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Phonautograph

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170:. At the center of that membrane, he attached a rigid boar's bristle approximately a centimeter long, placed so that it just grazed the lampblack. As the glass plate was slid horizontally in a well formed groove at a speed of one meter per second, a person would speak into the trumpet, causing the membrane to vibrate and the stylus to trace figures that were scratched into the lampblack. On March 25, 1857, Scott received the French patent #17,897/31,470 for his device, which he called a phonautograph. The earliest known intelligible recorded sound of a human voice was conducted on April 9, 1860 when Scott recorded someone singing the song " 272:". It was initially played at double the original recording speed and believed to be the voice of a woman or child. However, further recordings were uncovered accompanied with notes Scott de Martinville made that inadvertently identified himself as the speaker. At the correct speed, the voice of a man, almost certainly Scott de Martinville himself, is heard singing the song very slowly. Also recovered were two 1860 recordings of "Vole, petite abeille" ("Fly, Little Bee"), a lively song from a comic opera. Previously, the earliest known recording of vocal music was an 1888 256:
played back the recordings as sound for the first time. Modern computer-based image processing methods were used to accomplish the playback. The first results were obtained by using a specialized system developed for optically playing recordings on more conventional media which were too fragile or damaged to be played by traditional means. Later, generally available image-editing and image-to-sound conversion software, requiring only a high-quality scan of the phonautogram and an ordinary personal computer, were found to be sufficient for this application.
37: 138:, contained enough information about the sound that they could, in theory, be used to recreate it. Because the phonautogram tracing was an insubstantial two-dimensional line, direct physical playback was impossible in any case. However, several phonautograms recorded before 1861 were successfully played as sound in 2008 by optically scanning them and using a computer to process the scans into digital audio files. 22: 159:, he happened upon that customer’s engraved illustration of the anatomy of the human ear, and conceived of "the imprudent idea of photographing the word." In 1853 or 1854 (Scott cited both years) he began working on "le problème de la parole s'écrivant elle-même" ("the problem of speech writing itself"), aiming to build a device that could replicate the function of the human ear. 819:, JHU Press, 2006 indicates (see page 3) that this could be the case even when photochemical processes were no longer the only option and optimized results were possible: in 2000, a planned experiment to recover sounds from phonautograms by means of scanning and digital processing was abandoned because there was "little to try to recover" in the specimens at hand. 174:" ("By the Light of the Moon") on the device. However, the device was not designed to play back sounds, as Scott intended for people to read back the tracings, which he called phonautograms. This was not the first time someone had used a device to create direct tracings of the vibrations of sound-producing objects, as 186:
The device's true significance in the history of recorded sound was not fully realized prior to March 2008, when it was discovered and resurrected in a Paris patent office by First Sounds, an informal collaborative of American audio historians, recording engineers, and sound archivists founded to
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Nearly 150 years after they had been recorded, promising specimens of Scott de Martinville's phonautograms, stored among his papers in France's patent office and at the Académie des Sciences, were located by American audio historians. High-quality images of them were obtained. In 2008, the team
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However, as far as is known, no attempt was ever made to use this method to play any of the surviving early phonautograms made by Scott de Martinville. Possibly this was because the few images of them generally available in books and periodicals were of unpromising short bursts of sound, of
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For First Sounds' March 2008 release of "Au Clair de la Lune", its engineers wrote software to improve the stability of the sound. It did the same with a May 17, 1860 recording of "Gamme de la Voix" which First Sounds presented at the Audie Engineering Society's convention in late 2008.
723: 303:. Earlier recordings, made in 1857, 1854, and 1853, also contain Scott de Martinville's voice but are unintelligible because of their low quality, brevity and irregularity of speed. Only one of these recordings, 1857 cornet scale recording, was restored and made intelligible. 147: 806:, June 1888 125(6):425–447. Berliner, who scrupulously acknowledges the work of Scott and Cros in this paper, uses the word "phonautogram" (see pages 437 and 438) to describe his own recordings prior to their processing into playable form by photoengraving or direct etching. 182:
in 1807. By late 1857, with support from the Société d'encouragement pour l'industrie nationale, Scott’s phonautograph was recording sounds with sufficient precision to be adopted by the scientific community, paving the way for the nascent science of acoustics.
