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1600 Pennsylvania Avenue (musical)

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284:, the music for the aria "You're late, you shouldn't have come" derives from that of "Me," a song that in the original show established the meta-theatrical concept that was eventually abandoned. (Some of the music for "Me" can be heard in the Broadway score, most memorably in the song "American Dreaming.") An instrumental section of "The President Jefferson March" was reused in the final movement, "In Memoriam and March: The BSO Forever," of the Divertimento. Bernstein reused part of the song "To Make Us Proud" for his 1024: 1005: 479:. In between rehearsing the various scenes, the actors offer commentary and reflect on the past injustices suffered by black people throughout the time period covered by the play. This culminates in the Actor Playing the President and the Actor Playing Lud refusing to continue rehearsing the show. After reflection, the Actor Playing the President realizes all he wanted was to feel proud of his country and that he loves this land. 1837: 33: 484:
The four main cast members address the audience and inform them that the play covers the first one hundred years of the White House. They say America is a play that is always in rehearsal, undergoing revisions and improvements. The plot then covers the same historical material as the Philadelphia
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singers. Differences in the score and performance style make it impossible to judge the original musical fairly from the later recording. The score is considered by many musical theater historians and aficionados to be a forgotten, or at least neglected, masterpiece. Some of the songs have enjoyed
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The initial critical response to the show was resoundingly negative. Critics savaged Lerner's book while largely praising Bernstein's score. Only Patricia Routledge was spared, thanks mostly to her second act showstopper "Duet for One (The First Lady of the Land)" for which she received a mid-show
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and the servants who serve the President. One actor plays all the Presidents, and one actress plays all the First Ladies. The main serving staff are the African-American characters of Lud Simmons and Seena. Three generations of adult and young Lud's are played by the same two actors. Lud is an
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Discouraged by the critical and public response to the work and angry that during the tryouts much of his music had been condensed and edited without his consent, Bernstein refused to allow a cast recording of the musical.
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Author Ethan Mordden noted that "Bernstein and Lerner created an astonishingly good score, even a synoptic all-American one, with fanfare, march, waltz, blues. It's Bernstein's most classical work for Broadway."
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By the time the show opened on Broadway, little of the metatheatrical concept remained, aside from certain scenic and costume elements and a few musical references (most notably, the opening number "Rehearse!").
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Opera Theatre production, which used a pre-Philadelphia draft of the script and included portions of Bernstein's music that had been excised on the road to Broadway. This production also played briefly at the
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A theater group is rehearsing a play. The time of the rehearsal is the present, and the time of the play being rehearsed is 1792 to 1902. The play being rehearsed is a history of the
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standing ovation on opening night in New York and a mid-show standing ovation from the orchestra on closing night. After Bernstein's death a concert version of the score, retitled
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was recorded and released. That version tended to be reviewed as a classical work rather than a Broadway musical, a tendency encouraged by the casting of the leading roles with
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Although no cast album was made, Patricia Routledge's performance of "Duet for One" survives as a private recording in mono from the premiere, complete with standing ovation.
1542: 264:'s poem "To What You Said" as a baritone solo was a reworking of the original prelude of the show, in which the chorus hummed a melody played by the violoncello in the 1894: 1796: 1370: 1904: 1864: 1801: 304: 268:
version. (In the show, this music was moved to the emotional low point of the second act, used as background to a Presidential funeral.) The occasional piece
1899: 1430: 1059: 1271: 345:. The Leonard Bernstein estate controls the licensing of performances of the cantata version, while the original musical is not available for license. 1909: 1462: 1079: 356:
Individual numbers from the work have been commercially recorded and performed by a variety of notable singers. "Take Care of This House" was sung by
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some fame outside the show including "Take Care of This House," "The President Jefferson Sunday Luncheon Party March" and "Duet for One", a
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2. Tempo di Menuetto (including an authentic harmonization of "To Anacreon in Heav'n" (1740) later known as "The Star Spangled Banner")
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After Bernstein's death in 1990, the heirs of his estate sifted through the many variations and revisions of the score and authorized
1295: 1774: 1144: 1884: 1790: 1052: 410:"The President Jefferson March" and "Duet for One" both appear in their original (pre-Broadway) versions on an EMI disc called 908: 114:
and closed on May 8, 1976, after 7 performances and 13 previews. It was co-directed and co-choreographed by Gilbert Moses and
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escaped slave who later marries Seena. The events covered in the play include the selection of a new capital city, the
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and its occupants from 1800 to 1900. Primarily focusing on race relations, the story depicted (among other incidents)
