanne Valadon was written by Elaine Todd Koren and was published in 2001, titled
525:
Valadon's painting of an acrobat, L' Acrobate ou La Roue, sold in 2017 for ÂŁ75,000 by Christie's Auction House.
5007:
3832:
1518:
1090:
331:
20:
4371:
1120:
4641:
4091:
3911:
3056:
3044:
1204:
567:
511:
188:
Valadon spent nearly 40 years of her life as an artist. The subjects of her drawings and paintings, such as
2976:
2933:
2633:
1787:
4886:
4695:
4611:
4501:
4461:
4431:
4381:
4008:
3879:
3406:
1577:
1545:
1152:
1142:
931:
478:
645:
Suzanne Valadon died of a stroke on 7 April 1938, at the age of 72, and was buried in Division 13 of the
571:(1923), are brighter in color and show a new emphasis on decorative backgrounds and patterned materials.
451:
was the first person to purchase drawings from her, and he introduced her to other collectors, including
4271:
4231:
4191:
4050:
3887:
2539:
2509:
2031:
Betterton, Rosemary (Spring 1985). "How Do Women Look? The Female Nude in the Work of Suzanne Valadon".
1368:
579:
440:
by Valadon that show women in various stages of their toilettes. Later, she regularly showed at Galerie
319:
300:
210:
170:
73:
315:
2809:
5017:
5012:
4859:
4715:
4561:
4541:
4481:
4391:
1525:
990:
937:
4769:
4351:
4211:
4171:
4101:
1560:
1555:
1019:
953:
749:
742:
639:
583:
323:
2608:
4915:
4908:
4591:
4331:
4131:
3903:
3771:
3646:
3573:
2835:
2791:
2048:
974:
538:
515:
262:
117:
3444:
3194:
852:
704:
697:
690:
1580:, established in the building in which Valadon had an apartment and studio, which are preserved
606:
signed papers recognizing Maurice as his son, although the true paternity was never disclosed.
4943:
4531:
4521:
3946:
3938:
3749:
3739:
3711:
3701:
3684:
3674:
3634:
3624:
3607:
3597:
3544:
3534:
3517:
3507:
3478:
3467:
3457:
3423:
3413:
3389:
3381:
3347:
3322:
3299:
3289:
3175:
3165:
3142:
3132:
2853:
2128:
2118:
1909:
1853:
1843:
1726:
1669:
903:
602:. Valadon's mother cared for Maurice while she returned to modelling. Later, Valadon's friend
353:
347:
295:
205:
199:
2114:
2110:
197:
She was a model for many renowned artists. Among them, Valadon appeared in such paintings as
4973:
4893:
4735:
3731:
3565:
3499:
3440:
3072:
2292:
2040:
1899:
906:, September 26, 2021 to January 9, 2022, first major U.S. solo exhibition of Valadon's work
456:
452:
433:
121:
2952:"Digital Collection | The Rose Art Museum | Brandeis University - Young Girl (Jeune Fille)"
2889:
2377:
276:
It is commonly believed that Valadon taught herself how to draw at the age of nine. In the
4986:
4814:
4511:
4002:
3978:
3895:
2558:
2419:
1550:
1490:
L'almanach de Cocagne pour l'an 1920-1922, Dédié aux vrais Gourmands Et aux Francs Buveurs
1013:
809:
718:
599:
498:
467:
381:
182:
1983:"This rebellious female painter of bold nude portraits has been overlooked for a century"
650:
3725:
281:
Pierre-Auguste Renoir, before becoming a noted and successful painter in her own right.
173:, Haute-Vienne, France. In 1894, Valadon became the first woman painter admitted to the
4901:
4806:
4361:
3996:
3064:
2683:
2659:"Portrait of Utrillo in profile (Portrait d'Utrillo de Profil) - DMA Collection Online"
1751:
1452:
925:
771:
722:
658:
631:
603:
591:
555:
441:
406:
307:
270:
266:
137:
3001:
1639:
1564:. There were many parallels between Valadon's life and that of the Rouvier character.
462:
237:
5001:
4965:
4958:
4929:
4922:
4867:
4843:
4822:
4786:
4491:
3590:
3040:
2052:
1471:
654:
425:
402:
2977:"Works | Suzanne Valadon | People | Smart Museum of Art | The University of Chicago"
634:, a 23-year-old friend of her son. He became a model for her and appears as Adam in
165:(23 September 1865 – 7 April 1938) was a French painter who was born
4950:
4851:
3060:
1514:
1485:
1007:
559:
649:, Paris. Among those in attendance at the funeral were her friends and colleagues
3036:
2752:
2104:
4830:
3068:
2297:
2284:
2233:
417:
339:
289:
265:, two symbolist painters, who were involved in decorating a circus belonging to
246:
3735:
2258:
1904:
1887:
3715:
3611:
3427:
3401:
3227:
3146:
3048:
2658:
2132:
1953:
610:
277:
250:
150:
3743:
3688:
3521:
3393:
3385:
2484:
2423:
1913:
728:
1920, Second Exhibition of Young French Painting, Galerie Manzy Joyant, Paris
432:
Her earliest known female nude was executed in 1892. In 1895, the art dealer
4571:
3962:
3585:
3548:
3303:
3179:
1857:
1417:
421:
269:. The circus was visited frequently by artists such as Toulouse-Lautrec and
3638:
3486:
3482:
2727:
2584:"La Mère et l'enfant à toilette (Mother and Child at Bath) | Albright-Knox"
3503:
3025:
2728:"From the Harvard Art Museums' collections The Hangover (Suzanne Valadon)"
1817:
4019:
4261:
3577:
437:
2044:
410:
3569:
3086:"Inspired by Art Herstory: Suzanne Valadon's "The Blue Room" (1923)"
2871:
2285:"Passionate Discontent: Creativity, Gender and French Symbolist Art"
3412:. London Chicago: Fitzroy Dearborn Publishers. pp. 1384–1387.
798:
1991, Utrillo, Valadon, Utter: la Trilogie Maudite, Acropolis, Nice
766:
1949, Great Trends in Contemporary Painting from Manet to our Day,
3824:
3531:
Suzanne Valadon : [exposition] 26 janvier-27 mai 1996
578:
532:
461:
448:
288:
236:
2810:"Oeuvre : Précisions - Nu au châle bleu | Musée Unterlinden"
1788:"Suzanne Valadon, la pintora que dio luz a los posimpresionistas"
1544:, was published first in England and later in the United States.
3814:"Renoir's Art Model Was the Greatest Painter You Never Heard Of"
4023:
3828:
795:
1991, Albi: Utrillo, Valadon, Utter, Chateau Constant, Bessines
2890:"Suzanne Valadon | National Museum of Women in the Arts"
4292:
In the Garden - Under the Arbour at the Moulin de la Galette
2485:"Suzanne Valadon: An Artist on View Webinar | Washington DC"
2312:
2310:
2308:
1869:
1867:
1666:
The Trouble with Women Artists: Reframing the History of Art
3344:
The Dream Collector, Book II "Sabrine and Vincent van Gogh"
812:
of the work of Suzanne Valadon, at the Galerie Clovis Sagot
2709:"Toilette de deux enfant dans le jardin - Suzanne Valadon"
1605:
1603:
1601:
1599:
899:
1996, Suzanne Valadon, Pierre Gianada Foundation, Martigny
609:
In 1893, Valadon began a short-lived affair with composer
459:. Degas also taught her the skill of soft-ground etching.
3720:
Catalog accompanying exhibition at the Barnes Foundation.
2455:
2453:
245:
Valadon grew up in poverty with her mother, an unmarried
3673:. Farnham, Surrey, UK, England Burlington, VT: Ashgate.
763:
1940, 22nd Biennale Internationale des Beaux-Arts, Paris
401:
Valadon's earliest surviving signed and dated work is a
3319:
The Dream Collector, Book I "Sabrine and Sigmund Freud"
2792:"Women, Suzanne Valadon ^ Minneapolis Institute of Art"
3772:"Valadon, Suzanne: Painter, Graphical Artist (France)"
3671:
Women Artists in Interwar France: Framing Femininities
3129:
Portraits unmasked : the stories behind the faces
2216:
2214:
1929:"At MFA, dancing the night away in the arms of Renoir"
1709:
1707:
1705:
1703:
1701:
1699:
1697:
1622:
1620:
1618:
416:
Valadon began painting full-time in 1896. She painted
471:(1914), by Suzanne Valadon, Museum of Fine Arts Nancy
3533:. Martigny, Switzerland: Fondation Pierre Gianadda.
