208:) or sulking is in essence a disagreement between a couple where they do not speak to each other. This is sometimes called "the silent treatment". Other expressions of sulking in the love life of Filipinos include other non-verbal actions such as keeping to one's self, being unusually quiet, or refusing to interact with friends in group activities, family outings or other activities, and even merely locking one's self in his or her bedroom. To end the sulking, one of the lovers has to coax the other, or both persuade each other to resolve by coming up with an agreement or compromise. The setting is also significant to Philippine culture as the couples are depicted to live in a traditional colonial Filipino house known as
480:
31:
274:
shows two people, perhaps lovers, seated in the sala of a house. The man is looking out of the window into the street, while the woman has her eyes on the floor, which very likely gives the title "ampuhan" to this canvas
160:. Orosa further described that the woman is Emiliana Trinidad. Trinidad is the ancestor of the owner of the painting, and is claimed by Orosa to be the same woman who posed for Luna's
259:
384:
136:
339:
405:
256:
572:
577:
582:
398:
310:
123:
270:
article, Looking Back, Anvil
Publishing, Inc., National Commission for Culture and the Arts, November 11, 1989: (...) "
533:
212:, with its iconic interior and structure fit for the tropical climate, while the woman is wearing the traditional
239:
217:
461:
567:
332:
377:
149:
433:
502:
468:
527:
447:
191:
325:
179:
145:
131:
440:
370:
201:
454:
213:
183:
167:
141:
263:
243:
187:
120:
391:
162:
479:
509:
426:
94:
30:
561:
209:
116:
78:
75:
545:
539:
495:
90:
112:
107:
82:
363:
284:
301:
348:
130:" ā because of an argument. The man is looking out at the street beside a
86:
41:
412:
196:
153:
236:
157:
71:
105:
Luna's
Tampuhan is a depiction of two persons staying inside the
321:
317:
308:
painting with a reference to Luna's other painting entitled
237:
Discussion of "Tampuhan" (Sulking) painting by Juan Luna
520:
487:
355:
144:, has her eyes focused on the floor. According to
55:
47:
37:
23:
333:
257:Discussion on Juan Luna's "Tampuhan" painting
8:
340:
326:
318:
246:, from "Juan Luna" article, kulay-diwa.com
166:, another of his artworks that illustrate
140:. The woman, on the other hand, wearing a
20:
229:
7:
304:by Marne L. Kilates based on Luna's
85:painter and revolutionary activist
14:
478:
29:
152:, a friend of Luna who studied
1:
268:Who was Luna's La BulaqueƱa?
174:Relation to Filipino culture
406:La MadrileƱa (En el BalcĆ³n)
599:
97:having a lovers' quarrel.
476:
262:January 28, 2012, at the
28:
534:AndrƩs Luna de San Pedro
126:sulking ā experiencing "
573:Impressionist paintings
578:Paintings by Juan Luna
378:La Muerte de Cleopatra
285:āTampuhanā and ātampoā
242:June 23, 2010, at the
119:. The two people are
74:", is an 1895 classic
385:La Batalla de Lepanto
16:Painting by Juan Luna
583:Paintings of couples
150:Ariston Bautista Lin
528:Paz Pardo de Tavera
503:EspaƱa y Filipinas
462:Hymen, oh HymƩnƩe!
371:El Pacto de Sangre
180:Filipino courtship
132:Capiz-shell window
59:Private collection
555:
554:
441:Las Damas Romanas
399:The Parisian Life
311:The Parisian Life
287:, seasite.niu.edu
202:Filipino-language
134:, leaning on the
63:
62:
590:
482:
455:Daphne and Chloe
448:EnsueƱos de Amor
342:
335:
328:
319:
288:
282:
276:
255:Ocampo, Ambeth.
