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365:'s old studio and had decorated it as an extension of his own art. Chase filled the studio with lavish furniture, decorative objects, stuffed birds, oriental carpets, and exotic musical instruments. The studio served as a focal point for the sophisticated and fashionable members of the New York City art world of the late 19th century. By 1895, the cost of maintaining the studio, in addition to his other residences, forced Chase to close it and auction the contents.
218:, where his family was then based. While he worked to help support his family he became active in the St. Louis art community, winning prizes for his paintings at a local exhibition. He also exhibited his first painting at the National Academy in 1871. Chase's talent elicited the interest of wealthy St. Louis collectors who arranged for him to visit Europe for two years, in exchange for paintings and Chase's help in securing European art for their collections.
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throughout his career as he had done since his student days. Decorative objects filled his studios and homes, and his interior figurative scenes frequently included still life images. He was particularly adept at capturing the effect of light on metallic surfaces such as copper bowls and pitchers.
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Chase cultivated multiple personae: sophisticated cosmopolitan, devoted family man, and esteemed teacher. Chase married Alice Gerson in 1887 and together they raised eight children during Chase's most energetic artistic period. His eldest daughters, Alice
Dieudonnee Chase and Dorothy Bremond Chase,
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wrote in her memoirs of Chase's contagious enthusiasm, "the most generous of teachers, not only giving exhaustively of his stored knowledge of how to do things, but fostering as well the will to do it. Later, somewhat against his will, he was persuaded to take charge of an art-school at
Shinnecock
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to secure his own exhibition gallery, which he had been denied earlier. He was adored by his Carmel students, several of whom published extensive descriptions of his lectures and teaching methods. Chase found the art colony at Carmel too confining socially and moved his residence to the nearby
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Perhaps Chase's most famous still life subject was dead fish, which he liked to paint against dark backgrounds, limp on a plate as though fresh from a fishmonger's stall. He was known for purchasing the dead fish at the market, painting them quickly, and then returning them before they spoiled.
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A noble sense of color is perceptible in all his works, whether in the subtle elusive tints of flesh, or in the powerful rendering of a mass of scarlet, as in his notable painting of the "Court Jester". In the painting of a portrait he endeavors, sometimes very successfully, to seize character,
775:, was brutally murdered by her Japanese lover, which caused the cancellation of several classes, near violent hysteria in the art colony, and the early departure of some of his students. Chase continued with his regular teaching schedule, held meetings with important regional artists, such as
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in New York; the second were his summer landscapes at
Shinnecock. Chase usually featured people prominently in his landscapes. Often he depicted woman and children in leisurely poses, relaxing on a park bench, on the beach, or lying in the summer grass at Shinnecock. The Shinnecock works in
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In addition to painting portraits and full-length figurative works, Chase began painting landscapes in earnest in the late 1880s. His interest in landscape art may have been spawned by the landmark New York exhibit of French impressionist works from
Parisian dealer
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At the age of 19, he decided to become a sailor and travelled with his friend to
Annapolis where he was commissioned to a merchant ship. After a brief three-month stint in the Navy, Chase understood that it was not for him and his teachers urged him to travel to
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In Munich, Chase employed his rapidly burgeoning talent most often in figurative works that he painted in the loosely brushed style popular with his instructors. In
January 1876, one of these figural works, a portrait titled
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Chase also frequently painted his wife Alice and their children, sometimes in individual portraits, and other times in scenes of domestic tranquility: at breakfast in their backyard, or relaxing at their summer home on
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Chase's creativity declined in his later years, especially as modern art took hold in
America, but he continued to paint and teach into the 1910s. During this period Chase taught such up and coming young artists as
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After stopping his work at
Shinnecock Hills, Chase began taking groups of students overseas in the summer months to tour the important European art centers. In 1903, Chase and his students visited
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before returning to the United States in the summer of 1878, a highly skilled artist representing the new wave of
European-educated American talent. Home in America, he exhibited his painting
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In New York City, however, Chase became known for his flamboyance, especially in his dress, his manners, and most of all in his studio. At Tenth Street, Chase had moved into
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Suffering from declining health (cirrhosis of the liver), Chase took the opportunity shortly after his arrival to meet with the directors of San
Francisco's forthcoming
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In 1903, Chase rented the Villa La Meridiana near Careggi, Florence, to which he would return to paint each summer. Later he bought the Villa Silli, south of the city.
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in 1892 depicts Emmet in a pose typically reserved for men in old masters' paintings. Emmet's hand is on her hip and she looks over her shoulder at the audience.
