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as implying that the "real tragedy of World War II was that the Nazis did not get a chance to exterminate all
Semites, who have now returned with Germany's defeat to once more exploit the German people". "Although Asch is never identified with the Americans – indeed, in the final film of the trilogy,
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film trilogy ends with
Germany being occupied by American soldiers who are portrayed as bubble-gum chewing, slack-jawed, uncultured louts, inferior in every respect to the heroic German soldiers. The only exception is the Jewish emigrant, now a US officer, who is shown as both intelligent and
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Bartov, Omer (2004). "Celluloid
Soldiers: Cinematic Images of the Wehrmacht". In Ljubica & Mark Erickson.
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who also served as the film's screenwriter (published in
English as "The Revolt of Gunner Asch"). The term
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The film follows the story of
Private Asch, a German soldier in
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406:. Screen Cultures: German Film and the Visual. pp. 23–27.
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the
Americans appear to be nearly as dangerous a foe as the
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Private I Class / Staff Sergeant / Lieutenant Asch
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362:Russia War, Peace and Diplomacy.
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676:Films directed by Paul May
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501:Die schöne Wilhelmine
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163:Gloria Filmverleih AG
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560:Insolent and in Love
318:Joachim Fuchsberger
691:1950s German films
661:German film series
212:Null-Acht/FĂĽnfzehn
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95:Produced by
64:Claus Hardt
39:Directed by
635:Categories
392:References
384:, page 26.
324:Helen Vita
147:Production
49:Written by
297:Back Home
115:Edited by
336:Kowalski
334:Corporal
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281:Im Krieg
279:Part 2:
267:Part 1:
192:Paul May
176:Language
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539:(1939)
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512:(1973)
504:(1965)
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488:(1930)
477:Novels
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285:In War
208:German
179:German
611:08/15
576:08/15
429:08/15
341:Notes
306:]
261:Parts
243:08/15
204:08/15
196:08/15
187:08/15
83:08/15
22:08/15
434:IMDb
408:ISBN
366:ISBN
312:Cast
432:at
332:as
257:."
198:by
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