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658:. In mourning, the couple went to La Rochelle, and Bouguereau made a painting of her in 1868. A fourth child, Adolphe (known as Paul), was born in October 1868. Aged 15, Georges' health suffered, and his mother took him away from the bad air of Paris. However, he died on 19 June 1875. Nelly had a fifth child in 1876, Maurice, but her health was declining and the doctors suspected that she had contracted tuberculosis. She died on 3 April 1877, and baby Maurice died two months later.
665:, a pupil whom he had known for ten years, but his mother was opposed to the idea. Soon after Nelly's death, she made Bouguereau swear he would not remarry within her lifetime. After his mother's death, and after a nineteen-year engagement, he and Gardner married in Paris in June 1896. His wife continued to work as his private secretary, and helped to organize the household staff. His son Paul contracted tuberculosis in early 1899; Paul, his stepmother, and Bouguereau went to
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537:, Belgium. It was a spectacular success and purchased by the museum at great expense. At this time, William took on decorative work at the Grand Théâtre, Bordeaux, which lasted four years. In 1875, with assistants, he began work on a La Rochelle chapel ceiling, producing six paintings on copper over the next six years. Once installed in the city in summer 1875 he began
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Bouguereau was prearranged to meet the ideals of a New York stockbroker of the black walnut generation." Bouguereau confessed in 1891 that the direction of his mature work was largely a response to the marketplace: "What do you expect, you have to follow public taste, and the public only buys what it likes. That's why, with time, I changed my way of painting."
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known to have painted at least 822 paintings. Many of these paintings have been lost. Near the end of his life he described his love of his art: "Each day I go to my studio full of joy; in the evening when obliged to stop because of darkness I can scarcely wait for the next morning to come ... if I cannot give myself to my dear painting I am miserable."
654:. Living together unmarried, the pair kept their liaison a secret. Their first child, Henriette, was born in April 1857; Georges was born in January 1859. A third child, Jeanne, was born 25 December 1861. The couple married quietly (as many assumed they were already married) on 24 May 1866. Eight days later, Jeanne died from
483:, including four large paintings of figures depicting the seasons. He was happy to undertake other commissions to pay off the debts accrued in Italy and to help his penniless mother. He decorated a mansion with nine large paintings of allegorical figures. In 1856, the Ministry of State for Fine Arts commissioned him to paint
255:, France, on 30 November 1825, into a family of wine and olive oil merchants. The son of Théodore Bouguereau (born 1800) and Marie Bonnin (1804), known as Adeline, William was brought up a Catholic. He had an elder brother, Alfred, and a younger sister, Marie (known as Hanna), who died when she was seven. The family moved to
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bought a vast plot of land on the rue Notre-Dame-des-Champs, and an architect was commissioned to design a grand house with a top-floor studio. The family was installed in 1868, together with five servants and with his mother, Adeline, visiting daily. Bouguereau spent the rest of his life here and at La
Rochelle.
276:. He was soon the best pupil in his class and decided to become an artist in Paris. To fund the move, he sold portraits – 33 oils in three months. All were unsigned and only one has been traced. In 1845, he returned to Mortagne to spend more time with his uncle. He arrived in Paris in March 1846, aged twenty.
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When
Bouguereau arrived in Paris in March 1846, he resided at the Hotel Corneille at 5 rue Corneille. In 1855, after his stay in Rome, he lived at 27 rue de Fleurus, and the following year rented a fourth-floor studio at 3 rue Carnot, near his apartment. In 1866, the year of his marriage to Nelly, he
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in the south. When the stay was prolonged, the artist found a room in which to paint. Paul died at his father's house in April 1900, aged 32; Bouguereau had outlived four of his five children, only
Henriette outlived him. Elizabeth, who was with her husband to the end, died in Paris in January 1922.
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Along with other category winners, he set off for Rome in
December and finally arrived at the Villa Medici in January 1851. Bouguereau explored the city, making sketches and watercolours as he went. He also studied classical literature, which influenced his subject choice for the rest of his career.
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criticized the commercial intent of
Bouguereau's work, writing that the artist "multiplied vague, pink effigies of nymphs, occasionally draped them, when they became saints and madonnas, painted on the great scale that dominates an exhibition, and has had his reward. I am convinced that the nude of
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Bouguereau was an assiduous painter, often completing twenty or more easel paintings in a single year. Even during the twilight years of his life, he would rise at dawn to work on his paintings six days a week and would continue painting until nightfall. Throughout the course of his lifetime, he is
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Bouguereau received many commissions to decorate private houses and public buildings, and, early on, this added to his prestige and fame. As was typical of such commissions, he would sometimes paint in his own style, and at other times conform to an existing group style. He also made reductions of
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for his entire working life. An early reviewer stated, "M. Bouguereau has a natural instinct and knowledge of contour. The eurythmie of the human body preoccupies him, and in recalling the happy results which, in this genre, the ancients and the artists of the sixteenth century arrived at, one can
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was damaged at a
Foreign art exhibition of local artists in Omaha Nebraska. Carey J. Warbington, an accountant, threw a chair at the painting. After Warbington was convicted of insanity and eventually committed suicide. The picture after the incident still traveled the United States with the tare
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In the spring of 1905, Bouguereau's house and studio in Paris were burgled. On 19 August 1905, aged 79, Bouguereau died in La
Rochelle from heart disease. There was an outpouring of grief in the town of his birth. After a Mass at the cathedral, his body was placed on a train to Paris for a second
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where he gave lessons and advice to art students, male and female, from around the world. During several decades he taught drawing and painting to hundreds, if not thousands, of students. Many of them managed to establish artistic careers in their own countries, sometimes following his academic
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Bouguereau employed traditional methods of working up a painting, including detailed pencil studies and oil sketches, and his careful method resulted in a pleasing and accurate rendering of the human form. His painting of skin, hands, and feet was particularly admired. He also used some of the
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Although
Bouguereau spent most of his life in Paris, he returned to La Rochelle again and again throughout his professional life. He was revered in the town of his birth and undertook decorating commissions from local citizens. From the early 1870s, he and his family spent every summer in La
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subjects, with an emphasis on the female human body. During his life, he enjoyed significant popularity in France and the United States, was given numerous official honors, and received top prices for his work. As the quintessential salon painter of his generation, he was reviled by the
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Rochelle. In 1882, he decided that rather than rent he would purchase a house, as well as local farm buildings. By August of that year, the family's permanent summer base was on the rue Verdière. The artist commenced several paintings here and completed them in his Paris studio.