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1423:"Jennie V. Cannon: The Untold History of the Carmel and Berkeley Art Colonies, vol. One, East Bay Heritage Project, Oakland, 2012; by Robert W. Edwards"
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in 1861, and employed his son as a salesman in the family business. Chase showed an early interest in art, and studied under local, self-taught artists
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He is perhaps best known for his portraits, and his sitters including some of the most important men and women of his time. His portrait of painter
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two years later with Chase staying on as instructor until 1907. Chase taught at the Pennsylvania Academy of the Fine Arts from 1896 to 1909; the
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from July through September 1914 Chase taught his last summer class, his largest with over one hundred pupils and his most problematic, at the
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in 1886. Chase is best remembered for two series of landscape subjects, both painted in an impressionist manner. The first was his scenes of
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In addition to his painting, Chase actively developed an interest in teaching. Initially he took on private pupils, among his first being
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luxury Hotel Del Monte in Monterey, where he negotiated several important portrait commissions. In mid-August one of his students,
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Chase died on October 25, 1916, at his home in New York City, an esteemed elder of the American art world. He was interred in
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A finding aid to the William Merritt Chase papers, circa 1890-1964 in the Archives of American Art, Smithsonian Institution
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from 1878 to 1896 and again from 1907 to 1911; and the Brooklyn Art Association in 1887 and from 1891 to 1896. Along with
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by Frans Hals. He made a self-portrait of himself in the role of one of Hals' schutters, choosing his look-alike
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Photo by Noel Rowe of William Merritt Chase in his studio on Tenth Street New York which he held from 1875-1895
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An online facsimile of the entire text of Vol. 1 is posted on the Traditional Fine Arts Organization website (
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The Biography of Wilhelmina Weber Furlong: The Treasured Collection of Golden Heart Farm by Clint B. Weber,
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641:, the children playing on the floor or among the sand dunes of Shinnecock. In an 1895 painting titled
141:(November 1, 1849 – October 25, 1916) was an American painter, known as an exponent of
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386:, a student from 1879 to 1881 who became a professional artist and a lifelong friend. Dora's mother
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and as a teacher. He is also responsible for establishing the Chase School, which later became the
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One or more of the preceding sentences incorporates text from a publication now in the
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1408:. Oakland, Calif.: East Bay Heritage Project. pp. 122–123, 132–159, 177–179, 260–261.
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particular have come to be thought of by art historians as particularly fine examples of
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method of painting, and often taught his students in outdoor classes. He also opened the
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on eastern Long Island, New York in 1891. He taught there until 1902. Chase adopted the
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521:. He also had an important role in influencing Texas Impressionism, and taught painters
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Today his works are in most major museums in the United States. His home and studio at
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to further his artistic training. He arrived in New York in 1869, met and studied with
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Jennie V. Cannon: The Untold History of the Carmel and Berkeley Art Colonies, Vol. 1
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1592:, fully digitized text from The Metropolitan Museum of Art libraries (see index)
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300:, a group of artists and authors, among whom were some of his notable friends:
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1372:"The Chase School Of Art At Carmel-By-The-Sea, California, by Eunice T. Gray"
296:, home to many of the important painters of the day. He was a member of the
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Jennie V. Cannon: The Untold History of the Carmel and Berkeley Art Colonies
184:
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travelled back to Europe to team up with Chase to go on a working tour of
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William Merritt Chase was born on November 1, 1849, in Williamsburg (now
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1247:. Vol. 1. Oakland, CA: East Bay Heritage Project. pp. 665–666.
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1323:. Vol. 5 (11th ed.). Cambridge University Press. p. 956.
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In 1870, declining family fortunes forced Chase to leave New York for
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1116:"Meet William Merritt Chase, The Man Who Taught America's Masters"
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1259:"Search the Entire Collection Database – Heckscher Museum of Art"
779:, painted several local scenes, and experimented with monotypes.
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Chase won many honors at home and abroad, was a member of the
288:(collection of the Union League Club) with the newly formed
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In addition to his instruction of East Coast artists like
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At the instigation of Mrs. William Hoyt, Chase opened the
257:; later that year it was exhibited and won a medal at the
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although occasionally rather too impressionist in style.
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Cannon, Jennie Vennerström; Edwards, Robert W. (2012).
