Knowledge

Tampuhan (painting)

Source šŸ“

208:) or sulking is in essence a disagreement between a couple where they do not speak to each other. This is sometimes called "the silent treatment". Other expressions of sulking in the love life of Filipinos include other non-verbal actions such as keeping to one's self, being unusually quiet, or refusing to interact with friends in group activities, family outings or other activities, and even merely locking one's self in his or her bedroom. To end the sulking, one of the lovers has to coax the other, or both persuade each other to resolve by coming up with an agreement or compromise. The setting is also significant to Philippine culture as the couples are depicted to live in a traditional colonial Filipino house known as 480: 31: 274:
shows two people, perhaps lovers, seated in the sala of a house. The man is looking out of the window into the street, while the woman has her eyes on the floor, which very likely gives the title "ampuhan" to this canvas
160:. Orosa further described that the woman is Emiliana Trinidad. Trinidad is the ancestor of the owner of the painting, and is claimed by Orosa to be the same woman who posed for Luna's 259: 384: 136: 339: 405: 256: 572: 577: 582: 398: 310: 123: 270:
article, Looking Back, Anvil Publishing, Inc., National Commission for Culture and the Arts, November 11, 1989: (...) "
533: 212:, with its iconic interior and structure fit for the tropical climate, while the woman is wearing the traditional 239: 217: 461: 567: 332: 377: 149: 433: 502: 468: 527: 447: 191: 325: 179: 145: 131: 440: 370: 201: 454: 213: 183: 167: 141: 263: 243: 187: 120: 391: 162: 479: 509: 426: 94: 30: 561: 209: 116: 78: 75: 545: 539: 495: 90: 112: 107: 82: 363: 284: 301: 348: 130:" ā€“ because of an argument. The man is looking out at the street beside a 86: 41: 412: 196: 153: 236: 157: 71: 105:
Luna's Tampuhan is a depiction of two persons staying inside the
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painting with a reference to Luna's other painting entitled
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Discussion of "Tampuhan" (Sulking) painting by Juan Luna
520: 487: 355: 144:, has her eyes focused on the floor. According to 55: 47: 37: 23: 333: 257:Discussion on Juan Luna's "Tampuhan" painting 8: 340: 326: 318: 246:, from "Juan Luna" article, kulay-diwa.com 166:, another of his artworks that illustrate 140:. The woman, on the other hand, wearing a 20: 229: 7: 304:by Marne L. Kilates based on Luna's 85:painter and revolutionary activist 14: 478: 29: 152:, a friend of Luna who studied 1: 268:Who was Luna's La BulaqueƱa? 174:Relation to Filipino culture 406:La MadrileƱa (En el BalcĆ³n) 599: 97:having a lovers' quarrel. 476: 262:January 28, 2012, at the 28: 534:AndrĆ©s Luna de San Pedro 126:sulking ā€“ experiencing " 573:Impressionist paintings 578:Paintings by Juan Luna 378:La Muerte de Cleopatra 285:ā€œTampuhanā€ and ā€œtampoā€ 242:June 23, 2010, at the 119:. The two people are 74:", is an 1895 classic 385:La Batalla de Lepanto 16:Painting by Juan Luna 583:Paintings of couples 150:Ariston Bautista Lin 528:Paz Pardo de Tavera 503:EspaƱa y Filipinas 462:Hymen, oh HymĆ©nĆ©e! 371:El Pacto de Sangre 180:Filipino courtship 132:Capiz-shell window 59:Private collection 555: 554: 441:Las Damas Romanas 399:The Parisian Life 311:The Parisian Life 287:, seasite.niu.edu 202:Filipino-language 134:, leaning on the 63: 62: 590: 482: 455:Daphne and Chloe 448:EnsueƱos de Amor 342: 335: 328: 319: 288: 282: 276: 255:Ocampo, Ambeth. 