353:
323:
338:
213:
70-year old of his era would be in a more realistic depiction; his face is also much more idealized than the classical bust that is typically used as a reference portrait of
Socrates. Plato would have been a young man at the time of Socrates's death, but in this painting he is the old man sitting at the foot of the bed. David might have intended the painting to be set in Plato's imagination, where an elderly Plato attempts to conjure the scene in his imagination as he writes.
1367:
36:
228:, his signatures also have meaning. His initials under Plato are a reference to the fact that the story comes from Plato, a thanks for the inspiration. His fuller signature under Crito means that this is the character whom the artist identifies most with. This may be a reference for Crito's position in the composition – clutching Socrates's thigh. In this way, David would be seen as a man who likewise clutches at the morals and values that Socrates represents.
368:
2068:
1276:
804:
195:
man handing him the cup looks the other way, with his face in his free hand. Crito listens intently to his teacher's words while clutching his knee. An elderly man, Plato, sits at the end of the bed, slumped over and looking in his lap. To the left, other men are seen through an arch set in the background wall. On the stairway in the background, Socrates' wife
402:, wrote that the painting was the best work at the Salon of 1787, and that the painting was "superb". The painting was sufficiently successful that David showed it again at the Salon of 1791; it still attracted interest due to the changed political environment, as heroic stories from an earlier age fit the mood of the early
279:, David examines a philosopher's approach to death. Socrates is stoic and calm because he sees death as a separate, actual realm, a different state of being from life but not an end to being. In the painting, Socrates's gesture shows us that he is still teaching, even in the moment before his death.
202:
David uses color to highlight the emotion in this painting. The shades of red are more muted on the edges of the painting and become more vibrant in the center, culminating in the dark red robe of the man holding the cup of poison, generally taken as offering the cup to
Socrates rather than receiving
194:
In the painting, an elderly
Socrates is dressed in a white robe and sits upright on a bed, one hand extended over a cup, the other gesturing in the air; he is still teaching. He is surrounded by his friends of varying ages, most showing emotional distress, unlike Socrates, who remains calm. The young
212:
David simplifies the scene by removing many characters originally described in the dialogues of Plato. He also displayed some artistic license in representing the ages of many of the pupils of
Socrates, including Plato. Socrates, while elderly, is depicted as rather more handsome and fit than a
263:
David had created an initial treatment as early as 1782, and he returned to this early composition now that he had a commission. He consulted Father Jean Adry, a
Hellenist and scholar on the subject, on the circumstances of Socrates death. One of Adry's letters has survived; he recommended that
255:
was also a member of the "Trudaine society" circle, and David appears to have followed Chénier's suggestions on matters such as the pose of
Socrates in reaching out for the cup while still teaching. More generally, Socrates was a popular subject at the time as an example of
290:, a contemporary of David's, also painted an artistic rendition of the Death of Socrates around 1787. Both Peyron's version and David's version were displayed at the same Salon of 1787. The two had something of a rivalry before, with both hoping to become Director of the
352:
203:
it after
Socrates had consumed its contents. The only two serene men, Socrates and Plato, are garbed in a contrasting bluish-white. The more muted color scheme of this painting may be a response to critics of David's
322:
936:
441:, the painting passed to his brother's wife Louise Micault de Courbeton, Madame Trudaine de Montigny. The painting passed between several people in inheritances and private sales, notably including
251:
had considered writing but never completed. One of the dramatic scenes that
Diderot's unfinished did include was his death, which led to the commission for a painting. David's friend at the time
1607:
912:
337:
477:
There is some uncertainty on the nature of the commission; other sources report it is unclear which of the brothers
Trudaine made the commission, Charles-Louis or Charles-Michel.