2836:"Marie Coca et sa fille | Musée des Beaux Arts"
755:
1933-1938, Salon des Femmes Artistes Modernes, Paris
4878:
4798:
4753:
4727:
4057:
3989:
3930:
3871:
3454:
Renoir's Dancer: The Secret Life of Suzanne Valadon
1404:
Portrait of Valadon, by Pierre-Auguste Renoir, 1885
770:, Lyons; 1961, Maurice Utrillo V. Suzanne Valadon,
146:
127:
113:
105:
97:
81:
55:
30:
4442:Portrait of Irène Cahen d'Anvers (La Petite Irène)
3589:
3405:
2854:"Works by Suzanne Valadon in the MFAH Collections"
619:. Satie became obsessed with her, calling her his
4242:Claude Monet Painting in His Garden at Argenteuil
3127:Bonazzoli, Francesca; Robecchi, Michele (2020).
3039:. Engraved on wood and unpublished drawings of:
2106:France Since 1870: Culture, Politics and Society
1267:Still Life with Basket of Apples Vase of Flowers
827:1927, retrospective, Galerie Berthe Weill, Paris
357:. In 1885, Renoir painted her portrait again as
4669:Portrait of Ambroise Vollard in a Red Headscarf
598:In 1883, aged 18, Valadon gave birth to a son,
3727:The Valadon Drama: The Life Of Suzanne Valadon
3435:Giraudon, Colette (2003). "Valadon, Suzanne".
19:"Valadon" redirects here. For other uses, see
4035:
3840:
3696:Ireson, Nancy; The Barnes Foundation (2021).
3623:. Translated by Jennings, Shirley. New York.
3221:
3219:
3131:. Munich; New York: Prestel. pp. 84–87.
2934:"Suzanne Valadon: The Mistress Of Montmartre"
1890:The Nude in French Art and Culture, 1870-1910
8:
3746:– via Internet Archive and HathiTrust.
3284:. Westport, Conn.: Greenwood Press. p.
2757:Indianapolis Museum of Art Online Collection
676:
621:
614:
351:from 1883, the same year that she posed for
174:
5058:Members of the Ligue de la patrie française
4402:Madame Georges Charpentier and Her Children
3592:Suzanne Valadon: The Mistress of Montmartre
2444:
2328:
2316:
2193:
2181:
1873:
1803:
1609:
363:. Another of his portraits of her in 1885,
4042:
4028:
4020:
3847:
3833:
3825:
3651:: CS1 maint: location missing publisher (
2938:DailyArtMagazine.com - Art History Stories
2109:(3rd ed.). London: Palgrave. p.
38:
27:
4602:Yvonne and Christine Lerolle at the Piano
3445:10.1093/gao/9781884446054.article.t087579
2296:
2135:– via Google Books partial preview.
1903:
3193:Billington, Michael (24 November 2009).
2540:"Suzanne Valadon: Model, Painter, Rebel"
1713:
789:1979, Maurice Utrillo, Suzanne Valadon,
380:
3282:A William Somerset Maugham encyclopedia
2780:. New York: Metropolitan Museum of Art.
2459:
2364:
2352:
2220:
1976:
1974:
1595:
1436:, by Henri de Toulouse-Lautrec, c. 1888
1354:
1189:Portrait of the Painter Maurice Utrillo
1041:
3812:Linchong, Victoria (15 October 2021).
3698:Suzanne Valadon: Model, Painter, Rebel
3644:
2932:Michalska, Magda (23 September 2016).
2512:Suzanne Valadon: Model, Painter, Rebel
2471:
2401:
2205:
2169:
2157:
2006:
1818:"Valadon and her studio in Montmartre"
1688:
1626:
851:1932, retrospective with a preface by
731:1921, Young Painting, Palais d'Ixelles
613:, moving to a room next to his on the
4009:Musée de Montmartre (home and studio)
3792:"Suzanne Valadon (1865-1938, French)"
3700:. London: Paul Holberton Publishing.
2018:
1540:. An earlier novel by Sarah Baylis,
1222:Still Life with Tulips and Fruit Bowl
181:. She was also the mother of painter
7:
4887:Musée de Montmartre, home and studio
4322:Nude woman sitting on a couch (Anna)
4282:Portrait of the Painter Claude Monet
3808:A gallery of her depictions of cats.
3114:
2340:
2238:National Museum of Women in the Arts
2145:
2065:
1794:, 31 May 2020, updated 13-10-2021. .
1775:
1731:National Museum of Women in the Arts
1524:The small square at the base of the
1026:University of Michigan Museum of Art
997:National Museum of Women in the Arts
544:National Museum of Women in the Arts
4652:The Coast at Cagnes, Sea, Mountains
4152:LĂ©onard Renoir, The Artist's Father
3226:Burke, Desmond T. (20 April 2017).
3092:. 11 September 2013. Archived from
1421:by Pierre-Auguste Renoir, 1886-1887
1365:Profile portrait of Suzanne Valadon
845:1931, Galerie Le Centaure, Brussels
836:1929, Galerie Bernheim-Jeune, Paris
824:1923, Galerie Bernheim-Jeune, Paris
821:1922, Galerie Bernheim-Jeune, Paris
780:1969, Fourteenth Salon de Montrouge
3253:Bertell, Elizabeth (28 May 2014).
3071:, Louis Latapie, Suzanne Valadon,
2557:Naves, Mario (22 September 2017).
1981:Jacqui Palumbo (8 February 2021).
949:Fine Arts Museums of San Francisco
876:1948, Tribute to Suzanne Valadon,
14:
5038:20th-century French women artists
5028:19th-century French women artists
4679:The Farm at Les Collettes, Cagnes
4422:Lunch at the Restaurant Fournaise
3494:Jiminez, Jill Berk, ed. (2013) .
3164:. Woodstock, NY: Maverick Books.
1668:. Paris: Flammarion. p. 51.
883:1956, The Lefevre Gallery, London
833:1928, Galerie Berthe Weill, Paris
818:1919, Galerie Berthe Weill, Paris
815:1915, Galerie Berthe Weill, Paris
783:1976, Women Artists (1550-1950),
259:Count Antoine de La Rochefoucauld
16:French painter and artists' model
3596:. New York: St. Martin's Press.
3456:. New York: St. Martin's Press.
3255:"Suzanne Valadon french painter"
2858:The Museum of Fine Arts, Houston
2510:"The Barnes Foundation Presents
1460:
1441:
1426:
1409:
1397:
1376:
1357:
1333:
1319:
1304:
1289:
1274:
1259:
1244:
1229:
1214:
1196:
1181:
1166:
1151:
1134:
1119:
1104:
1089:
1074:
1059:
1044:
848:1932, Galerie Le Portique, Paris
842:1931, Galerie Le Portique, Paris
830:1928, Galerie des Archers, Lyons
785:Los Angeles County Museum of Art
686:1907, Galerie Eugène Blot, Paris
679:Société Nationale des Beaux-Arts
312:Pierre-CĂ©cile Puvis de Chavannes
177:Société Nationale des Beaux-Arts
4142:Skaters in the Bois de Boulogne
3787:A concise biography of Valadon.
2778:"results for 'Suzanne Valadon'"
1488:, Bertrand Guégan (1892-1943);
1282:Young Girl in Front of a Window
293:Valadon is depicted dancing in
5073:Burials at Saint-Ouen Cemetery
4582:Young Woman with a Blue Ribbon
3971:The Hangover (Suzanne Valadon)
1886:Iskin, Ruth (7 January 2004).
1816:Drees, Della (13 March 2016).
1434:The Hangover (Suzanne Valadon)
855:, Galerie Georges Petit, Paris
222:The Hangover (Suzanne Valadon)
1:
4740:
4683:
4656:
4452:Luncheon of the Boating Party
4112:Frédéric Bazille at his Easel
3614:– via Internet Archive.
3496:Dictionary of Artists' Models
3430:– via Internet Archive.
3346:. New York: Historium Press.
3321:. New York: Historium Press.
1532:Depiction in novels and plays
909:2022, Glyptoteket, Copenhagen
889:1962, Galerie Pétridès, Paris
886:1959, Galerie Pétridès, Paris
873:1947, Galerie Pétridès, Paris
867:1942, Galerie Pétridès, Paris
861:1938, Galerie Pétridès, Paris
725:, Galerie Berthe Weill, Paris
5033:20th-century French painters
5023:19th-century French painters
4472:Two Sisters (On the Terrace)
3920:Nude Woman with a Blue Shawl
3748:Reprinted in 2018 and 2017:
3529:Marchesseau, Daniel (1996).
2981:smartcollection.uchicago.edu
2814:Musée Unterlinden - WebMuseo
2713:FAMSF Search the Collections
2103:Sowerwine, Charles (2018) .
1342:Nude Woman with a Blue Shawl
986:Museum of Fine Arts, Houston
981:Musée des beaux-arts de Lyon
970:Minneapolis Institute of Art
894:Musée National d'Art Moderne
878:Musée National d'Art Moderne
870:1947, Galerie Bernier, Paris
864:1939, Galerie Bernier, Paris
858:1937, Galerie Bernier, Paris
839:1929, Galerie Bernier, Paris
590:, 1891. Suzanne Valadon and
542:(1921), by Suzanne Valadon,
436:exhibited a group of twelve
390:(1911), by Suzanne Valadon,
5078:19th-century women painters
4762:A Studio at Les Batignolles
4312:Bal du moulin de la Galette
3955:Portrait of Suzanne Valadon
3439:. Oxford University Press.