253: 247: 234: 214:Maria Clara gown 168:Filipino culture 142:Maria Clara gown 89:. It depicts a 33: 21: 598: 597: 593: 592: 591: 589: 588: 587: 558: 557: 556: 551: 516: 483: 474: 351: 346: 297: 292: 291: 283: 279: 264:Wayback Machine 254: 250: 244:Wayback Machine 235: 231: 226: 176: 146:Rosalinda Orosa 103: 17: 12: 11: 5: 596: 594: 586: 585: 580: 575: 570: 568:1895 paintings 560: 559: 553: 552: 550: 549: 543: 537: 531: 524: 522: 518: 517: 515: 514: 510:Peuple et Rois 506: 499: 491: 489: 485: 484: 477: 475: 473: 472: 465: 458: 451: 444: 437: 430: 427:Peuple et Rois 423: 416: 409: 402: 395: 388: 381: 374: 367: 359: 357: 353: 352: 347: 345: 344: 337: 330: 322: 316: 315: 296: 295:External links 293: 290: 289: 277: 248: 228: 227: 225: 222: 218:Filipino women 175: 172: 102: 99: 95:Filipino woman 61: 60: 57: 53: 52: 49: 45: 44: 39: 35: 34: 26: 25: 15: 13: 10: 9: 6: 4: 3: 2: 595: 584: 581: 579: 576: 574: 571: 569: 566: 565: 563: 547: 544: 541: 538: 535: 532: 529: 526: 525: 523: 519: 513: 511: 507: 505: 504: 500: 498: 497: 493: 492: 490: 486: 481: 471: 470: 466: 464: 463: 459: 457: 456: 452: 450: 449: 445: 443: 442: 438: 436: 435: 431: 429: 428: 424: 422: 421: 417: 415: 414: 410: 408: 407: 403: 401: 400: 396: 394: 393: 389: 387: 386: 382: 380: 379: 375: 373: 372: 368: 366: 365: 361: 360: 358: 354: 350: 343: 338: 336: 331: 329: 324: 323: 320: 313: 312: 307: 303: 299: 298: 294: 286: 281: 278: 273: 269: 265: 261: 258: 252: 249: 245: 241: 238: 233: 230: 223: 221: 219: 215: 211: 210:bahay na bato 207: 203: 199: 198: 193: 189: 185: 181: 173: 171: 169: 165: 164: 159: 155: 151: 148:, the man is 147: 143: 139: 138: 133: 129: 125: 122: 118: 117:Bahay na Bato 114: 110: 109: 100: 98: 96: 92: 88: 84: 80: 79:impressionist 77: 76:oil on canvas 73: 69: 68: 58: 54: 50: 46: 43: 40: 36: 32: 27: 22: 19: 546:Joaquin Luna 540:Antonio Luna 508: 501: 496:Chula series 494: 467: 460: 453: 446: 439: 432: 425: 419: 418: 411: 404: 397: 392:La BulaqueƱa 390: 383: 376: 369: 362: 309: 305: 280: 271: 267: 251: 232: 205: 195: 177: 163:La BulaqueƱa 161: 135: 127: 106: 104: 91:Filipino man 81:painting by 66: 65: 64: 18: 266:, from the 113:living room 101:Description 70:, meaning " 562:Categories 512:(Sketches) 364:Spoliarium 224:References 204:root word 200:(from the 192:psychology 137:ventanilla 548:(brother) 542:(brother) 469:Odalisque 434:Ecce Homo 349:Juan Luna 87:Juan Luna 42:Juan Luna 420:Tampuhan 413:Mi Novia 306:Tampuhan 272:Tampuhan 260:Archived 240:Archived 197:tampuhan 154:medicine 121:Filipino 83:Filipino 67:Tampuhan 56:Location 24:Tampuhan 521:Related 184:culture 72:sulking 530:(wife) 488:Series 188:values 158:Europe 124:lovers 93:and a 38:Artist 536:(son) 356:Works 275:(...) 206:tampo 128:tampo 115:of a 302:poem 190:and 108:sala 51:1895 48:Year 216:of 178:In 156:in 111:or 564:: 300:A 220:. 194:, 186:, 182:, 170:. 341:e 334:t 327:v 314:.

Index


Juan Luna
sulking
oil on canvas
impressionist
Filipino
Juan Luna
Filipino man
Filipino woman
sala
living room
Bahay na Bato
Filipino
lovers
Capiz-shell window
ventanilla
Maria Clara gown
Rosalinda Orosa
Ariston Bautista Lin
medicine
Europe
La BulaqueƱa
Filipino culture
Filipino courtship
culture
values
psychology
tampuhan
Filipino-language
bahay na bato

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