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990:. In an 1872 letter, Degas wrote that he strove to emulate Bouguereau's ordered and productive working style, although with Degas' famous trenchant wit, and the aesthetic tendencies of the Impressionists, it is possible the statement was meant to be ironic.
272:. There he met a local artist, Charles Marionneau, and commenced at the Municipal School of Drawing and Painting in November 1841. Bouguereau also worked as a shop assistant, hand-colouring lithographs and making small paintings that were reproduced using
461:. In many of his works, he followed the same classical approach to composition, form, and subject matter. Bouguereau's graceful portraits of women were considered very charming, partly because he could beautify a sitter while also retaining her likeness.
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in May 1876. The king admired the artist and they spent intimate times together. In May 1878 the Paris
Universal Exhibition opened to showcase French work. Bouguereau found and borrowed twelve of his paintings from their owners, including his new work
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to stay with his uncle Eugène, a priest, and developed a love of nature, religion, and literature. In 1839, he was sent to study for the priesthood at a
Catholic college in Pons. Here he learned to draw and paint from Louis Sage, who had studied under
358:, and Bouguereau enrolled in the National Guard. After an unsuccessful attempt to win the prize, he entered again in 1849. Following 106 days of competition, he again failed to win. His third attempt commenced unsuccessfully in April 1850 with
506:, who later often was compared to Bouguereau. The Salons annually drew over 300,000 people, providing valuable exposure to exhibited artists. Bouguereau's fame extended to England by the 1860s. Three paintings were shown at the 1863 Salon and
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1154:("Our Lady of the Angels") was last shown publicly in the United States at the World's Columbian Exhibition in Chicago in 1893. It was donated in 2002 to the Daughters of Mary Mother of Our Savior, an order of nuns affiliated with
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had his eye on the long-term rehabilitation of Bouguereau's legacy and reputation. In 1984, the Borghi Gallery hosted a commercial show of 23 oil paintings and one drawing. In the same year, a major exhibition was organized by the
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wrote in 1894 that Bouguereau was a man "destitute of artistic feeling but possessing a cultured taste reveals... in his feeble mawkishness, the fatal decline of the old schools of convention". In 1926, American art historian
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in Hartford, and concluded in Montréal. More recently, resurgence in the artist's popularity has been promoted by American collector Fred Ross, who owns a number of paintings by Bouguereau and features him on his website at
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and mythological themes were modern interpretations of Classical subjects, both pagan and Christian, with a concentration on the naked female form. The idealized world of his paintings brought to life goddesses,
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was purchased first by John Wolfe, then sold by his heiress Catharine Lorillard Wolfe to hotelier Edward Stokes, who displayed it in New York City's Hoffman House Hotel. Two paintings by Bouguereau in the
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Bouguereau's career was nearly a direct ascent with hardly a setback. To many, he epitomized taste and refinement, and a respect for tradition. To others, he was a competent technician stuck in the past.
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1125:, asked the readers to "see Bouguereau through the eyes of an age when he was lionized, and Impressionism was dismissed as 'French freedom'". The exhibition later was scheduled to travel to the
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and in the United States, and commanded high prices. His works often sold within days of completion. Some were viewed by international collectors and bought before work had even finished.
386:. Still based in Rome and working hard on course work, there were more explorations of Italy in 1852. Although he had a strong admiration for all traditional art, he particularly revered
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in Rome, Italy, where, in addition taking formal lessons, he could study firsthand the Renaissance artists and their masterpieces, as well as Greek, Etruscan, and Roman antiquities.
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1191:(with Adolphe as the usual name). However, he used to sign his works simply as William Bouguereau (hinting "William" was his given name, whatever the order), or more precisely as
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326:(1850) was an early example of his neo-classical works. Academic painting placed the highest status on historical and mythological subjects and Bouguereau determined to win the
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on 12 July 1859. By this time, Bouguereau was turning away from history painting and lengthy commissions to work on more personal paintings, with realistic and rustic themes.
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avant-garde. By the early twentieth century, Bouguereau and his art fell out of favor with the public, due in part to changing tastes. In the 1980s, a revival of interest in
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only congratulate M. Bouguereau in attempting to follow in their footsteps ... Raphael was inspired by the ancients ... and no one accused him of not being original."
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In his own time, Bouguereau was considered to be one of the greatest painters in the world by the academic art community, and simultaneously he was reviled by the
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and his associates used the term "Bouguereauté" in a derogatory manner to describe any artistic style reliant on "slick and artificial surfaces", also known as a
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Bouguereau received many honors from the Academy: he became a Life Member in 1876; received the Grand Medal of Honour in 1885; was appointed Commander of the
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Bouguereau's works were eagerly bought by American millionaires who considered him the most important French artist of that time. For example,
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1298:(1890), the character Mr Sholto remarks, "there cannot be the least question about the Bouguereau. I am partial to the modern French school."
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In 2019, the Milwaukee Art Museum assembled more than 40 of Bouguereau's paintings for a major retrospective of his work, which according to
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Prices for Bouguereau's works have climbed steadily since 1975, with major paintings selling at high prices: $ 1.5 million in 1998 for
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the single occasion when Bouguereau made him smile on coming across a couple of his paintings in an Arles brothel, "where they belonged".
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580:(1888) is an example. He was also a successful portrait painter and many of his paintings of wealthy patrons remain in private hands.
