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Tenshō Shūbun

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20: 31: 386: 202:. As with many Japanese and Chinese artists of this and earlier periods, many works survive that are attributed to Shūbun, but only for a few is this attribution secure. Contemporary accounts describe Shūbun as a very versatile artist, yet the only extant works with the authorship issue resolved are landscapes. 129:
painting by masters such as Xia Gui and Ma Yuan; consequently, Shūbun's style was an intermediate step between early Japanese artists who imitated Chinese models very closely, and later artists, who developed a national style. Later in life, Shūbun became overseer of buildings and grounds at
375: 380: 395:, a catalog from The Metropolitan Museum of Art Libraries (fully available online as PDF), which contains material on Tenshō Shūbun (see index) 363: 342: 322: 423: 125:
immigrant who became the father of the new Japanese ink painting tradition. Under Josetsu's influence, Shūbun started studying Chinese
433: 137:, who became his best pupil and the most highly regarded Japanese artist of his time. Another important pupil may have been 392: 211: 149: 199: 418: 428: 19: 334: 30: 157: 96: 88:, which consisted of influential art patrons. He was chosen by the members of the diplomatic mission to 413: 408: 134: 346: 246: 243: 359: 338: 318: 107: 198:. Two more pairs of folding screens depicting landscapes of the four seasons are held by the 141:, who succeeded Shūbun as the chief painter of the Ashikaga shogunate, and also founded the 138: 65: 289: 84:, then the capital city. He became director of the court painting bureau, established by 77: 438: 351: 161: 142: 160:. The same museum houses a few other works attributed to Shūbun, among them a pair of 402: 114: 85: 253: 126: 57: 328: 265: 113:
Throughout his life, Shūbun was associated with the Zen Buddhist temple,
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Bridge of dreams: the Mary Griggs Burke collection of Japanese art
122: 81: 54: 29: 18: 266:"Shūbun | Muromachi Period, Monochrome, Landscapes | Britannica" 37:
in the collection of Tokyo National Museum, attributed to Shūbun
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Shūbun is considered to be the founder of the Chinese style of
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and became a professional painter around 1403. He settled in
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in Japan. He was influenced by Chinese landscape painters
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Landscape in the Seattle Art Museum Permanent Collection
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Landscapes of the Four Seasons in the Seikado Foundation
117:. Early in his career, he studied painting there under 315:
Handbook to Life in Medieval and Early Modern Japan
148:Shūbun's most well-known painting, designated as a 327:Nussbaum, Louis-Frédéric and Käthe Roth. (2005). 191: 172: 185: 166: 46: 233: 231: 229: 227: 8: 76:Shūbun was born in the late 14th century in 223: 358:Honolulu: University of Hawaii Press. 7: 237:Nussbaum, Louis-Frédéric. (2005). " 14: 133:In the 1440s he taught the young 317:. Oxford University Press US. 1: 35:Landscape of the Four Seasons 212:Annals of the Joseon Dynasty 424:National Treasures of Japan 192: 173: 455: 186: 181:Landscape of Four Seasons 167: 154:Reading in a Bamboo Grove 47: 24:Reading in a Bamboo Grove 16:Japanese monk and painter 434:Japanese Buddhist clergy 335:Harvard University Press 200:Seikadō Bunko Art Museum 313:Deal, William E. 2007. 143:Kanō school of painting 389:, attributed to Shūbun 383:, attributed to Shūbun 381:Ten Oxherding Pictures 292:. Tulips.tsukuba.ac.jp 38: 27: 193:Shiki sansui zu byōbu 158:Tokyo National Museum 33: 22: 330:Japan encyclopedia. 290:"年譜的解説 : 8rtjr001" 270:www.britannica.com 247:Japan Encyclopedia 156:, now kept in the 51:, died c. 1444–50) 39: 28: 419:Japanese painters 364:978-0-8248-2152-4 356:Japanese Culture. 343:978-0-674-01753-5 323:978-0-19-533126-4 150:National Treasure 446: 429:Buddhist artists 301: 300: 298: 297: 286: 280: 279: 277: 276: 262: 256: 235: 197: 195: 189: 188: 178: 176: 170: 169: 86:Ashikaga shōguns 66:Muromachi period 52: 50: 49: 454: 453: 449: 448: 447: 445: 444: 443: 399: 398: 372: 352:Varley, H. Paul 310: 305: 304: 295: 293: 288: 287: 283: 274: 272: 264: 263: 259: 236: 225: 220: 208: 183: 164: 162:folding screens 74: 44: 17: 12: 11: 5: 452: 450: 442: 441: 436: 431: 426: 421: 416: 411: 401: 400: 397: 396: 390: 384: 378: 371: 370:External links 368: 367: 366: 349: 325: 309: 306: 303: 302: 281: 257: 252:, p. 8890, at 222: 221: 219: 216: 215: 214: 207: 204: 73: 70: 15: 13: 10: 9: 6: 4: 3: 2: 451: 440: 437: 435: 432: 430: 427: 425: 422: 420: 417: 415: 412: 410: 407: 406: 404: 394: 391: 388: 385: 382: 379: 377: 374: 373: 369: 365: 361: 357: 353: 350: 348: 347:OCLC 58053128 344: 340: 336: 332: 331: 326: 324: 320: 316: 312: 311: 307: 291: 285: 282: 271: 267: 261: 258: 255: 251: 250: 245: 244: 240: 234: 232: 230: 228: 224: 217: 213: 210: 209: 205: 203: 201: 194: 182: 175: 163: 159: 155: 152:in Japan, is 151: 146: 144: 140: 139:Kanō Masanobu 136: 131: 128: 124: 120: 116: 111: 109: 105: 101: 99: 93: 91: 87: 83: 79: 71: 69: 67: 63: 59: 56: 43: 42:Tenshō Shūbun 36: 32: 25: 21: 355: 329: 314: 294:. Retrieved 284: 273:. Retrieved 269: 260: 254:Google Books 248: 242: 238: 180: 153: 147: 132: 130:Shōkoku-ji. 127:Song dynasty 112: 100:ink painting 97: 94: 78:Ōmi Province 75: 58:Zen Buddhist 41: 40: 34: 23: 414:1463 deaths 409:1414 births 333:Cambridge: 135:Sesshū Tōyō 403:Categories 354:. (2000). 308:References 296:2013-04-21 275:2023-11-27 115:Shōkoku-ji 92:in 1423. 72:Biography 60:monk and 249:, p. 889 206:See also 55:Japanese 187:四季山水図屏風 179:titled 123:Chinese 119:Josetsu 108:Ma Yuan 104:Xia Gui 98:suiboku 64:of the 62:painter 362:  341:  321:  239:Shūbun 90:Joseon 53:was a 26:(1446) 439:Zenga 241:" in 218:Notes 174:byōbu 82:Kyoto 48:天章 周文 360:ISBN 339:ISBN 319:ISBN 121:, a 106:and 68:. 405:: 345:; 337:. 268:. 226:^ 190:, 171:, 168:屏風 145:. 110:. 299:. 278:. 196:) 184:( 177:) 165:( 45:(

Index



Japanese
Zen Buddhist
painter
Muromachi period
Ōmi Province
Kyoto
Ashikaga shōguns
Joseon
suiboku ink painting
Xia Gui
Ma Yuan
Shōkoku-ji
Josetsu
Chinese
Song dynasty
Sesshū Tōyō
Kanō Masanobu
Kanō school of painting
National Treasure
Tokyo National Museum
folding screens
Seikadō Bunko Art Museum
Annals of the Joseon Dynasty




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