716:, New York, and from 1885 to 1895 was president of the
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Manet/Velázquez: the French Taste for Spanish Painting
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The Officers of the St Adrian Militia Company in 1633
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in 1878. He also opened a studio in New York in the
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Members of the American Academy of Arts and Letters
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2029:
1957:
1941:
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Digitized William Merritt Chase exhibition catalogs
1472:. The American Federation of the Arts. p. 321.
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101:
85:
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28:
1538:Ibiblio page on Chase, with portrait and paintings
1140:"Monadnock Art - Friends of the Dublin Art Colony"
1447:San Francisco Chronicle, 6 September 1914, p. 54.
571:Chase worked in all media. He was most fluent in
1281:Art in America: A Critical and Historical Sketch
1168:. New York: Metropolitan Museum of Art. p. 524.
261:, and this success gained Chase his first fame.
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755:'s Summer School Of Art. His former student,
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2490:Pennsylvania Academy of the Fine Arts faculty
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904:Afternoon by the Sea (Gravesend Bay), c. 1888
8:
1596:"Do not try to paint the grandiose thing …"
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591:said of his style in a contemporary review:
1214:Who Was Who in American Art, 1564–1975: A-F
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19:For other people named William Chase, see
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1018:, circa 1898, Metropolitan Museum of Art
207:, a student of the famous French artist
2460:Art Students League of New York faculty
1081:
818:
768:Panama–Pacific International Exposition
199:for a short time, then enrolled in the
1484:"National Register Information System"
1217:. Sound View Press. 1999. p. 45.
815:List of works by William Merritt Chase
339:Chase's roles: father, artist, teacher
1070:List of William Merritt Chase artwork
1048:, 1913, Albrecht-Kemper Museum of Art
396:Shinnecock Hills Summer School of Art
251:Pennsylvania Academy of the Fine Arts
7:
1489:National Register of Historic Places
1456:New York Herald, 27 June 1915, p. 5.
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1205:
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799:National Register of Historic Places
529:. He also taught Midwestern artist,
2495:People from Johnson County, Indiana
2430:Academy of Fine Arts, Munich alumni
1523:322 images by William Merritt Chase
1466:Levy, Florence Nightingale (1917).
2480:National Academy of Design members
2420:20th-century American male artists
2410:19th-century American male artists
1589:American impressionism and realism
259:Philadelphia Centennial Exposition
233:, and befriended American artists
130:Philadelphia Centennial Exposition
14:
1670:Terrace at the Mall, Central Park
1583:Green-Wood Cemetery Burial Search
1469:American Art Directory, Volume 14
981:Study of a Girl in Japanese Dress
968:, c. 1895 San Diego Museum of Art
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549:, where Chase was inspired by a
358:often modeled for their father.
221:In Europe, Chase settled at the
2435:American Impressionist painters
1562:William Meritt Chase obituaries
1194:. Harper Brothers, NY. p.
1164:, and Deborah L. Roldán. 2003.
803:William Merritt Chase Homestead
2470:Members of the Salmagundi Club
2465:Burials at Green-Wood Cemetery
2425:20th-century American painters
2415:19th-century American painters
1949:First Impressionist Exhibition
1575:New International Encyclopedia
1569:"Chase, William Merritt"
1533:Bio at National Gallery of Art
249:(now in the collection of the
247:"Keying Up" – The Court Jester
241:, and J(oseph) Frank Currier.
21:William Chase (disambiguation)
1:
2115:Marc-Aurèle de Foy Suzor-Coté
1528:Bio at Brooklyn Museum of Art
936:A Sunny Day at Shinnecock Bay
720:. He became a member of the
294:Tenth Street Studio Building
223:Academy of Fine Arts, Munich
95:Academy of Fine Arts, Munich
16:American painter (1849–1916)
2284:French impressionist cinema
1744:Carmel Arts and Crafts Club
1404:Edwards, Robert W. (2012).
848:Mrs Chase Playing the Piano
753:Carmel Arts and Crafts Club
718:Society of American Artists
391:Hills, Long Island . . . "
315:In 1881, friend and artist
290:Society of American Artists
2516:
2445:American portrait painters
2325:Pennsylvania Impressionism
1873:
918:Girl in a Japanese Costume
889:National Academy of Design
812:
795:Shinnecock Hills, New York
714:National Academy of Design
707:Metropolitan Museum of Art
499:Lillian Elvira Moore Abbot
406:in 1896, which became the
201:National Academy of Design
164:, 1915–16, oil on canvas,
90:National Academy of Design
18:
2450:Artists from Indianapolis
2379:Pays des Impressionnistes
2173:Giovanni Battista Ciolina
1644:
1335:"National Gallery of Art"
1191:Yesterdays in a Busy Life
684:Chase continued to paint
35:
2315:Decorative Impressionism
2310:California Impressionism
1739:Parsons School of Design
1382:(4): 118–120. Feb 1915.