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The Trans-Mississippi and International Expositions of 1898-1899: art, anthropology, and popular culture at the Fin de Siècle
2604:"Gauguin le rapin: ""Racontars de rapin, suivi de Art de Papou & chant de Rossignoou"" et ""La lutte pour les peintres"""
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Bouguereau flourished after his Villa Medici residence. In 1854–55 he decorated a pavilion at the grand house of a cousin in
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was a favourite of Bouguereau and he took this review as a high compliment. He had fulfilled one of the requirements of the
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led to a rediscovery of Bouguereau and his work. He finished 822 known paintings, but the whereabouts of many are
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religious and erotic symbolism of the Old Masters, such as the "broken pitcher" which connoted lost innocence.
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498:(later the champion of the Impressionists), who helped clients buy paintings from artists who exhibited at the
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Bouguereau fell into disrepute after 1920, due in part to changing tastes. Comparing his work to that of his
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However, even during his lifetime, there was critical dissent in assessing his work; the art historian
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in 1885; and was made Grand Officier of the Legion of Honour in 1905. He began to teach drawing at the
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Bouguereau, painting within the traditional academic style, exhibited at the annual exhibitions of the
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at auction in May 2000 for $ 3.5 million. Bouguereau's works are in many public collections.
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in 1832. Another sibling, Kitty, was born in 1834. At the age of twelve, Bouguereau went to
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In 1856, William began living with one of his models, Nelly Monchablon, a 19-year-old from
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ceremony. Bouguereau was laid to rest with Nelly and his children at the family vault at
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Index biographique des membres et associés de l'Académie royale de Belgique (1769–2005).
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268:. Bouguereau then reluctantly left his studies to return to his family, now residing in
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Museum Builders in the West: The Stanfords as Collectors and Patrons of Art, 1870–1906
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intact and the chair accompanied the painting also, wherever the painting was shown.
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2791:"Gifted artist? Bouguereau's work controversial more than a century after his death"
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staged a show of Bouguereau's work in 1974—partly as a curiosity, although curator
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and his family, who normally eschewed the nude, made an exception for Bouguereau's
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Saint Pierre après sa délivrance de prison, vient retrouver les fidèles chez Marie
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Ministère de la Culture et de la Communication, Base Léonore, Archives Nationales
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By the late 1850s, he had made strong connections with art dealers, particularly
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Artistic Relations: Literature and the Visual Arts in Nineteenth-century France
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Russell, John (23 December 1974). "Art: Cultural Center Honors Bouguereau".
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is Bouguereau's first major painting, produced after two years at the
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Sources on his full name are contradictory: it is sometimes given as
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but five months later, he heard he had won a joint first prize for
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Peinture kitsch ou réalisme bourgeois, l'art pompier dans le monde
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Emperor Napoleon III Visiting the Victims of the Tarascon Flood
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in Memphis, Tenn., and then to the San Diego Museum of Art.
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Sherlock Holmes: The Sign of Four (Sherlock Complete Set 2)
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From the 1860s, Bouguereau was closely associated with the
533:(1864), a shocking nude, was submitted to an exhibition in
414:. In April 1854, he left Rome and returned to La Rochelle.
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Royal Academy of Science, Letters and Fine Arts of Belgium
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Zenobie retrouvée par les bergers sur les bords de l'Araxe
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Gibson, Michael (1984). "Bouguereau's 'Photo-Idealism'".
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The Academy and French Painting in the Nineteenth Century
2842:"Bouguereau & America at The San Diego Museum of Art"
2364:"Musée d'Orsay: William Bouguereau Equality before Death"
2753:. New York Cultural Center and Farleigh Dickinson, 1974.
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Loin du Pays (painting and two reductions) Far From Home
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contest in April 1848. Soon after work began there were
2996:(First ed.). Ottawa: National Gallery of Canada.
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style, and in other cases, rebelling against it, like
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in 1875, a co-ed art institution independent of the
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2209:. San Francisco: Pomegranate Artbooks. p. 10.
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3011:D'Argencourt, Louise; Walker, Mark Steven (1984).
205:; 30 November 1825 – 19 August 1905) was a French
3217:Shepherds Find Zenobia on the Banks of the Araxes
3031:"To Bouguereau, Art Was Strictly 'The Beautiful'"
2664:. Stanford University Museum of Art, 1986, p. 18.
2390:Birmingham Museum of Art: Guide to the Collection
2239:"To Bouguereau, Art Was Strictly 'The Beautiful'"
367:Shepherds Find Zenobia on the Banks of the Araxes
3150:William-Adolphe Bouguereau: The Complete Works
2977:Catalogue illustré des œuvres de W. Bouguereau
559:Bouguereau was a staunch traditionalist whose
455:by completing an old-master copy of Raphael's
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2729:, 163–164. Princeton University Press, 1956.
2539:. London: Yale University Press. p. 50.
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3071:. Paris: Presses Universitaires de France.
2702:Marketing Modernism in Fin-de-siècle Europe
2533:Collier, Peter; Lethbridge, Robert (1994).
1851:A Young Girl Defending Herself Against Eros
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2859:Writer, Mark Oswald | Journal Staff.
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3015:. Montreal: Montreal Museum of Fine Arts.
2678:. Lincoln: University of Nebraska Press.
2392:. London: D Giles Ltd. pp. 222–223.
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1866:The Flagellation of Our Lord Jesus Christ
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3105:Rosenblum, Robert; Janson, H.W. (2004).
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251:William-Adolphe Bouguereau was born in
158: 1866; died 1877)
3700:Grand Officers of the Legion of Honour
3109:(Second ed.). New York: Pearson.
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2765:"Who Is Buying All Those Bouguereaus?"
2751:William-Adolphe Bouguereau (catalogue)
2335:William Bouguereau: His Life and Works
2268:"William Bouguereau: Genius Reclaimed"
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247:A portrait of Eugène Bouguereau (1850)
3670:Academic staff of the Académie Julian
3563:
3062:. New York: New York Cultural Center.