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baritone Bruce Hubbard, a member of the original Broadway ensemble, also recorded Lud's ballad "Seena" on his album
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As with his previously abandoned projects, Bernstein used portions of the score in subsequent works. In
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flop, running only seven performances. It was Bernstein's last original score for Broadway.
99: 77: 1779: 1684: 1322: 1262: 1193: 1185: 979: 435: 95: 56: 1023: 1004: 527:"The President Jefferson Sunday Luncheon Party March" - Jefferson, Little Lud, and Guests 385: 1703: 1400: 1168: 464: 393: 369: 199: 166: 142: 235: 1853: 1221: 377: 373: 195: 184: 174: 154: 115: 419: 415: 361: 334: 261: 162: 134: 145:'s impeachment. Throughout the show, the leading actors performed multiple roles: 882: 1649: 455: 338: 203: 170: 158: 122: 238:
for a single actress portraying both Julia Grant and Lucy Hayes on the day of
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recording. Both the London concert and the DG recording were conducted by
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played the White House servants, Lud and Seena. Future Broadway stars
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Musical with music by Leonard Bernstein and lyrics by Alan Jay Lerner
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Take Care of This House and The Nation That Wasn't There (Reprise)
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Songfest: A Cycle of American Poems for Six Singers and Orchestra
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version; however, the actors' commentary is entirely removed.
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Me (New Opening) - used in 1992 Indiana University production
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What Happened - used in 1992 Indiana University production
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Welcome Home, Miz Johnson - used in A White House Cantata
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It's My Country (Mr. Lincoln) - orchestrated, but unused
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The show was originally intended to be performed as a
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items in the Sid Ramin Papers at Columbia University
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Kennedy 794:One More Kiss The Broadway Musical in The 1970s 298:The show's only significant revival was a 1992 1802:New York Philharmonic concert of April 6, 1962 444:, her 1989 collection of lost Broadway songs. 121:The musical examined the establishment of the 1584:Non troppo presto (Music for the Dance No. 1) 1053: 644:The President Jefferson Sunday Luncheon March 556:"The Little White Lie" James and Eliza Monroe 177:appeared in ensemble roles, as did the young 8: 206:, left the production during these tryouts. 1890:Works about presidents of the United States 743:Reclamation Scene ("Can You Love") - unused 1272:A Party with Betty Comden and Adolph Green 1060: 1046: 1038: 1022: 1003: 884:Historical Dictionary of Leonard Bernstein 592:"The Red, White and Blues" - The Minstrels 110:The musical opened on May 4, 1976, at the 18: 887:. Rowman & Littlefield. p. 195. 274:, written in honor of Bernstein's friend 1812:The Unanswered Question (lecture series) 881:Paul R. Laird; Hsun Lin (31 July 2019). 629:On Ten Square Miles by the Potomac River 550:"I Love My Wife" - Lud, Seena, and Staff 364:. The song was subsequently recorded by 1895:Cultural depictions of Thomas Jefferson 836:"A Bernstein Musical Revived — in Part" 831: 829: 827: 786: 784: 780: 1012:​1600 Pennsylvania Avenue​ 996:​1600 Pennsylvania Avenue​ 821:, "talkinbroadway.com", March 31, 2008 656:The Nation That Wasn't There (Reprise) 650:The Nation That Wasn't There (Reprise) 333:released an abridged performance in a 1905:Cultural depictions of Andrew Johnson 1865:Musicals inspired by real-life events 860:. Taylor & Francis. p. 391. 307:in Washington, D.C., in August 1992. 98:. It is considered to be a legendary 7: 580:"Bright and Black" - Seena and Staff 577:"Forty Acres and a Mule" - The Staff 1900:Cultural depictions of James Monroe 947:"Works | Works | Leonard Bernstein" 913:Tries For a Comeback in Washington" 797:. 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A Political Overture 562:"The Ball" - Entire Company 271:Slava! A Political Overture 149:played all the presidents, 1926: 1001:Internet Broadway Database 854:Traubner, Richard (2003). 473:1876 presidential election 153:all the First Ladies, and 1833: 1592:Music for the Dance No. 2 1357:) (1948–49, revised 1965) 1075: 716:The Red, White, and Blues 343:London Symphony Orchestra 131:affair with a black slave 30: 1423:Prelude, Fugue and Riffs 1288:1600 Pennsylvania Avenue 1031:1600 Pennsylvania Avenue 911:1600 Pennsylvania Avenue 87:1600 Pennsylvania Avenue 24:1600 Pennsylvania Avenue 1817:Young People's Concerts 819:"A White House Cantata" 791:Mordden, Ethan (2004). 749:A Star at Noon - unused 641:Take Care of This House 638:Welcome Home, Miz Adams 574:"Entr'acte" - Orchestra 441:The Songs That Got Away 94:and book and lyrics by 1885:White House in fiction 1807:Pacific Music Festival 1785:Bernstein–Mahler cycle 1401:Concerto for Orchestra 509:"Overture" - Orchestra 112:Mark Hellinger Theatre 37:1976 Broadway Playbill 1566:My Twelve Tone Melody 1275:(1958, collaboration) 933:A White House Cantata 735:Other musical numbers 611:Philadelphia premiere 461:Burning of Washington 412:Broadway Showstoppers 319:A White House Cantata 312:A White House Cantata 276:Mstislav Rostropovich 226:A White House Cantata 1600:Sonata for the Piano 1299:(1979, contribution) 1080:List of compositions 951:leonardbernstein.com 376:, and opera singers 1236:One Hand, One Heart 1215:Gee, Officer Krupke 752:The Switch - unused 713:The Grand Ol' Party 692:Uncle Tom's Funeral 674:We Must Have a Ball 536:1. 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Index


Leonard Bernstein
Alan Jay Lerner
Book
Broadway
Leonard Bernstein
Alan Jay Lerner
Broadway
Mark Hellinger Theatre
George Faison
White House
Thomas Jefferson
affair with a black slave
James Monroe
American Civil War
Andrew Johnson
Ken Howard
Patricia Routledge
Gilbert Price
Emily Yancy
Reid Shelton
Walter Charles
Beth Fowler
Richard Muenz
African American
baritone
Bruce Hubbard
play-within-a-play
Frank Corsaro
Donald McKayle

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