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294:. The group were impressed by Hannett's technically innovative production but had a difficult experience with him. They found him to be an eccentric personality and believed he had imposed his distinctive production style on their music. Although Hannett was in consideration to produce U2's debut album
621:
The experience of working with
Hannett was not a happy one for U2, who felt that he had imposed his distinctive production ambience upon their sound, and the personal chemistry between Hannett and the band had also been poor. Island Records had been considering him for the role of the producer of the
423:
confronted U2 at the studio and accused them of plagiarising the guitar riff of "11 O'Clock Tick Tock" from their song "Treasure on the
Wasteland". After the Atrix left, U2 were in a dour mood, uncertain how to remedy the situation. Engineer Paul Thomas suggested adding a backwards recording of a
382:
from 5–6 April 1980 on Easter weekend. He was not impressed with the studio's facilities and made the band rent equipment from London. Windmill Lane sound engineer Kevin
Moloney called it a "wild, wild session" and said that Hannett lived up to his reputation as a "mad genius". The producer did
543:
in 2020 to commemorate the 40th anniversary of its original release. It was pressed on translucent blue 12-inch vinyl weighing 180 grams and cut at 45 RPM. The release included previously unreleased live versions of "Touch" and "Twilight" from the band's performance at the
Marquee in London in
289:
After Island signed U2 in March 1980, the label recommended the band work with
Hannett, believing he could improve their studio recordings without losing the energy of their live performances. Hannett travelled to Dublin in April 1980 to record "11 O'Clock Tick Tock" at
366:'s another. He was a genius." Stewart's assistant Annie Roseberry called Hannett a perfectionist who stood out from most producers of the time. U2 travelled to England to meet with Hannett, where they observed the recording sessions for Joy Division's single "
29:
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in London, where he watched a "lifeless, goth-style" crowd from the balcony. The sight disillusioned him: "There was a lostness in the looks on their faces. It was that sepulchral make-up, white face, dark eyes... it felt like the end of the world."
402:
The group were nervous during the session, having never recorded in a studio with a proper producer before. Clayton believes that nervousness affected the band's performances. The rhythm section, in particular, had issues playing at a consistent
459:. After finishing, he reset all the settings on the unit so the engineers would be unable to see what he did. After Hannett returned to London with the tape recordings, the band rejected his first mix but accepted his follow-up attempt.
586:. On U2's early tours, it was often played twice due to a lack of material – once early in the concert, and then during the encore. Until December 1982, it was routinely paired with "The Ocean", a song from the band's debut album
632:, the distress of which temporarily impaired his ability to continue work. Stewart said: "Martin by that stage was unwell; he seemed to be suffering from a little overdose of one thing or another." U2 instead selected
341:
representative Nick
Stewart was looking for a record producer who would improve the quality of the band's studio recordings without losing the energy of their live performances. He recommended they work with
383:
creative things with electronics during the session that the band had never heard before. He obsessed over details and insisted that each sound be isolated and recorded separately. He crafted the song's
447:
Hannett insisted that the song be mixed at 3 a.m. because he deemed it the "most creative time". He and
Moloney stayed up for three days without sleep during the protracted mixing phase, making
565:"11 O'Clock Tick Tock" had its live debut in August 1979 with alternate lyrics, under the title "Silver Lining". It evolved into "11 O'Clock Tick Tock" between March and May 1980. "Touch", the
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307:"11 O'Clock Tick Tock" did not chart at the time of its original release but later did after subsequent U2 releases: in January 1984, the song reached number 30 on the US
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2016:
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Three mixes of "11 O'Clock Tick Tock" are publicly known to exist, all studio cuts. The 1980 single features the 3:47 single mix. The Martin
Hannett tribute album
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additional guitar parts. Hannett was baffled but told the Edge to proceed. The guitarist walked into the recording room unsure what he would play and improvised a
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482:
left on the front door of Bono's house after he was unable to reach him by telephone one night. The lyrics of the song were inspired by Bono's experience at a
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before sequencing them together. Moloney thought the band were "freaked out" by
Hannett's eccentric personality and attitude. They suspected him of using
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419:, "What are we going to do? It's three in the morning and the rhythm section can't play in time together!" During the session, fellow Dublin band
358:. Stewart thought Hannett would give them the push that they needed; he said of the producer: "The man had something that very few producers have—
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in an attempt to fix the band's poor timekeeping. Hannett also wanted to apply his trademark drum sound, which was achieved by processing the
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During the first half of the 1980s, "11 O'Clock Tick Tock" was one of U2's most popular live songs and it appears on the 1983 live LP
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in the studio; at one point, Hannett fell backwards out of his chair and exclaimed, "Jesus Christ! I've just hallucinated a gherkin!"