2952:. New York: Hofstra University Press.
1245:1876: Officer of the Legion of Honour
605:, after the death of his first wife.
200:
7:
3605:
3591:
3088:L'école des beaux art du XIXe siècle
2975:Bouguereau, William-Adolphe (1885).
2961:. New Haven: Yale University Press.
2644:"The painting that changed New York"
2345:
2343:
1536:, a portrait of Cot's daughter, 1890
1446:Girl Defending herself against Cupid
601:. He married his most famous pupil,
1083:faulted Bouguereau's painting for "
638:Portrait by Bouguereau of his wife
308:Bouguereau became a student at the
16:French academic painter (1825–1905)
2763:Berwick, Carly (20 October 2005).
2642:Jacolbe, Jessica (12 March 2019).
2602:Bertrand, Anne (2 February 1995).
1000:Avant et après (Intimate Journals)
14:
2861:"Gallery Owner Didn't Cheat Nuns"
2815:Gibson, Eric (26 February 2019).
1138:, $ 2.6 million in 1999 for
901:Depictions of mythological scenes
3675:Burials at Montparnasse Cemetery
3655:20th-century French male artists
3645:19th-century French male artists
3604:
3590:
3577:
3576:
3562:
3029:Glueck, Grace (6 January 1985).
2237:Glueck, Grace (6 January 1985).
2155:
2140:
2123:
2103:
2088:
2073:
2058:
2043:
2026:
2005:
1988:
1971:
1954:
1937:
1922:
1905:
1890:
1873:
1858:
1843:
1828:
1813:
1798:
1781:
1766:
1751:
1734:
1719:
1704:
1689:
1672:
1036:. In 1890 Bouguereau’s painting
921:
906:
884:
869:
850:
835:
820:
800:
785:
768:
753:
730:
709:
3137:. 6 January 1981. pp. 6–8.
2950:Art Pompier: Anti-Impressionism
2895:Handelsblad (Het), 15 May 1881.
2817:"Re-Examining A Reviled Master"
2727:The Nude; A Study in Ideal Form
2353:(2018), pp. 241–244 (in German)
1195:(French alphabet) and later as
180:
155:
3067:Lécharny, Louis-Marie (1998).
2705:. Princeton University Press.
2674:Katz, Wendy Jean, ed. (2018).
958:. He also gained wide fame in
545:William III of the Netherlands
1:
3086:Ritzenthaler, Cécile (1987).
2992:D'Argencourt, Louise (1981).
2914:Doyle, Arthur Conan (2011) .
2789:Roth, Mark (20 August 2007).
2187:The Broken Pitcher (Painting)
346:The young artist entered the
202:[wiljamadɔlfbuɡ(ə)ʁo]
3660:20th-century French painters
3650:19th-century French painters
3393:Cupid and Psyche as Children
3022:International Herald Tribune
3013:William Bouguereau 1925–1905
2994:The Other Nineteenth Century
2983:Celebonovic, Aleska (1974).
1476:Alma Parens of Mother France
1374:Italian Girl at the Fountain
1127:Memphis Brooks Museum of Art
1107:, in Paris, traveled to The
1101:Montreal Museum of Fine Arts
661:The artist planned to marry
342:Villa Medici, Rome 1851–1854
3710:French Orientalist painters
3680:École des Beaux-Arts alumni
2205:Wissman, Fronia E. (1996).
1257:1885: Grand Medal of Honour
931:, 1857. Private collection.
916:, 1857. Private collection.
914:Enfant sur un monstre marin
3741:
3597:William-Adolphe Bouguereau
3186:William-Adolphe Bouguereau
3060:William Adolphe Bouguereau
2351:William-Adolphe Bouguereau
1806:Italian Girl Drawing Water
1541:L'Amour et Psyché, enfants
1189:Adolphe William Bouguereau
1185:William Adolphe Bouguereau
1181:William-Adolphe Bouguereau
304:de Paris at the age of 23.
194:William-Adolphe Bouguereau
25:William-Adolphe Bouguereau
3725:Prix de Rome for painting
3556:
3265:Breton Brother and Sister
3133:"The Bouguereau Market".
3090:. Paris: Editions Mayer.
3058:Isaacson, Robert (1974).
2116:(The Virgin of the Lilies
1790:Breton Brother and Sister
1226:
1211:
620:
614:
590:
449:
348:
328:
310:
300:
30:
3433:The Virgin of the Lilies
2920:. Headline. p. 17.
2182:Sir Lawrence Alma-Tadema
1681:Dante and Virgil in Hell
1596:The Ravishment of Psyche
1502:Woman with Captive Cupid
1400:At the Edge of the River
1092:New York Cultural Center
1022:San Francisco earthquake
998:and later describing in
816:Depictions of nude women
323:Dante and Virgil in Hell
3715:People from La Rochelle
3690:French Realist painters
3049:Harding, James (1980).
2846:San Diego Museum of Art
2821:The Wall Street Journal
2795:Pittsburgh Post-Gazette
2699:Jensen, Robert (1996).
1963:Les murmures de l'Amour
1525:Les murmures de l'Amour
1122:The Wall Street Journal
777:The Abduction of Psyche
3695:French Roman Catholics
3481:François-Edouard Picot
3475:Elizabeth Jane Gardner
3321:The Song of the Angels
2957:Boime, Albert (1986).
2388:Andrews, Gail (2011).
1836:Les Enfants à L'Agneau
1630:Yvonne on the Doorstep
1426:La Jeunesse et l'Amour
1325:
1314:
1175:
1174:Bouguereau's signature
1068:
1020:were destroyed in the
951:
663:Elizabeth Jane Gardner
647:
640:Elizabeth Jane Gardner
603:Elizabeth Jane Gardner
527:
476:
458:The Triumph of Galatea
433:
318:François-Édouard Picot
305:
284:Égalité devant la mort
248:
169:Elizabeth Jane Gardner
3345:The Young Shepherdess
3201:Equality Before Death
3051:Les peintres pompiers
2580:Wissman 1996, p. 114.