3408:Dictionary of women artists
2956:rosecollection.brandeis.edu
2298:10.3202/caa.reviews.2001.83
1954:"Henri de Toulouse-Lautrec"
1898:. College Art Association.
1790:(in Spanish), Carlos Sala,
1449:Portrait of Suzanne Valadon
1385:Portrait of Suzanne Valadon
1237:Portrait of Maurice Utrillo
1002:Nelson-Atkins Museum of Art
522:in New York, among others.
49:Museum of Fine Arts Houston
5094:
4622:Gabrielle with Open Blouse
4342:A Girl with a Watering Can
4072:Portrait of William Sisley
3452:Hewitt, Catherine (2018).
1905:10.3202/caa.reviews.2004.1
1146:, by Suzanne Valadon, 1909
965:Metropolitan Museum of Art
960:Indianapolis Museum of Art
520:Metropolitan Museum of Art
392:Metropolitan Museum of Art
18:
4981:Pays des Impressionnistes
4412:Portrait of Jeanne Samary
4202:Bather with a Griffon Dog
3862:
3280:Rogal, Samuel J. (1997).
3002:"Exchange: Bather Seated"
2753:"untitled (Man with Hat)"
2418:. Akademiska Föreningen,
2367:, pp. 416, 419, 423.
1390:Henri de Toulouse-Lautrec
1067:My son at seven years old
944:Detroit Institute of Arts
677:
328:Henri de Toulouse-Lautrec
227:Henri de Toulouse-Lautrec
175:
155:Henri de Toulouse-Lautrec
37:
5048:French circus performers
4706:Portrait of Adèle Besson
3669:Birnbaum, Paula (2011).
3619:Warnod, Jeanine (1981).
3228:"The Razor's Edge Notes"
3162:Suzanne: of Love and Art
2876:The Museum of Modern Art
2609:"print | British Museum"
1838:Gimferrer, Pere (1990).
1644:The Art Story Foundation
1538:Suzanne: of Love and Art
1521:are named in her honor.
1174:Flowers on a Round Table
759:After her death in 1938
594:in the studio of Rusiñol
241:Valadon as a young woman
167:Marie-Clémentine Valadon
60:Marie-Clémentine Valadon
21:Valadon (disambiguation)
4082:Mother Anthony's Tavern
3006:exchange.umma.umich.edu
2908:"Untitled (Still Life)"
2796:collections.artsmia.org
2634:"Still Life with Fruit"
1756:Encyclopedia Britannica
777:1964, Documenta, Kassel
734:1926, (retrospective),
647:Cimetière de Saint-Ouen
512:Centre Georges Pompidou
5063:French modern painters
5043:French artists' models
4696:Blond Girl with a Rose
4612:Woman Playing a Guitar
4552:Les Grandes Baigneuses
4432:Paysage Bords de Seine
4122:A Couple (Les Fiancés)
3160:Koren, Elaine (2001).
2283:Dolan, Threse (2001).
2263:L' Acrobate ou La Roue
2083:Brooklyn Museum of Art
1546:Timberlake Wertenbaker
1082:Portrait of Erik Satie
932:Carnegie Museum of Art
791:Musée Toulouse-Lautrec
736:Salon des Indépendants
712:Salon des Indépendants
622:
615:
595:
546:
472:
394:
360:Girl Braiding Her Hair
332:Susanna and the Elders
303:
242:
5053:French women painters
4870:(great-granddaughter)
4051:Pierre-Auguste Renoir
3504:10.4324/9781315063119
3498:. London: Routledge.
2912:art.nelson-atkins.org
2732:harvardartmuseums.org
2343:, pp. 1385–1386.
1842:. New York: Rizzoli.
1664:Adler, Laura (2019).
1369:Pierre-Auguste Renoir
914:Permanent collections
707:, Grand Palais, Paris
700:, Grand Palais, Paris
693:, Grand Palais, Paris
582:
536:
465:
384:
320:Pierre-Auguste Renoir
301:Pierre-Auguste Renoir
292:
240:
211:Pierre-Auguste Renoir
171:Bessines-sur-Gartempe
74:Bessines-sur-Gartempe
5068:People of Montmartre
4896:(nanny, later model)
4860:Pierre Roland Renoir
4562:Nature morte: fleurs
4542:Dance in the Country
4482:Young Women in Black
4392:The Cup of Chocolate
4272:The Grand Boulevards
3776:The Androom Archives
3730:. New York: Dutton.
3724:Storm, John (1958).
3057:Jean Émile Laboureur
2588:www.albrightknox.org
2382:Museum of Modern Art
1526:Montmartre funicular
1351:Portraits of Valadon
991:Museum of Modern Art
938:Dallas Museum of Art
768:Musée des Beaux-Arts
405:from 1883, drawn in
257:her connection with
4838:Claude Renoir (son)
4352:Mother and Children
4212:Woman with Parakeet
4172:A Nymph by a Stream
4102:Lise with a Parasol
3736:2027/uva.x000836363
3342:Meek, R.w. (2024).
3317:Meek, R.w. (2023).
3090:The Closet Feminist
1958:Harvard Art Museums
1892:by Heather Dawkins"
1578:Musée de Montmartre
1556:W. Somerset Maugham
1496:Feminist commentary
1020:Smart Museum of Art
975:Musée d'Unterlinden
954:Harvard Art Museums
750:Salon des Tuileries
743:Salon des Tuileries
710:1911 - continuing,
640:Saint Ouen cemetery
324:Jean-Jacques Henner
4969:(his only student)
4916:Catherine Hessling
4909:Marguerite Legrand
4778:The Impressionists
4592:Girls at the Piano
4505:(1880–81, 1885–86)
3904:The Abandoned Doll
3380:(1&2): 25–46.
3067:, Pierre Laprade,
3051:, Sonia Lewitska,
2613:The British Museum
2009:, pp. 48, 57.
1513:Both an asteroid (
1327:Young Girl Bathing
1252:Bouquet of Flowers
1207:(La chambre bleue)
1038:Artwork by Valadon
596:
547:
539:The Abandoned Doll
516:Museum of Grenoble
504:Lancement du filet
473:
395:
316:Théophile Steinlen
304:
243:
118:Post-Impressionism
4995:
4994:
4944:Henriette Henriot
4532:Dance in the City
4522:Dance at Bougival
4065:List of paintings
4017:
4016:
3947:Dance in the City
3939:Dance at Bougival
3865:List of paintings
3707:978-1-913645-13-7
3513:978-1-135-95914-2
3437:Oxford Art Online
3419:978-1-884964-21-3
3353:978-1-962465-34-2
3328:978-1-962465-13-7
3295:978-1-4294-7631-7
3234:. Suzanne Rouvier
3195:"Theatre review:
3171:978-0-9672355-2-3
3138:978-3-7913-8620-1
2872:"Suzanne Valadon"
2563:The New Criterion
2559:"Exhibition note"
2544:Barnes Foundation
2518:Barnes Foundation
2447:, pp. 17–18.
2426:on 3 October 2010
2416:"Suzanne Valadon"
2414:Fogwall, Niclas.
2378:"Suzanne Valadon"
2331:, pp. 9, 11.
2259:"Suzanne Valadon"
2234:"Suzanne Valadon"
2196:, pp. 18–19.
2124:978-1-137-40611-8
2079:"Suzanne Valadon"
2045:10.1057/fr.1985.2
2021:, pp. 25–46.
1927:Smee, Sebastian.