1188:Candace Wheeler (1918).
761:James Franklin Devendorf
734:Wilhelmina Weber Furlong
598:Open Air Breakfast, 1888
567:Style and subject matter
491:Elizabeth Sparhawk-Jones
147:Parsons School of Design
2485:American pastel artists
2455:Painters from St. Louis
2335:Synthetic impressionism
2300:Amsterdam Impressionism
2125:Helen Galloway McNicoll
1976:Frederick Carl Frieseke
1721:William M. Chase, N. A.
1320:Encyclopædia Britannica
1090:"William Merritt Chase"
624:National Gallery of Art
431:Howard Chandler Christy
253:) was exhibited at the
153:Early life and training
2440:American male painters
2006:Walter Elmer Schofield
1315:Chase, William Merritt
1060:American Impressionism
709:
693:Honors and late career
671:American Impressionism
626:
606:
599:
503:Edward Charles Volkert
479:Frances Miller Mumaugh
443:Mariette Leslie Cotton
408:New York School of Art
379:
354:
317:William Preston Phelps
310:Augustus Saint Gaudens
269:
168:
2233:Władysław Podkowiński
1971:William Merritt Chase
1862:Pierre-Auguste Renoir
1638:William Merritt Chase
1553:William Merritt Chase
1518:at Wikimedia Commons
1516:William Merritt Chase
1494:National Park Service
999:First Touch of Autumn
722:Ten American Painters
701:Portrait of Chase by
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616:
597:
537:European summer tours
427:Louise Upton Brumback
371:
346:
267:
160:
139:William Merritt Chase
30:William Merritt Chase
2140:Robert Wakeham Pilot
2130:James Wilson Morrice
2011:John Henry Twachtman
1144:www.monadnockart.org
726:John Henry Twachtman
581:watercolor paintings
507:Arthur Frank Mathews
282:John Henry Twachtman
227:Alexander von Wagner
2253:Philip Wilson Steer
2105:William Blair Bruce
1892:Gustave Caillebotte
1812:Gustave Caillebotte
966:An Afternoon Stroll
829:The Moorish Warrior
797:, was added to the
784:Green-Wood Cemetery
738:Arthur Hill Gilbert
703:John Singer Sargent
579:, but also created
531:Sara Shewell Hayden
467:Annie Traquair Lang
459:George Pearse Ennis
412:Art Students League
404:Chase School of Art
216:St. Louis, Missouri
166:Richmond Art Museum
2362:The Impressionists
2330:Post-Impressionism
2208:Konstantin Korovin
2058:Frederick McCubbin
1902:Henry O. Havemeyer
1543:Artcyclopedia page
1162:Geneviève Lacambre
1046:A Venetian Balcony
788:Brooklyn, New York
710:
627:
600:
519:Shirley Williamson
435:Kate Freeman Clark
380:
373:Mrs. Chase in Pink
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286:Ready for the Ride
272:Chase traveled to
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197:Joseph Oriel Eaton
169:
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2320:Neo-Impressionism
2188:Antoine Guillemet
2168:Marie Bracquemond
2135:Laura Muntz Lyall
2001:Theodore Robinson
1996:Lilla Cabot Perry
1832:Armand Guillaumin
1752:
1751:
1514:Media related to
1496:. March 13, 2009.