2559:Wissman 1996, p. 110.
2491:Wissman 1996, p. 103.
2457:Wissman 1996, p. 112.
1563:Le Travail interrompu
1320:
1309:
1173:
1135:The Heart's Awakening
1105:Musée du Petit-Palais
1060:
947:The Young Shepherdess
944:
929:Enfant sur un griffon
694:Montparnasse Cemetery
683:Later years and death
637:
547:, Bouguereau went to
522:
471:
425:
288:Equality Before Death
282:
246:
198:French pronunciation:
3685:French male painters
3513:Elizabeth Bouguereau
3353:The Return of Spring
3053:. Paris: Flammarion.
2979:, Paris: L. Baschet.
2571:Wissman 1996, p. 15.
2503:Wissman 1996, p. 16.
2475:Wissman 1996, p. 31.
2466:Wissman 1996, p. 60.
2448:Wissman 1996, p. 14.
2439:Wissman 1996, p. 70.
2430:Wissman 1996, p. 13.
2421:Wissman 1996, p. 25.
2412:Wissman 1996, p. 24.
2299:Wissman 1996, p. 11.
2278:on 18 September 2015
1495:The Return of Spring
1482:The Youth of Bacchus
1295:The Sign of the Four
1260:1890: Member of the
1248:1881: Knight in the
1239:1859: Knight of the
1152:Notre Dame des Anges
1030:James Ben Ali Haggin
622:École des Beaux-Arts
312:École des Beaux-Arts
301:École des Beaux-Arts
261:Mortagne-sur-Gironde
3533:Henry Ossawa Tanner
3508:Eanger Irving Couse
3441:Queen of the Angels
3369:Whisperings of Love
3257:Maternal Admiration
3135:The Arte newsletter
2592:Wissman 1996, p. 9.
2132:Queen of the Angels
1743:Maternal Admiration
1712:The Day of the Dead
1394:Homer and his Guide
1197:"W-BOVGVEREAV-date"
1193:"W.Bouguereau.date"
1051:Frank Jewett Mather
877:Les Deux Baigneuses
431:Clark Art Institute
80:La Rochelle, France
3720:Pont-Aven painters
3487:Art Renewal Center
3361:The First Mourning
3305:The Birth of Venus
3233:Alone in the World
3126:The New York Times
3035:The New York Times
2865:www.abqjournal.com
2660:Osborne, Carol M.
2626:Intimate Journals
2368:www.musee-orsay.fr
2243:The New York Times
2018:Pierre Auguste Cot
1946:The First Mourning
1882:Song of the Angels
1509:The First Mourning
1453:Song of the Angels
1439:The Birth of Venus
1420:The Little Knitter
1351:Alone in the World
1326:
1315:
1290:Arthur Conan Doyle
1283:Robert W. Chambers
1278:The King in Yellow
1204:Awards and honours
1176:
1114:Art Renewal Center
1109:Wadsworth Atheneum
1069:
1024:and fire of 1906.
996:Racontars de Rapin
952:
648:
630:Wives and children
528:
477:
434:
306:
257:Saint-Martin-de-Ré
249:
104:The Birth of Venus
3622:
3621:
3449:A Dream of Spring
3337:The Nut Gatherers
3249:The Knitting Girl
2987:. Paris: Seghers.
2927:978-0-7553-8765-6
2685:978-0-8032-7880-6
1898:Fishing For Frogs
1623:Rêve de printemps
1469:The Nut Gatherers
1359:The Knitting Girl
1199:(Latin alphabet).
1183:(composed name),
761:Psyche et L'Amour
392:Leonardo da Vinci
378:and on to Capri,
274:chromolithography
191:
190:
3732:
3609:
3608:
3607:
3595:
3594:
3593:
3581:
3580:
3579:
3567:
3566:
3565:
3425:Work Interrupted
3409:A Little Coaxing
3281:Flora and Zephyr
3273:Nymphs and Satyr
3241:The Elder Sister
3209:Dante and Virgil
3179:
3172:
3165:
3156:
3138:
3129:
3120:
3107:19th Century Art
3101:
3082:
3063:
3054:
3045:
3043:
3041:
3025:
3016:
3007:
2988:
2972:
2953:
2932:
2931:
2911:
2905:
2902:
2896:
2893:
2887:
2886:
2876:
2868:
2856:
2850:
2849:
2838:
2832:
2831:
2829:
2827:
2812:
2806:
2805:
2803:
2801:
2786:
2780:
2779:
2777:
2775:
2760:
2754:
2747:Isaacson, Robert
2743:
2737:
2725:Clark, Kenneth.