1849:978-0-8478-1276-9
1752:"Suzanne Valadon"
1727:"Suzanne Valadon"
1675:978-2-08-020370-0
1640:"Suzanne Valadon"
1509:Honors and legacy
1296:Suzanne Valadon,
904:Barnes Foundation
670:Group exhibitions
354:Dance in the City
348:Dance at Bougival
296:Dance at Bougival
225:(1887 - 1889) by
206:Dance in the City
200:Dance at Bougival
160:
159:
70:23 September 1865
5085:
4983:
4976:
4974:Maison Fournaise
4968:
4961:
4953:
4946:
4939:
4932:
4925:
4918:
4911:
4904:
4897:
4894:Gabrielle Renard
4889:
4871:
4863:
4862:(great-grandson)
4855:
4847:
4839:
4834:
4826:
4818:
4810:
4791:
4770:Bazille's Studio
4745:
4742:
4736:Venus Victorious
4720:
4710:
4700:
4690:
4688:
4685:
4673:
4663:
4661:
4658:
4646:
4636:
4626:
4616:
4606:
4596:
4586:
4576:
4566:
4556:
4546:
4536:
4526:
4516:
4506:
4496:
4495:(1881 and 1882)
4486:
4476:
4466:
4456:
4446:
4436:
4426:
4416:
4406:
4396:
4386:
4376:
4366:
4356:
4346:
4336:
4326:
4316:
4306:
4302:Woman with a Cat
4296:
4286:
4276:
4266:
4256:
4246:
4236:
4226:
4216:
4206:
4196:
4186:
4176:
4166:
4156:
4146:
4136:
4126:
4116:
4106:
4096:
4086:
4076:
4044:
4037:
4030:
4021:
3849:
3842:
3835:
3826:
3821:
3818:Messy Nessy Chic
3807:
3805:
3803:
3798:. 22 August 2013
3786:
3784:
3782:
3747:
3719:
3692:
3656:
3650:
3642:
3615:
3595:
3581:
3552:
3525:
3490:
3448:
3431:
3411:
3397:
3358:
3357:
3339:
3333:
3332:
3314:
3308:
3307:
3277:
3271:
3270:
3268:
3266:
3250:
3244:
3243:
3241:
3239:
3223:
3214:
3213:
3211:
3209:
3190:
3184:
3183:
3157:
3151:
3150:
3124:
3118:
3112:
3106:
3105:
3103:
3101:
3082:
3076:
3073:Henriette Tirman
3023:
3017:
3016:
3014:
3012:
2998:
2992:
2991:
2989:
2987:
2973:
2967:
2966:
2964:
2962:
2948:
2942:
2941:
2929:
2923:
2922:
2920:
2918:
2904:
2898:
2897:
2886:
2880:
2879:
2868:
2862:
2861:
2850:
2844:
2843:
2832:
2826:
2825:
2823:
2821:
2806:
2800:
2799:
2788:
2782:
2781:
2774:
2768:
2767:
2765:
2763:
2749:
2743:
2742:
2740:
2738:
2723:
2717:
2716:
2705:
2699:
2698:
2696:
2694:
2680:
2674:
2673:
2671:
2669:
2655:
2649:
2648:
2646:
2644:
2630:
2624:
2623:
2621:
2619:
2605:
2599:
2598:
2596:
2594:
2580:
2574:
2573:
2571:
2569:
2554:
2548:
2547:
2536:
2530:
2529:
2527:
2525:
2506:
2500:
2499:
2497:
2495:
2481:
2475:
2469:
2463:
2457:
2448:
2445:Marchesseau 1996
2442:
2436:
2435:
2433:
2431:
2422:. Archived from
2411:
2405:
2399:
2393:
2392:
2390:
2388:
2374:
2368:
2362:
2356:
2350:
2344:
2338:
2332:
2329:Marchesseau 1996
2326:
2320:
2317:Marchesseau 1996
2314:
2303:
2302:
2300:
2280:
2274:
2273:
2271:
2269:
2255:
2249:
2248:
2246:
2244:
2230:
2224:
2218:
2209:
2203:
2197:
2194:Marchesseau 1996
2191:
2185:
2182:Marchesseau 1996
2179:
2173:
2167:
2161:
2155:
2149:
2143:
2137:
2136:
2100:
2094:
2093:
2091:
2089:
2075:
2069:
2063:
2057:
2056:
2028:
2022:
2016:
2010:
2004:
1998:
1997:
1995:
1993:
1978:
1969:
1968:
1966:
1964:
1950:
1944:
1943:
1941:
1939:
1933:The Boston Globe
1924:
1918:
1917:
1907:
1883:
1877:
1874:Marchesseau 1996
1871:
1862:
1861:
1840:Toulouse-Lautrec
1835:
1829:
1828:
1826:
1824:
1813:
1807:
1804:Marchesseau 1996
1801:
1795:
1785:
1779:
1773:
1767:
1766:
1764:
1762:
1748:
1742:
1741:
1739:
1737:
1723:
1717:
1711:
1692:
1686:
1680:
1679:
1661:
1655:
1654:
1652:
1650:
1636:
1630:
1624:
1613:
1610:Marchesseau 1996
1607:
1561:The Razor's Edge
1542:Utrillo's Mother
1505:September 2021.
1464:
1445:
1430:
1413:
1401:
1380:
1361:
1337:
1323:
1312:Bouquet de roses
1308:
1293:
1278:
1263:
1248:
1233:
1218:
1200:
1185:
1170:
1155:
1138:
1123:
1108:
1093:
1078:
1063:
1048:
808:1911, the first
803:Solo exhibitions
682:
681:
625:
618:
584:Santiago Rusiñol
494:La Joie de vivre
457:Ambroise Vollard
453:Paul Durand-Ruel
434:Paul Durand-Ruel
180:
179:
88:
69:
67:
42:
28:
5093:
5092:
5088:
5087:
5086:
5084:
5083:
5082:
5008:Suzanne Valadon
4998:
4997:
4996:
4991:
4987:Renoir (crater)
4979:
4972:
4964:
4957:
4949:
4942:
4937:Suzanne Valadon
4935:
4928:
4921:
4914:
4907:
4900:
4892:
4885:
4874:
4866:
4858:
4850:
4842:
4837:
4829:
4821:
4815:Lucienne Bisson
4813:
4805:
4794:
4784:
4773:(1870 painting)
4765:(1870 painting)
4749:
4743:
4723:
4713:
4703:
4693:
4686:
4676:
4666:
4659:
4649:
4639:
4629:
4619:
4609:
4599:
4589:
4579:
4569:
4559:
4549:
4539:
4529:
4519:
4512:By the Seashore
4509:
4499:
4489:
4479:
4469:
4459:
4449:
4439:
4429:
4419:
4409:
4399:
4389:
4379:
4369:
4359:
4349:
4339:
4329:
4319:
4309:
4299:
4289:
4279:
4269:
4259:
4249:
4239:
4229:
4219:
4209:
4199:
4189:
4179:
4169:
4162:La Grenouillère
4159:
4149:
4139:
4129:
4119:
4109:
4099:
4089:
4079:
4069:
4053:
4048:
4018:
4013:
4003:Maurice Utrillo
3985:
3974:(1889 painting)
3966:(1887 painting)
3958:(1885 painting)
3950:(1883 painting)
3942:(1883 painting)
3926:
3896:Casting the Net
3867:
3858:
3856:Suzanne Valadon
3853:
3811:
3801:
3799:
3790:
3780:
3778:
3770:
3767:
3762:
3723:
3708:
3695:
3681:
3668:
3664:
3662:Further reading
3659:
3643:
3631:
3621:Suzanne Valadon
3618:
3604:
3584:
3570:10.2307/3045814
3555:
3541:
3528:
3514:
3493:
3464:
3451:
3434:
3420:
3400:
3371:
3367:
3362:
3361:
3354:
3341:
3340:
3336:
3329:
3316:
3315:
3311:
3296:
3279:
3278:
3274:
3264:
3262:
3252:
3251:
3247:
3237:
3235:
3225:
3224:
3217:
3207:
3205:
3192:
3191:
3187:
3172:
3159:
3158:
3154:
3139:
3126:
3125:
3121:
3117:, p. 1386.
3113:
3109:
3099:
3097:
3096:on 4 April 2019
3084:
3083:
3079:
3024:
3020:
3010:
3008:
3000:
2999:
2995:
2985:
2983:
2975:
2974:
2970:
2960:
2958:
2950:
2949:
2945:
2931:
2930:
2926:
2916:
2914:
2906:
2905:
2901:
2888:
2887:
2883:
2870:
2869:
2865:
2852:
2851:
2847:
2840:www.mba-lyon.fr
2834:
2833:
2829:
2819:
2817:
2808:
2807:
2803:
2790:
2789:
2785:
2776:
2775:
2771:
2761:
2759:
2751:
2750:
2746:
2736:
2734:
2725:
2724:
2720:
2707:
2706:
2702:
2692:
2690:
2682:
2681:
2677:
2667:
2665:
2657:
2656:
2652:
2642:
2640:
2638:CMOA Collection
2632:
2631:
2627:
2617:
2615:
2607:
2606:
2602:
2592:
2590:
2582:
2581:
2577:
2567:
2565:
2556:
2555:
2551:
2538:
2537:
2533:
2523:
2521:
2508:
2507:
2503:
2493:
2491:
2483:
2482:
2478:
2470:
2466:
2458:
2451:
2443:
2439:
2429:
2427:
2420:Lund University
2413:
2412:
2408:
2400:
2396:
2386:
2384:
2376:
2375:
2371:
2363:
2359:
2351:
2347:
2339:
2335:
2327:
2323:
2315:
2306:
2282:
2281:
2277:
2267:
2265:
2257:
2256:
2252:
2242:
2240:
2232:
2231:
2227:
2219:
2212:
2204:
2200:
2192:
2188:
2180:
2176:
2168:
2164:
2156:
2152:
2148:, p. 1384.