2115:
928:
236:
Rather than a royal commission, David received a direct private commission for the work in 1786 from the wealthy
Charles-Michel Trudaine de la Sablière, the youngest son of
1200:
1024:
1008:
1192:
309:
220:, the young man clutching Socrates's thigh, and his initials under Plato. David's signature placement often had symbolic meaning – for example, in his painting of
841:
425:
royalist government, which disliked David and had refused permission for his body to be buried in France, albeit more for his Revolutionary-era paintings than
896:
1634:
152:. In this story, Socrates has been convicted of corrupting the youth of Athens and introducing strange gods, and has been sentenced to die by drinking
2110:
1310:
858:
275:
that he began to study the depiction of funerary scenes and to draw many examples. Many of David's major works stem from these funerary drawings. In
2120:
1662:
1056:
866:
458:
308:
Yet another depiction of Socrates' death was done by the French artist Jacques-Philippe-Joseph de Saint-Quentin. The work, currently housed at the
1435:
1335:
1224:
1184:
1048:
791:
2130:
1381:
298:
derisively stated that Peyron's work "has shown up the quality of David's picture by proving to the public how far beneath him one could be".
2125:
1072:
763:
1120:
442:
367:
944:
754:
Wright, Beth S. (2006). ""David, Where Are You?" David's Continuing Presence in Restoration Art Criticism". In Johnson, Dorothy (ed.).
1513:
156:. Socrates uses his death as a final lesson for his pupils rather than fleeing when the opportunity arises, and faces it calmly. The
834:
2105:
2100:
398:
was "the greatest work of art since the Sistine Chapel and Raphael's Stanze in the Vatican." The American minister to France,
390:
of 1787, the official art exhibition. The painting received prompt acclaim among David's contemporaries. The English painter
920:
704:
587:
549:
264:
Plato should be shown as immobile (although Plato was not actually present), that Crito be shown with more emotion, and that
1128:
305:
in the first half of the 18th century. Cignaroli's work shows Socrates already dead, surrounded by his anguished followers.
1303:
1088:
872:
422:
1279:
1240:
1160:
1016:
827:
1112:
1104:
1032:
960:
952:
904:
880:
242:
221:
294:
when the position next opened; the critics felt the two paintings decisively settled the matter in favor of David.
2095:
2014:
1428:
1406:
1168:
1144:
1136:
1040:
976:
968:
786:
446:
101:
1615:
1152:
992:
410:
237:
1330:
1296:
2090:
1216:
1208:
1080:
265:
1976:
1556:
291:
1937:
1881:
1853:
1776:
1748:
1391:
1232:
1096:
888:
302:
2055:
1990:
1923:
1818:
1727:
1699:
1692:
1529:
1411:
257:
1909:
1867:
1706:
1685:
1564:
984:
850:
501:
205:
135:
127:
46:
1366:
252:
2008:
1969:
1951:
1916:
1769:
1741:
1713:
1642:
1064:
797:
651:
808:
35:
199:, who had been dismissed earlier by her husband, takes a wistful glance backward at the scene.
2071:
2038:
1930:
1902:
1804:
1599:
1580:
1386:
1351:
759:
700:
692:
583:
437:
After Charles-Michel Trudaine de la Sablière and his brother were executed in 1794 during the
403:
139:
20:
2043:
1888:
1832:
1811:
1762:
1356:
1176:
643:
399:
153:
724:
1678:
1650:
1401:
1258:
720:
438:
391:
176:
119:
782:
606:
1797:
699:. Translated by Harrison, Helga. New York: Alpine Fine Arts. p. 79–84; 101.
2084:
1790:
1783:
1263:
387:
287:
248:
131:
105:
83:
71:
1895:
1452:
78:
634:
Vidal, Mary (1995). "David among the Moderns: Art, Science, and the Lavoisiers".
260:
values: a man who kept to the truth with admirable rationality and self-control.
93:
129.5 cm Ă— 196.2 cm (51.0 in Ă— 77.2 in)
1983:
301:
Another painting depicting the death of Socrates was done by the Italian artist
295:
1839:
1548:
1470:
1458:
803:
268:(on the extreme right in the painting) should be visibly filled with emotion.
247:
and around 20 years old at the time. Trudaine was intrigued by a drama that
2049:
1846:
1755:
1476:
1464:
196:
170:
445:
and his wife from 1809–1870. In 1931, the painting was sold to the
421:. The exhibition attracted much interest due to a backlash from the post-
224:, David signed in the collar of the dog that is barking at the sitter. In
216:
David signed this painting in two places; he put his full signature under
1874:
1734:
1319:
165:
161:
1944:
1572:
655:
819:
1860:
813:
148:
647:
1720:
1482:
1396:
676:. Chapel Hill: The University of North Carolina Press. p. 32.
