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Although
Hovenden treated African-Americans with more dignity and sympathy than most previous white genre painters, such as example as Sunday Morning depicts an elderly black couple apparently content amid their dilapidated surroundings and tattered clothing...the joke...is on them as they betray
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Among
Hovenden's works was a series of portraits of two elderly African Americans. His images were different than many made by his contemporaries, because he showed the Black couple as having a sense of dignity, rather than being caricatures. However, he has also been accused of portraying African
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Hovenden was killed at the age of 54, along with a ten-year-old girl, by a railroad locomotive at a crossing near his home in
Plymouth Meeting. Newspaper accounts reported that his death was the result of a heroic effort to push the girl from in front of the train, while a coroner's inquest
281:(at least two copies exist, in the collection of the deYoung Museum in San Francisco and also the Metropolitan Museum in New York) in 1884. Gift of Mr. and Mrs. Carl Stoeckel in 1897. Accession Number 97.5 Mrs. Stoeckel was Mr. Battell's daughter. His
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and teacher who spent much of his life in the United States. He painted realistic quiet family scenes and narrative subjects and often depicted
African Americans.
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250:(elected Academician in 1882). He married Helen Corson in 1881, an artist he had met in Pont-Aven, and settled at her father's homestead in
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Hovenden House, Plymouth
Meeting, Pennsylvania. He lived here from his marriage in 1881 to his death in 1895.
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and he was placed in an orphanage at the age of six. Apprenticed to a carver and gilder, he studied at the
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He was commissioned by Mr. Robbins
Battell to paint a historical picture of the abolitionist leader
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Thomas
Hovenden: American Painter of Hearth and Homeland, Woodmere Art Museum, Philadelphia, 1995.
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A Pennsylvania state historical marker in
Plymouth Meeting interprets Abolition Hall and Hovenden.
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761:"National Register of Historic Places Inventory Nomination Form: Plymouth Friends Meetinghouse"
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who was dismissed due to his use of nude models. Among
Hovenden's students were the sculptor
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Americans from a superior point-of-view, the images showing people content in their poverty.
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736:"National Historic Landmarks & National Register of Historic Places in Pennsylvania"
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285:, a picture of American farm life, was engraved with considerable popular success.
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Hovenden taught at the
Pennsylvania Academy of Fine Arts. One of his students was
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Albert Boime (September 1993). "Henry Ossawa Tanner's Subversion of Genre".
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738:. CRGIS: Cultural Resources Geographic Information System. Archived from
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647:. Vol. 13 (11th ed.). Cambridge University Press. p. 829.
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In 1886, he was appointed Professor of Painting and Drawing at the
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1882. African American man with a banjo. Appears to be "Sam" from
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in 1971. He is buried across the street in the cemetery of the
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In 1863, he immigrated to the United States. He studied at the
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266:. Their barn, later used as Hovenden's studio, was known as "
819:"Thomas Hovenden: American Painter of Hearth and Homeland"
477:, 1882, Westmoreland Museum of American Art, Pennsylvania
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Returning to America in 1880, he became a member of the
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satisfaction with their conspicuously inferior lot...
507:, 1893, University of St. Thomas, St. Paul, Minnesota
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Thomas Hovenden painting, "Dem was good ole times."
239:, where he painted many pictures of the peasantry.
158:(December 28, 1840 – August 14, 1895) was an
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211:. He moved to Baltimore in 1868 and then left for
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932:Pennsylvania Academy of the Fine Arts faculty
363:Thomas Hovenden's painting, "Sunday Morning".
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270:" due to its use for anti-slavery meetings.
453:, 1880, Detroit Institute of Arts, Michigan
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421:Self-Portrait of the Artist in His Studio
178:Self-Portrait of the Artist in His Studio
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489:, 1885, San Francisco Museum of Fine Art
465:, 1881, San Francisco Museum of Fine Art
459:, 1881, San Francisco Museum of Fine Art
759:Helen Reichart Mirras (December 1969).
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317:Hovenden House, Barn and Abolition Hall
712:"National Register Information System"
312:determined his death was an accident.
