184:. Until Prout, says Ruskin, excessive and clumsy artificiality characterized the picturesque: what ruins early artists drew "looked as if broken down on purpose; what weeds they put on seemed put on for ornament". To Prout, therefore, goes credit for the creation of the essential characteristics lacking in earlier art, in particular "that feeling which results from the influence, among the noble lines of architecture, of the rent and the rust, the fissure, the lichen, and the weed, and from the writings upon the pages of ancient walls of the confused hieroglyphics of human history". Prout, in other words, does not unfeelingly depict signs of age and decay chiefly for the sake of interesting textures, but rather employs these textures and other characteristics of the picturesque to create deeply felt impressions of age nobly endured. Though they are often compared, neither Turner nor Prout were vulgar artists, and while Turner concentrated upon the infinite beauties of nature, Prout was more interested by the cityscape.
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features of the architecture, and his hand recorded them with skill. The composition of his drawings was exquisitely natural; their colour exhibited "the truest and happiest association in sun and shade"; the picturesque remnants of ancient architecture were rendered with the happiest breadth and largeness, with the heartiest perception and enjoyment of their time-worn ruggedness; and the solemnity of great cathedrals was brought out with striking effect.
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It was not however until about 1818 that Prout discovered his niche. Happening time to make his first visit to the
Continent, and to study the quaint streets and market-places of continental cities, he suddenly found himself in a new and enchanting province of art. His eye caught the picturesque
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110:, whose work often emulated Prout's, wrote in 1844, "Sometimes I tire of Turner, but never of Prout". Prout is often compared to his contemporaries: Turner, Constable and Ruskin, whom he taught. He was the uncle of the artist
162:, where he stayed until 1812. Marrying Elizabeth Gillespie in 1810, they had four children; Rebecca Elizabeth (b. 1813), Elizabeth Delsey (b. 1817), Isabella Anne (b. 1820), and Samuel Gllespie (b. 1822).
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169:. To earn a living, he painted marine pieces for Palser the printseller, took students, and published drawing books for learners. He was one of the first to use
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in their artistic apprenticeship. They spent whole summer days drawing the quiet cottages, rustic bridges and romantic watermills of the beautiful valleys of
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A large quantity of his original sketchbooks, lithographs, account books, letters and family materials are held at the North Devon
Athenaeum,
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In London, Prout saw new possibilities, and endeavoured to correct and improve his style by studying the works of the rising school of
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Samuel
Gillespie Prout followed in his father's footsteps by also painting watercolours. his nephew was the composer
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where his face had not been seen searching for antique gables and sculptured pieces of stone. He died after a
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He established his reputation with these street scenes, and gained praise from his erstwhile student
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91:; 17 September 1783 – 10 February 1852) was a British watercolourist, and one of the masters of
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Notes on the Fine Art
Society's Loan Collection of Drawings by Samuel Prout and William Hunt
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Paintings engraved for Fisher's
Drawing Room Scrap Books with poetical illustrations by
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Prout was appointed the coveted title of 'Painter in Water-Colours in
Ordinary' to
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519:. Vol. 22 (11th ed.). Cambridge University Press. pp. 490–491.
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Sketches by Samuel Prout: in France, Belgium, Germany, Italy and
Switzerland
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Samuel Prout in Tate exhibition "Ruskin, Turner and the Pre-Raphaelites"
98:. Prout secured the position of Painter in Water-Colours in Ordinary to
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In Fisher's
Drawing Room Scrap Book, 1834, as illustrations to
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In Fisher's
Drawing Room Scrap Book, 1834, as illustrations to
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Picturesque
Delineations in the Counties of Devon and Cornwall
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Henry Davey, revised by Anne Pimlott Baker. 'Prout, Ebenezer'
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Samuel Prout at the National Gallery of Art, Washington DC
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Gainsborough to Ruskin Exhibition at the Morgan, New York
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made a career for himself painting and writing books in
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The Church of St. John, and the Ruins of Lahneck Castle
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s:Devonshire Characters and Strange Events/Samuel Prout
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At the time of his death there was hardly a place in
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to try his hand in furnishing sketches for Britton's
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245:, adding to its existing holdings of his work.
581:Samuel Prout at the Manchester Art Gallery, UK
540:West Norwood Cemetery: The Dickens Connection
453:Prout compared to Turner in Tate exhibition.