313:
217:
182:
168:
to detail the philosopher's final days, which is also detailed in
143:
1825:
272:
19:
This article is about the painting. For the event depicted, see
1292:
823:
496:
494:
937:
Saint Roch Interceding with the Virgin for the Plague-Stricken
134:
style, popular in the 1780s, that depicted subjects from the
1608:
On the Concept of Irony with Continual Reference to Socrates
1288:
506:
Necklines: The Art of Jacques-Louis David after the Terror
913:
Erasistratus Discovering the Cause of Antiochus' Disease
554:. Metropolitan Museum of Art. p. 11–12; 60.
2031:
2000:
1961:
1670:
1661:
1626:
1591:
1540:
1505:
1492:
1445:
1420:
1374:
1344:
1251:
929:
Saint Jerome Hears the Trumpet of the Last Judgment
857:
758:. University of Delaware Press. pp. 149, 154.
582:. Princeton University Press. p. 66–68.
409:An 1826 exhibition intended to raise money for the
97:
89:
77:
67:
52:
42:
28:
1025:The Lictors Bring to Brutus the Bodies of His Sons
1009:Portrait of Antoine-Laurent Lavoisier and his Wife
725:"Jacques-Louis David and the Style 'All' antica'"
551:Europe in the Age of Enlightenment and Revolution
731:. Vol. 114, no. 835. pp. 686–690.
126:) is an oil on canvas painted by French painter
743:Diacritics' 30, no. 3 (Fall 200): 1–27. p. 25.
1304:
835:
568:New York: Harry N. Abrams, Inc., 1990. p. 64.
534:. London: Phaidon. p. 98–105; 144.
8:
1193:Portrait of comte Antoine Français de Nantes
687:
685:
683:
2116:Paintings in the Metropolitan Museum of Art
1667:
1502:
1311:
1297:
1289:
842:
828:
820:
811:at Wikisource, an 1892 translation of the
741:Maleuvre, Didier. “David Painting Death.”
629:
627:
543:
541:
25:
897:Diana and Apollo Killing Niobe's Children
674:Jacques-Louis David: Revolutionary Artist
667:
665:
580:Jacques-Louis David: Art in Metamorphosis
361:by Jacques-Philip-Joseph de Saint-Quentin
310:École Nationale Supérieure des Beaux-Arts
1057:Portrait of Madame Marie-Louise Trudaine
459:List of paintings by Jacques-Louis David
449:in New York, where it has stayed since.
1436:The unexamined life is not worth living
1225:The Farewell of Telemachus and Eucharis
1185:The Distribution of the Eagle Standards
1049:Portrait of Philippe-Laurent de Joubert
490:
470:
318:
413:displayed much of David's work at the
130:in 1787. The painting was part of the
1073:The Last Moments of Michel Lepeletier
756:Jacques-Louis David: New Perspectives
601:
599:
525:
523:
521:
519:
517:
515:
7:
1121:The Intervention of the Sabine Women
271:It was during David's first trip to
164:and is also Plato's fourth and last
16:1787 painting by Jacques-Louis David
945:Portrait of Count Stanislas Potocki
1635:Serenade after Plato's "Symposium"
1514:Double Herm of Socrates and Seneca
1259:Marguerite Charlotte PĂ©coul (wife)
1145:Napoleon at the Saint-Bernard Pass
386:David debuted the painting at the
209:, who called his colors "garish".
14:
443:Olivier de Saint-Georges de VĂ©rac
2111:Paintings by Jacques-Louis David
2067:
2066:
1365:
1275:
1274:
802:
366:
351:
336:
321:
138:, in this case the story of the
34:
2121:Cultural depictions of Socrates
636:Journal of the History of Ideas
316:, France, dates to circa 1762.
921:The Funeral Games of Patroclus
548:O'Neill, John P., ed. (1987).
508:. New Haven: Yale. p. 57.