2144:
2140:
2125:
2102:
2101:
2097:
2087:
2085:
2077:
2076:
2072:
2064:
2060:
2033:Feminist Review
2030:
2029:
2025:
2017:
2013:
2005:
2001:
1991:
1989:
1980:
1979:
1972:
1962:
1960:
1952:
1951:
1947:
1937:
1935:
1926:
1925:
1921:
1885:
1884:
1880:
1872:
1865:
1850:
1837:
1836:
1832:
1822:
1820:
1815:
1814:
1810:
1802:
1798:
1786:
1782:
1774:
1770:
1760:
1758:
1750:
1749:
1745:
1735:
1733:
1725:
1724:
1720:
1712:
1695:
1687:
1683:
1676:
1663:
1662:
1658:
1648:
1646:
1638:
1637:
1633:
1625:
1616:
1608:
1597:
1592:
1587:
1574:
1534:
1519:crater on Venus
1511:
1498:
1482:
1475:
1465:
1456:
1446:
1437:
1431:
1422:
1414:
1405:
1402:
1393:
1381:
1372:
1362:
1353:
1346:
1338:
1329:
1324:
1315:
1309:
1300:
1294:
1285:
1279:
1270:
1264:
1255:
1249:
1240:
1234:
1225:
1219:
1210:
1201:
1192:
1186:
1177:
1171:
1162:
1156:
1147:
1139:
1130:
1124:
1115:
1109:
1100:
1094:
1085:
1079:
1070:
1064:
1055:
1049:
1040:
1035:
1014:Rose Art Museum
916:
853:Édouard Herriot
810:solo exhibition
805:
705:Salon d'Automne
698:Salon d'Automne
691:Salon d'Automne
672:
667:
600:Maurice Utrillo
577:
531:
499:Casting the Net
468:Casting the Net
424:, flowers, and
379:
366:Suzanne Valadon
287:
235:
216:Suzanne Valadon
183:Maurice Utrillo
163:Suzanne Valadon
142:
93:
90:
86:
77:
71:
65:
63:
62:
61:
51:
33:
32:Suzanne Valadon
24:
17:
12:
11:
5:
5091:
5089:
5081:
5080:
5075:
5070:
5065:
5060:
5055:
5050:
5045:
5040:
5035:
5030:
5025:
5020:
5015:
5010:
5000:
4999:
4993:
4992:
4990:
4989:
4984:
4977:
4970:
4962:
4955:
4947:
4940:
4933:
4926:
4919:
4912:
4905:
4898:
4890:
4882:
4880:
4876:
4875:
4873:
4872:
4864:
4856:
4848:
4840:
4835:
4827:
4819:
4811:
4807:Aline Charigot
4802:
4800:
4796:
4795:
4793:
4792:
4782:
4774:
4766:
4757:
4755:
4751:
4750:
4748:
4747:
4731:
4729:
4725:
4724:
4722:
4721:
4711:
4701:
4691:
4674:
4664:
4647:
4642:After the Bath
4637:
4627:
4617:
4607:
4597:
4587:
4577:
4567:
4557:
4547:
4537:
4527:
4517:
4507:
4497:
4487:
4477:
4467:
4457:
4447:
4437:
4427:
4417:
4407:
4397:
4387:
4377:
4367:
4362:At the Theatre
4357:
4347:
4337:
4327:
4317:
4307:
4297:
4287:
4277:
4267:
4257:
4247:
4237:
4227:
4217:
4207:
4197:
4187:
4177:
4167:
4157:
4147:
4137:
4127:
4117:
4107:
4097:
4087:
4077:
4067:
4061:
4059:
4055:
4054:
4049:
4047:
4046:
4039:
4032:
4024:
4015:
4014:
4012:
4011:
4006:
4000:
3993:
3991:
3987:
3986:
3984:
3983:
3975:
3967:
3959:
3951:
3943:
3934:
3932:
3928:
3927:
3925:
3924:
3916:
3908:
3900:
3892:
3884:
3875:
3873:
3869:
3868:
3863:
3860:
3859:
3854:
3852:
3851:
3844:
3837:
3829:
3823:
3822:
3809:
3788:
3766:
3765:External links
3763:
3761:
3760:
3721:
3706:
3693:
3679:
3665:
3663:
3660:
3658:
3657:
3629:
3616:
3602:
3582:
3553:
3539:
3526:
3512:
3491:
3462:
3449:
3432:
3418:
3398:
3368:
3366:
3363:
3360:
3359:
3352:
3334:
3327:
3309:
3294:
3272:
3245:
3215:
3185:
3170:
3152:
3137:
3119:
3107:
3077:
3018:
2993:
2968:
2943:
2924:
2899:
2881:
2863:
2845:
2827:
2801:
2783:
2769:
2744:
2718:
2700:
2675:
2650:
2625:
2600:
2575:
2549:
2531:
2501:
2489:washington.org
2476:
2464:
2462:, p. 529.
2449:
2437:
2406:
2394:
2369:
2357:
2355:, p. 418.
2345:
2333:
2321:
2304:
2275:
2250:
2225:
2210:
2208:, p. 388.
2198:
2186:
2174:
2162:
2150:
2138:
2123:
2095:
2070:
2058:
2023:
2011:
1999:
1970:
1945:
1919:
1878:
1863:
1848:
1830:
1808:
1796:
1780:
1768:
1743:
1718:
1693:
1681:
1674:
1656:
1631:
1614:
1594:
1593:
1591:
1588:
1586:
1583:
1582:
1581:
1573:
1570:
1558:'s 1944 novel
1533:
1530:
1510:
1507:
1497:
1494:
1493:
1492:
1481:
1478:
1477:
1476:
1468:Vestal reading
1466:
1459:
1457:
1453:Miquel Utrillo
1447:
1440:
1438:
1432:
1425:
1423:
1415:
1408:
1406:
1403:
1396:
1394:
1382:
1375:
1373:
1363:
1356:
1352:
1349:
1348:
1347:
1339:
1332:
1330:
1325:
1318:
1316:
1310:
1303:
1301:
1295:
1288:
1286:
1280:
1273:
1271:
1265:
1258:
1256:
1250:
1243:
1241:
1235:
1228:
1226:
1220:
1213:
1211:
1202:
1195:
1193:
1187:
1180:
1178:
1172:
1165:
1163:
1157:
1150:
1148:
1140:
1133:
1131:
1125:
1118:
1116:
1110:
1103:
1101:
1095:
1088:
1086:
1080:
1073:
1071:
1065:
1058:
1056:
1050:
1043:
1039:
1036:
1034:
1031:
1030:
1029:
1023:
1017:
1011:
1005:
999:
994:
988:
983:
978:
972:
967:
962:
957:
951:
946:
941:
935:
929:
926:British Museum
923:
915:
912:
911:
910:
907:
900:
897:
890:
887:
884:
881:
874:
871:
868:
865:
862:
859:
856:
849:
846:
843:
840:
837:
834:
831:
828:
825:
822:
819:
816:
813:
804:
801:
800:
799:
796:
793:
787:
781:
778:
775:
772:Haus der Kunst
764:
757:
756:
753:
746:
739:
732:
729:
726:
715:
708:
701:
694:
687:
684:
671:
668:
666:
663:
659:Georges Braque
604:Miquel Utrillo
592:Miquel Utrillo
576:
573:
556:Berthe Morisot
530:
527:
514:in Paris, the
496:) (1911), and
442:Bernheim-Jeune
378:
375:
308:Berthe Morisot
286:
283:
271:Berthe Morisot
234:
231:
158:
157:
148:
144:
143:
141:
140:
135:
131:
129:
125:
124:
115:
111:
110:
107:
106:Known for
103:
102:
99:
95:
94:
91:
89:(aged 72)
83:
79:
78:
72:
59:
57:
53:
52:
43:
35:
34:
31:
15:
13:
10:
9:
6:
4:
3:
2:
5090:
5079:
5076:
5074:
5071:
5069:
5066:
5064:
5061:
5059:
5056:
5054:
5051:
5049:
5046:
5044:
5041:
5039:
5036:
5034:
5031:
5029:
5026:
5024:
5021:
5019:
5016:
5014:
5011:
5009:
5006:
5005:
5003:
4988:
4985:
4982:
4978:
4975:
4971:
4967:
4966:Jeanne Baudot
4963:
4960:
4959:Raoul Rigault
4956:
4954:(child model)
4952:
4948:
4945:
4941:
4938:
4934:
4931:
4930:Jeanne Samary
4927:
4924:
4923:Richard Guino
4920:
4917:
4913:
4910:
4906:
4903:
4899:
4895:
4891:
4888:
4884:
4883:
4881:
4877:
4869:
4868:Sophie Renoir
4865:
4861:
4857:
4853:
4849:
4845:
4844:Claude Renoir
4841:
4836:
4832:
4828:
4824:
4823:Pierre Renoir
4820:
4816:
4812:
4808:
4804:
4803:
4801:
4797:
4789:
4788:
4783:
4781:(2006 series)
4780:
4779:
4775:
4772:
4771:
4767:
4764:
4763:
4759:
4758:
4756:
4752:
4738:
4737:
4733:
4732:
4730:
4726:
4718:
4717:
4712:
4708:
4707:
4702:
4698:
4697:
4692:
4681:
4680:
4675:
4671:
4670:
4665:
4654:
4653:
4648:
4644:
4643:
4638:
4634:
4633:
4628:
4624:
4623:
4618:
4614:
4613:
4608:
4604:
4603:
4598:
4594:
4593:
4588:
4584:
4583:
4578:
4574:
4573:
4568:
4564:
4563:
4558:
4554:
4553:
4548:
4544:
4543:
4538:
4534:
4533:
4528:
4524:
4523:
4518:
4514:
4513:
4508:
4504:
4503:
4502:The Umbrellas
4498:
4494:
4493:
4492:Blonde Bather
4488:
4484:
4483:
4478:
4474:
4473:
4468:
4464:
4463:
4462:Pink and Blue
4458:
4454:
4453:
4448:
4444:
4443:
4438:
4434:
4433:
4428:
4424:
4423:
4418:
4414:
4413:
4408:
4404:
4403:
4398:
4394:
4393:
4388:
4384:
4383:
4382:The Day Dream
4378:
4374:
4373:
4368:
4364:
4363:
4358:
4354:
4353:
4348:
4344:
4343:
4338:
4334:
4333:
4328:
4324:
4323:
4318:
4314:
4313:
4308:
4304:
4303:
4298:
4294:
4293:
4288:
4284:
4283:
4278:
4274:
4273:
4268:
4264:
4263:
4258:
4254:
4253:
4252:La Parisienne
4248:
4244:
4243:
4238:
4234:
4233:
4228:
4224:
4223:
4218:
4214:
4213:
4208:
4204:
4203:
4198:
4194:
4193:
4188:
4184:
4183:
4178:
4174:
4173:
4168:
4164:
4163:
4158:
4154:
4153:
4148:
4144:
4143:
4138:
4134:
4133:
4128:
4124:
4123:
4118:
4114:
4113:
4108:
4104:
4103:
4098:
4094:
4093:
4088:
4084:
4083:
4078:
4074:
4073:
4068:
4066:
4063:
4062:
4060:
4056:
4052:
4045:
4040:
4038:
4033:
4031:
4026:
4025:
4022:
4010:
4007:
4004:
4001:
3998:
3995:
3994:
3992:
3988:
3981:
3980:
3976:
3973:
3972:
3968:
3965:
3964:
3960:
3957:
3956:
3952:
3949:
3948:
3944:
3941:
3940:
3936:
3935:
3933:
3929:
3922:
3921:
3917:
3914:
3913:
3912:The Blue Room
3909:
3906:
3905:
3901:
3898:
3897:
3893:
3890:
3889:
3885:
3882:
3881:
3877:
3876:
3874:
3870:
3866:
3861:
3857:
3850:
3845:
3843:
3838:
3836:
3831:
3830:
3827:
3819:
3815:
3810:
3797:
3796:THE GREAT CAT
3793:
3789:
3777:
3773:
3769:
3768:
3764:
3759:
3758:9781773230412
3755:
3754:9781388181154
3751:
3745:
3741:
3737:
3733:
3729:
3728:
3722:
3717:
3713:
3709:
3703:
3699:
3694:
3690:
3686:
3682:
3680:9781351536714
3676:
3672:
3667:
3666:
3661:
3654:
3648:
3640:
3636:
3632:
3630:9780517544990
3626:
3622:
3617:
3613:
3609:
3605:
3603:9780312199210
3599:
3594:
3593:
3587:
3583:
3579:
3575:
3571:
3567:
3564:(3): 415–30.
3563:
3559:
3554:
3550:
3546:
3542:
3540:9782884430364
3536:
3532:
3527:
3523:
3519:
3515:
3509:
3505:
3501:
3497:
3492:
3488:
3484:
3480:
3477:
3476:9781785782749
3473:
3472:9781250157645
3469:
3465:
3463:9781250157645
3459:
3455:
3450:
3446:
3442:
3438:
3433:
3429:
3425:
3421:
3415:
3410:
3409:
3403:
3399:
3395:
3391:
3387:
3383:
3379:
3375:
3370:
3369:
3364:
3355:
3349:
3345:
3338:
3335:
3330:
3324:
3320:
3313:
3310:
3305:
3301:
3297:
3291:
3287:
3283:
3276:
3273:
3260:
3256:
3249:
3246:
3233:
3229:
3222:
3220:
3216:
3204:
3200:
3198:
3189:
3186:
3181:
3177:
3173:
3167:
3163:
3156:
3153:
3148:
3144:
3140:
3134:
3130:
3123:
3120:
3116:
3111:
3108:
3095:
3091:
3087:
3081:
3078:
3074:
3070:
3066:
3062:
3058:
3054:
3050:
3046:
3042:
3038:
3034:
3030:
3029:
3022:
3019:
3007:
3003:
2997:
2994:
2982:
2978:
2972:
2969:
2957:
2953:
2947:
2944:
2939:
2935:
2928:
2925:
2913:
2909:
2903:
2900:
2895:
2891:
2885:
2882:
2877:
2873:
2867:
2864:
2859:
2855:
2849:
2846:
2841:
2837:
2831:
2828:
2815:
2811:
2805:
2802:
2797:
2793:
2787:
2784:
2779:
2773:
2770:
2758:
2754:
2748:
2745:
2733:
2729:
2722:
2719:
2715:. 8 May 2015.
2714:
2710:
2704:
2701:
2689:
2685:
2679:
2676:
2664:
2660:
2654:
2651:
2639:
2635:
2629:
2626:
2614:
2610:
2604:
2601:
2589:
2585:
2579:
2576:
2564:
2560:
2553:
2550:
2545:
2541:
2535:
2532:
2520:. 7 June 2021
2519:
2515:
2513:
2505:
2502:
2490:
2486:
2480:
2477:
2474:, p. 88.
2473:
2468:
2465:
2461:
2456:
2454:
2450:
2446:
2441:
2438:
2425:
2421:
2417:
2410:
2407:
2404:, p. 48.
2403:
2398:
2395:
2383:
2379:
2373:
2370:
2366:
2361:
2358:
2354:
2349:
2346:
2342:
2337:
2334:
2330:
2325:
2322:
2319:, p. 16.
2318:
2313:
2311:
2309:
2305:
2299:
2294:
2290:
2286:
2279:
2276:
2264:
2260:
2254:
2251:
2239:
2235:
2229:
2226:
2222:
2217:
2215:
2211:
2207:
2202:
2199:
2195:
2190:
2187:
2184:, p. 17.
2183:
2178:
2175:
2172:, p. 55.
2171:
2166:
2163:
2160:, p. 51.
2159:
2154:
2151:
2147:
2142:
2139:
2134:
2130:
2126:
2120:
2116:
2112:
2108:
2107:
2099:
2096:
2084:
2080:
2074:
2071:
2068:, p. 97.
2067:
2062:
2059:
2054:
2050:
2046:
2042:
2038:
2034:
2027:
2024:
2020:
2015:
2012:
2008:
2003:
2000:
1988:
1984:
1977:
1975:
1971:
1959:
1955:
1949:
1946:
1934:
1930:
1923:
1920:
1915:
1911:
1906:
1901:
1897:
1893:
1891:
1882:
1879:
1876:, p. 15.
1875:
1870:
1868:
1864:
1859:
1855:
1851:
1845:
1841:
1834:
1831:
1819:
1812:
1809:
1806:, p. 14.
1805:
1800:
1797:
1793:
1789:
1784:
1781:
1777:
1772:
1769:
1757:
1753:
1747:
1744:
1732:
1728:
1722:
1719:
1715:
1714:Giraudon 2003
1710:
1708:
1706:
1704:
1702:
1700:
1698:
1694:
1691:, p. 13.
1690:
1685:
1682:
1677:
1671:
1667:
1660:
1657:
1645:
1641:
1635:
1632:
1629:, p. 40.
