Hymn - Knowledge

1422: 259: 29: 509: 730:, favoured by many Zwinglians, Calvinists and some radical reformers, considered anything that was not directly authorised by the Bible to be a novel and Catholic introduction to worship, which was to be rejected. All hymns that were not direct quotations from the Bible fell into this category. Such hymns were banned, along with any form of instrumental musical accompaniment, and organs were removed from churches. Instead of hymns, biblical psalms were chanted, most often without accompaniment, to very basic melodies. This was known as 1867:

sadhakas during their meditation or act of devotion. The contents of these strotras are of varied nature ranging from simple act of confession, qualities of Buddhas and Bodhisattvas, praises of deities of both mundane and supra-mundane , iconographic data of various tantric deities and also explanation of Buddha’s teachings themselves in the form of verses. These stotras can be sung with melodious music and can imprint the devotees significantly even in this modern world through the multimedia device.

1457: 1439: 930: 862: 745: 5563: 2151:(Sabbath hymns) translated variously as table songs, domestic songs and home songs. These are a specific set of religious poems in Hebrew or Aramaic written mostly between the 10th and 17th centuries, which are sung during and directly after Sabbath meals. The musical versions are numerous and heterogeneous reflecting a wealth of different styles and geographic origins, and comprising an ever expanding body of folk material. 6028: 2333:...poets who have mystical experiences and project them in verse have occasionally been successful but mystics who write poetry do it badly. Religious hymns, however notable the religious sentiment they express are not notably poetic. Great religious poetry undoubtedly exists but the greatness is unequally divided between the poetry and religion, while perfect integration between the two is rare. 6038: 1448: 1303:(the so-called "better music boys") were actively campaigning for the introduction of more "refined" and modern singing styles, and eventually these American tune books were replaced in many churches, starting in the Northeast and urban areas, and spreading out into the countryside as people adopted the gentler, more soothing tones of 1008:, and others who produced testimonial music for revivals, camp meetings, and evangelistic crusades. The tune style or form is technically designated "gospel songs" as distinct from hymns. Gospel songs generally include a refrain (or chorus) and usually (though not always) a faster tempo than the hymns. As examples of the distinction, " 311:, among other Scriptural verses, encourage Christians to sing hymns to praise God. As such, since the earliest times, Christians have sung "psalms and hymns and spiritual songs", both in private devotions and in corporate worship. Non-scriptural hymns (i.e. not psalms or canticles) from the Early Church still sung today include ' 1456: 1410:

indicates long meter, which is 88.88 (four lines, each eight syllables long); S.M. is short meter (66.86); C.M. is common metre (86.86), while D.L.M., D.S.M. and D.C.M. (the "D" stands for double) are similar to their respective single meters except that they have eight lines in a verse instead of four.

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The Gathas are also filled with word plays and deliberate ambiguities, and they were likely intended to be used by initiates as meditative instruments to enlightenment. Only occasionally do the Gathas give an exact and clear picture of Zoroaster’s actual teachings, but in general they reflect them in

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In prosperity or distress, the Nepalese people worship and pray to the Buddhas and Bodhisattvas for protection, good health, prosperity, and family welfare and also for liberation from cyclic existence. The stotras or hymns throw light on various aspects of Buddhist doctrines. The stotras are sung by

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The meter is often denoted by a row of figures besides the name of the tune, such as "87.87.87", which would inform the reader that each verse has six lines, and that the first line has eight syllables, the second has seven, the third line eight, etc. The meter can also be described by initials; L.M.

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for singing. In practice many hymns conform to one of a relatively small number of meters (syllable count and stress patterns). Care must be taken, however, to ensure that not only the metre of words and tune match, but also the stresses on the words in each line. Technically speaking an iambic tune,

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to do their church's singing, rather than having the entire congregation participate. But in many rural areas the old traditions lived on, not in churches, but in weekly, monthly or annual conventions were people would meet to sing from their favorite tunebooks. The most popular one, and the only one

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Relying heavily on Scripture, Watts wrote metered texts based on New Testament passages that brought the Christian faith into the songs of the church. Isaac Watts has been called "the father of English hymnody", but Erik Routley sees him more as "the liberator of English hymnody", because his hymns,

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into hymns came from slave songs of the United States a collection of slave hymns, compiled by William Francis Allen, who had difficulty pinning them down from the oral tradition, and though he succeeded, he points out the awe-inspiring effect of the hymns when sung in by their originators. Some of

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followed this tradition, but is also credited as having written the first English hymn which was not a direct paraphrase of Scripture. Watts (1674–1748), whose father was an Elder of a dissenter congregation, complained at age 16, that when allowed only psalms to sing, the faithful could not even

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One definition of a hymn is "...a lyric poem, reverently and devotionally conceived, which is designed to be sung and which expresses the worshipper's attitude toward God or God's purposes in human life. It should be simple and metrical in form, genuinely emotional, poetic and literary in style,

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and other more complex features. During this period, hymns were incredibly popular in the United States, and one or more of the above-mentioned tunebooks could be found in almost every household. It is not uncommon to hear accounts of young people and teenagers gathering together to spend an

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that rhymes ABAB and alternates four-stress and three-stress iambic lines - which was the typical way hymns were sung. Noting in his preface the fondness of other compilers for tunes in common measure, Billings promised his subscribers a well-balanced collection, with "a Sufficiency in each

1120:(expressions of one's personal experience of God). This distinction is not perfectly clear; and purists remove the second two types from the classification as hymns. It is a matter of debate, even sometimes within a single congregation, often between revivalist and traditionalist movements. 418:

In many Evangelical churches, traditional songs are classified as hymns while more contemporary worship songs are not considered hymns. The reason for this distinction is unclear, but according to some it is due to the radical shift of style and devotional thinking that began with the

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in New England, spread throughout churches a new idea of how to sing hymns, in which anyone could sing a hymn any way they felt led to; this idea was opposed by a writer of the time, Rev. Thomas Walter, who felt it was "like Five Hundred different Tunes roared out at the same time".

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sing about their Lord, Christ Jesus. His father invited him to see what he could do about it; the result was Watts' first hymn, "Behold the glories of the Lamb". Found in few hymnals today, the hymn has eight stanzas in common metre and is based on Revelation 5:6, 8, 9, 10, 12.

392:; the same word is used for the collectivity of hymns belonging to a particular denomination or period (e.g. "nineteenth century Methodist hymnody" would mean the body of hymns written and/or used by Methodists in the 19th century). A collection of hymns is called a 545:

congregations, hymns are typically sung in unison. In some cases complementary full settings for organ are also published, in others organists and other accompanists are expected to adapt the available setting, or extemporise one, on their instrument of choice.

403:. These may or may not include music; among the hymnals without printed music, some include names of hymn tunes suggested for use with each text, in case readers already know the tunes or would like to find them elsewhere. A student of hymnody is called a 881: 948: 2013:

and Australia’s The Brothahood use hip-hop music to get their spiritual message across to a new generation of young Muslims. The nasheeds in English by South Africa’s Zain Bhikha secured him a large following in Europe and the Middle East.

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The links below are restricted to either material that is historical or resources that are non-denominational or inter-denominational. Denomination-specific resources are mentioned from the relevant denomination-specific articles.

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Other groups of Christians have historically excluded instrumental accompaniment, citing the absence of instruments in worship by the church in the first several centuries of its existence, and adhere to an unaccompanied

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a modified and elaborated form, many times marked by complexity and ornateness of style, the prophet demonstrating his poetical skill in order to stimulate Ahura Mazdā to fulfil his requests or to answer his questions.

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means literally 'songs' or 'hymns' but is used to refer to two specific repertories: The first, according to the Sephardic tradition, refers to the preliminary section of psalms and biblical verses recited during the

3795: 1016:" is a gospel song. During the 19th century, the gospel-song genre spread rapidly in Protestantism and to a lesser but still definite extent, in Roman Catholicism; the gospel-song genre is unknown in the worship 1115:

This long tradition has resulted in a wide variety of hymns. Some modern churches include within hymnody the traditional hymn (usually describing God), contemporary worship music (often directed to God) and

923:, not only within Methodism, but in most Protestant churches. He developed a new focus: expressing one's personal feelings in the relationship with God as well as the simple worship seen in older hymns. 1948:

was originally defined by what it didn’t contain: no strings, brass, or wind instruments and no female vocals. The only instrument initially allowed was minimal percussion by an Arabic drum called the

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and other holy days, is that it is almost entirely vocal. Though today, accompanying instruments such as the organ might be utilized in worship, the emphasis on congregational song and the art of the

3780:, ed. Geraint Evans & Helen Fulton (Cambridge University Press, 2019); E. Wyn James, 'German Chorales and American Songs and Solos: Contrasting Chapters in Welsh Congregational Hymn-Singing', 1142:

Hymn writing, composition, performance and the publishing of Christian hymnals were prolific in the 19th-century and were often linked to the abolitionist movement by many hymn writers.