1:
2131:Paintings based on literature
2126:Cultural depictions of Plato
1241:Mars Being Disarmed by Venus
1161:Napoleon in Imperial Costume
1017:The Loves of Paris and Helen
1129:Portrait of Madame RĂ©camier
1105:Portrait of Pierre Seriziat
1033:Portrait of Madame Pastoret
953:Belisarius Begging for Alms
2147:
1429:I know that I know nothing
1169:The Coronation of Napoleon
1137:Portrait of Cooper Penrose
977:Portrait of Alphonse Leroy
969:Andromache Mourning Hector
873:Portrait of François Buron
787:Metropolitan Museum of Art
611:Metropolitan Museum of Art
447:Metropolitan Museum of Art
102:Metropolitan Museum of Art
18:
2064:
1616:The Plot to Save Socrates
1363:
1326:
1272:
1153:Portrait of Pope Pius VII
578:Johnson, Dorothy (1993).
411:Greek War of Independence
33:
1392:Socratic intellectualism
672:Roberts, Warren (1989).
376:by Francois-Xavier Fabre
346:by Giambettino Cignaroli
222:Stanisław Kostka Potocki
2106:Paintings about suicide
1517:(3rd-century sculpture)
1209:Leonidas at Thermopylae
1081:The Death of Young Bara
729:The Burlington Magazine
607:"The Death of Socrates"
2101:Neoclassical paintings
1557:Der geduldige Socrates
292:French Academy in Rome
238:Trudaine de Montigny's
123:
1522:The Death of Socrates
1233:The Anger of Achilles
1201:Napoleon in His Study
1089:The Tennis Court Oath
1001:The Death of Socrates
889:Minerva Fighting Mars
793:The Death of Socrates
783:The Death of Socrates
419:The Death of Socrates
396:The Death of Socrates
382:Release and reception
374:The Death of Socrates
359:The Death of Socrates
344:The Death of Socrates
329:The Death of Socrates
303:Giambettino Cignaroli
277:The Death of Socrates
160:depicts the death of
140:execution of Socrates
115:The Death of Socrates
29:The Death of Socrates
2056:Religious skepticism
1412:Socratic questioning
566:Jacques-Louis David.
502:Lajer-Burcharth, Ewa
232:Creation and history
1603:(1st-century essay)
1336:Cultural depictions
985:Oath of the Horatii
961:Christ on the Cross
905:The Death of Seneca
881:Jupiter and Antiope
851:Jacques-Louis David
530:Lee, Simon (1999).
423:Bourbon Restoration
206:Oath of the Horatii
128:Jacques-Louis David
47:Jacques-Louis David
1643:Barefoot in Athens
1092:(1794, incomplete)
1084:(1794, incomplete)
1065:The Death of Marat
1060:(1792, unfinished)
1041:Lycurgus of Sparta
798:Google Art Project
693:Schnapper, Antoine
564:De Nanteuil, Luc.
124:La Mort de Socrate
2096:History paintings
2078:
2077:
2039:Euthyphro dilemma
2027:
2026:
2023:
2022:
1903:Second Alcibiades
1600:De genio Socratis
1581:Socrates on Trial
1387:Socratic dialogue
1352:Trial of Socrates
1286:
1285:
993:The Vestal Virgin
807:The full text of
765:978-0-87413-930-3
404:French Revolution
283:Similar paintings
226:Death of Socrates
111:
110:
21:Trial of Socrates
2138:
2070:
2069:
2044:Form of the Good
2015:Socratic Letters
1763:First Alcibiades
1668:
1533:(1950 sculpture)
1503:
1407:Socratic paradox
1369:
1357:Socratic problem
1313:
1306:
1299:
1290:
1278:
1277:
1217:Cupid and Psyche
1177:Sappho and Phaon
1113:Psyche Abandoned
844:
837:
830:
821:
806:
770:
769:
751:
745:
739:
733:
732:
723:(October 1972).