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to stay in time, but Mullen was unsure he could play with one, having never done so before. At one point, Hannett said to guitarist
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Ross, Michael (11 April 2004). "In one of his few utterances about U2, Hannett described his function as energy absorber".
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concluded in July 1985, "11 O'Clock Tick Tock" has been played thirteen times, including seven performances on 2001's
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of the "11 O'Clock Tick Tock" single, evolved from an earlier song called "Trevor". "Touch" was played on the
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to the main guitar riff. Hannett was excited by the addition, saying: "God, it sounds like brass. I love it!"
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chart in the United States on 10 December 1983 at number 35, and it peaked at number 30 on 21 January 1984.
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guitar section towards the end of the song features an incorporation of the Third
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features a 4:03 mix. The final mix is a 4:13 version with a longer intro that featured on the 1984 UK "
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518:"11 O'Clock Tick Tock" was originally released as a single in May 1980, but it failed to chart.
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September 1980. After the single's reissue for Record Store Day, it reached number 69 on the
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952:"U2 '11 O'Clock Tick Tock' Exclusively For Record Store Day 2020 Saturday, April 18th, 2020"
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914:. Vol. 95, no. 50. 10 December 1983. p. 20 – via World Radio History.
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940:. Vol. 96, no. 3. 21 January 1984. p. 24 – via World Radio History.
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concert in London, where he watched a "lifeless, goth-style" crowd from the balcony.
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551:"11 O'Clock Tick Tock" was one of 40 songs that U2 re-recorded for their 2023 album
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in March 1980, U2 began making plans to record an album and a single. Island
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Hannett travelled to Dublin for the recording session, which took place at
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The "11 O'Clock Tick Tock" title was taken from a note that Bono's friend
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Tour in 1980-1981, but has not been performed on any subsequent tours.
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1234:– Lists all concerts at which Trevor is known to have been performed.
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407:, as they continually sped up during the song. Hannett asked drummer
1228:– Lists all concerts at which Touch is known to have been performed.
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instead, beginning a career-spanning working relationship with him.
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257:. It was released as a single on 16 May 1980, and was produced by
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a few months prior; in 2020, the song reached number 69 on the
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1068:"U2 - The Early Years: "'was a presence, a magnetism...'"
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11 O'Clock Tick Tock's performance history at U2gigs.com
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theatre in 2015 during a promotional appearance on the
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by recording each individual note played by bassist
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1220:Silver Lining's performance history at U2gigs.com
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989:"Singles: Week 36 2020 – Week Ending 4 Sep 2020"
1025:Matthias Mühlbradt; André Axver (29 May 2015).
521:In November 1983, U2 released their live album
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1191:: CS1 maint: numeric names: authors list (
2298:Song recordings produced by Martin Hannett
1684:Tryin' to Throw Your Arms Around the World
1484:I Still Haven't Found What I'm Looking For
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1232:Trevor's performance history at U2gigs.com
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590:. This live pairing is available on the "
325:in commemoration of its 40th anniversary.
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2059:I'll Go Crazy If I Don't Go Crazy Tonight
1226:Touch's performance history at U2gigs.com
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929:"Billboard Rock Albums & Top Tracks"
903:"Billboard Rock Albums & Top Tracks"
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583:Live at Red Rocks: Under a Blood Red Sky
274:." It was the group's first release for
2189:Love Is Bigger Than Anything in Its Way
1968:Sometimes You Can't Make It on Your Own
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539:"11 O'Clock Tick Tock" was reissued on
34:
1870:Stuck in a Moment You Can't Get Out Of
1740:Daddy's Gonna Pay for Your Crashed Car
1184:
605:. Its last live appearance was at the
300:, the band ultimately decided to hire
2017:Sgt. Pepper's Lonely Hearts Club Band
7:
1761:Hold Me, Thrill Me, Kiss Me, Kill Me
776:"U2 – "11 O'Clock Tick Tock" Single"
622:band's yet-to-recorded debut album,
424:cymbal to the song, which they did.