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hymns are composed and performed to praise the Jinas. Written in every language Jains have used, the predominant pada form reflects Jain involvement in Indian poetics and in the

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style began in the late 1960s and became very popular during the 1970s, as young hymnists sought ways in which to make the music of their religion relevant for their generation.

3803:. National Museums of Canada Bulletin No. 231, Folklore Series No. 7. Translated by E. A. Popoff (song texts). Ottawa: The National Museums of Canada; Queen's Printer of Canada. 880: 813:. Luther and his followers often used their hymns, or chorales, to teach tenets of the faith to worshipers. The first Protestant hymnal was published in Bohemia in 1532 by the 1413:

Also, if the number of syllables in one verse differ from another verse in the same hymn (e.g., the hymn "I Sing a Song of the Saints of God"), the meter is called Irregular.

1421: 4161: 1779:. The text remains the holy scripture of the Sikhs, regarded as the teachings of the Ten Gurus. The role of Guru Granth Sahib, as a source or guide of prayer, is pivotal in 1275:, and literally many dozens of others. Shape notes were important in the spread of (then) more modern singing styles, with tenor-led 4-part harmony (based on older English 4694: 2097:, meaning ‘First Lord’. The title comes from the first verse, which says that ‘his feet enhance the lustre of the jewels set in the crowns lowered by the devoted gods’. 299:

wrote to the Ephesian and Colossian churches, enjoining the singing of psalms and hymns for "mutual encouragement and edification." This was demonstrated when he joined

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There are six obligatory acts that are expected to be performed by Jains sequentially as a single act twice daily. The second one of these is showing reverence to the

132:). Hymns also survive from antiquity, especially from Egyptian and Greek cultures. Some of the oldest surviving examples of notated music are hymns with Greek texts. 4938: 258: 1691:

movement. That is, the new hymns themselves received the status of holy scripture. An example of a hymnist, both lyricist and composer is the 15th–16th centuries

5917: 4221: 4162:"The American Musical Landscape - Part III Three Composers and a Song - William Billings (1746-1800) and American Psalmody: a Study of Musical Dissemination" 2164:– developed their own form of religious worship. Their services were enhanced by the addition of poetry for special occasions such as the major festivals ( 3873: 28: 879: 5480: 3902: 3372:. The Coptic encyclopedia. New York : Toronto : New York: Macmillan ; Collier Macmillan Canada ; Maxwell Macmillan International. 3099: 478:

in early writings, the actual musical forms in the early church can only be surmised. During the Middle Ages a rich hymnody developed in the form of

871: 763: 5967: 3815: 3776:, ed. I. Rivers & D. L. Wykes (Oxford University Press, 2011); E. Wyn James, 'Popular Poetry, Methodism, and the Ascendancy of the Hymn', in 2502: 1127:

mapped 20,000 melody variants for Swedish hymns and helped create the Swedish Choral Registrar, which displays the wide variety of hymns today.

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Music have reset old lyrics to new melodies, revised old hymns and republished them, or simply written a song in a hymn-like fashion such as "

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A short praise poem or hymn in Sanskrit verse, usually intended to be sung. They are frequently excerpted or anthologized in Stotramāla.

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accept it, counting 44 and 48 stanzas respectively. It is dedicated to the first Jina, Ṛṣabhanātha or Lord Ṛṣabha, frequently known as

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use studio trickery and manipulate backing vocals to sound like a synth piano or string section. In the West, groups such as America’s

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aimed at raising the level of church music in America, publishing their "Collection of Church Music" in 1822. In the late 19th century

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teacher, created the first tune book with only American born compositions. Within his books, Billings did not put as much emphasis on "

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Music, David. Hymnology A Collection of Source Readings. 1. 1. Lanham MD: Scarecrow Press, Inc., 1996. 179/185–186/192/199/206. Print.

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adherents incorporate music into worship. The most popular are services undertaken by Mevlevi Sufis, which include chanting and the

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and hymns like them, moved worshippers beyond singing only Old Testament psalms, inspiring congregations and revitalizing worship.

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Anderson, Warren; Mathiesen, Thomas J.; Boynton, Susan; Ward, Tom R.; Caldwell, John; Temperley, Nicholas; Eskew, Harry (2001).

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Musically, Jain hymns can be grouped into the folk genres of devotional music in western India, such as Gujarāti rās-garbā and

727: 1039:. The second half of the 19th century witnessed an explosion of hymn tune composition and congregational four-part singing in 6087: 2877: 1851:

traditions, stotras are melodic expressions of devotion and inspiration found in other Sanskrit religious movements as well.

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In some radical Protestant movements, their own sacred hymns completely replaced the written Bible. An example of this, the

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spiritual in quality, and in its ideas so direct and so immediately apparent as to unify a congregation while singing it."

5527: 5473: 806: 707: 675: 4511:. Vol. 1. Translated by Stephanie W. Jamison; Joel P. Brereton. New York: Oxford University Press. 2014. p. 3. 1288:

afternoon singing hymns and anthems from tune books, which was considered great fun, and there are surviving accounts of

5947: 5932: 5584: 5579: 5402:"Hymns Without Words – a collection of freely downloadable recordings of classic hymns for use in congrgational singing" 1915: 1329:

prior to this). Since then there has been a renaissance in "Sacred Harp singing", with annual conventions popping up in

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One of the main features of devotional music and hymns in Judaism, especially when utilized in synagogue ritual on the

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However, in places such as Turkey and Southeast Asia, several new styles of spiritual songs have developed. In Turkey,

198:, a collection of ancient Greek hymns, the oldest of which were written in the 7th century BC, praising deities of the 5952: 5368: 2183: 1809:

followers to carry out in their daily lives. Temple service chanting may include: dedications to the Three Treasures (

1075: 1032: 3025: 1318:, which could be found in the typical rural Southern home right up until the living tradition was "re-discovered" by 1134:, and this "secularization" also includes use as sources of musical entertainment or even vehicles for mass emotion. 754: 4424:"Poetry 101: What Is Meter? Learn the Difference Between Qualitative and Quantitative Meter in Poetry with Examples" 2186:

in Spain (c. 950-1150). Among these were Solomon ibn Gabriol, Judah Halevi and the two Ibn Ezras—Abraham and Moshe.

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In modern times, hymn use has not been limited to strictly religious settings, including secular occasions such as

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In Christianity, church congregations often sing hymns together as part of their worship (Pictured: worshippers at

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The sacred songs attributed to Zoroaster (Zarathustra), the poet-priest and founder of Zoroastrianism, are called

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According to Japanese mythology, Shinto music stems from the time of the gods when there was no earth and sea. In

1097:(1909) is firstly printed hymnal containing songs, which to have been composed as an oral piece to be sung aloud. 5713: 1628: 1495: 1258: 1184: 1031:, which continued into the first half of the 19th century. The most prominent names among Welsh hymn-writers are 1013: 5027: 304: 6092: 6067: 6062: 6031: 6003: 5998: 5972: 5706: 5466: 1369: 1188: 1047: 533: 440: 5328:. "Praying Twice: The Music and Words of Congregational Song". Louisville: Westminster John Knox Press, 2000. 1862:. Min Bahadur Shakya, former director of the Nagarjuna Institute of Exact Methods in Lalitpur, Nepal, writes: 1210:, exploded in America, and professional singing masters went from town to town teaching the population how to 605:

congregational singing of hymns. These groups include the 'Brethren' (often both 'Open' and 'Exclusive'), the

436: 5397:—Extensive database of hymns and hymnology resources; incorporates the Dictionary of North American Hymnology 3567: 2845: 2596:, Harvard Oriental Series, Opera Minora, vol. 2, Cambridge: Harvard University Press, pp. 259–264, 5620: 4329: 3910: 2791: 1219: 375: 5599: 1124: 981: 801:

is notable not only as a reformer, but as the author of hymns including "Ein feste Burg ist unser Gott" ("

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Christian hymns are often written with special or seasonal themes and these are used on holy days such as

263: 142: 123: 3650:. Princeton: Prestige Publications, Inc. p. Part 7, "Isaac Watts, the Liberator of English Hymnody". 2865: 2861: 2795:(Oxford: Clarendon Press, 8th edition 1897, 1985 printing), p. 1849; entry on 'hymnus,' Lewis and Short, 5988: 5691: 5438: 5338: 4942: 2213: 1570: 1326: 1263: 1100:

Many churches today use contemporary worship music which includes a range of styles often influenced by

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Hymnus est laus Dei cum cantico; canticum autem exultatio mentis de aeternis habita, prorumpens in vocem

371: 22: 4111: 2853: 2532: 2510: 621:, and certain Reformed churches, although during the last century or so, several of these, such as the 4287: 3823: 2849: 5767: 5380: 4248:

Continuum Encyclopedia of Popular Music of the World: VolumeII: Performance and Production, Volume 11

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were renderings of Isaac Watts hymns written in the African-American vernacular English of the time.