721:de Caso, Jacques
717:
711:
710:
689:
678:
677:
669:
660:
659:
631:
622:
621:
619:
617:
603:
594:
593:
575:
569:
562:
556:
555:
545:
536:
535:
527:
510:
509:
498:
478:
475:
400:Thomas Jefferson
370:
355:
340:
331:by Pierre Peyron
325:
246:
63:
61:
38:
26:
2146:
2145:
2141:
2140:
2139:
2137:
2136:
2135:
2081:
2080:
2079:
2074:
2060:
2019:
1996:
1957:
1657:
1638:(1954 serenade)
1622:
1587:
1576:(1919 oratorio)
1536:
1525:(1787 painting)
1498:
1496:
1494:
1488:
1441:
1416:
1402:Socratic method
1370:
1361:
1340:
1322:
1317:
1287:
1282:
1268:
1247:
853:
848:
809:Phaedo (Jowett)
779:
774:
773:
766:
753:
752:
748:
740:
736:
719:
718:
714:
707:
691:
690:
681:
671:
670:
663:
648:10.2307/2709994
633:
632:
625:
615:
613:
605:
604:
597:
590:
577:
576:
572:
563:
559:
547:
546:
539:
529:
528:
513:
500:
499:
492:
487:
482:
481:
476:
472:
467:
455:
439:Reign of Terror
435:
392:Joshua Reynolds
384:
377:
371:
362:
356:
347:
341:
332:
326:
285:
240:
234:
192:
59:
57:
24:
17:
12:
11:
5:
2144:
2142:
2134:
2133:
2128:
2123:
2118:
2113:
2108:
2103:
2098:
2093:
2091:1787 paintings
2083:
2082:
2076:
2075:
2065:
2062:
2061:
2059:
2058:
2053:
2046:
2041:
2035:
2033:
2029:
2028:
2025:
2024:
2021:
2020:
2018:
2017:
2012:
2004:
2002:
1998:
1997:
1995:
1994:
1987:
1980:
1973:
1965:
1963:
1959:
1958:
1956:
1955:
1948:
1941:
1934:
1927:
1920:
1913:
1906:
1899:
1892:
1885:
1878:
1871:
1864:
1857:
1850:
1843:
1836:
1829:
1822:
1815:
1808:
1801:
1794:
1787:
1780:
1773:
1766:
1759:
1752:
1745:
1738:
1731:
1724:
1717:
1710:
1703:
1696:
1689:
1682:
1674:
1672:
1665:
1659:
1658:
1656:
1655:
1647:
1639:
1630:
1628:
1624:
1623:
1621:
1620:
1612:
1604:
1595:
1593:
1589:
1588:
1586:
1585:
1577:
1569:
1561:
1553:
1544:
1542:
1538:
1537:
1535:
1534:
1526:
1518:
1509:
1507:
1500:
1490:
1489:
1487:
1486:
1480:
1474:
1468:
1462:
1456:
1449:
1447:
1443:
1442:
1440:
1439:
1432:
1424:
1422:
1418:
1417:
1415:
1414:
1409:
1404:
1399:
1397:Socratic irony
1394:
1389:
1384:
1378:
1376:
1372:
1371:
1364:
1362:
1360:
1359:
1354:
1348:
1346:
1342:
1341:
1339:
1338:
1333:
1327:
1324:
1323:
1318:
1316:
1315:
1308:
1301:
1293:
1284:
1283:
1273:
1270:
1269:
1267:
1266:
1261:
1255:
1253:
1249:
1248:
1246:
1245:
1237:
1229:
1221:
1213:
1205:
1197:
1189:
1181:
1173:
1165:
1157:
1149:
1141:
1133:
1125:
1117:
1109:
1101:
1093:
1085:
1077:
1069:
1061:
1053:
1045:
1037:
1029:
1021:
1013:
1005:
997:
989:
981:
973:
965:
957:
949:
941:
933:
925:
917:
909:
901:
893:
885:
877:
869:
863:
861:
855:
854:
849:
847:
846:
839:
832:
824:
818:
817:
800:
789:
778:
777:External links
775:
772:
771:
764:
746:
734:
712:
705:
679:
661:
623:
595:
588:
570:
557:
537:
511:
489:
488:
486:
483:
480:
479:
469:
468:
466:
463:
462:
461:
454:
451:
434:
431:
415:Galerie Lebrun
383:
380:
379:
378:
372:
365:
363:
357:
350:
348:
342:
335:
333:
327:
320:
284:
281:
233:
230:
191:
188:
154:poison hemlock
109:
108:
99:
95:
94:
91:
87:
86:
81:
75:
74:
69:
65:
64:
54:
50:
49:
44:
40:
39:
31:
30:
15:
13:
10:
9:
6:
4:
3:
2:
2143:
2132:
2129:
2127:
2124:
2122:
2119:
2117:
2114:
2112:
2109:
2107:
2104:
2102:
2099:
2097:
2094:
2092:
2089:
2088:
2086:
2073:
2063:
2057:
2054:
2052:
2051:
2047:
2045:
2042:
2040:
2037:
2036:
2034:
2030:
2016:
2013:
2011:
2010:
2006:
2005:
2003:
1999:
1993:
1992:
1988:
1986:
1985:
1981:
1979:
1978:
1974:
1972:
1971:
1967:
1966:
1964:
1960:
1954:
1953:
1949:
1947:
1946:
1942:
1940:
1939:
1935:
1933:
1932:
1928:
1926:
1925:
1921:
1919:
1918:
1914:
1912:
1911:
1907:
1905:
1904:
1900:
1898:
1897:
1893:
1891:
1890:
1886:
1884:
1883:
1879:
1877:
1876:
1872:
1870:
1869:
1865:
1863:
1862:
1858:
1856:
1855:
1851:
1849:
1848:
1844:
1842:
1841:
1837:
1835:
1834:
1830:
1828:
1827:
1823:
1821:
1820:
1816:
1814:
1813:
1809:
1807:
1806:
1802:
1800:
1799:
1795:
1793:
1792:
1791:Hippias Minor
1788:
1786:
1785:
1784:Hippias Major
1781:
1779:
1778:
1774:
1772:
1771:
1767:
1765:
1764:
1760:
1758:
1757:
1753:
1751:
1750:
1746:
1744:
1743:
1739:
1737:
1736:
1732:
1730:
1729:
1725:
1723:
1722:
1718:
1716:
1715:
1711:
1709:
1708:
1704:
1702:
1701:
1697:
1695:
1694:
1690:
1688:
1687:
1683:
1681:
1680:
1676:
1675:
1673:
1669:
1666:
1664:
1660:
1653:
1652:
1648:
1645:
1644:
1640:
1637:
1636:
1632:
1631:
1629:
1625:
1618:
1617:
1613:
1611:(1841 thesis)
1610:
1609:
1605:
1602:
1601:
1597:
1596:
1594:
1590:
1583:
1582:
1578:
1575:
1574:
1570:
1567:
1566:
1562:
1559:
1558:
1554:
1552:(423 BC play)
1551:
1550:
1546:
1545:
1543:
1539:
1532:
1531:
1527:
1524:
1523:
1519:
1516:
1515:
1511:
1510:
1508:
1504:
1501:
1491:
1484:
1481:
1478:
1475:
1472:
1469:
1466:
1463:
1460:
1457:
1454:
1451:
1450:
1448:
1444:
1437:
1433:
1430:
1426:
1425:
1423:
1419:
1413:
1410:
1408:
1405:
1403:
1400:
1398:
1395:
1393:
1390:
1388:
1385:
1383:
1382:Social gadfly
1380:
1379:
1377:
1373:
1368:
1358:
1355:
1353:
1350:
1349:
1347:
1343:
1337:
1334:
1332:
1329:
1328:
1325:
1321:
1314:
1309:
1307:
1302:
1300:
1295:
1294:
1291:
1281:
1271:
1265:
1264:Neoclassicism
1262:
1260:
1257:
1256:
1254:
1250:
1243:
1242:
1238:
1235:
1234:
1230:
1227:
1226:
1222:
1219:
1218:
1214:
1211:
1210:
1206:
1203:
1202:
1198:
1195:
1194:
1190:
1187:
1186:
1182:
1179:
1178:
1174:
1171:
1170:
1166:
1163:
1162:
1158:
1155:
1154:
1150:
1147:
1146:
1142:
1139:
1138:
1134:
1131:
1130:
1126:
1123:
1122:
1118:
1115:
1114:
1110:
1107:
1106:
1102:
1099:
1098:
1097:Self-Portrait
1094:
1091:
1090:
1086:
1083:
1082:
1078:
1075:
1074:
1070:
1067:
1066:
1062:
1059:
1058:
1054:
1051:
1050:
1046:
1043:
1042:
1038:
1035:
1034:
1030:
1027:
1026:
1022:
1019:
1018:
1014:
1011:
1010:
1006:
1003:
1002:
998:
995:
994:
990:
987:
986:
982:
979:
978:
974:
971:
970:
966:
963:
962:
958:
955:
954:
950:
947:
946:
942:
939:
938:
934:
931:
930:
926:
923:
922:
918:
915:
914:
910:
907:
906:
902:
899:
898:
894:
891:
890:
886:
883:
882:
878:
875:
874:
870:
868:
867:List of works
865:
864:
862:
860:
856:
852:
845:
840:
838:
833:
831:
826:
825:
822:
816:
815:
810:
805:
801:
799:
795:
794:
790:
788:
784:
781:
780:
776:
767:
761:
757:
750:
747:
744:
738:
735:
730:
726:
722:
716:
713:
708:
702:
698:
694:
688:
686:
684:
680:
675:
668:
666:
662:
657:
653:
649:
645:
641:
637:
630:
628:
624:
612:
608:
602:
600:
596:
591:
585:
581:
574:
571:
567:
561:
558:
553:
552:
544:
542:
538:
533:
526:
524:
522:
520:
518:
516:
512:
507:
503:
497:
495:
491:
484:
474:
471:
464:
460:
457:
456:
452:
450:
448:
444:
440:
432:
430:
428:
424:
420:
416:
412:
407:
405:
401:
397:
393:
389:
381:
375:
369:
364:
360:
354:
349:
345:
339:
334:
330:
324:
319:
317:
315:
311:
306:
304:
299:
297:
296:Count Potocki
293:
289:
288:Pierre Peyron
282:
280:
278:
274:
269:
267:
261:
259:
258:Enlightenment
254:
253:André Chénier
250:
249:Denis Diderot
244:
239:
231:
229:
227:
223:
219:
214:
210:
208:
207:
200:
198:
189:
187:
185:
184:
179:
178:
173:
172:
167:
163:
159:
155:
151:
150:
145:
141:
137:
136:Classical age
133:
129:
125:
121:
117:
116:
107:
103:
100:
96:
92:
88:
85:
84:Neoclassicism
82:
80:
76:
73:
72:Oil on canvas
70:
66:
55:
51:
48:
45:
41:
37:
32:
27:
22:
2048:
2007:
1989:
1982:
1975:
1968:
1950:
1943:
1936:
1929:
1922:
1915:
1908:
1901:
1896:Rival Lovers
1894:
1887:
1880:
1873:
1866:
1859:
1852:
1845:
1838:
1831:
1824:
1817:
1810:
1803:
1796:
1789:
1782:
1775:
1768:
1761:
1754:
1747:
1740:
1733:
1726:
1719:
1712:
1705:
1698:
1691:
1684:
1677:
1649:
1641:
1633:
1619:(2006 novel)
1614:
1606:
1598:
1579:
1571:
1563:
1560:(1721 opera)
1555:
1547:
1528:
1521:
1520:
1512:
1453:Sophroniscus
1331:Bibliography
1239:
1231:
1223:
1215:
1207:
1199:
1191:
1183:
1175:
1167:
1159:
1151:
1143:
1135:
1127:
1119:
1111:
1103:
1095:
1087:
1079:
1076:(1793, lost)
1071:
1063:
1055:
1047:
1039:
1031:
1023:
1015:
1007:
1000:
999:
991:
983:
975:
967:
959:
951:
943:
935:
927:
919:
911:
903:
895:
887:
879:
871:
812:
792:
755:
749:
742:
737:
728:
715:
696:
673:
639:
635:
614:. Retrieved
610:
579:
573:
565:
560:
550:
531:
505:
473:
436:
426:
418:
417:, including
414:
408:
395:
385:
373:
358:
343:
328:
307:
300:
286:
276:
270:
262:
235:
225:
215:
211:
204:
201:
193:
181:
175:
169:
157:
147:
132:neoclassical
114:
113:
112:
1984:Oeconomicus
1977:Memorabilia
1654:(1971 film)
1646:(1966 film)
1584:(2007 play)
1568:(1759 play)
1148:(1800–1805)
394:wrote that
388:Paris Salon
266:Apollodorus
241: [
190:Description
142:as told by
2085:Categories
1938:Theaetetus
1882:Protagoras
1854:Parmenides
1840:On Justice
1777:Hipparchus
1749:Euthydemus
1592:Literature
1549:The Clouds
1471:Lamprocles
1459:Phaenarete
706:0933516592
642:(4): 598.