514:Release and commercial performance
470:" 12-inch limited edition single.
14:
2288:Songs written by Larry Mullen Jr.
1656:Who's Gonna Ride Your Wild Horses
1554:Christmas (Baby Please Come Home)
1066:Dalton, Stephen (December 1999).
1044:Matthias Mühlbradt; André Axver.
1027:"U2's setlist at the Roxy, 28/05"
455:through an effects unit called a
333:After signing a record deal with
2235:
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1046:"TourDB statistics - U2 on tour"
993:Irish Recorded Music Association
1649:Even Better Than the Real Thing
2175:You're the Best Thing About Me
1491:Where the Streets Have No Name
655:
1:
2278:Songs written by Adam Clayton
282:based on his experience at a
2154:The Miracle (of Joey Ramone)
1940:The Hands That Built America
1351:An Cat Dubh / Into the Heart
1113:U2: The Definitive Biography
774:Sams, Aaron; Kantas, Harry.
712:Rock Albums & Top Tracks
534:Rock Albums & Top Tracks
309:Rock Albums & Top Tracks
1947:Take Me to the Clouds Above
1856:The Ground Beneath Her Feet
1817:If God Will Send His Angels
1428:Pride (In the Name of Love)
960:Universal Music Enterprises
843:McCormick (2006), pp. 92–96
611:Innocence + Experience Tour
468:Pride (In the Name of Love)
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1691:Ultraviolet (Light My Way)
1670:Until the End of the World
1547:Mothers of the Disappeared
321:after it was reissued for
261:. It followed their debut
2283:Songs written by the Edge
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2038:The Ballad of Ronnie Drew
1726:Stay (Faraway, So Close!)
1463:Elvis Presley and America
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1171:. London: HarperCollins.
857:Jobling (2014), pp. 61–62
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2214:Your Song Saved My Life
2182:Get Out of Your Own Way
2003:Original of the Species
1975:City of Blinding Lights
1575:When Love Comes to Town
1533:Trip Through Your Wires
873:. sec. Features, p. 12.
810:McGee (2008), pp. 28–29
599:Unforgettable Fire Tour
368:Love Will Tear Us Apart
2308:Island Records singles
2066:No Line on the Horizon
1519:Running to Stand Still
1435:The Unforgettable Fire
1400:Two Hearts Beat as One
1208:"11 O'Clock Tick Tock"
1109:Jobling, John (2014).
671:"11 O'Clock Tick Tock"
22:"11 O'Clock Tick Tock"
2273:Songs written by Bono
2024:The Saints Are Coming
819:Jobling (2014), p. 60
578:Under a Blood Red Sky
524:Under a Blood Red Sky
508:Palace of Westminster
427:After completing the
380:Windmill Lane Studios
314:Under a Blood Red Sky
292:Windmill Lane Studios
249:" is a song by Irish
81:Windmill Lane Studios
1526:Red Hill Mining Town
1442:A Sort of Homecoming
1407:Sunday Bloody Sunday
1330:11 O'Clock Tick Tock
1136:McGee, Matt (2008).
506:clock tower, at the
500:Westminster Quarters
346:, who was producing
247:11 O'Clock Tick Tock
222:11 O'Clock Tick Tock
2161:Every Breaking Wave
2073:Moment of Surrender
2031:Window in the Skies
1803:Last Night on Earth
1512:Bullet the Blue Sky
1477:With or Without You
1094:McGee (2008), p. 32
892:McGee (2008), p. 72
883:McGee (2008), p. 31
796:McGee (2008), p. 29
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546:Irish Singles Chart
319:Irish Singles Chart
1961:All Because of You
1796:Staring at the Sun
1119:Thomas Dunne Books
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554:Songs of Surrender
202:singles chronology
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2115:Cedars of Lebanon
2045:Get On Your Boots
1989:A Man and a Woman
1898:In a Little While
1705:Love Is Blindness
1582:All I Want Is You
1178:978-0-00-719668-5
1151:978-1-84772-108-2
1128:978-1-250-02789-4
954:(Press release).