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is strictly reserved and dedicated to the Imperial house and the highest nobility and clergy; rural

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that had been used before that. During this period hundreds of tune books were published, including

6077: 5892: 5740: 5261: 5135: 4539: 1684: 367: 316: 285: 5106: 4987: 3967:, Horizons anglophones, Montpellier: Presses universitaires de la Méditerranée, pp. 221–246, 3592: 2960: 2857: 2274:

is a most colourful and vivid presentation of the popular feats of supramortal and mortal heroes.

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Atiya, Aziz S.; Moftah, Ragheb; Robertson, Marian; Roy, Martha (1991). Atiya, Aziz Suryal (ed.).

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hymns or eulogies sung in praise of the divine and the transcendent. Usually associated with the

1276: 1238: 1067: 731: 618: 606: 3728:"Change and Differentiation: The Adoption of Black American Gospel Music in the Catholic Church" 2233: 1825:, which record the teachings of the Buddha; compositions of Pure Land Buddhist teachers such as 339: 3401: 2439: 5872: 5756: 5630: 5346: 5329: 5308: 5286: 5173: 5033: 4963: 4869: 4807: 4723: 4628: 4603: 4578: 4553: 4543: 4512: 4481: 4403: 4062: 3976: 3939: 3882: 3852: 3747: 3666: 3626: 3534: 3482: 3444: 3373: 3341: 3337: 3174: 3113: 3109: 3035: 2979: 2933: 2730: 2705: 2678: 2672: 2478: 2289: 2283: 2023: 1894: 1883: 1764: 1760: 1718: 1549: 1365: 1024: 641: 554: 456: 177: 167: 4803: 4797: 3528: 1146:

wrote a number of hymns that were used during church services during this era of publishing.

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by Eastern Orthodox churches, which rely exclusively on traditional chants (a type of hymn).

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Processional Hymns, for Use in the Cathedral of All Saints, Albany, New York | Hymnary.org

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is the earliest and foundational Indian collection of over a thousand liturgical hymns in

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during times of slavery to the modern, lively black gospel style. The first influences of

1289: 1196: 1180: 1131: 1063: 960: 825: 679: 584: 550: 479: 444: 79: 67: 3186: 3154: 715:, in the introduction to his commentary on the Psalms, defined the Christian hymn thus: " 5562: 4184:"The Boston Handel and Haydn Society Collection of Church Music (Mason, Lowell) - IMSLP" 3248: 2954: 2903: 6082: 5867: 5852: 5822: 5795: 5775: 5733: 5662: 5640: 5253: 3393: 2582: 2557: 2326: 2172: 2161: 2133: 2002: 1889: 1797: 1676: 1521: 1334: 1172: 1163: 1159: 1143: 1028: 916: 892: 814: 712: 649: 576: 572: 521: 420: 388:

A writer of hymns is known as a hymnodist, and the practice of singing hymns is called

225: 155: 87: 45: 41: 37: 5421: 2586: 6056: 5686: 5674: 5655: 4743: 2999: 2587:"The Development of the Vedic Canon and its Schools: The Social and Political Milieu" 2343: 2205: 2094: 1998:

artists from the Gulf have found innovative ways to overcome the no-instrument rule.

1966: 1954:. This minimal form remains widely practiced in the Gulf and some other parts of the 1945: 1910:, with its collection of poems and folk songs, was heavily valued by the philosopher 1806: 1738: 1648: 1624: 1330: 1304: 1211: 1192: 1101: 1036: 1009: 1005: 985: 798: 774: 683: 663: 529: 195: 3555:. The Hymns of Martin Luther set to their original Melodies with an English version, 6008: 5862: 5832: 5817: 5812: 5805: 5785: 5681: 5604: 5594: 3557:

ed. Leonard Woolsey Bacon and Nathan H. Allen (London: Hodder and Stoughton, 1884).

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of a hymn. This provides a means of marrying the hymn's text with an appropriate

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Music, Culture and Identity in the Muslim World: Performance, Politics and Piety

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Cai, Zong-qi (July 1999). "In Quest of Harmony: Plato and Confucius on Poetry".

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In Pakistan and Southeast Asia, the most recognized form of devotional music is

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in singing hymns in the Phillipian jail, even during unfortunate circumstances.

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describing the qualities of God and why one should meditate on God's name. The

1104:. This often leads to some conflict between older and younger congregants (see 5552: 5547: 5325: 3170: 2212:- Rosh Hashana and Yom Kippur, respectively), as a special call to prayer and 2209: 1983: 1955: 1935: 1810: 1772: 1620: 1584: 1478: 1323: 1319: 1215: 1207: 1086: 1059: 972: 908: 831:

The earlier English writers tended to paraphrase biblical texts, particularly

821: 785: 653: 610: 601: 592: 541: 513: 284:") in the Scriptures, Christian hymns are generally directed as praise to the 209: 112: 5343:

Flame in the Mountains: Williams Pantycelyn, Ann Griffiths and the Welsh Hymn

5177: 5071: 4557: 4136: 4066: 3972: 3751: 3448: 3178: 2176:(High Holidays). Most of these poetic insertions are rhymed, metrical hymns ( 5837: 5522: 5507: 5503: 4399: 4016: 3503:"The Regulative Principle of Worship – Free Presbyterian Church of Scotland" 2594:

Inside the Texts, Beyond the Texts: New Approaches to the Study of the Vedas

2293: 2292:. The Gathas, consist of seventeen hymns composed by the great poet-prophet 2229: 2128: 2090: 1911: 1826: 1696: 1664: 1656: 1636: 1616: 1577: 1402: 1350: 432: 412: 408: 355: 331: 182: 150: 5372: 3960: 3299: 2622:"Shijing | Classical Poetry, Ancient Texts & Confucianism | Britannica" 2621: 2414: 486:, and most often by monastic choirs. While they were written originally in 202:. Surviving from the 3rd century BC is a collection of six literary hymns ( 5107:"Non-Ashkenazic traditions - Leitmotifs in Sephardic High Holiday Liturgy" 3324:

Levy, Kenneth; Troelsgård, Christian (2016). Troelsgård, Christian (ed.).

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Levin, Neil (1997). Z'mirot Anthology. Hal Leonard Corp. ISBN 0933676050.

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around 1200 BC. They are arranged into five groups based on their meter:

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is also sung after the tithes and offerings are brought up to the altar.

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Critical Thought: An Anthology of Twentieth Century Indian English Essay

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A hymnody acquired tremendous importance during the medieval era of the

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or hymn books. Hymns may or may not include instrumental accompaniment.

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Hughes, Charles, Albert Christ Janer, and Carleton Sprague Smith, eds.

4848: 2348: 2190: 2140:. The second repertory is well defined in Neil Levin's Overview of his 2121: 2041: 1995: 1974: 1939: 1931: 1848: 1830: 1768: 1743: 1701: 1680: 1652: 1516: 1491: 1466: 1427: 1342: 1338: 1090: 726:

resulted in two conflicting attitudes towards hymns. One approach, the

652:, chant is used for all forms of liturgical worship: if it is not sung 525: 359: 320: 161: 147: 100: 4090:"The Sabbath in Puritan New England, Chapter 15 | The Reformed Reader" 4074: 4042: 3759: 3727: 3456: 3424: 3200: 2068:, which is done by reciting a twenty-four-verse hymn of praise to the 5401: 2239: 2225: 2201: 2194: 2178: 2110: 2106: 2046: 1991: 1962: 1903: 1836: 1818: 1814: 1660: 1640: 1612: 1600: 1596: 1533: 1505: 1487: 1398: 1346: 1284: 1206:

Earlier in the 19th century, the use of musical notation, especially

1055: 1046:

Along with the more classical sacred music of composers ranging from

695: 671: 648:

churches) has a variety of ancient hymnographical traditions. In the

394: 363: 343: 335: 277: 247: 187: 128: 108: 71: 5409: 4840: 3687:

Christian Hymns, An Introduction to Their Story (Audio Book) op. cit

3398:"St. Thomas's Introduction to his Exposition of the Psalms of David" 553:

practice, hymns are sung (often accompanied by an organ) during the

539:

Today, except for choirs, more musically inclined congregations and

175:), a collection of Chinese poems from 11th to 7th centuries BC; the 5202: 4771: 4303: 4058: 3881:. USA: Presbyterian and Reformed Publishing Company. pp. 6–8. 3743: 3440: 3224:"Why we worship Acapella? ‹ High School Road Church of Christ" 2930:

The Lost Gospel of Mary: The Mother of Jesus in Three Ancient Texts

2646: 1858:

world, the practice of singing these hymns is still alive today in

1085:(Russian: "Zhivotnaya kniga") is the name of all oral hymns of the 490:, many have been translated; a familiar example is the 4th century 99:), which means "a song of praise". A writer of hymns is known as a 5759: 5458: 4261: 3689:. p. Part 7, "Isaac Watts, the Liberator of English Hymnody". 2033: 1987: 1859: 1802: 1692: 1644: 1632: 1420: 1397:

The meter indicates the number of syllables for the lines in each

1308: 1040: 832: 528:

as the norm, adopting major and minor keys, and came to be led by

507: 487: 351: 300: 257: 239: 75: 27: 4337: 3959:

Caron, Nathalie (2022), Aje, Lawrence; Raynaud, Claudine (eds.),

2841: 2837: 1918:. His remarks on the subject have become an invaluable source in 1406:

for instance, cannot be used with words of, say, trochaic metre.