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is the oldest known intelligible recording of the human voice. Played at what is now believed to be the correct speed, it reveals a man's voice, presumably Scott de Martinville's, singing very slowly. The words are "Au clair de la lune, mon ami Pierrot,
107:, it was patented on March 25, 1857. It transcribed sound waves as undulations or other deviations in a line traced on smoke-blackened paper or glass. Scott believed that future technology would allow the traces to be deciphered as a kind of "natural 154:
The phonautograph was patented on March 25, 1857 by Frenchman Édouard-Léon Scott de Martinville, an editor and typographer of manuscripts at a scientific publishing house in Paris. One day while editing Professor Longet's
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method first proposed by Cros was then used to produce a metal disc with a playable groove. Arguably, these circa 1887 experiments by Berliner were the first known reproductions of sound from phonautograph recordings.
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in California, who were able to play back the recorded sounds, something Scott had never conceived of. Prior to this point, the earliest known record of a human voice was thought to be an 1877 phonograph recording by
660: 464: 55: 236:, which recorded sound waves by indenting them into a sheet of tinfoil from which they could be played back immediately, temporarily relegated Cros's less direct method to obscurity. 243:, employed a recording machine that was in essence a disc form of the phonautograph. It traced a clear sound-modulated spiral line through a thin black coating on a glass disc. The 295:
has also been found. Probably recorded in April or May 1860, this phonautogram is the earliest known recording of intelligible spoken words to be played back, predating
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similar to those of the phonautograph to reverse the recording process and recreate the sound. Before he was able to put his ideas into practice, the announcement of
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make the earliest sound recordings available to the public. The phonautograms were then digitally converted by scientists at the
1646: 1640: 532: 685: 495: 1971: 1272: 317: 865: 2146: 2240: 1690: 989:"Earliest Known Sound Recordings Revealed: Researchers Unveil Imprints Made 20 Years Before Edison Invented Phonograph" 1951: 1125: 1107:), containing French and English texts of all Scott's known writings about the phonautograph from the 1850s and 1860s. 1768: 1479: 616: 1095:, an informal collaborative aiming to make mankind's earliest sound recordings available to all people for all time. 166:. He then took an acoustic trumpet, and at its tapered end affixed a thin membrane that served as the analog to the 2074: 2055: 312: 300: 1564: 1858: 1658: 1634: 1628: 1622: 1616: 770: 2258: 2140: 2024: 1906: 1774: 1696: 429: 296: 179: 1912: 1762: 1558: 1527: 268:
One phonautogram, created on April 9, 1860, was revealed to be a 20-second recording of the French folk song "
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fragmentary areas of longer recordings, or simply too crude and indistinct to encourage such an experiment.
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and other objects by physical contact with them, but not of actual sound waves as they
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Apparently, it did not occur to anyone before the 1870s that the recordings, called
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Ten years later, the early experiments of Emile Berliner, the creator of the disc
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had realized that a phonautograph recording could be converted back into sound by
21: 918:"This Sealed Packet Contained the World's First Recorded Sound (firstsounds.org)" 707: 675: 491: 53: 1977: 1959: 1846: 1786: 1610: 1228: 175: 116: 108: 2171: 2165: 1798: 1426: 1232: 1176: 1043: 869: 277: 240: 233: 197: 75: 962: 2264: 2110: 1822: 1744: 1408: 1402: 1383: 1349: 1158: 204:, worked with the phonautograph in the course of developing his own device. 163: 124: 112: 936: 220:
the tracing into a metal surface to create a playable groove, then using a
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An early phonautograph (1859). The barre, for receiving sound, is made of
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The Phonautographic Manuscripts of Édouard-Léon Scott de Martinville
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by comparison with a simultaneously recorded reference frequency.