358:Rudiments of Landscape in Progressive Studies
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322:The Oxford Dictionary of National Biography
944:People educated at Plymouth Grammar School
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53:Utrecht Town Hall by Samuel Prout in 1841
558:Samuel Prout at the Tate Gallery, London
61:The Rialto Bridge Venice by Samuel Prout
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243:Plymouth City Museum & Art Gallery
618:Hurdwar, a Place of Hindoo Pilgrimage
611:1832, engraved by William John Cook,
222:at his home, 5 De Crespigny Terrace,
138:, who encouraged the young Prout and
130:, he came under the influence of its
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762:Jesuits in Procession—Valetta, Malta
755:1838, engraved by Ebenezer Challis,
876:Triad Figure, Interior of Elephanta
45:A View in Nuremberg by Samuel Prout
379:Rowney & Forster, London 1820.
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939:19th-century English male artists
828:Excavated Temple of Kylas, Ellora
563:Samuel Prout at The Louvre, Paris
383:Picturesque Buildings in Normandy
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495:Dictionary of National Biography
397:Rodwell & Martin London 1823
385:Rodwell and Martin, London 1821.
252:. Another member of the family,
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365:Picturesque Studies of Cottages
479:(The Fine Art Society, 1880) .
427:Tilt & Bogue, London 1841.
371:Sketches of the Thames Estuary
308:(See "Further reading" below).
281:Samuel Prout (1783–1852)
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914:19th-century English painters
667:1833, engraved by E Challis,
389:Views in the North of England
924:Artists from Plymouth, Devon
458:Tate Exhibition Turner/Prout
306:1911 Encyclopædia Britannica
150:, he made a journey through
679:1833, engraved by R Sands,
639:1833, engraved by R Sands,
361:(R. Ackermann London, 1813)
191:in 1829, and afterwards to
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686:The Kylas, Caves of Ellora
401:Illustrations of the Rhine
102:in 1829 and afterwards to
37:Market Day by Samuel Prout
419:Hints on Light and Shadow
122:Samuel Prout was born at
857:Letitia Elizabeth Landon
842:, engraved by J Redaway.
836:, engraved by T Jeavons.
830:, engraved by E Challis.
803:Letitia Elizabeth Landon
750:Strada St. Ursola,—Malta
662:Sarnat, a Boodh Monument
606:Letitia Elizabeth Landon
525:Samuel Prout (1783–1852)
25:Samuel Prout painted by
934:English watercolourists
674:The Cootub Minar, Delhi
516:Encyclopædia Britannica
421:Ackermann & Co 1838
415:Ackermann & Co 1834
353:T. Palser, London 1813.
351:Prout's Village Scenery
347:T. Palser, London 1812.
158:. In 1803, he moved to
128:Plymouth Grammar School
888:engraved by C Mottram.
824:, engraved by S Lacey.
702:The Tomb of Aurungzebe
634:The Taj-Mahal, at Agra
527:(Batsford Ltd, 1985).
413:Interior and Exteriors
140:Benjamin Robert Haydon
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919:English male painters
794:The Castle of Chillon
725:Edward Francis Finden
653:William Joseph Taylor
545:West Norwood Cemetery
510:"Prout, Samuel"
489:"Prout, Samuel"
232:West Norwood Cemetery
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840:Taj Bowlee, Bejapore
646:Tomb of Mahomed Shah
373:T Palser London 1817
296:(Art Journal, 1849).
462:Sabine Baring-Gould
395:Studies from Nature
156:Beauties of England
846:Tomb of Shere Shah
785:James Baylis Allen
783:1838, engraved by
767:1838, engraved by
739:1837, engraved by
734:Strada Reale—Corfu
723:1837, engraved by
707:1837, engraved by
691:1833, engraved by
651:1833, engraved by
623:1832, engraved by
523:Lockett, Richard.
432:About Samuel Prout
409:J. Dickinson 1826.
403:J. Dickinson 1824.
391:R. Ackermann 1821.
254:John Skinner Prout
230:and was buried at
112:John Skinner Prout
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464:on Samuel Prout,
444:A memoir of Prout
425:Prout's Microcosm
367:R. Ackermann 1816
294:A memoir of Prout
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880:William Woolnoth
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822:Ruins, Old Delhi
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552:External links
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507:, ed. (1911).
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600:Open Library
596:Samuel Prout
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543:(Friends of
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136:John Bidlake
132:schoolmaster
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66:Samuel Prout
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27:John Jackson
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909:1852 deaths
904:1783 births
484:Lee, Sidney
448:Art Journal
216:Netherlands
182:John Ruskin
171:lithography
108:John Ruskin
93:watercolour
898:Categories
812:The Zenana
264:References
239:Barnstaple
502:Various.
214:) or the
167:landscape
118:Biography
886:Cawnpore
859:'s poem
834:Bejapore
805:'s poem
547:, 1995).
258:Tasmania
152:Cornwall
124:Plymouth
204:Germany
146:. With
29:in 1831
572:, 1915
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324:(2004)
228:London
220:stroke
212:Venice
200:France
160:London
450:1849)
208:Italy
144:Devon
529:ISBN
446:(in
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