2723:
2717:
2716:
2696:
2690:
2689:
2671:
2665:
2658:
2652:
2651:
2639:
2633:
2622:
2616:
2615:
2599:
2593:
2590:
2581:
2578:
2572:
2569:
2560:
2557:
2551:
2550:
2530:
2524:
2519:
2504:
2501:
2492:
2489:
2476:
2473:
2467:
2464:
2458:
2455:
2449:
2446:
2440:
2437:
2431:
2428:
2422:
2419:
2413:
2410:
2404:
2403:
2385:
2372:
2371:
2360:
2354:
2349:Vachon, Marius,
2347:
2338:
2331:
2300:
2297:
2288:
2287:
2285:
2283:
2274:. Archived from
2263:
2254:
2253:
2251:
2249:
2234:
2221:
2220:
2202:
2159:
2144:
2127:
2112:La Vierge au lys
2107:
2092:
2077:
2062:
2047:
2035:A Little Coaxing
2030:
2009:
1992:
1975:
1958:
1941:
1926:
1909:
1894:
1877:
1862:
1847:
1832:
1817:
1802:
1785:
1774:Italian Mandolin
1770:
1755:
1738:
1723:
1708:
1693:
1676:
1615:La Vierge au lys
1414:The Grape Picker
1407:Flora and Zephyr
1387:Nymphs and Satyr
1367:The Elder Sister
1250:Order of Leopold
1241:Legion of Honour
1231:
1230:
1216:
1215:
1200:
1160:Albany, New York
1079:contemporaries,
1038:Return of Spring
1008:Nymphs and Satyr
925:
910:
888:
873:
854:
839:
824:
804:
789:
772:
757:
734:
713:
652:Lisle-en-Rigault
646:, Tainan, Taiwan
625:
624:
617:
616:
595:
594:
578:The Annunciation
496:Paul Durand-Ruel
489:Legion of Honour
454:
453:
427:Nymphs and Satyr
418:Height of career
361:Dante and Virgil
353:
352:
333:
332:
315:
314:
303:
302:
207:academic painter
204:
199:
184:
182:
159:
157:
145:Nelly Monchablon
96:
76:
58:30 November 1825
57:
55:
35:
21:
3740:
3739:
3735:
3734:
3733:
3731:
3730:
3729:
3625:
3624:
3623:
3618:
3603:
3589:
3575:
3561:
3552:
3528:Edward Redfield
3491:
3463:
3377:The Shepherdess
3188:
3183:
3146:
3141:
3132:
3123:
3117:
3104:
3098:
3085:
3079:
3066:
3057:
3048:
3039:
3037:
3028:
3019:
3010:
3004:
2991:
2982:
2969:
2956:
2944:
2940:
2938:Further reading
2935:
2928:
2913:
2912:
2908:
2903:
2899:
2894:
2890:
2869:
2858:
2857:
2853:
2840:
2839:
2835:
2825:
2823:
2814:
2813:
2809:
2799:
2797:
2788:
2787:
2783:
2773:
2771:
2762:
2761:
2757:
2744:
2740:
2724:
2720:
2713:
2698:
2697:
2693:
2686:
2673:
2672:
2668:
2659:
2655:
2641:
2640:
2636:
2623:
2619:
2601:
2600:
2596:
2591:
2584:
2579:
2575:
2570:
2563:
2558:
2554:
2547:
2532:
2531:
2527:
2520:
2507:
2502:
2495:
2490:
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2474:
2470:
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2452:
2447:
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2434:
2429:
2425:
2420:
2416:
2411:
2407:
2400:
2387:
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2375:
2362:
2361:
2357:
2348:
2341:
2332:
2303:
2298:
2291:
2281:
2279:
2265:
2264:
2257:
2247:
2245:
2236:
2235:
2224:
2217:
2204:
2203:
2199:
2195:
2173:
2166:
2160:
2151:
2148:Before The Bath
2145:
2136:
2128:
2119:
2108:
2099:
2093:
2084:
2081:The Shepherdess
2078:
2069:
2063:
2054:
2048:
2039:
2031:
2022:
2010:
2001:
1993:
1984:
1980:The Shepherdess
1976:
1967:
1959:
1950:
1942:
1933:
1927:
1918:
1910:
1901:
1895:
1886:
1878:
1869:
1863:
1854:
1848:
1839:
1833:
1824:
1818:
1809:
1803:
1794:
1786:
1777:
1771:
1762:
1756:
1747:
1739:
1730:
1724:
1715:
1709:
1700:
1694:
1685:
1677:
1668:
1590:Pleasant Burden
1517:The Shepherdess
1432:The Donkey Ride
1311:Pleasant Burden
1304:
1273:
1206:
1178:
1168:
1096:Robert Isaacson
1018:Leland Stanford
939:
932:
926:
917:
911:
895:
889:
880:
874:
865:
855:
846:
840:
831:
825:
811:
805:
796:
790:
781:
773:
764:
758:
749:
735:
726:
714:
702:
685:
676:
632:
615:Académie Julian
610:Legion of Honor
592:Académie Julian
586:
584:Académie Julian
561:genre paintings
473:The Holy Family
420:
388:Greek sculpture
344:
241:
239:Formative years
236:
234:Life and career
224:figure painting
197:
187:
186:
183: 1896)
178:
174:
171:
161:
153:
149:
146:
116:
94:
81:
78:
74:
65:
59:
53:
51:
43:
26:
17:
12:
11:
5:
3738:
3736:
3728:
3727:
3722:
3717:
3712:
3707:
3702:
3697:
3692:
3687:
3682:
3677:
3672:
3667:
3662:
3657:
3652:
3647:
3642:
3637:
3627:
3626:
3620:
3619:
3617:
3616:
3615:
3614:
3586:
3572:
3557:
3554:
3553:
3551:
3550:
3545:
3543:Thomas Anshutz
3540:
3535:
3530:
3525:
3520:
3518:Ellen Day Hale
3515:
3510:
3505:
3499:
3497:
3493:
3492:
3490:
3489:
3484:
3478:
3471:
3469:
3465:
3464:
3462:
3461:
3453:
3445:
3437:
3429:
3421:
3417:The Goose Girl
3413:
3405:
3397:
3389:
3381:
3373:
3365:
3357:
3349:
3341:
3333:
3325:
3317:
3309:
3301:
3293:
3285:
3277:
3269:
3261:
3253:
3245:
3237:
3229:
3221:
3213:
3205:
3196:
3194:
3190:
3189:
3184:
3182:
3181:
3174:
3167:
3159:
3153:
3152:
3145:
3144:External links
3142:
3140:
3139:
3130:
3121:
3116:978-0131895621
3115:
3102:
3097:978-2852990029
3096:
3083:
3078:978-2130493419
3077:
3064:
3055:
3046:
3026:
3017:
3008:
3003:978-0888843487
3002:
2989:
2980:
2973:
2968:978-0300037326
2967:
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2936:
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2399:978-1904832775
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2255:
2222:
2216:978-0876545829
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2042:
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2032:
2025:
2023:
2016:, daughter of
2011:
2004:
2002:
1994:
1987:
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1968:
1960:
1953:
1951:
1943:
1936:
1934:
1928:
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1919:
1911:
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1697:Fraternal Love
1695:
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1667:
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1647:
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1611:
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1599:
1593:
1587:
1581:
1578:The Wasps Nest
1575:
1571:The Goose Girl
1567:
1559:
1556:Little Beggars
1553:
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1371:
1363:
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1347:
1341:
1335:
1303:
1302:Selected works
1300:
1272:
1269:
1268:
1267:
1264:
1258:
1255:
1252:
1246:
1243:
1237:
1224:1850: Premier
1222:
1205:
1202:
1167:
1164:
1156:Clarence Kelly
1141:The Motherland
1046:Richard Muther
938:
935:
934:
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843:After the Bath
841:
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356:riots in Paris
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86:Known for
83:
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79:
77:(aged 79)
73:19 August 1905
71:
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49:
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44:
36:
28:
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3569:List of works
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3544:
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3503:Cecilia Beaux
3501:
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3401:Gabrielle Cot
3398:
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3118:
3112:
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3074:
3070:
3069:L'Art-Pompier
3065:
3061:
3056:
3052:
3047:
3036:
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3023:
3018:
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3009:
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2990:
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2946:Boime, Albert
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2735:0-691-01788-3
2732:
2728:
2722:
2719:
2714:
2708:
2704:
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2677:
2670:
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2654:
2649:
2645:
2638:
2635:
2632:
2629:, p. 174, at
2628:
2627:
2621:
2618:
2613:
2610:(in French).