1360:978-0-9851601-0-4
1224:978-0-932087-55-3
862:Portrait of Miss
773:Helena Wood Smith
749:Carmel-by-the-Sea
631:Lydia Field Emmet
609:Portrait painting
455:Lydia Field Emmet
439:Jay Hall Connaway
136:
135:
106:Portrait painting
80:New York City, US
2507:
2364:(2006 TV series)
2356:Wilfrid de Glehn
2228:Nadežda Petrović
2193:Nazmi Ziya GĂĽran
2092:
2035:
1986:Alphonse Maureau
1963:
1933:Ambroise Vollard
1923:Paul Durand-Ruel
1879:
1857:Camille Pissarro
1802:Frédéric Bazille
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1662:The Young Orphan
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1425:. Archived from
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1376:Art and Progress
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1160:Tinterow, Gary,
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1146:. Archived from
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880:The Young Orphan
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777:William Ritschel
757:Jennie V. Cannon
555:Johan Claesz Loo
523:Julian Onderdonk
487:Leopold Seyffert
483:Georgia O'Keeffe
377:Figge Art Museum
363:Albert Bierstadt
209:Jean-LĂ©on GĂ©rĂ´me
76:
73:October 25, 1916
62:Nineveh, Indiana
58:November 1, 1849
57:
55:
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2258:Eliseu Visconti
2248:JoaquĂn Sorolla
2223:Francisco Oller
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619:A Friendly Call
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463:Marsden Hartley
388:Candace Wheeler
352:Brooklyn Museum
348:Studio Interior
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181:Barton S. Hays
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1647:List of works
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1429:on 2016-04-29
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1306:public domain
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1263:heckscher.org
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951:In The Studio
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299:
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42:Chase in 1900
39:
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22:
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2183:Eva Gonzalès
2068:John Russell
1970:
1847:Claude Monet
1822:Paul CĂ©zanne
1817:Mary Cassatt
1719:
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1588:
1573:
1557:Find a Grave
1508:
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1461:
1452:
1443:
1431:. Retrieved
1427:the original
1405:
1379:
1375:
1366:
1350:
1338:. Retrieved
1329:
1318:
1279:
1271:
1262:
1253:
1240:
1233:
1213:
1190:
1165:
1156:
1148:the original
1143:
1134:
1123:. Retrieved
1119:
1093:. Retrieved
1084:
1045:
1030:
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980:
965:
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935:
917:
903:
884:
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864:Dora Wheeler
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683:
675:
654:
642:
635:
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617:
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573:oil painting
570:
558:
557:featured in
551:schutterstuk
540:
451:Silas Dustin
420:
416:Robert Henri
393:
384:Dora Wheeler
381:
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314:
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189:
177:Indianapolis
170:
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75:(1916-10-25)
2405:1916 deaths
2400:1849 births
2369:Louis Leroy
2267:Other media
2243:Max Slevogt
2218:Henry Moret
2063:Tom Roberts
1942:Exhibitions
1827:Edgar Degas
1795:Originators
953:, c. 1892–3
920:, c. 1890.
885:At Her Ease
831:, c. 1878.
686:still lifes
680:Still lifes
658:Durand-Ruel
639:Long Island
547:Netherlands
350:, c. 1882,
2394:Categories
2279:Literature
2100:Henri Beau
2032:Australian
1713:Portrayals
1686:Idle Hours
1433:2016-06-07
1174:1588390403
1125:2016-08-10
1076:References
891:, New York
651:Landscapes
515:Percy Gray
471:John Marin
54:1849-11-01
1654:Paintings
938:, c. 1892
400:plein air
185:Jacob Cox
86:Education
2293:See also
2089:Canadian
1960:American
1681:(c.1892)
1388:20561363
1054:See also
1031:The Song
983:c. 1895
887:, 1884,
662:Prospect
622:, 1895.
585:etchings
278:Duveneck
193:New York
116:Movement
2349:Related
2340:The Ten
2151:artists
2091:artists
2034:artists
1962:artists
1916:Dealers
1885:Patrons
1732:Related
1702:Dorothy
1578:. 1905.
1340:7 April
1308::
1120:NPR.org
1095:30 July
809:Gallery
545:in the
543:Haarlem
333:Germany
173:Nineveh
1705:(1902)
1697:(1895)
1689:(1894)
1673:(1890)
1665:(1884)
1412:
1386:
1358:
1302:
1221:
1172:
1033:, 1907
1001:, 1898
866:, 1883
850:, 1883
740:, and
728:died.
724:after
577:pastel
501:, and
325:Venice
298:Tilers
203:under
126:Awards
2374:Nadar
2274:Music
2149:Other
1384:JSTOR
1245:(PDF)
329:Capri
321:Italy
132:medal
1410:ISBN
1356:ISBN
1342:2013
1219:ISBN
1170:ISBN
1097:2022
664:and
583:and
575:and
525:and
517:and
308:and
280:and
229:and
183:and
70:Died
64:, US
48:Born
1555:at
1317:".
1196:245
883:or
747:At
2396::
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1492:.
1486:.
1438:).
1396:^
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1374:.
1289:^
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1261:.
1204:^
1180:^
1142:.
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1105:^
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790:.
786:,
744:.
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673:.
587:.
563:.
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1265:.
1227:.
1198:.
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23:.
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