1628:
1623:
1621:
1619:
1615:
1611:
1606:
1604:
1602:
1600:
1596:
1589:
1584:
1579:
1576:
1575:
1571:
1569:
1565:
1563:
1562:
1557:
1553:
1552:
1547:
1543:
1539:
1531:
1529:
1527:
1522:
1520:
1516:
1508:
1506:
1502:
1495:
1491:
1487:
1484:
1483:
1480:Illustrations
1479:
1473:
1472:Hector Leroux
1469:
1463:
1458:
1454:
1450:
1444:
1439:
1435:
1429:
1424:
1420:
1419:
1412:
1407:
1400:
1395:
1391:
1387:
1386:
1379:
1374:
1370:
1366:
1360:
1355:
1350:
1344:
1343:
1336:
1331:
1328:
1322:
1317:
1313:
1307:
1302:
1299:
1298:Self-portrait
1292:
1287:
1283:
1277:
1272:
1268:
1262:
1257:
1253:
1247:
1242:
1238:
1232:
1227:
1223:
1217:
1212:
1208:
1206:
1205:The Blue Room
1199:
1194:
1190:
1184:
1179:
1175:
1169:
1164:
1160:
1154:
1149:
1145:
1144:
1137:
1132:
1128:
1122:
1117:
1113:
1107:
1102:
1098:
1092:
1087:
1083:
1077:
1072:
1068:
1062:
1057:
1053:
1052:Self-portrait
1047:
1042:
1037:
1032:
1027:
1024:
1021:
1018:
1015:
1012:
1009:
1006:
1004:, Kansas City
1003:
1000:
998:
995:
992:
989:
987:
984:
982:
979:
976:
973:
971:
968:
966:
963:
961:
958:
955:
952:
950:
947:
945:
942:
939:
936:
933:
930:
927:
924:
921:
920:Albright-Knox
918:
917:
913:
908:
905:
901:
898:
895:
891:
888:
885:
882:
879:
875:
872:
869:
866:
863:
860:
857:
854:
850:
847:
844:
841:
838:
835:
832:
829:
826:
823:
820:
817:
814:
811:
807:
806:
802:
797:
794:
792:
788:
786:
782:
779:
776:
773:
769:
765:
762:
761:
760:
754:
751:
747:
744:
740:
737:
733:
730:
727:
724:
720:
716:
713:
709:
706:
702:
699:
695:
692:
688:
685:
680:
674:
673:
669:
664:
662:
660:
656:
655:Pablo Picasso
652:
648:
643:
641:
637:
633:
628:
626:
624:
617:
612:
607:
605:
601:
593:
589:
588:Summer shower
585:
581:
575:Personal life
574:
572:
570:
569:
563:
561:
557:
551:
545:
541:
540:
535:
528:
526:
523:
521:
517:
513:
507:
505:
501:
500:
495:
491:
490:
485:
481:
480:
470:
469:
464:
460:
458:
454:
450:
445:
443:
439:
435:
430:
427:
423:
419:
414:
412:
408:
404:
403:self-portrait
399:
393:
389:
388:
383:
376:
374:
372:
368:
367:
362:
361:
356:
355:
350:
349:
343:
341:
335:
333:
329:
325:
321:
317:
313:
309:
302:
298:
297:
291:
284:
282:
279:
274:
272:
268:
264:
260:
254:
252:
248:
239:
232:
230:
228:
224:
223:
218:
217:
212:
208:
207:
202:
201:
195:
193:
192:
186:
184:
178:
172:
168:
164:
156:
152:
149:
145:
139:
136:
133:
132:
130:
126:
123:
119:
116:
112:
108:
104:
100:
96:
92:Paris, France
84:
80:
75:
58:
54:
50:
46:
45:Self-portrait
41:
36:
29:
26:
22:
4951:Jane Henriot
4936:
4852:Alain Renoir
4785:
4776:
4768:
4760:
4734:
4714:
4704:
4694:
4677:
4667:
4650:
4640:
4630:
4620:
4610:
4600:
4590:
4580:
4570:
4560:
4550:
4540:
4530:
4520:
4510:
4500:
4490:
4480:
4470:
4460:
4450:
4440:
4430:
4420:
4410:
4400:
4390:
4380:
4372:Eugène Murer
4370:
4360:
4350:
4340:
4330:
4320:
4310:
4300:
4290:
4280:
4270:
4260:
4250:
4240:
4232:Le Pont-Neuf
4230:
4220:
4210:
4200:
4192:La Promenade
4190:
4182:L'Algérienne
4180:
4170:
4160:
4150:
4140:
4130:
4120:
4110:
4100:
4090:
4080:
4070:
3977:
3969:
3961:
3953:
3945:
3937:
3918:
3910:
3902:
3894:
3886:
3880:Adam and Eve
3878:
3855:
3817:
3800:. Retrieved
3795:
3779:. Retrieved
3775:
3726:
3697:
3670:
3620:
3591:
3561:
3558:Art Bulletin
3557:
3530:
3495:
3453:
3436:
3407:
3377:
3373:
3343:
3337:
3318:
3312:
3281:
3275:
3263:. Retrieved
3261:. p. 67
3258:
3248:
3236:. Retrieved
3232:I WANDERLING
3231:
3206:. Retrieved
3203:the Guardian
3202:
3196:
3188:
3161:
3155:
3128:
3122:
3110:
3098:. Retrieved
3094:the original
3089:
3080:
3075:and others.'
3027:
3021:
3009:. Retrieved
3005:
2996:
2984:. Retrieved
2980:
2971:
2959:. Retrieved
2955:
2946:
2937:
2927:
2915:. Retrieved
2911:
2902:
2893:
2884:
2875:
2866:
2857:
2848:
2839:
2830:
2818:. Retrieved
2813:
2804:
2795:
2786:
2772:
2760:. Retrieved
2756:
2747:
2735:. Retrieved
2731:
2721:
2712:
2703:
2691:. Retrieved
2687:
2678:
2666:. Retrieved
2662:
2653:
2641:. Retrieved
2637:
2628:
2616:. Retrieved
2612:
2603:
2591:. Retrieved
2587:
2578:
2566:. Retrieved
2562:
2552:
2543:
2534:
2522:. Retrieved
2517:
2511:
2504:
2492:. Retrieved
2488:
2479:
2467:
2460:Jiminez 2013
2440:
2428:. Retrieved
2424:the original
2409:
2397:
2385:. Retrieved
2381:
2372:
2365:Mathews 1991
2360:
2353:Mathews 1991
2348:
2336:
2324:
2288:
2278:
2266:. Retrieved
2262:
2253:
2241:. Retrieved
2237:
2228:
2221:Mathews 1991
2201:
2189:
2177:
2165:
2153:
2141:
2105:
2098:
2086:. Retrieved
2082:
2073:
2061:
2036:
2032:
2026:
2014:
2002:
1990:. Retrieved
1986:
1961:. Retrieved
1957:
1948:
1936:. Retrieved
1932:
1922:
1895:
1889:
1881:
1839:
1833:
1821:. Retrieved
1811:
1799:
1791:
1783:
1778:, p. 9.
1771:
1759:. Retrieved
1755:
1746:
1734:. Retrieved
1730:
1721:
1684:
1665:
1659:
1647:. Retrieved
1643:
1634:
1612:, p. 9.
1566:
1559:
1549:
1541:
1537:
1535:
1523:
1515:6937 Valadon
1512:
1503:
1499:
1489:
1486:Jean Cocteau
1470:(study), by
1467:
1448:
1433:
1416:
1383:
1364:
1340:
1326:
1311:
1297:
1281:
1266:
1251:
1236:
1221:
1203:
1188:
1173:
1158:
1143:Adam and Eve
1141:
1126:
1111:
1096:
1081:
1066:
1051:
1008:Petit Palais
934:, Pittsburgh
758:
651:André Derain
644:
635:
629:
620:
608:
597:
587:
566:
564:
560:Mary Cassatt
552:
548:
537:
524:
508:
503:
497:
493:
487:
483:
479:Adam and Eve
477:
474:
466:
446:
431:
415:
400:
396:
385:
371:The Hangover
370:
365:
359:
352:
346:
344:
336:
305:
294:
275:
255:
244:
220:
214:
213:(1883), and
204:
198:
196:
189:
187:
166:
162:
161:
134:Paul Mousis,
87:(1938-04-07)
85:7 April 1938
44:
25:
5018:1938 deaths
5013:1865 births
4902:Lise Tréhot
4831:Jean Renoir
4790:(2012 film)
4744: 1914
4716:The Bathers
4699:(1915–1917)
4687: 1908
4660: 1910
4575:(1886-1887)
4555:(1884–1887)
4485:(1880-1882)
4365:(1876-1877)
3997:André Utter
3982:(2009 play)
3888:Joy of Life
3402:Gaze, Delia
3208:15 November
3100:16 November
3053:de Segonzac
3045:J. Marchand
3011:19 February
2986:19 February
2961:19 February
2917:19 February
2820:19 February
2816:(in French)
2762:19 February
2737:19 February
2693:19 February
2688:www.dia.org
2668:19 February
2663:www.dma.org
2643:15 November
2618:19 February
2593:19 February
2472:Warnod 1981
2402:Warnod 1981
2289:CAA Reviews
2206:Hewitt 2018
2170:Warnod 1981
2158:Warnod 1981
2088:20 December
2007:Warnod 1981
1963:20 December
1896:Caa.reviews
1888:"Review of
1736:20 December
1689:Warnod 1981
1627:Warnod 1981
1028:, Ann Arbor
956:, Cambridge
721:, Valadon,
665:Exhibitions
636:Adam et Eve
632:André Utter
489:Joy of Life
484:Adam et Eve
418:still lifes
387:Joy of Life
340:Edgar Degas
299:(1883), by
263:Thèo Wagner
219:(1885) and
203:(1883) and
191:Joy of Life
138:André Utter
98:Nationality
5002:Categories
4854:(grandson)
4846:(grandson)
4817:(daughter)
4754:Portrayals
4728:Sculptures
3931:Portrayals
3802:8 February
3781:8 February
3716:1263777716
3612:1036881995
3586:Rose, June
3487:1026408741
3483:1006391440
3428:1033656447
3259:SlideShare
3147:1184016102
2684:"The Bath"
2568:21 October
2494:8 February
2268:7 February
2133:1051356006
2019:Burns 1993
1992:9 February
1585:References
993:, New York
642:in Paris.