2609:
2608:liberation.fr
2605:
2598:
2595:
2589:
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2546:9780300060096
2542:
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2208:
2201:
2198:
2192:
2188:
2185:
2183:
2180:
2178:
2177:Gustave Doyen
2175:
2174:
2170:
2164:
2158:
2153:
2149:
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2138:
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2133:
2126:
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2061:
2056:
2052:
2046:
2041:
2037:
2036:
2029:
2024:
2020:
2019:
2015:
2014:Gabrielle Cot
2008:
2003:
1999:
1998:
1991:
1986:
1982:
1981:
1974:
1969:
1965:
1964:
1957:
1952:
1948:
1947:
1940:
1935:
1931:
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1920:
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1533:Gabrielle Cot
1530:
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1522:
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1514:
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1369:
1368:
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1361:
1360:
1356:
1354:(Latest 1867)
1353:
1352:
1348:
1345:
1342:
1339:
1336:
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1332:
1328:
1327:
1323:
1319:
1312:
1308:
1301:
1299:
1297:
1296:
1291:
1286:
1284:
1280:
1279:
1271:In literature
1270:
1265:
1263:
1259:
1256:
1253:
1251:
1247:
1244:
1242:
1238:
1235:
1229:
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1209:1848: Second
1208:
1207:
1203:
1201:
1198:
1194:
1190:
1186:
1182:
1172:
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1142:
1137:
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1128:
1124:
1123:
1117:
1115:
1110:
1106:
1102:
1097:
1093:
1088:
1086:
1082:
1081:Kenneth Clark
1078:
1077:Impressionist
1074:
1067:
1066:Haggin Museum
1063:
1059:
1055:
1052:
1047:
1042:
1039:
1035:
1031:
1027:
1023:
1019:
1015:
1010:
1009:
1003:
1001:
997:
993:
989:
988:licked finish
985:
979:
977:
973:
969:
965:
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936:
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848:
844:
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833:
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809:
803:
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794:
788:
783:
779:
778:
771:
766:
762:
756:
751:
747:
743:
739:
733:
728:
724:
720:
719:
712:
707:
704:
700:Notable works
699:
697:
695:
689:
682:
680:
673:
671:
668:
664:
659:
657:
653:
645:
644:Chimei Museum
641:
636:
629:
627:
623:
611:
606:
604:
600:
599:Henri Matisse
593:
583:
581:
579:
573:
569:
567:
562:
557:
555:
550:
546:
542:
541:
536:
532:
525:
521:
517:
515:
514:Chimei Museum
511:
510:
505:
501:
497:
492:
490:
486:
482:
474:
470:
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459:
452:
446:
442:
439:
432:
428:
424:
417:
415:
413:
409:
405:
401:
397:
393:
389:
385:
381:
377:
374:He walked to
371:
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368:
363:
362:
357:
351:
341:
339:
337:
331:
325:
324:
319:
313:
297:
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292:Musée d'Orsay
289:
285:
281:
277:
275:
271:
267:
262:
258:
254:
245:
238:
233:
231:
229:
228:still unknown
225:
221:
220:Impressionist
216:
212:
208:
203:
195:
170:
163:
162:
140:
139:
137:
133:
130:
126:
123:
119:
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108:
106:
105:
101:
100:
98:
92:
88:
84:
72:
68:
63:
50:
46:
41:
40:
39:Self-portrait
34:
29:
22:
19:
3665:Academic art
3602:
3588:
3574:
3560:
3548:Émile Munier
3523:Anna Klumpke
3455:
3447:
3439:
3431:
3423:
3415:
3407:
3399:
3391:
3385:The Bohemian
3383:
3375:
3367:
3359:
3351:
3343:
3335:
3329:Evening Mood
3327:
3319:
3311:
3303:
3295:
3287:
3279:
3271:
3263:
3255:
3247:
3239:
3231:
3223:
3215:
3207:
3199:
3185:
3134:
3125:
3106:
3087:
3068:
3059:
3050:
3038:. Retrieved
3034:
3021:
3012:
2993:
2984:
2958:
2949:
2916:
2909:
2900:
2891:
2864:
2854:
2845:
2836:
2824:. Retrieved
2820:
2810:
2798:. Retrieved
2794:
2784:
2772:. Retrieved
2769:New York Sun
2768:
2758:
2750:
2741:
2726:
2721:
2701:
2694:
2675:
2669:
2661:
2656:
2647:
2637:
2631:Google Books
2624:
2620:
2607:
2597:
2576:
2555:
2535:
2528:
2471:
2462:
2453:
2444:
2435:
2426:
2417:
2408:
2389:
2367:
2358:
2350:
2334:
2280:. Retrieved
2276:the original
2271:
2266:Ross, Fred.