253:
247:
234:
214:Maria Clara gown
168:Filipino culture
142:Maria Clara gown
89:. It depicts a
33:
21:
598:
597:
593:
592:
591:
589:
588:
587:
558:
557:
556:
551:
516:
483:
474:
351:
346:
297:
292:
291:
283:
279:
264:Wayback Machine
254:
250:
244:Wayback Machine
235:
231:
226:
176:
146:Rosalinda Orosa
103:
17:
12:
11:
5:
596:
594:
586:
585:
580:
575:
570:
568:1895 paintings
560:
559:
553:
552:
550:
549:
543:
537:
531:
524:
522:
518:
517:
515:
514:
510:Peuple et Rois
506:
499:
491:
489:
485:
484:
477:
475:
473:
472:
465:
458:
451:
444:
437:
430:
427:Peuple et Rois
423:
416:
409:
402:
395:
388:
381:
374:
367:
359:
357:
353:
352:
347:
345:
344:
337:
330:
322:
316:
315:
296:
295:External links
293:
290:
289:
277:
248:
228:
227:
225:
222:
218:Filipino women
175:
172:
102:
99:
95:Filipino woman
61:
60:
57:
53:
52:
49:
45:
44:
39:
35:
34:
26:
25:
15:
13:
10:
9:
6:
4:
3:
2:
595:
584:
581:
579:
576:
574:
571:
569:
566:
565:
563:
547:
544:
541:
538:
535:
532:
529:
526:
525:
523:
519:
513:
511:
507:
505:
504:
500:
498:
497:
493:
492:
490:
486:
481:
471:
470:
466:
464:
463:
459:
457:
456:
452:
450:
449:
445:
443:
442:
438:
436:
435:
431:
429:
428:
424:
422:
421:
417:
415:
414:
410:
408:
407:
403:
401:
400:
396:
394:
393:
389:
387:
386:
382:
380:
379:
375:
373:
372:
368:
366:
365:
361:
360:
358:
354:
350:
343:
338:
336:
331:
329:
324:
323:
320:
313:
312:
307:
303:
299:
298:
294:
286:
281:
278:
273:
269:
265:
261:
258:
252:
249:
245:
241:
238:
233:
230:
223:
221:
219:
215:
211:
210:bahay na bato
207:
203:
199:
198:
193:
189:
185:
181:
173:
171:
169:
165:
164:
159:
155:
151:
148:, the man is
147:
143:
139:
138:
133:
129:
125:
122:
118:
117:Bahay na Bato
114:
110:
109:
100:
98:
96:
92:
88:
84:
80:
79:impressionist
77:
76:oil on canvas
73:
69:
68:
58:
54:
50:
46:
43:
40:
36:
32:
27:
22:
19:
546:Joaquin Luna
540:Antonio Luna
508:
501:
496:Chula series
494:
467:
460:
453:
446:
439:
432:
425:
419:
418:
411:
404:
397:
392:La BulaqueƱa
390:
383:
376:
369:
362:
309:
305:
280:
271:
267:
251:
232:
205:
195:
177:
163:La BulaqueƱa
161:
135:
127:
106:
104:
91:Filipino man
81:painting by
66:
65:
64:
18:
266:, from the
113:living room
101:Description
70:, meaning "
562:Categories
512:(Sketches)
364:Spoliarium
224:References
204:root word
200:(from the
192:psychology
137:ventanilla
548:(brother)
542:(brother)
469:Odalisque
434:Ecce Homo
349:Juan Luna
87:Juan Luna
42:Juan Luna
420:Tampuhan
413:Mi Novia
306:Tampuhan
272:Tampuhan
260:Archived
240:Archived
197:tampuhan
154:medicine
121:Filipino
83:Filipino
67:Tampuhan
56:Location
24:Tampuhan
521:Related
184:culture
72:sulking
530:(wife)
488:Series
188:values
158:Europe
124:lovers
93:and a
38:Artist
536:(son)
356:Works
275:(...)
206:tampo
128:tampo
115:of a
302:poem
190:and
108:sala
51:1895
48:Year
216:of
178:In
156:in
111:or
564::
300:A
220:.
194:,
186:,
182:,
170:.
341:e
334:t
327:v
314:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.