88: 20: 2252: 2098: 1458: 1438: 196:. The phonautograph would play a role in the development of the 1114: 1104: 638: 1092: 829: 35: 1078:, adapted from "The Seventeen-Year Itch", delivered at the 802:
Berliner, E: "The Gramophone: Etching the Human Voice",
111:". Intended as a laboratory instrument for the study of 676:"What Was the First Sound Ever Recorded by a Machine?" 395:"Edouard-LĂ©on Scott de Martinville: The Phonautograph" 712:. University of California Press. 1983. p. 137. 866:"Retrieving Sound from Soot—Our Evolving Approaches" 2221: 2156: 2065: 2034: 2002: 1993: 1950: 1668: 1592: 1537: 1456: 1436: 1393: 1371: 1300: 1212: 1195: 1186: 1149: 162:Scott coated a plate of glass with a thin layer of 1082:bi-centennial in Washington, D.C., on May 9, 1990. 369:"1860 'Phonautograph' Is Earliest Known Recording" 451: 449: 447: 123:of speech and other sounds, or to determine the 115:, it was used to visually study and measure the 817:Sound Recording: The Life Story of a Technology 340:Block, Melissa; Siegel, Robert (June 1, 2009). 287:A phonautogram containing the opening lines of 178:had been used in this way by English physicist 846:"Researchers Play Tune Recorded Before Edison" 739:"Researchers Play Tune Recorded Before Edison" 1126: 486: 484: 482: 8: 617:"Sound Recording Predates Edison Phonograph" 1045:Restored ! 1857 Cornet Scale Recording 1016:Leon Scott's Complete Discography 1853–1860 798: 796: 653:"Origins of Sound Recording: The Inventors" 457:"Origins of Sound Recording: The Inventors" 87:is the earliest known device for recording 1999: 1192: 1133: 1119: 1111: 519: 517: 515: 513: 18:Earliest known device for recording sound 1379:Tefiphon/Teficord (early 1930s), Tefifon 709:Nineeenth-century Scientific Instruments 663:from the original on September 21, 2017. 342:"Reconsidering Earliest-Known Recording" 145: 726:from the original on February 15, 2017. 420:"mar 25, 1857 - Phonautograph invented" 329: 73: 554:Villafana, Tana (December 20, 2021). 467:from the original on January 22, 2022 335: 333: 189:Lawrence Berkeley National Laboratory 150:Detail of a phonautogram made in 1859 7: 566:from the original on January 3, 2022 1076:The Birth of the Recording Industry 751:from the original on April 13, 2022 535:from the original on April 17, 2022 525:"Oldest recorded voices sing again" 492:"Édouard-LĂ©on Scott de Martinville" 963:"The "Aminta" Phonautogram (1860)" 587:"Leon Scott and the Phonautograph" 432:from the original on June 29, 2022 14: 2302:Audiovisual introductions in 1857 2241:Pioneer Artists Compact LaserDisc 1691:Mohawk Message repeater cartridge 804:Journal of the Franklin Institute 781:from the original on June 1, 2022 688:from the original on June 7, 2022 629:from the original on May 26, 2022 498:from the original on July 1, 2022 105:Édouard-LĂ©on Scott de Martinville 63:Édouard-LĂ©on Scott de Martinville 74:Problems playing this file? See 51: 1769:Nippon Electronic Vity cassette 1480:Cosmos Industries MX-303A/ANQ-1 892:"Earliest Recordings Ever Made" 868:. First Sounds. Archived from 844:Rosen, Jody (March 27, 2008). 737:Rosen, Jody (March 27, 2008). 674:Fabry, Merrill (May 1, 2018). 585:Schoenherr, Steven E. (1999). 1: 367:Flatow, Ira (April 4, 2008). 318:Au clair de la lune recording 1565:Thermionic Products Recordon 993:U.S. News & World Report 1952:Analog-to-digital converter 1859:Nippon Electronic Memo-call 987:Cowen, Ron (June 1, 2009). 