589:0691032181
485:References
433:Provenance
90:Dimensions
2050:Peritrope
1991:Symposium
1931:Symposium
1924:Statesman
1847:On Virtue
1819:Menexenus
1756:Euthyphro
1728:Demodocus
1700:Clitophon
1693:Charmides
1663:Dialogues
1477:Menexenus
1465:Xanthippe
1052:(c. 1792)
996:(c. 1787)
859:Paintings
695:(1982) .
197:Xanthippe
171:Euthyphro
2072:Category
1962:Xenophon
1910:Sisyphus
1889:Republic
1875:Philebus
1868:Phaedrus
1735:Epinomis
1707:Cratylus
1686:Axiochus
1651:Socrates
1565:Socrates
1530:Socrates
1499:Socrates
1461:(mother)
1455:(father)
1375:Concepts
1320:Socrates
1280:Category
504:(1999).
453:See also
427:Socrates
166:dialogue
162:Socrates
106:New York
98:Location
79:Movement
2032:Related
2009:Halcyon
1970:Apology
1952:Timaeus
1945:Theages
1917:Sophist
1770:Gorgias
1742:Eryxias
1714:Critias
1679:Apology
1573:Socrate
1497:include
1421:Phrases
1252:Related
785:at the
656:2709994
616:July 5,
177:Apology
146:in his
58: (
1861:Phaedo
1805:Laches
1485:(wife)
1467:(wife)
1446:Family
1244:(1824)
1236:(1819)
1228:(1818)
1220:(1817)
1212:(1814)
1204:(1812)
1196:(1811)
1188:(1810)
1180:(1809)
1172:(1807)
1164:(1805)
1156:(1805)
1140:(1802)
1132:(1800)
1124:(1799)
1116:(1795)
1108:(1795)
1100:(1794)
1068:(1793)
1044:(1791)
1036:(1791)
1028:(1789)
1020:(1788)
1012:(1788)
1004:(1787)
988:(1784)
980:(1783)
972:(1783)
964:(1782)
956:(1781)
948:(1780)
940:(1780)
932:(1779)
924:(1778)
916:(1774)
908:(1773)
900:(1772)
892:(1771)
884:(1771)
876:(1769)
814:Phaedo
762:
703:
654:
586:
180:, and
158:Phaedo
149:Phaedo
120:French
68:Medium
43:Artist
2001:Other
1833:Minos
1812:Lysis
1721:Crito
1671:Plato
1627:Other
1541:Stage
1493:Works
1483:Myrto
1479:(son)
1473:(son)
697:David
652:JSTOR
532:David
465:Notes
314:Paris
245:]
218:Crito
183:Crito
144:Plato
1826:Meno
1495:that
1345:Life
760:ISBN
701:ISBN
618:2022
584:ISBN
273:Rome
60:1787
56:1787
53:Year
1798:Ion
1506:Art
796:on
644:doi
312:in
2087::
727:.
682:^
664:^
650:.
640:56
638:.
626:^
609:.
598:^
540:^
514:^
493:^
429:.
406:.
243:fr
186:.
174:,
122::
104:,
1438:"
1434:"
1431:"
1427:"
1312:e
1305:t
1298:v
843:e
836:t
829:v
768:.
709:.
658:.
646::
620:.
592:.
118:(
62:)
23:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