5442: 3622: 2160:

Over many centuries the Jews of Spain and Portugal–the original

1780: 1752: 1714: 1688: 691: 468: 464: 460: 347: 246:

songs of praise, and frequently used the word as a synonym for "

118:

Although most familiar to speakers of English in the context of

63: 5729: 5462: 5305:

Notes on the Hymns and Biographies of the Authors and Composers

4003:"Reminder: 'O Holy Night Started Out As An Abolitionist Anthem" 3961:"Abolition in the United States as a Religious Social Movement" 3031:

Sing with Understanding: An Introduction to Christian Hymnology

2976:

Sing with Understanding, An Introduction to Christian Hymnology

1667:) in local languages in a number of groups, namely Dadu panth, 797:, produced a burst of hymn writing and congregational singing. 4360:"Sacred Harp in Poland | Polish Sacred Harp Community Website" 3425:"The Organ Controversy in the Netherlands Reformation to 1640" 2953:

Pinnock, William Henry (1858). "Te Deum, a Separate Service".

2200:

The one salient exception to this is an instrument called the

1950: 1333:

and in a number of European countries recently, including the

5228: 4470:. Vol. 9 (Revised 3rd ed.). 1981. pp. 166–167. 3965:

Ending Slavery : The Antislavery Struggle in Perspective

3782:

The Bulletin of the Hymn Society of Great Britain and Ireland

2784: 2701:

The Homeric Hymns: A Translation, with Introduction and Notes

2182:) and were the products of great literary figures during the 2075:

One of the most popular devotional hymns of the Jains is the

229: 203: 90: 5561: 3648:

Christian Hymns, An Introduction to Their Story (Audio Book)

1986:(a type of keyboard) and percussion instruments including a 1437: 1027:

of the 18th century created an explosion of hymn-writing in

928: 860: 743: 557:

to the altar, during the receiving of communion, during the

482:

or plainsong. This type was sung in unison, in one of eight

407:, and the scholarly study of hymns, hymnists and hymnody is 4359: 3568:"Appendix B: Early German Lutheran and Reformation Hymnals" 1775:

affirmed the sacred text as his successor, elevating it to

2204:, a ram's horn which is sounded on the High Holidays (the 847:

Later writers took even more freedom, some even including

431:

seen a revival in some churches, usually more Reformed or

5384: 4289:

History of the Town of Medfield, Massachusetts, 1650–1886

5434:—2000 pages of hymns in both staff and neumatic notation 1888:

The earliest entries in the oldest extant collection of

561:, and sometimes at other points during the service. The 21:"Hymns" and "hymnus" redirect here. For other uses, see 4396:

Encyclopedia of Religious Rites, Rituals, and Festivals

2469:(1 ed.). Oxford University Press. 1 January 2009. 70:, specifically written for the purpose of adoration or 2878:"BBC One - Songs of Praise - A Brief History of Hymns" 2801:(Oxford: Clarendon Press 1879, 1987 printing), p. 872. 1322:

in the 1960s (although it had been well-documented by

1149:

Thomas Symmes, a clergyman of the third generation of

222:

are a collection of 87 short poems in Greek religion.

165:, an Indian collection of Vedic hymns; hymns from the 5299:. New York: Columbia University Press, 1989. 2 vols. 4535:

The Sants: Studies in a Devotional Tradition of India

3665:. Chicago: G.I.A. Publications, Inc. pp. 40–41. 1821:) common to all Buddhist traditions; selections from 613:, several Anabaptist-based denominations—such as the 16:

Religious song for the purpose of adoration or prayer

5026:

Robinson, Thomas Arthur; Rodrigues, Hillary (2006).

3848:

Stones for Bread: A Critique of Contemporary Worship

3772:

E. Wyn James, 'The Evolution of the Welsh Hymn', in

3155:"Mendelssohn in Nineteenth-Century American Hymnody" 2752:"Orphism, Orphic poetry In Brill's New Pauly Online" 1683:, completely or significantly replaced all previous 895:'s most popular hymns, is commonly sung to the tune 280:

and other poetic passages (commonly referred to as "

5981: 5905: 5831: 5766: 5722: 5613: 5572: 5496: 4802:(2nd ed.). New York: The Free Press. pp. 4508:

The Rigveda: The Earliest Religious Poetry of India

3530:

Beyond the Bible: Moving from Scripture to Theology

992:, and a new explosion of sacred music writing with 5369:"The Hymn Society in the United States and Canada" 4394:Salamone, Frank A. (2004). Levinson, David (ed.). 3702:"Is There a Difference Between a Hymn and a Song?" 2050:devotional movement more commonly associated with 1751:is divided by their musical setting in different 1425:Sanskrit manuscript page from the "Vivaha sukta" 1179:has many tunes whose declamation is based on the 350:. Others are used to encourage reverence for the 194:The Western tradition of hymnody begins with the 181:—Avestan hymns believed to have been composed by 3797:Songs of the Doukhobors: An Introductory Outline 2932:. Brewster MA: Paraclete Press. pp. 85–87. 2359:List of English-language hymnals by denomination 1755:into fourteen hundred and thirty pages known as 1066:continued to produce many popular hymns such as 354:or to celebrate Christian practices such as the 103:. The singing or composition of hymns is called 5410:"The Hymn Society of Great Britain and Ireland" 4226:Library of Congress, Washington, D.C. 20540 USA 4211:. 1. 1. Lanham MD: Scarecrow Press, Inc., 1996. 3851:. Westminster John Knox Press. pp. 11–12. 3481:. Westminster John Knox Press. pp. 35–57. 2811: 2809: 2807: 2331: 2145: 1864: 1805:chanting is a religious action recommended for 1463:Recitation of a Gaaram melody of Samaveda from 1089:, the Russian denomination, similar to western 427:. In recent years, Christian traditional hymns 5162:"Dances and Songs of the Japanese Shintō Cult" 4696:Sri Guru Granth Sahib — A Juristic Person 4571:Sivaramkrishna, M.; Roy, Sumita, eds. (1996). 4442:"How to Use the Metrical Index in Your Hymnal" 3875:Contemporary Worship Music: A Biblical Defense 3553:Dr. Martin Luther’s Deutsche Geistliche Lieder 1982:group would often use instruments such as the 955:The Battle Hymn of the Republic, performed by 5741: 5474: 5032:. Hymns Ancient and Modern Ltd. p. 228. 4896:"Music of the Arab World: The sound of Islam" 4532:Schomer, Karine; McLeod, W. H., eds. (1987). 4164:. University of California Press. p. 129 3909:(in Swedish). 21 January 2013. Archived from 3429:Journal of the American Musicological Society 1312:that survived continuously in print, was the 1307:hymnody, and even adopted dedicated, trained 1292:and his sweetheart singing together from the 411:. The music to which a hymn may be sung is a 8: 4538:. Berkeley Religious Studies Series. Delhi: 2956:The laws and usages of the Church and clergy 2727:The Oxford dictionary of the classical world 2674:The Oxford Dictionary of the Jewish Religion 1914:and is considered to be one of the official 1537:and others) or their collections there are: 1199:developed the relatively new subcategory of 828:in the 18th century wrote some 2,000 hymns. 698:and other instruments on certain occasions. 5283:Abide with Me: the World of Victorian Hymns 4137:"Introduction - MUSIC IN BOSTON, 1750–1770" 2415:"hymn | Search Online Etymology Dictionary" 2147:In Ashkenazic tradition the term refers to 682:(Malankara Orthodox Syrian Church) use the 657: 370:; such hymns are particularly prevalent in 140:Ancient Eastern hymns include the Egyptian 5748: 5734: 5726: 5481: 5467: 5459: 3784:, No. 295, Vol. 22:2 (Spring 2018), 43–53. 2704:. Univ of California Press. pp. 1–2. 2503:"What Is the Oldest Known Piece of Music?" 2197:has always been, and still is, paramount. 1763:(1666–1708), the tenth guru, after adding 809:" ("Praise be to You, Jesus Christ"), and 435:in nature, as modern hymn writers such as 362:. Some hymns praise or address individual 5455:—Site with extensive hymn searching tools 4209:Hymnology A Collection of Source Readings 3845:Frankforter, A. Daniel (1 January 2001). 3778:The Cambridge History of Welsh Literature 2729:. New-York: Oxford University press Inc. 2558:"The Hymn to Nikkal – Heritage for Peace" 1944:During the time of the Prophet Mohammed, 736:Presbyterian churches of western Scotland 126:, especially on the Indian subcontinent ( 5322:. Independence, Mo.: Herald House, 1956. 4865:Understanding Islam: The First Ten Steps 3478:Worship: Reformed According to Scripture 3024:Eskew, Harry; McElrath, Hugh T. (1980). 2677:. Oxford University Press. p. 589. 532:and choir. It shares many elements with 78:or deities, or to a prominent figure or 5418:"Examples of Byzantine Music for Hymns" 3903:"Vi gratulerar Elisabet Wentz-Janacek!" 3475:Old, Hughes Oliphant (1 January 2002). 3338:10.1093/gmo/9781561592630.article.04494 3110:10.1093/gmo/9781561592630.article.13648 2819:. Lillenas Publishing. 1972. p. i. 2380: 2250:means "the gods' delight". The prefix " 656:, the only accompaniment is usually an 342:, or during particular seasons such as 6014:Contemporary Catholic liturgical music 5203:"The Gathas ("Hymns") of Zarathushtra" 5197: 5195: 5129: 5127: 2959:. Cambridge: J. Hall and Son. p. 2647:"The Gathas ("Hymns") of Zarathushtra" 2136:terminology refers to these Psalms as 1476: 980:Wesley's contribution, along with the 970: 906: 783: 5345:(Tal-y-bont: Y Lolfa, 2017), 320 pp. 4889: 4887: 4885: 4766: 4764: 3470: 3468: 3466: 3131: 3129: 1732: 615:Apostolic Christian Church of America 115:is the Greco/Roman goddess of hymns. 7: 6037: 5918:Christian bands and artists by genre 4939:"'Aaj rang hai' – Qawwali revisited" 4772:"Bodhisvara - Melodies of Awakening" 4678:Partridge, Christopher Hugh (2005). 4482:"I Sing a Song of the Saints of God" 2475:10.1093/acref/9780198610250.001.0001 1299:By the 1860s musical reformers like 793:The other Reformation approach, the 122:, hymns are also a fixture of other 107:. Collections of hymns are known as 4262:"The Missouri Harmony 2005 Edition" 3726:DjeDje, Jacqueline Cogdell (1986). 2928:Matthewes-Green, Frederica (2007). 496:sung to the 11th century plainsong 4799:Chinese Civilisation: A Sourcebook 4665:Guru Granth Sahib an Advance Study 3533:. Baker Academic. pp. 40–42. 2603:from the original on 4 August 2020 2501:ANDREWS, EVAN (18 December 2015). 1123:Swedish composer and musicologist 1108:). This is not new; the Christian 1095:The Book of Life of the Doukhobors 14: 4652:. Black Rabbit Books. p. 13. 4650:The Guru Granth Sahib and Sikhism 4141:Colonial Society of Massachusetts 3572:www.hymnsandcarolsofchristmas.com 3370:Coptic Music: Musical Instruments 2698:Rayor, Diane J. (14 March 2014). 2329:, views on hymns can be divided: 1978:. Performed by up to nine men, a 1687:. The same and with the songs of 872:"Love Divine All Loves Excelling" 471:were used with psalms and hymns. 6036: 6027: 6026: 5626:Christian electronic dance music 3593:"Nikolaus Ludwig von Zinzendorf" 3273:Yoder, Harvey (27 August 2018). 2306:Spentamainyush Gatha (Y47 - Y50) 1477:Problems playing this file? See 1453: 971:Problems playing this file? See 944: 907:Problems playing this file? See 889:Love Divine, All Loves Excelling 876: 784:Problems playing this file? See 759: 702:Development of Christian hymnody 228:writers began applying the term 66:, and partially synonymous with 5968:Christian worship music artists 4962:. Routledge. pp. 183–184. 4680:Introduction to World Religions 3663:A Panorama of Christian Hymnody 3661:Routley and Richardson (1979). 3617:Wilson-Dickson, Andrew (1992). 1012:" is a hymn (no refrain), but " 755:"Ein feste Burg ist unser Gott" 728:regulative principle of worship 512:Hymns are often accompanied by 455:In ancient and medieval times, 292:either directly or indirectly. 