2246:. Retrieved
2242:
2206:
2200:
2162:
2147:
2130:
2115:
2110:
2095:
2080:
2065:
2051:The Invasion
2050:
2033:
2012:
1997:The Bohemian
1995:
1978:
1961:
1944:
1929:
1912:
1897:
1880:
1865:
1850:
1835:
1820:
1805:
1788:
1773:
1759:The Haymaker
1758:
1741:
1726:
1711:
1696:
1679:
1657:
1650:In The Woods
1649:
1643:
1635:
1629:
1621:
1613:
1607:
1601:
1595:
1589:
1583:
1577:
1569:
1561:
1555:
1549:The Bohemian
1547:
1539:
1531:
1523:
1515:
1507:
1501:
1493:
1487:
1481:
1475:
1467:
1461:Evening Mood
1459:
1451:
1445:
1437:
1431:
1425:
1419:
1413:
1405:
1399:
1393:
1385:
1379:
1373:
1365:
1357:
1349:
1343:
1337:
1329:
1321:
1310:
1293:
1287:
1276:
1274:
1233:
1228:Prix de Rome
1218:
1213:Prix de Rome
1196:
1192:
1188:
1184:
1180:
1177:
1151:
1150:
1145:
1139:
1133:
1131:
1120:
1118:
1089:
1070:
1061:
1043:
1037:
1033:
1006:
1004:
999:
995:
992:Paul Gauguin
980:
953:
945:
928:
913:
900:
891:
876:
861:
857:
842:
827:
807:
792:
775:
760:
746:Evening Mood
745:
741:
737:
722:
716:
690:
686:
677:
660:
656:tuberculosis
649:
607:
587:
577:
574:
570:
558:
553:
538:
530:
529:
523:
507:
504:Hugues Merle
493:
484:
478:
472:
463:
456:
451:Prix de Rome
443:
435:
426:
400:Michelangelo
372:
365:
359:
350:Prix de Rome
345:
336:Villa Medici
330:Prix de Rome
321:
307:
295:
287:
283:
250:
211:mythological
193:
192:
129:Academic art
111:The Bohemian
109:
102:
95:Notable work
75:(1905-08-19)
37:
18:
3640:1905 deaths
3635:1825 births
3538:Paul Chabas
2826:26 February
2272:Art Renewal
2163:Two Sisters
2096:Inspiration
1930:Seated Nude
1016:mansion of
964:Netherlands
956:avant-garde
509:Holy Family
438:Paris Salon
253:La Rochelle
62:La Rochelle
3629:Categories
3457:The Oreads
3040:27 January
2712:0691029261
2612:Libération
2282:27 January
2248:27 January
2207:Bouguereau
2193:References
1637:The Oreads
1608:Admiration
937:Reputation
858:The Bather
524:The Bather
54:1825-11-30
3611:Paintings
3583:Paintings
3225:The Dance
3193:Paintings
1584:Innocence
1380:Baigneuse
1292:'s novel
1085:lubricity
1062:Nymphaeum
1034:Nymphaeum
1026:Gold Rush
974:, Italy,
862:Baigneuse
828:Baigneuse
808:Bacchante
793:Innocence
554:Nymphaeum
481:Angoulins
412:Delacroix
294:, Paris.
215:classical
3496:Students
2948:(1974).
2873:cite web
2800:31 March
2774:31 March
2171:See also
2118:) (1899)
1602:The Wave
1331:La Danse
1064:, 1878,
1014:Nob Hill
968:Portugal
892:The Wave
718:L'Aurore
512:(Now at
296:Equality
270:Bordeaux
121:Movement
64:, France
3483:(tutor)
3468:Related
2337:, 2010.
2135:(1900)
2066:Daisies
1821:Charity
1727:Charity
1666:Gallery
1644:Oceanid
1288:In Sir
1146:Charity
1073:Realist
1028:tycoon
976:Romania
960:Belgium
742:Evening
445:Raphael
396:Raphael
384:Pompeii
185:
177:
173:
160:
152:
148:
135:Spouses
125:Realism
89:Painter
3477:(wife)
3460:(1902)
3452:(1901)
3444:(1900)
3436:(1899)
3428:(1891)
3420:(1891)
3412:(1890)
3404:(1890)
3396:(1890)
3388:(1890)
3380:(1889)
3372:(1889)
3364:(1888)
3356:(1886)
3348:(1885)
3340:(1882)
3332:(1882)
3324:(1881)
3316:(1881)
3308:(1879)
3300:(1879)
3292:(1876)
3284:(1875)
3276:(1873)
3268:(1871)
3260:(1869)
3252:(1869)
3244:(1869)
3236:(1867)
3228:(1856)
3220:(1850)
3212:(1850)
3204:(1848)
3113:
3094:
3075:
3000:
2965:
2924:
2733:
2709:
2682:
2543:
2396:
2213:
2165:(1901)
2150:(1900)
2098:(1898)
2083:(1895)
2068:(1894)
2053:(1892)
2038:(1890)
2021:(1890)
2000:(1890)
1983:(1889)
1966:(1889)
1949:(1888)
1932:(1884)
1917:(1884)
1914:Biblis
1900:(1882)
1885:(1881)
1868:(1880)
1853:(1880)
1838:(1879)
1823:(1878)
1808:(1871)
1793:(1871)
1776:(1870)
1761:(1869)
1746:(1869)
1729:(1859)
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