192:. His parents died at the time of the
439:Loyalist Peasant Soldier of La Vendée
290:Pennsylvania Academy of the Fine Arts
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907:Irish emigrants to the United States
717:National Register of Historic Places
686:A replica of the painting is at the
483:, 1882–4, Metropolitan Museum of Art
321:National Register of Historic Places
16:Irish artist and teacher (1840–1895)
423:, 1875, Yale University Art Gallery
952:19th-century American male artists
823:Traditional Fine Arts Organization
688:Fine Arts Museums of San Francisco
533:Fine Arts Museums of San Francisco
513:, 1894, Metropolitan Museum of Art
501:, 1890, Philadelphia Museum of Art
447:, 1878, Metropolitan Museum of Art
429:, 1876, Metropolitan Museum of Art
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927:National Academy of Design alumni
562:, Plymouth Meeting, Pennsylvania.
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957:19th-century Irish male artists
262:and her home was a stop on the
246:and an Associate member of the
190:Dunmanway, County Cork, Ireland
55:Dunmanway, County Cork, Ireland
897:19th-century American painters
864:New International Encyclopedia
528:The Last Moments of John Brown
481:The Last Moments of John Brown
331:Portrayal of African Americans
279:The Last Moments of John Brown
252:Plymouth Meeting, Pennsylvania
132:The Last Moments of John Brown
73:Plymouth Meeting, Pennsylvania
1:
325:Plymouth Friends Meetinghouse
258:. She came from a family of
215:in 1874. He studied at the
947:Underground Railroad people
912:19th-century Irish painters
244:Society of American Artists
182:Yale University Art Gallery
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942:Painters from Pennsylvania
579:Philadelphia Museum of Art
471:, 1882, Amon Carter Museum
248:National Academy of Design
205:National Academy of Design
102:National Academy of Design
847:"Thomas Hovenden Killed,"
677:See: Norfolk, Connecticut
298:Alexander Stirling Calder
28:
962:Artists from County Cork
858:"Hovenden, Thomas"
638:"Hovenden, Thomas"
644:Encyclopædia Britannica
505:Bringing Home the Bride
495:, 1885, Brooklyn Museum
445:A Breton Interior, 1793
433:News from the Conscript
35:Thomas Hovenden in 1895
902:American male painters
300:and the leader of the
185:
922:People from Dunmanway
872:www.abolitionhall.com
743:(Searchable database)
722:National Park Service
700:Abolition Hall marker
198:Cork School of Design
188:Hovenden was born in
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148:Helen Corson Hovenden
98:Cork School of Design
850:The Pittsburgh Press
594:I Know'd It Was Ripe
511:Jerusalem the Golden
493:I Know'd It Was Ripe
264:Underground Railroad
217:École des Beaux Arts
106:École des Beaux Arts
917:Irish male painters
451:In Hoc Signo Vinces
337:Henry Ossawa Tanner
937:Pont-Aven painters
817:Schantz, Michael.
575:Breaking Home Ties
499:Breaking Home Ties
380:Amon Carter Museum
283:Breaking Home Ties
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137:Breaking Home Ties
852:, 15 August 1895.
560:Hovenden's studio
345:The Thankful Poor
319:was added to the
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475:Death of Elaine
457:The Old Version
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826:. Retrieved
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768:the original
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747:. Retrieved
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256:Philadelphia
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194:Great Famine
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127:Notable work
67:(1895-08-14)
892:1895 deaths
887:1840 births
84:Nationality
881:Categories
828:10 January
802:(3): 419.
777:2012-05-24
749:2012-05-26
606:References
596:(c.1885),
275:John Brown
225:art colony
48:1840-12-28
229:Pont-Aven
169:Biography
94:Education
577:(1890),
378:(1882),
233:Brittany
180:(1875),
120:Painting
867:. 1905.
235:led by
221:Cabanel
110:Cabanel
46: (
664:
441:, 1877
435:, 1877
219:under
163:artist
144:Spouse
139:(1890)
134:(1884)
108:under
771:(PDF)
764:(PDF)
755:Note:
213:Paris
160:Irish
88:Irish
830:2019
662:ISBN
343:and
62:Died
41:Born
308:.
231:in
227:at
207:in
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