266:Parish Church in England, 1944) 74:, and typically addressed to a 5285:. London: S.C.M. Press, 1997. 5160:Harich-Schneider, Eta (1983). 3794:Peacock, Kenneth, ed. (1970). 3300:"Psalm & Praise Resources" 3136:Sfetcu, Nicolae (7 May 2014). 2725:Roberts, John Willoby (2007). 1364:developed a rich hymnody from 1177:The Singing Master's Assistant 963:, and a mixed quartet in 1908. 795:normative principle of worship 569:Contemporary Christian worship 493:Of the Father's Heart Begotten 1: 5528:Hymnody of continental Europe 5136:"An Overview of Jewish Music" 4894:Saeed, Saeed (31 July 2012). 4862:Hewer, Chris (28 July 2014). 4667:. Hemkunt Press. p. 139. 4250:. A&C Black. p. 146. 3814:Moring, Mark (9 March 2011). 3153:Mercer-Taylor, Peter (2009). 2764:10.1163/1574-9347_bnp_e901320 1737:), is a collection of hymns ( 1227:, and earlier works like the 1214:, instead of the more common 1074:, O Sacrament Most Holy, and 824:, the Lutheran leader of the 807:Gelobet seist du, Jesu Christ 708:Hymnody of continental Europe 591:, sharing many elements with 5585:Contemporary Christian music 5580:Christian adult contemporary 5315:set comprising both volumes. 5140:www.jewishvirtuallibrary.org 4577:. New Delhi: Sterling Publ. 3935:Hymns and the Christian Myth 3619:The Story of Christian Music 3527:Marshall, I. Howard (2004). 3275:"Our hymns shape our church" 3249:"Direction: Anabaptist Hymn" 3228:www.highschoolroadchurch.com 2756:wikipedialibrary.wmflabs.org 2303:Ushtavaiti Gatha (Y43 - Y46) 2300:Ahunavaiti Gatha (Y28 - Y34) 803:A Mighty Fortress Is Our God 625:have abandoned this stance. 5297:American Hymns, Old and New 4921:"The Mevlevi Sema Ceremony" 4722:. Oxford University Press. 4328:Macadam, Edwin and Sheila. 4088:Earle, Alice Morse (1891). 3423:Bruinsma, Henry A. (1954). 2592:, in Michael Witzel (ed.), 1759:(limbs) in Sikh tradition. 1033:William Williams Pantycelyn 940:Battle Hymn of the Republic 670:tradition makes use of the 524:introduced four-part vocal 276:Originally modelled on the 6114: 5646:Christian alternative rock 5590:Contemporary worship music 5114:Journal of Synagogue Music 4984:"Native Deen's Muslim Rap" 4868:. SCM Press. p. 121. 4627:. Routledge. p. 200. 2785: 2354:List of Chinese hymn books 2281: 2223: 2104: 2021: 1929: 1881: 1823:The Three Pure Land Sutras 1795: 1543:Naalayira Divya Prabandham 1499: 1485: 1390: 1384: 988:led to a new style called 919:'s hymns spread Methodist 705: 581:contemporary worship music 269: 230: 204: 91: 20: 6022: 5943:Christian hip hop artists 5923:Christian country artists 5913:Anglican church composers 5714:Urban contemporary gospel 5559: 4602:. Heinemann. p. 14. 4047:The New England Quarterly 4041:Becker, Laura L. (1982). 4017:"Foster's Complete Songs" 3187:10.1525/ncm.2009.32.3.235 3171:10.1525/ncm.2009.32.3.235 2904:"Ancient Christian Hymns" 2444:www.talesbeyondbelief.com 2312:Vahishtoishti Gatha (Y53) 2309:Vohukhshathra Gatha (Y51) 2242:, sacral music is called 2085:hymn. Both main sects of 1734:[ɡʊɾuɡɾəntʰsɑhɪb] 1726: 1496:List of suktas and stutis 579:, may include the use of 474:Since there is a lack of 437:Keith & Kristyn Getty 6004:Christian music industry 5999:Christian music festival 5928:Christian hardcore bands 4923:. UNESCO. Archived from 4829:Philosophy East and West 4796:Ebrey, Patricia (1993). 4718:Singh, Kushwant (2005). 4663:Kapoor, Sukhbir (2005). 4308:www.sacredharpbremen.org 4286:Tilden, William (1887), 3973:10.4000/books.pulm.22407 3938:. UBC Press. p. x. 3026:"2 - The Hymn and Music" 2974:Eskew; McElrath (1980). 2908:West Park Baptist Church 2562:www.heritageforpeace.org 2466:A Dictionary of Hinduism 1370:African-American culture 1189:Handel and Haydn Society 899:composed by W.P.Rowlands 5963:Christian vocal artists 5958:Christian record labels 5938:Christian metal artists 5621:Christian country music 5134:Denburg, Moshe (1997). 5076:jewish-music.huji.ac.il 4625:Sikh Art and Literature 4246:Shepherd, John (2003). 3872:Frame, John M. (1997). 3304:Free Church of Scotland 3004:www.merriam-webster.com 3000:"Definition of HYMNODY" 2792:A Greek-English Lexicon 2393:www.merriam-webster.com 2132:(morning) prayers: the 2007:Mishary Rashid Al Afasy 1373:the first hymns in the 769:Luther's paraphrase of 623:Free Church of Scotland 451:Music and accompaniment 200:ancient Greek religions 6073:Christian music genres 5791:Ethiopian and Eritrean 5600:Neues Geistliches Lied 5566: 4720:A history of the sikhs 4648:Ganeri, Anita (2003). 4334:www.ukshapenote.org.uk 3816:"Pop Goes the Worship" 3646:Routley, Erik (1980). 2902:Ellen (21 June 2021). 2671:Berlin, Adele (2011). 2335: 2184:Golden Age of the Jews 2158: 1875: 1730:Punjabi pronunciation: 1527:Between other notable 1442: 1432: 1125:Elisabet Wentz-Janacek 982:Second Great Awakening 933: 865: 748: 724:Protestant Reformation 658: 517: 295:In the New Testament, 267: 143:Great Hymn to the Aten 55: 6088:Christian terminology 5989:Anglican church music 5692:Latin Christian music 5565: 5320:How to Use the Hymnal 5303:.: Vol. l, ; vol. 2, 4699:. Global Sikh Studies 4623:Brown, Kerry (1999). 4468:Children's Britannica 3932:Adey, Lionel (1986). 3820:ChristianityToday.com 2789:, Liddell and Scott, 2282:Further information: 2224:Further information: 2105:Further information: 2022:Further information: 1930:Further information: 1882:Further information: 1796:Further information: 1595:. When the chanting ( 1571:Shiva Tandava Stotram 1486:Further information: 1441: 1431:, dated 1500–1200 BCE 1424: 1391:Further information: 1357:Black America's hymns 1356: 1327:George Pullen Jackson 1245:The American Vocalist 1138:American developments 932: 864: 747: 706:Further information: 520:Later hymnody in the 511: 270:Further information: 261: 31: 23:Hymn (disambiguation) 5948:Christian punk bands 5933:Christian rock bands 5757:Christian liturgical 5497:Roots and beginnings 5375:on 15 December 2007. 5341:(ed. E. Wyn James), 5318:Weddle, Franklyn S. 4956:Kamal Salhi (2013). 4598:Penney, Sue (1995). 4574:Poet-Saints of India 4304:"Sacred Harp Bremen" 4021:www.library.pitt.edu 3625:. pp. 110–111. 3253:directionjournal.org 3056:"In praise of hymns" 2389:"Definition of HYMN" 2149:z'mirot shel Shabbat 2001:Albums by Sharjah’s 1920:ancient music theory 1393:Trochaic septenarius 1106:contemporary worship 1076:Faith of Our Fathers 634:Eastern Christianity 571:, as often found in 5953:Christian ska bands 5439:"HistoricHymns.com" 5262:Sterling Publishing 5054:"Bhaktāmara-stotra" 5002:"Songs of devotion" 4540:Motilal Banarsidass 4005:. 20 December 2020. 3913:on 27 February 2021 3507:www.fpchurch.org.uk 1685:Sanskrit literature 1243:, D.H. Mansfield's 378:and to some extent 368:Blessed Virgin Mary 366:, particularly the 317:Sub tuum praesidium 185:; and the Biblical 5702:Black Gospel music 5668:Christian hardcore 5567: 5533:Exclusive psalmody 5166:The World of Music 5105:Kanter, Maxine R. 4945:on 18 August 2018. 4292:, Boston: GH Ellis 3330:Grove Music Online 3159:19th-Century Music 3034:. Broadman Press. 2978:. Broadman Press. 2798:A Latin Dictionary 2626:www.britannica.com 2419:www.etymonline.com 2142:Z'mirot Anthology. 1967:whirling dervishes 1916:Confucian classics 1902:), were initially 1872:Min Bahadur Shakya 1787:In other religions 1443: 1433: 1296:during his youth. 1277:West Gallery music 1068:Lead, Kindly Light 1014:How Great Thou Art 934: 866: 749: 732:exclusive psalmody 619:Primitive Baptists 607:Churches of Christ 518: 457:string instruments 268: 56: 6050: 6049: 5901: 5900: 5636:Christian R&B 5631:Christian hip hop 5424:on 19 August 2006 5351:978-1-78461-454-6 5233:iranicaonline.org 5227:Humbach, Helmut. 