260:
43:
285:. In this less frequent depiction, the Virgin takes on the role Jesus usually portrays. Her mother Saint Anne becomes the heavenly grandmother. Jesus's maternal grandmother holds her infant daughter. The young Virgin is dressed in her typical attire. The Virgin's attire is reminiscent of the typical Byzantine Greek-Italian heavenly attire.
296:
Legend states that when the archangel
Gabriel appeared to the Virgin Mary in the Annunciation, he held a lily in his hand in recognition of Mary's purity. Gabriel told the Virgin that she had "found favor with God" and would bear a son and name him Jesus. When Mary touched the scentless flower a
292:
technique. Anne embraces her daughter. She glances at her viewer with motherly charm. The bright garment she wears features striations. The viewers can easily establish the grooves in the different garments. The bright garment Anne is wearing features ornate gold patterns. The shirt cuff and
689:
820:
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magnificent fragrance arose. The miraculous flower blossomed outside her window when she accepted her fate and God's plan. She uttered the words to the angel
Gabriel "Here am I, the servant of the Lord".
213:
269:
The work is an egg tempera painting with gold leaf on wood with dimensions of 105.9 cm (41.7 in) × 75.9 cm (29.9 in). The icon was finished in the early part of the 15th century.
377:
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undershirt are clearly visible. Her headdress is also clearly defined. The young Virgin Mary looks up at her mother, and in her right hand she holds up a sacred lily.
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762:
871:
861:
830:
174:
180:
Angelos was extremely educated and owned a valuable library. He was a chanter and teacher of music; the
Venetian authorities appointed him
739:
715:
324:
203:
Greek painters continued the tradition of emulating the
Byzantine masters. The Italian painters adopted oil painting opposing the egg
794:
866:
707:
851:
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651:
582:
193:
643:
856:
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184:(first chanter), an honorable position carrying a government salary. He also taught painting; some of his students were
802:
466:
459:
699:
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635:
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412:
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92:
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825:
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154:
53:
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173:. Angelos Akotantos was active during the first half of the 15th century. According to the
723:
597:
222:
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587:
521:
511:
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166:
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447:. Princeton, New Jersey: Index of Christian Art, Princeton University. pp. 39–72.
845:
552:
547:
531:
482:
244:
158:
114:
81:
281:. The image is comparable to the typical Virgin and Child also known as the Virgin
226:
76:
288:
The bright coloration reflects the painter's knowledge of the
Italian Renaissance
592:
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106 cm × 76 cm (41.73 in × 29.9 in)
289:
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204:
150:
451:
248:
181:
118:
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258:
440:
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214:
Lives of the Most
Excellent Painters, Sculptors, and Architects
225:. It was one of the first post-classical European terms for
200:. His works have been copied for over five hundred years.
157:. Angelos Akotantos is one of the founding members of the
177:, fifty paintings are attributed to Angelos Akotantos.
319:. United Kingdom: Yale University Press. p. 178.
217:
commented on the technique. Vasari coined the phrase
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132:
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110:
102:
87:
75:
67:
59:
49:
21:
221:. By the mid-1500s the style was considered the
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239:were the most copied paintings. The original
8:
771:Beheading of John the Baptist (Damaskinos)
474:
460:
452:
41:
18:
153:painting attributed to the Greek painter
305:
273:is a unique thematic interpretation of
763:The Last Judgement Triptych (Klontzas)
411:Melanie Zebrowski (November 5, 2021).
7:
740:Adoration of the Kings (Damaskinos)
716:Dormition of the Virgin (El Greco)
376:Staff Writers (November 5, 2021).
14:
831:Institute of Neohellenic Research
795:Vision of the Apocalypse (Bathas)
378:"Icon of St Anne with the Virgin"
175:Institute of Neohellenic Research
708:Adoration of the Magi (El Greco)
787:Stoning of Stephen (Damaskinos)
137:Icon of St Anne with the Virgin
264:Variation including Baby Jesus
1:
744:
664:
413:"Flowers of the Annunciation"
313:Richardson, Carol M. (2007).
16:Painting by Angelos Akotantos
872:Paintings of the Virgin Mary
862:Cretan Renaissance paintings
755:The Last Supper (Damaskinos)
732:In Thee Rejoiceth (Klontzas)
437:Drandaki, Anastasia (2014).