922:reaktorplayer.wordpress.com 2318: 2297:Sound recording technology 2292:History of sound recording 2075:Compact Disc Digital Audio 1159:Music box cylinder or disc 313:History of sound recording 61:This 1860 phonautogram by 1775:Grundig Cassette LFH 0084 1554: 961:Feaster, Patrick (2009). 935:Feaster, Patrick (2009). 2025:Digital Compact Cassette 1913:Capitol Records Audiopak 1763:Dictaphone Travel master 1559:Telefunken magnetic disc 1528:Crouzet-Jaeger cartridge 103:. 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379:September 19, 374: 370: 363: 360: 347: 343: 336: 334: 330: 323: 319: 316: 314: 311: 310: 306: 304: 302: 298: 297:Frank Lambert 294: 290: 285: 283: 279: 276:wax cylinder 275: 271: 263: 261: 257: 253: 249: 246: 242: 237: 235: 231: 230:Thomas Edison 227: 223: 219: 215: 207: 205: 203: 199: 195: 194:Thomas Edison 190: 184: 181: 177: 173: 169: 165: 160: 158: 148: 141: 139: 137: 136:phonautograms 132: 130: 129:musical pitch 126: 122: 118: 114: 110: 106: 102: 98: 94: 90: 86: 85:phonautograph 79: 77: 64: 48: 28: 23: 16: 2168:(late 1970s) 2067:Optical disc 1931:Picocassette 1927:(late 1980s) 1721:Saba Sabafon 1492:RCA MI-12877 1486:RCA MI-12875 1372:Grooved tape 1338:SoundScriber 1334:(late 1940s) 1320:Diamond disc 1301:Grooved disc 1203:Phonautogram 1202: 1171:Punched card 1099: 1054:. Retrieved 1049: 1044: 1042:Orbin, Joe. 1037: 1025:. Retrieved 1020: 1015: 1013:Orbin, Joe. 1008: 996:. Retrieved 992: 982: 972:February 12, 970:. Retrieved 966: 956: 946:February 12, 944:. Retrieved 940: 930: 921: 912: 900:. Retrieved 896:NoiseAddicts 895: 886: 874:. Retrieved 870:the original 860: 849: 839: 830: 824: 816: 815:Morton, D., 811: 803: 783:. Retrieved 765: 753:. Retrieved 742: 732: 708: 702: 692:February 13, 690:. Retrieved 679: 669: 656: 647: 637:– via 631:. Retrieved 620: 611: 599:. Retrieved 595:the original 580: 568:. Retrieved 549: 537:. Retrieved 500:. Retrieved 469:. Retrieved 434:. Retrieved 423: 414: 404:December 20, 402:. Retrieved 398: 389: 377:. Retrieved 372: 362: 352:February 12, 350:. Retrieved 345: 286: 267: 258: 254: 250: 238: 214:Charles Cros 211: 185: 180:Thomas Young 176:tuning forks 161: 156: 153: 142:Construction 135: 133: 93:tuning forks 84: 82: 15: 1978:PCM adaptor 1966:X80/ProDigi 1960:Soundstream 1847:Cantata 700 1817:Grundig En3 1611:Magnetophon 1498:Peirce 265B 1362:Bandai 8ban 1229:Graphophone 657:www.nps.gov 127:of a given 109:stenography 2281:Categories 2184:Yaboom Box 2172:MP3 player 2166:Sound chip 1984:DA-88/DTRS 1799:Stereo-Pak 1697:Stenorette 1577:Synchrofax 1427:Fantasound 1421:Photophone 1314:PathĂ© disc 1177:Music roll 1151:Mechanical 324:References 278:phonograph 241:Gramophone 234:phonograph 198:gramophone 97:propagated 76:media help 66:prĂŞte-m—". 2287:Acoustics 2265:VinylDisc 2111:DVD-Audio 2006:cartridge 1823:Sabamobil 1787:3M Scotch 1745:Fidelipac 1672:cartridge 1653:3/4" tape 1623:1/2" tape 1617:1/4" tape 1461:cartridge 1457:Magnetic 1415:Movietone 1409:Tri-Ergon 1403:Phonofilm 1384:Dictabelt 1350:Long play 1344:Audograph 1141:Physical 1056:March 20, 1027:March 20, 967:Phonozoic 941:Phonozoic 876:April 20, 226:diaphragm 164:lampblack 125:frequency 121:waveforms 113:acoustics 2247:CD Video 2178:HitClips 2135:BD-Audio 2129:DualDisc 2117:DataPlay 2087:MiniDisc 1865:PlayTape 1679:Optaphon 1243:Ediphone 1215:cylinder 1213:Grooved 998:June 26, 785:July 13, 779:Archived 755:July 13, 749:Archived 724:Archived 686:Archived 661:Archived 659:. 