5039:978-0-334-04014-9 4990:on 28 March 2010. 4969:978-1-317-96310-3 4927:on 26 April 2014. 4875:978-0-334-05233-3 4813:978-0-02-908752-7 4549:978-81-208-0277-3 4518:978-0-19-937018-4 4340:on 15 August 2019 4116:Poetry Foundation 3982:978-2-36781-513-8 3945:978-0-7748-0257-4 3858:978-0-664-22284-0 3774:Dissenting Praise 3597:Hymnology Archive 3540:978-0-8010-2775-8 3488:978-0-664-22579-7 3379:978-0-02-897025-7 3326:"Byzantine chant" 3142:. Nicolae Sfetcu. 3119:978-1-56159-263-0 3041:978-0-8054-6809-0 2939:978-1-55725-536-5 2866:Revelation 14:1–5 2862:Revelation 5:8–10 2736:978-0-19-280146-3 2711:978-0-520-28211-7 2684:978-0-19-973004-9 2484:978-0-19-861025-0 2284:Gatha (Zoroaster) 2078:Bhaktāmara-stotra 2024:Bhaktamara Stotra 1895:Classic of Poetry 1884:Classic of Poetry 1777:Guru Granth Sahib 1765:Guru Tegh Bahadur 1761:Guru Gobind Singh 1749:Guru Granth Sahib 1719:Guru Granth Sahib 1550:Ram Raksha Stotra 1458: 1362:African-Americans 1273:Christian Harmony 1264:Christian Harmony 1025:Methodist Revival 950: 882: 764: 688:Tewahedo Churches 642:Oriental Orthodox 498:Divinum Mysterium 376:Eastern Orthodoxy 338:and the Feast of 254:Christian hymnody 168:Classic of Poetry 6105: 6040: 6039: 6030: 6029: 5973:Gospel musicians 5750: 5743: 5736: 5727: 5483: 5476: 5469: 5460: 5454: 5452: 5450: 5445:on 4 August 2021 5441:. Archived from 5433: 5431: 5429: 5420:. Archived from 5413: 5405: 5396: 5394: 5392: 5383:. Archived from 5376: 5371:. Archived from 5266: 5265: 5250: 5244: 5243: 5241: 5239: 5224: 5218: 5217: 5215: 5213: 5199: 5190: 5189: 5157: 5151: 5150: 5148: 5146: 5131: 5122: 5121: 5111: 5102: 5096: 5093: 5087: 5086: 5084: 5082: 5068: 5062: 5061: 5050: 5044: 5043: 5023: 5017: 5016: 5014: 5012: 4998: 4992: 4991: 4986:. Archived from 4980: 4974: 4973: 4953: 4947: 4946: 4941:. Archived from 4935: 4929: 4928: 4917: 4911: 4910: 4908: 4906: 4891: 4880: 4879: 4859: 4853: 4852: 4824: 4818: 4817: 4793: 4787: 4786: 4784: 4782: 4768: 4759: 4758: 4756: 4754: 4740: 4734: 4733: 4715: 4709: 4708: 4706: 4704: 4693:Kashmir, Singh. 4690: 4684: 4683: 4675: 4669: 4668: 4660: 4654: 4653: 4645: 4639: 4638: 4620: 4614: 4613: 4595: 4589: 4588: 4568: 4562: 4561: 4529: 4523: 4522: 4503: 4497: 4496: 4494: 4492: 4478: 4472: 4471: 4464: 4458: 4457: 4455: 4453: 4448:. 29 August 2018 4438: 4432: 4431: 4430:. 5 August 2021. 4420: 4414: 4413: 4391: 4385: 4382: 4376: 4375: 4373: 4371: 4364:sacredharp86.org 4356: 4350: 4349: 4347: 4345: 4336:. Archived from 4325: 4319: 4318: 4316: 4314: 4300: 4294: 4293: 4283: 4277: 4276: 4274: 4272: 4258: 4252: 4251: 4243: 4237: 4236: 4234: 4232: 4218: 4212: 4205: 4199: 4198: 4196: 4194: 4180: 4174: 4173: 4171: 4169: 4158: 4152: 4151: 4149: 4147: 4133: 4127: 4126: 4124: 4122: 4112:"Common measure" 4108: 4102: 4101: 4099: 4097: 4085: 4079: 4078: 4038: 4032: 4031: 4029: 4027: 4013: 4007: 4006: 3999: 3993: 3992: 3991: 3989: 3956: 3950: 3949: 3929: 3923: 3922: 3920: 3918: 3899: 3893: 3892: 3880: 3869: 3863: 3862: 3842: 3836: 3835: 3833: 3831: 3826:on 12 March 2011 3822:. Archived from 3811: 3805: 3804: 3802: 3791: 3785: 3770: 3764: 3763: 3723: 3717: 3716: 3714: 3712: 3700:Frank, Cameron. 3697: 3691: 3690: 3683: 3677: 3676: 3658: 3652: 3651: 3643: 3637: 3636: 3621:. Oxford: Lion, 3614: 3608: 3607: 3605: 3603: 3589: 3583: 3582: 3580: 3578: 3564: 3558: 3551: 3545: 3544: 3524: 3518: 3517: 3515: 3513: 3499: 3493: 3492: 3472: 3461: 3460: 3420: 3414: 3413: 3411: 3409: 3404:on 10 April 2016 3400:. Archived from 3390: 3384: 3383: 3365: 3359: 3358: 3356: 3354: 3321: 3315: 3314: 3312: 3310: 3296: 3290: 3289: 3287: 3285: 3279:Anabaptist World 3270: 3264: 3263: 3261: 3259: 3245: 3239: 3238: 3236: 3234: 3220: 3214: 3213: 3211: 3209: 3197: 3191: 3190: 3150: 3144: 3143: 3133: 3124: 3123: 3095: 3089: 3088: 3087: 3085: 3073: 3067: 3066: 3064: 3062: 3052: 3046: 3045: 3021: 3015: 3014: 3012: 3010: 2996: 2990: 2989: 2971: 2965: 2964: 2950: 2944: 2943: 2925: 2919: 2918: 2916: 2914: 2899: 2893: 2892: 2890: 2888: 2874: 2868: 2827: 2821: 2820: 2813: 2802: 2788: 2787: 2781: 2775: 2774: 2772: 2770: 2747: 2741: 2740: 2722: 2716: 2715: 2695: 2689: 2688: 2668: 2662: 2661: 2659: 2657: 2643: 2637: 2636: 2634: 2632: 2618: 2612: 2611: 2610: 2608: 2602: 2591: 2579: 2573: 2572: 2570: 2568: 2554: 2548: 2547: 2545: 2543: 2529: 2523: 2522: 2520: 2518: 2509:. Archived from 2498: 2492: 2491: 2461: 2455: 2454: 2452: 2450: 2440:"Polyhymnia ***" 2436: 2430: 2429: 2427: 2425: 2411: 2405: 2404: 2402: 2400: 2385: 2364:Metrical psalter 2210:Day of Atonement 2156: 1873: 1736: 1731: 1728: 1727:ਗੁਰੂ ਗ੍ਰੰਥ ਸਾਹਿਬ 1605:devotional songs 1593:bhakti movements 1557:Saundarya Lahari 1460: 1459: 1440: 1349:, as well as in 1294:Missouri Harmony 1269:Jeremiah Ingalls 1254:Southern Harmony 1234:Kentucky Harmony 1229:Missouri Harmony 1156:William Billings 1054:H.53 - H.71) to 957:Frank C. Stanley 952: 951: 931: 884: 883: 863: 855:in their texts. 766: 765: 746: 661: 646:Eastern Catholic 638:Eastern Orthodox 585:electric guitars 476:musical notation 288:. Many refer to 233: 232: 207: 206: 94: 93: 52:Man Singing Hymn 49: 6113: 6112: 6108: 6107: 6106: 6104: 6103: 6102: 6093:Christian music 6068:Christian hymns 6063:Religious music 6053: 6052: 6051: 6046: 6018: 5994:Christian media 5977: 5897: 5835: 5827: 5762: 5754: 5718: 5697:Southern gospel 5651:Christian metal 5609: 5568: 5557: 5492: 5490:Christian music 5487: 5448: 5446: 5437: 5427: 5425: 5416: 5408: 5400: 5390: 5388: 5387:on 2 March 2013 5379: 5367: 5360: 5275: 5273:Further reading 5270: 5269: 5254:Ezekiel, Nizzim 5252: 5251: 5247: 5237: 5235: 5226: 5225: 5221: 5211: 5209: 5201: 5200: 5193: 5159: 5158: 5154: 5144: 5142: 5133: 5132: 5125: 5109: 5104: 5103: 5099: 5094: 5090: 5080: 5078: 5070: 5069: 5065: 5052: 5051: 5047: 5040: 5029:World Religions 5025: 5024: 5020: 5010: 5008: 5000: 4999: 4995: 4982: 4981: 4977: 4970: 4955: 4954: 4950: 4937: 4936: 4932: 4919: 4918: 4914: 4904: 4902: 4893: 4892: 4883: 4876: 4861: 4860: 4856: 4841:10.2307/1399898 4826: 4825: 4821: 4814: 4795: 4794: 4790: 4780: 4778: 4770: 4769: 4762: 4752: 4750: 4742: 4741: 4737: 4730: 4717: 4716: 4712: 4702: 4700: 4692: 4691: 4687: 4677: 4676: 4672: 4662: 4661: 4657: 4647: 4646: 4642: 4635: 4622: 4621: 4617: 4610: 4597: 4596: 4592: 4585: 4570: 4569: 4565: 4550: 4531: 4530: 4526: 4519: 4505: 4504: 4500: 4490: 4488: 4480: 4479: 4475: 4466: 4465: 4461: 4451: 4449: 4440: 4439: 4435: 4422: 4421: 4417: 4410: 4393: 4392: 4388: 4383: 4379: 4369: 4367: 4358: 4357: 4353: 4343: 4341: 4327: 4326: 4322: 4312: 4310: 4302: 4301: 4297: 4285: 4284: 4280: 4270: 4268: 4260: 4259: 4255: 4245: 4244: 4240: 4230: 4228: 4220: 4219: 4215: 4206: 4202: 4192: 4190: 4182: 4181: 4177: 4167: 4165: 4160: 4159: 4155: 4145: 4143: 4135: 4134: 4130: 4120: 4118: 4110: 4109: 4105: 4095: 4093: 4087: 4086: 4082: 4040: 4039: 4035: 4025: 4023: 4015: 4014: 4010: 4001: 4000: 3996: 3987: 3985: 3983: 3958: 3957: 3953: 3946: 3931: 3930: 3926: 3916: 3914: 3901: 3900: 3896: 3889: 3878: 3871: 3870: 3866: 3859: 3844: 3843: 3839: 3829: 3827: 3813: 3812: 3808: 3800: 3793: 3792: 3788: 3771: 3767: 3732:Ethnomusicology 3725: 3724: 3720: 3710: 3708: 3699: 3698: 3694: 3685: 3684: 3680: 3673: 3660: 3659: 3655: 3645: 3644: 3640: 3633: 3616: 3615: 3611: 3601: 3599: 3591: 3590: 3586: 3576: 3574: 3566: 3565: 3561: 3552: 3548: 3541: 3526: 3525: 3521: 3511: 3509: 3501: 3500: 3496: 3489: 3474: 3473: 3464: 