803:Portrait of Gabriel Severus
888:
628:Saint Anne with the Virgin
351:
241:Saint Anne with the Virgin
231:Saint Anne with the Virgin
146:Saint Anne with the Virgin
29:Η Αγία Αννα με την Παναγία
821:Hellenic Institute Venice
700:Madonna of Constantinople
691:Nursing Madonna and Child
398:
363:
339:
271:Saint Anne and the Virgin
40:
26:
683:Madre della Consolazione
675:Christ Bearing the Cross
660:The Crucifixion (Pavias)
603:Nikolaos Philanthropinos
316:Locating Renaissance Art
867:Paintings of Saint Anne
852:15th-century paintings
652:Jesus Hominum Salvator
442:Studies in Iconography
415:. UNIVERSITY OF DAYTON
266:
644:The Virgin Pantanassa
583:Antonios Papadopoulos
558:Theophanes the Cretan
262:
194:Antonios Papadopoulos
490:Principal proponents
857:Paintings in Greece
568:Ioannis Permeniates
95:held by her mother
22:Saint Anne and Mary
826:Manolis Hatzidakis
620:The Virgin Eleousa
578:Nikolaos Lampoudis
573:Angelos Pitzamanos
527:Nikolaos Tzafouris
507:Michael Damaskinos
483:Cretan Renaissance
267:
236:The Virgin Eleousa
198:Nikolaos Tzafouris
171:Nikolaos Tzafouris
839:
838:
563:Frangos Katelanos
517:Angelos Akotantos
502:Georgios Klontzas
277:and her daughter
155:Angelos Akotantos
142:
141:
54:Angelos Akotantos
35:Sant'Anna e Maria
879:
779:Virgin Nikopoios
749:
748: 1587–1591
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669:
668: 1440–1512
666:
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399:Richardson, 2007
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364:Richardson, 2007
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724:Modena Triptych
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636:Christ the Vine
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598:Nikolaos Ritzos
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380:. Benaki Museum
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211:'s famous book
71:tempera on wood
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588:Ioannis Apakas
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522:Andreas Ritzos
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512:Andreas Pavias
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352:Drandaki, 2014
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326:978-0300121889
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209:Giorgio Vasari
190:Andreas Ritzos
186:Andreas Pavias
167:Andreas Pavias
163:Andreas Ritzos
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693:(Permeniates)
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553:Markos Bathas
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548:Thomas Bathas
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541:Other artists
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532:Michael Fokas
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245:Benaki Museum
242:
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223:maniera greca
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219:maniera greca
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159:Cretan School
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128:Benaki Museum
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115:Benaki Museum
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82:Cretan School
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443:
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431:Bibliography
417:. Retrieved
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394:
382:. Retrieved
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229:. Angelos's
227:style in art
212:
202:
182:protopsaltis
179:
145:
144:
143:
63:c. 1425–1457
34:
28:
806:(1577–1599)
758:(1587–1591)
735:(1560–1608)
719:(1565–1566)
711:(1565–1567)
695:(1520–1530)
678:(1487–1501)
655:(1436–1492)
647:(1436–1492)
639:(1425–1457)
631:(1425–1457)
623:(1425–1457)
612:Major works
593:Euphrosynos
419:November 5,
384:November 5,
255:Description
207:technique.
161:along with
93:Virgin Mary
846:Categories
301:References
283:Hodegetria
243:is at the
103:Dimensions
766:1560–1608
444:Volume 35
290:cangiante
33:Italian:
497:El Greco
401:, p. 189
366:, p. 189
354:, p. 41
342:, p. 178
111:Location
77:Movement
814:Related
205:tempera
151:tempera
133:Website
88:Subject
27:Greek:
798:(1596)
790:(1591)
782:(1594)
774:(1590)
727:(1568)
703:(1530)
686:(1490)
323:
249:Athens
196:, and
169:, and
119:Athens
68:Medium
50:Artist
149:is a
125:Owner
421:2021
386:2021
321:ISBN
279:Mary
275:Anne
233:and
97:Anne
91:The
60:Year
247:in
848::
745:c.
665:c.
251:.
192:,
188:,
165:,
117:,
31:,
750:)
743:(
670:)
663:(
475:e
468:t
461:v
423:.
388:.
329:.
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