2017. 633:July 13, 627:Archived 601:July 13, 570:July 13, 564:Archived 539:July 13, 533:Archived 529:BBC News 502:July 13, 496:Archived 471:July 13, 465:Archived 436:July 13, 430:Archived 307:See also 299:'s 1878 208:Playback 2235:U-matic 2208:MicroSD 1995:Digital 1919:Elcaset 1829:8-track 1659:3" tape 1647:2" tape 1641:1" tape 1263:(1890s) 1257:(1890s) 1251:(1890s) 1050:YouTube 1021:YouTube 168:eardrum 101:mediums 2267:(2007) 2261:(2001) 2255:(1991) 2249:(1987) 2243:(1986) 2237:(1971) 2231:(1967) 2222:Hybrid 2210:(2007) 2204:(2004) 2198:(2002) 2192:(2001) 2186:(1999) 2180:(2000) 2174:(1996) 2149:(2014) 2147:MQA-CD 2143:(2013) 2137:(2008) 2131:(2004) 2125:(2004) 2119:(2002) 2113:(2000) 2107:(1999) 2101:(1995) 2095:(1993) 2089:(1992) 2083:(1989) 2077:(1982) 2058:(1993) 2052:(1990) 2046:(1986) 2027:(1992) 2021:(1992) 2015:(1987) 1986:(1993) 1980:(1982) 1974:(1982) 1968:(1980) 1962:(1976) 1939:(1988) 1933:(1985) 1921:(1976) 1915:(1972) 1909:(1972) 1903:(1971) 1897:(1971) 1891:(1969) 1885:(1969) 1879:(1968) 1873:(1967) 1867:(1966) 1861:(1965) 1855:(1965) 1849:(1965) 1843:(1965) 1837:(1964) 1831:(1964) 1825:(1964) 1819:(1964) 1813:(1963) 1807:(1963) 1801:(1962) 1795:(1962) 1789:(1962) 1783:(1962) 1777:(1962) 1771:(1961) 1765:(1961) 1759:(1961) 1753:(1960) 1747:(1959) 1741:(1959) 1735:(1958) 1729:(1958) 1723:(1958) 1717:(1957) 1711:(1957) 1705:(1955) 1699:(1954) 1693:(1953) 1687:(1952) 1681:(1951) 1661:(1978) 1655:(1969) 1649:(1967) 1643:(1957) 1637:(1953) 1631:(1953) 1625:(1953) 1619:(1949) 1613:(1935) 1607:(1928) 1585:(1978) 1579:(1959) 1573:(1953) 1567:(1948) 1561:(1945) 1547:(1900) 1530:(1962) 1524:(1961) 1518:(1955) 1512:(1951) 1506:(1951) 1500:(1951) 1494:(1947) 1488:(1947) 1482:(1944) 1476:(1944) 1470:(1942) 1449:(1898) 1429:(1940) 1423:(1929) 1417:(1926) 1411:(1922) 1405:(1919) 1386:(1947) 1364:(2004) 1358:(1956) 1352:(1948) 1346:(1945) 1340:(1945) 1328:(1920) 1322:(1912) 1316:(1905) 1310:(1889) 1293:(1913) 1287:(1912) 1281:(1908) 1275:(1907) 1269:(1902) 1245:(1888) 1235:(1887) 1225:(1877) 1205:(1857) 1188:Analog 1179:(1883) 1173:(1881) 716:  293:Aminta 282:Handel 274:Edison 222:stylus 2123:Hi-MD 1895:HiPac 375:. NPR 348:. NPR 89:sound 2253:ADAT 2141:HFPA 2099:HDCD 2056:SDDS 1972:DASH 1459:wire 1439:wire 1058:2019 1029:2019 1000:2009 974:2022 948:2022 904:2017 878:2023 787:2022 757:2022 714:ISBN 694:2022 681:Time 635:2022 603:2022 572:2022 541:2022 504:2022 473:2022 438:2022 425:Time 406:2023 381:2017 354:2022 224:and 119:and 83:The 2093:DTS 2050:CDS 1105:PDF 639:NPR 232:'s 2283:: 2044:DD 2019:NT 1048:. 1019:. 991:. 965:. 939:. 920:. 894:. 848:. 795:^ 777:. 773:. 747:. 741:. 722:. 684:. 678:. 655:. 619:. 589:. 562:. 558:. 527:. 512:^ 481:^ 459:. 446:^ 428:. 422:. 397:. 371:. 344:. 332:^ 1241:/ 1231:/ 1134:e 1127:t 1120:v 1103:( 1060:. 1031:. 1002:. 976:. 950:. 906:. 880:. 854:. 789:. 759:. 696:. 641:. 605:. 574:. 543:. 506:. 475:. 440:. 408:. 383:. 356:. 78:. 29:.

Index


plaster of paris
Au clair de la lune
Édouard-Léon Scott de Martinville
media help
sound
tuning forks
propagated
mediums
Édouard-Léon Scott de Martinville
stenography
acoustics
amplitude envelopes
waveforms
frequency
musical pitch

lampblack
eardrum
Au Clair de la Lune
tuning forks
Thomas Young
Lawrence Berkeley National Laboratory
Thomas Edison
gramophone
Emile Berliner
Charles Cros
photoengraving
stylus
diaphragm

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