3422: 3421: 3417: 3407: 3405: 3394:Aquinas, Thomas 3392: 3391: 3387: 3380: 3367: 3366: 3362: 3352: 3350: 3348: 3323: 3322: 3318: 3308: 3306: 3298: 3297: 3293: 3283: 3281: 3272: 3271: 3267: 3257: 3255: 3247: 3246: 3242: 3232: 3230: 3222: 3221: 3217: 3207: 3205: 3199: 3198: 3194: 3152: 3151: 3147: 3139:The Music Sound 3135: 3134: 3127: 3120: 3097: 3096: 3092: 3083: 3081: 3075: 3074: 3070: 3060: 3058: 3054: 3053: 3049: 3042: 3023: 3022: 3018: 3008: 3006: 2998: 2997: 2993: 2986: 2973: 2972: 2968: 2952: 2951: 2947: 2940: 2927: 2926: 2922: 2912: 2910: 2901: 2900: 2896: 2886: 2884: 2876: 2875: 2871: 2854:Colossians 3:16 2828: 2824: 2817:Worship in Song 2815: 2814: 2805: 2782: 2778: 2768: 2766: 2749: 2748: 2744: 2737: 2724: 2723: 2719: 2712: 2697: 2696: 2692: 2685: 2670: 2669: 2665: 2655: 2653: 2645: 2644: 2640: 2630: 2628: 2620: 2619: 2615: 2606: 2604: 2600: 2589: 2583:Witzel, Michael 2581: 2580: 2576: 2566: 2564: 2556: 2555: 2551: 2541: 2539: 2533:"Amarna Belief" 2531: 2530: 2526: 2516: 2514: 2513:on 20 July 2019 2500: 2499: 2495: 2485: 2463: 2462: 2458: 2448: 2446: 2438: 2437: 2433: 2423: 2421: 2413: 2412: 2408: 2398: 2396: 2387: 2386: 2382: 2377: 2340: 2323: 2286: 2280: 2236: 2222: 2206:Jewish New Year 2167:Shalosh r’galim 2157: 2155: 2113: 2103: 2026: 2020: 1942: 1928: 1886: 1880: 1874: 1871: 1800: 1794: 1789: 1729: 1717:holy book, the 1711: 1512: 1510:Arti (Hinduism) 1498: 1484: 1483: 1475: 1473: 1472: 1471: 1470: 1461: 1454: 1451: 1444: 1438: 1419: 1395: 1389: 1383: 1359: 1290:Abraham Lincoln 1249:The Social Harp 1212:sing from sight 1197:Dwight L. Moody 1140: 1132:Remembrance Day 1064:Catholic Church 978: 977: 969: 967: 966: 965: 964: 961:Elise Stevenson 953: 945: 942: 935: 929: 914: 913: 905: 903: 902: 901: 900: 885: 877: 874: 867: 861: 826:Moravian Church 791: 790: 782: 780: 779: 778: 777: 767: 760: 757: 750: 744: 710: 704: 680:Indian Orthodox 631: 549:In traditional 534:classical music 506: 480:Gregorian chant 453: 445:In Christ Alone 441:Sovereign Grace 309:Revelation 14:3 274: 256: 138: 124:world religions 80:personification 68:devotional song 35: 33:Arvid Liljelund 26: 17: 12: 11: 5: 6111: 6109: 6101: 6100: 6095: 6090: 6085: 6080: 6075: 6070: 6065: 6055: 6054: 6048: 6047: 6045: 6044: 6034: 6023: 6020: 6019: 6017: 6016: 6011: 6006: 6001: 5996: 5991: 5985: 5983: 5982:Related topics 5979: 5978: 5976: 5975: 5970: 5965: 5960: 5955: 5950: 5945: 5940: 5935: 5930: 5925: 5920: 5915: 5909: 5907: 5903: 5902: 5899: 5898: 5896: 5895: 5890: 5885: 5880: 5875: 5870: 5865: 5860: 5855: 5850: 5843: 5841: 5829: 5828: 5826: 5825: 5820: 5815: 5810: 5809: 5808: 5798: 5793: 5788: 5783: 5778: 5772: 5770: 5764: 5763: 5755: 5753: 5752: 5745: 5738: 5730: 5724: 5720: 5719: 5717: 5716: 5711: 5710: 5709: 5699: 5694: 5689: 5684: 5679: 5678: 5677: 5672: 5671: 5670: 5663:Christian punk 5660: 5659: 5658: 5648: 5641:Christian rock 5638: 5633: 5628: 5623: 5617: 5615: 5611: 5610: 5608: 5607: 5602: 5597: 5592: 5587: 5582: 5576: 5574: 5570: 5569: 5560: 5558: 5556: 5555: 5550: 5545: 5540: 5535: 5530: 5525: 5520: 5515: 5510: 5500: 5498: 5494: 5493: 5488: 5486: 5485: 5478: 5471: 5463: 5457: 5456: 5435: 5414: 5406: 5398: 5377: 5359: 5358:External links 5356: 5355: 5354: 5336: 5323: 5316: 5293: 5274: 5271: 5268: 5267: 5264:. p. 230. 5245: 5219: 5207:www.avesta.org 5191: 5152: 5123: 5097: 5088: 5063: 5045: 5038: 5018: 4993: 4975: 4968: 4948: 4930: 4912: 4881: 4874: 4854: 4835:(3): 317–345. 4819: 4812: 4788: 4760: 4735: 4728: 4710: 4685: 4682:. p. 223. 4670: 4655: 4640: 4633: 4615: 4608: 4590: 4583: 4563: 4548: 4524: 4517: 4498: 4473: 4459: 4433: 4415: 4408: 4402:. p. 17. 4386: 4377: 4351: 4320: 4295: 4278: 4253: 4238: 4213: 4207:Music, David. 4200: 4175: 4153: 4128: 4103: 4080: 4059:10.2307/365704 4033: 4008: 3994: 3981: 3951: 3944: 3924: 3907:Lunds domkyrka 3894: 3887: 3864: 3857: 3837: 3806: 3786: 3765: 3744:10.2307/851995 3738:(2): 223–252. 3718: 3692: 3678: 3671: 3653: 3638: 3631: 3609: 3584: 3559: 3546: 3539: 3519: 3494: 3487: 3462: 3441:10.2307/829497 3435:(3): 205–212. 3415: 3385: 3378: 3360: 3346: 3316: 3291: 3265: 3240: 3215: 3192: 3165:(3): 235–283. 3145: 3125: 3118: 3090: 3078:Songs of faith 3068: 3047: 3040: 3016: 2991: 2984: 2966: 2945: 2938: 2920: 2894: 2869: 2850:Ephesians 5:19 2822: 2803: 2776: 2742: 2735: 2717: 2710: 2690: 2683: 2663: 2651:www.avesta.org 2638: 2613: 2574: 2549: 2524: 2493: 2483: 2456: 2431: 2406: 2395:. 1 April 2024 2379: 2378: 2376: 2373: 2372: 2371: 2366: 2361: 2356: 2351: 2346: 2339: 2336: 2327:Nissim Ezekiel 2322: 2319: 2314: 2313: 2310: 2307: 2304: 2301: 2279: 2278:Zoroastrianism 2276: 2221: 2218: 2153: 2102: 2099: 2019: 2016: 2003:Ahmed Bukhatir 1927: 1924: 1890:Chinese poetry 1879: 1876: 1869: 1798:Buddhist chant 1793: 1790: 1788: 1785: 1710: 1707: 1695:reformer guru 1677:Radha-vallabha 1629:Hith Harivansh 1589: 1588: 1581: 1574: 1567: 1560: 1553: 1546: 1522:Vedic Sanskrit 1474: 1462: 1452: 1447: 1446: 1445: 1436: 1435: 1434: 1418: 1415: 1385:Main article: 1382: 1379: 1358: 1355: 1259:William Walker 1240:Hesperian Harp 1175:". And indeed 1164:common measure 1160:singing school 1144:Stephen Foster 1139: 1136: 968: 954: 943: 938: 937: 936: 927: 926: 925: 917:Charles Wesley 904: 893:Charles Wesley 886: 875: 870: 869: 868: 859: 858: 857: 815:Unitas Fratrum 781: 768: 758: 753: 752: 751: 742: 741: 740: 713:Thomas Aquinas 703: 700: 650:Byzantine Rite 630: 629:Eastern church 627: 577:Pentecostalism 573:Evangelicalism 522:Western church 505: 504:Western church 502: 452: 449: 421:Jesus movement 278:Book of Psalms 255: 252: 188:Book of Psalms 156:Hymn to Nikkal 153:; the Hurrian 146:, composed by 137: 134: 15: 13: 10: 9: 6: 4: 3: 2: 6110: 6099: 6096: 6094: 6091: 6089: 6086: 6084: 6081: 6079: 6076: 6074: 6071: 6069: 6066: 6064: 6061: 6060: 6058: 6043: 6035: 6033: 6025: 6024: 6021: 6015: 6012: 6010: 6007: 6005: 6002: 6000: 5997: 5995: 5992: 5990: 5987: 5986: 5984: 5980: 5974: 5971: 5969: 5966: 5964: 5961: 5959: 5956: 5954: 5951: 5949: 5946: 5944: 5941: 5939: 5936: 5934: 5931: 5929: 5926: 5924: 5921: 5919: 5916: 5914: 5911: 5910: 5908: 5904: 5894: 5891: 5889: 5886: 5884: 5881: 5879: 5876: 5874: 5871: 5869: 5866: 5864: 5861: 5859: 5856: 5854: 5851: 5848: 5845: 5844: 5842: 5839: 5834: 5830: 5824: 5821: 5819: 5816: 5814: 5811: 5807: 5804: 5803: 5802: 5799: 5797: 5794: 5792: 5789: 5787: 5784: 5782: 5779: 5777: 5774: 5773: 5771: 5769: 5765: 5761: 5758: 5751: 5746: 5744: 5739: 5737: 5732: 5731: 5728: 5725: 5721: 5715: 5712: 5708: 5705: 5704: 5703: 5700: 5698: 5695: 5693: 5690: 5688: 5687:Gospel reggae 5685: 5683: 5680: 5676: 5675:Christian ska 5673: 5669: 5666: 5665: 5664: 5661: 5657: 5656:Unblack metal 5654: 5653: 5652: 5649: 5647: 5644: 5643: 5642: 5639: 5637: 5634: 5632: 5629: 5627: 5624: 5622: 5619: 5618: 5616: 5614:Fusion genres 5612: 5606: 5603: 5601: 5598: 5596: 5593: 5591: 5588: 5586: 5583: 5581: 5578: 5577: 5575: 5573:Modern genres 5571: 5564: 5554: 5551: 5549: 5546: 5544: 5541: 5539: 5536: 5534: 5531: 5529: 5526: 5524: 5521: 5519: 5516: 5514: 5511: 5509: 5505: 5502: 5501: 5499: 5495: 5491: 5484: 5479: 5477: 5472: 5470: 5465: 5464: 5461: 5444: 5440: 5436: 5423: 5419: 5415: 5411: 5407: 5403: 5399: 5386: 5382: 5381:"Hymnary.org" 5378: 5374: 5370: 5366: 5365: 5364: 5357: 5352: 5348: 5344: 5340: 5337: 5335: 5334:0-664-25670-8 5331: 5327: 5324: 5321: 5317: 5314: 5313:0-231-05148-4 5310: 5306: 5302: 5298: 5294: 5292: 5291:0-334-02703-9 5288: 5284: 5280: 5277: 5276: 5272: 5263: 5260:. 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