616:Rue Cortot
611:Erik Satie
518:, and the
486:) (1909),
426:landscapes
278:Montmartre
251:Montmartre
233:Early life
151:Erik Satie
147:Partner(s)
66:1865-09-23
4719:(1918–19)
4572:The Braid
4332:The Swing
4222:The Harem
4175:(1869-70)
4132:In Summer
4058:Paintings
3999:(husband)
3963:The Braid
3872:Paintings
3744:988270982
3689:994145627
3647:cite book
3588:(1999) .
3522:861081918
3394:936739756
3386:0702-7818
3115:Gaze 1997
2726:Harvard.
2341:Gaze 1997
2146:Gaze 1997
2066:Rose 1999
2053:144064933
2039:: 3–24 .
1914:1543-950X
1823:20 August
1776:Rose 1999
1590:Citations
1548:'s play,
1474:, c. 1892
1418:The Braid
1022:, Chicago
1016:, Waltham
922:, Buffalo
568:Blue Room
422:portraits
247:laundress
122:Symbolism
3979:The Line
3549:34256669
3404:(1997).
3374:Atlantis
3304:70766173
3197:The Line
3180:47894155
3028:WorldCat
2894:nmwa.org
2524:8 August
2243:17 March
1938:10 April
1858:22422605
1792:La RazĂłn
1761:17 March
1649:17 March
1572:See also
1551:The Line
1517:) and a
1127:The Bath
1114:, c.1895
1010:, Geneva
977:, Colmar
940:, Dallas
928:, London
774:, Munich
438:etchings
407:charcoal
114:Movement
76:, France
47:, 1898,
4879:Related
4475:(1881)
4262:La Loge
3990:Related
3639:7573059
3578:3045814
3365:Sources
3265:30 June
3238:30 June
3065:Marquet
3049:R. Dufy
3041:Matisse
3026:Notice
2430:12 June
2387:7 March
1033:Gallery
896:, Paris
880:, Paris
752:, Paris
745:, Paris
738:, Paris
719:Utrillo
714:, Paris
683:, Paris
267:Medrano
128:Spouses
109:Painter
4809:(wife)
4799:Family
4787:Renoir
4709:(1918)
4689:–1914)
4672:(1911)
4645:(1910)
4635:(1910)
4625:(1907)
4615:(1897)
4605:(1897)
4595:(1892)
4585:(1888)
4565:(1885)
4545:(1883)
4535:(1883)
4525:(1883)
4515:(1883)
4465:(1881)
4455:(1881)
4445:(1880)
4435:(1879)
4425:(1879)
4415:(1878)
4405:(1878)
4395:(1878)
4385:(1877)
4375:(1877)
4355:(1876)
4345:(1876)
4335:(1876)
4325:(1876)
4315:(1876)
4305:(1875)
4295:(1875)
4285:(1875)
4275:(1875)
4265:(1874)
4255:(1874)
4245:(1873)
4235:(1872)
4225:(1872)
4215:(1871)
4205:(1870)
4195:(1870)
4185:(1870)
4165:(1869)
4155:(1869)
4145:(1868)
4135:(1868)
4125:(1868)
4115:(1867)
4105:(1867)
4095:(1867)
4085:(1866)
4075:(1864)
3923:(1930)
3915:(1923)
3907:(1921)
3899:(1914)
3891:(1911)
3883:(1909)
3752:
3742:
3714:
3704:
3687:
3677:
3637:
3627:
3610:
3600:
3576:
3547:
3537:
3520:
3510:
3481:
3470:
3460:
3426:
3416:
3392:
3384:
3350:
3325:
3302:
3292:
3178:
3168:
3145:
3135:
3069:Signac
3061:Friesz
2131:
2121:
2051:
1912:
1856:
1846:
1672:
1455:, 1891
1392:, 1885
1371:, 1885
1345:(1930)
1314:, 1936
1284:, 1930
1269:, 1928
1254:, 1928
1239:, 1925
1224:, 1924
1209:, 1923
1191:, 1921
1176:, 1920
1161:, 1919
1129:, 1908
1099:, 1895
1084:, 1893
1069:, 1890
1054:, 1883
902:2021,
892:1967,
748:1928,
741:1927,
717:1917,
703:1911,
696:1910,
689:1909,
675:1894,
657:, and
411:pastel
377:Artist
326:, and
101:French
4833:(son)
4825:(son)
4092:Diana
4005:(son)
3574:JSTOR
3033:sudoc
2049:S2CID
1451:, by
1388:, by
1367:, by
1159:Nudes
1112:Women
723:Utter
623:Biqui
529:Style
449:Degas
285:Model
4632:Nude
3804:2022
3783:2022
3750:ISBN
3740:OCLC
3712:OCLC
3702:ISBN
3685:OCLC
3675:ISBN
3653:link
3635:OCLC
3625:ISBN
3608:OCLC
3598:ISBN
3545:OCLC
3535:ISBN
3518:OCLC
3508:ISBN
3479:OCLC
3468:ISBN
3458:ISBN
3424:OCLC
3414:ISBN
3390:OCLC
3382:ISSN
3348:ISBN
3323:ISBN
3300:OCLC
3290:ISBN
3267:2024
3240:2024
3210:2021
3176:OCLC
3166:ISBN
3143:OCLC
3133:ISBN
3102:2021
3013:2021
2988:2021
2963:2021
2919:2021
2822:2021
2764:2021
2739:2021
2695:2021
2670:2021
2645:2021
2620:2021
2595:2021
2570:2021
2526:2021
2496:2021
2432:2010
2389:2013
2270:2023
2245:2023
2129:OCLC
2119:ISBN
2090:2012
1994:2021
1965:2012
1940:2013
1910:ISSN
1854:OCLC
1844:ISBN
1825:2018
1763:2023
1738:2012
1670:ISBN
1651:2023
1097:Nude
558:and
455:and
409:and
261:and
82:Died
56:Born
3732:hdl
3566:doi
3500:doi
3441:doi
3286:253
3037:BnF
2293:doi
2041:doi
1987:CNN
1900:doi
249:in
209:by
169:at
5004::
4741:c.
4684:c.
4657:c.
3816:.
3794:.
3774:.
3756:,
3738:.
3710:.
3683:.
3649:}}
3645:{{
3633:.
3606:.
3572:.
3562:73
3560:.
3543:.
3516:.
3506:.
3485:,
3474:,
3466:.
3422:.
3388:.
3378:18
3376:.
3298:.
3288:.
3257:.
3230:.
3218:^
3201:.
3174:.
3141:.
3088:.
3063:,
3059:,
3055:,
3047:,
3043:,
3035:;
3031:;
3004:.
2979:.
2954:.
2936:.
2910:.
2892:.
2874:.
2856:.
2838:.
2812:.
2794:.
2755:.
2730:.
2711:.
2686:.
2661:.
2636:.
2611:.
2586:.
2561:.
2542:.
2516:.
2487:.
2452:^
2380:.
2307:^
2291:.
2287:.
2261:.
2236:.
2213:^
2127:.
2117:.
2115:95
2111:94
2081:.
2047:.
2037:19
2035:.
1985:.
1973:^
1956:.
1931:.
1908:.
1894:.
1866:^
1852:.
1754:.
1729:.
1696:^
1642:.
1617:^
1598:^
661:.
653:,
586:,
420:,
373:.
322:,
318:,
314:,
310:,
229:.
185:.
153:,
120:,
4746:)
4739:(
4682:(
4662:)
4655:(
4043:e
4036:t
4029:v
3848:e
3841:t
3834:v
3820:.
3806:.
3785:.
3734::
3718:.
3691:.
3655:)
3641:.
3580:.
3568::
3551:.
3524:.
3502::
3489:.
3447:.
3443::
3396:.
3356:.
3331:.
3306:.
3269:.
3242:.
3212:.
3199:"
3182:.
3149:.
3104:.
3015:.
2990:.
2965:.
2940:.
2921:.
2896:.
2878:.
2860:.
2842:.
2824:.
2798:.
2766:.
2741:.
2697:.
2672:.
2647:.
2622:.
2597:.
2572:.
2546:.
2528:.
2514:"
2498:.
2434:.
2391:.
2301:.
2295::
2272:.
2247:.
2223:.
2113:–
2092:.
2055:.
2043::
1996:.
1967:.
1942:.
1916:.
1902::
1860:.
1827:.
1765:.
1740:.
1716:.
1678:.
1653:.
502:(
492:(
482:(
68:)
64:(
23:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