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276:Island Records
259:Martin Hannett
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193:Martin Hannett
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70:5–6 April 1980
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2140:Ordinary Love
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2101:White as Snow
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1505:One Tree Hill
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1386:A Celebration
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1344:I Will Follow
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1076:. No. 31
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778:. U2songs.com
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732:Chart (2020)
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700:Chart (1984)
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644:Track listing
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429:backing track
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364:George Martin
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152:Songwriter(s)
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2263:1980 singles
2239:
1982:Miracle Drug
1754:The Wanderer
1589:Hawkmoon 269
1329:
1166:
1137:
1117:. New York:
1112:
1102:Bibliography
1101:
1100:
1090:
1078:. Retrieved
1071:
1049:
1039:
1030:
1020:
1012:
1008:
1005:Select Year:
1004:
998:16 September
996:. Retrieved
968:. Retrieved
946:
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868:
862:
815:
792:
780:. Retrieved
769:
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493:
480:Gavin Friday
477:
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389:Adam Clayton
377:
360:Phil Spector
352:Joy Division
332:
312:
306:
295:
288:
265:
246:
244:
221:
171:Adam Clayton
2221:Atomic City
2052:Magnificent
1789:Discothèque
1663:Zoo Station
1603:God Part II
1449:4th of July
1323:Another Day
1283:Discography
1159:U2 (2006).
1138:U2: A Diary
964:PR Newswire
636:to produce
510:in London.
474:Composition
433:overdubbing
413:click track
272:Another Day
213:Another Day
187:Producer(s)
136:CBS Ireland
62:16 May 1980
2293:1980 songs
2257:Categories
1905:Wild Honey
1140:. London:
1013:, and Top:
756:References
630:Ian Curtis
597:After the
594:" single.
453:snare drum
449:tape loops
329:Background
2147:Invisible
1877:Elevation
1747:Dirty Day
1596:Heartland
1421:Red Light
1210:at U2.com
1187:cite book
1080:1 January
970:25 August
937:Billboard
911:Billboard
761:Footnotes
737:position
717:Billboard
705:position
617:Aftermath
530:Billboard
502:from the
421:the Atrix
411:to use a
374:Recording
348:post-punk
102:post-punk
2268:U2 songs
2241:Category
1926:New York
1677:So Cruel
1167:U2 by U2
1011:4-Sep-20
650:7" vinyl
496:harmonic
417:the Edge
385:bassline
362:'s one,
166:The Edge
83:(Dublin)
67:Recorded
59:Released
2108:Breathe
1954:Vertigo
1884:Walk On
1733:Zooropa
1698:Acrobat
1628:The Fly
1414:Seconds
1379:October
1163:(ed.).
1050:U2 Gigs
1031:U2 Gigs
1009:, Date:
682:"Touch"
504:Big Ben
437:harmony
339:A&R
235:(1980)
226:(1980)
217:(1980)
54:"Touch"
2122:Winter
2010:Yahweh
1810:Please
1561:Desire
1372:Gloria
1288:Covers
1175:
1148:
1125:
782:16 May
693:Charts
663:Length
567:B-side
484:Cramps
443:Mixing
350:group
284:Cramps
141:Island
111:Length
76:Studio
49:B-side
37:Single
2206:2020s
2132:2010s
1848:2000s
1719:Lemon
1613:1990s
1315:1980s
1297:1970s
1272:songs
1073:Uncut
932:(PDF)
906:(PDF)
660:Title
405:tempo
393:track
267:Three
253:band
128:Label
89:Genre
1891:Kite
1831:Gone
1824:Mofo
1775:Slug
1712:Numb
1540:Exit
1365:Fire
1193:link
1173:ISBN
1146:ISBN
1123:ISBN
1082:2019
1015:100.
1007:2020
1000:2020
972:2020
784:2016
744:IRMA
735:Peak
703:Peak
685:3:21
674:3:44
607:Roxy
592:Fire
494:The
397:acid
356:Bono
280:Bono
251:rock
161:Bono
97:Rock
2196:XXX
1642:One
1470:MLK
1456:Bad
749:69
723:30
710:US
656:No.
638:Boy
625:Boy
588:Boy
571:Boy
297:Boy
39:by
2259::
1269:U2
1189:}}
1185:{{
1144:.
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746:)
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679:2.
668:1.
640:.
557:.
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263:EP
255:U2
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118::
116:3
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
