306:
273:
301:
296:
291:
268:
263:
258:
253:
322:
is anchored by rising stars from
Detroit such as Yusef Lateef, Curtis Fuller ... The emphasis on the compositions of Lateef all display a spare construct, rearing the horns to a marginal level except for solos, allowing Chambers to take care of business and control the shaping of the melodies, with
335:
C. Michael Hovan said "there seems to be some very perceptible growth in
Chamber’s ability to move the date beyond your average blowing session. All the tunes are by Yusef Lateef and he manages to develop interesting structures that stimulate the creative juices of a fantastic sextet". In
29:
343:
wrote "The soloists here do a fine job of making their work consistent with the character of the compositions. Chambers’ work is prominently featured, and he plays thoughtfully as well as exhibiting his vaunted chops".
558:
318:
reviewer
Michael G. Nastos stated "Chambers was allowed to put his bass on top, become a leader in his own right, and play lead melodies with a clear, ringing, well enunciated tone.
571:
327:
complement the preceding Blue Note sessions, comprising a small but potent body of work that few bassists have produced in modern jazz". Reviewing
602:
542:
282:
752:
524:
747:
595:
721:
529:
520:
695:
147:
588:
679:
671:
507:
484:
Both Sides Now: Vee-Jay Album
Discography, Part 1: Main Series LP-100-101 & LP-1001-1070 (1956-1963)
420:
742:
457:
688:
372:
183:
68:
635:
643:
538:
394:
199:
470:
416:
195:
187:
124:
113:
332:
736:
656:
611:
534:
483:
434:
403:
385:
215:
203:
179:
134:
72:
41:
425:
412:
340:
211:
207:
108:
621:
Years given are for the recording(s), not first release, unless stated otherwise.
663:
389:
191:
80:
684:
499:
651:
337:
438:
407:
315:
245:
28:
398:
429:
323:
little unison play involved. ... This CD and its companion piece
36:
580:
329:
The
Complete Vee Jay Paul Chambers/Wynton Kelly Sessions 1959-61
85:
584:
190:
label. This album is notable for its featured use of the
352:
All compositions by Yusef Lateef except where noted
714:
627:
133:
123:
107:
91:
79:
64:
56:
48:
35:
21:
596:
8:
471:Jazz Discography: Paul Chambers Leader Entry
288:
250:
603:
589:
581:
494:
492:
225:
27:
18:
450:
16:1961 studio album by Paul Chambers
231:
198:. Chambers is supported by trumpeter
7:
530:The Penguin Guide to Jazz Recordings
283:The Penguin Guide to Jazz Recordings
186:on May 12, 1960 and released by the
14:
290:
252:
458:Jazzdisco: Paul Chambers Catalog
304:
299:
294:
289:
271:
266:
261:
256:
251:
482:Callahan, M. & Edwards, D.
1:
178:is an album by jazz bassist
769:
618:
510:. Retrieved July 2, 2019.
239:
236:
141:
26:
574:, accessed July 22, 2019
561:, accessed July 22, 2019
498:Nastos, Michael G..
486:, accessed July 22, 2019
473:, accessed July 22, 2019
460:, accessed July 22, 2019
365:"Mopp Shoe Blues" – 6:05
753:Vee-Jay Records albums
359:"Bass Region'" – 10:35
672:Paul Chambers Quintet
559:All About Jazz Review
748:Paul Chambers albums
227:Professional ratings
206:, tenor saxophonist
689:Phineas Newborn Jr.
373:Cannonball Adderley
362:"Retrogress" – 3:29
228:
226:
222:Critical reception
184:Bell Sound Studios
730:
729:
644:Whims of Chambers
544:978-0-141-03401-0
313:
312:
171:
170:
167:
166:
119:
760:
715:Related articles
605:
598:
591:
582:
575:
572:JazzTimes Review
568:
562:
555:
549:
548:
533:(9th ed.).
517:
511:
496:
487:
480:
474:
467:
461:
455:
395:Tommy Turrentine
368:"Blessed" – 7:04
309:
308:
307:
303:
302:
298:
297:
293:
292:
276:
275:
274:
270:
269:
265:
264:
260:
259:
255:
254:
229:
200:Tommy Turrentine
143:
142:
117:
103:
102:
98:
31:
19:
768:
767:
763:
762:
761:
759:
758:
757:
733:
732:
731:
726:
710:
636:Chambers' Music
623:
614:
609:
579:
578:
569:
565:
556:
552:
545:
537:. p. 240.
519:
518:
514:
500:Paul Chambers:
497:
490:
481:
477:
469:Fitzgerald, M.
468:
464:
456:
452:
447:
417:tenor saxophone
382:
371:"Who's Blues" (
356:"Melody" – 4:08
350:
305:
300:
295:
272:
267:
262:
257:
224:
196:lead instrument
160:
151:
116:
100:
96:
95:
44:
17:
12:
11:
5:
766:
764:
756:
755:
750:
745:
735:
734:
728:
727:
725:
724:
718:
716:
712:
711:
709:
708:
700:
692:
676:
668:
660:
648:
640:
631:
629:
625:
624:
619:
616:
615:
610:
608:
607:
600:
593:
585:
577:
576:
563:
550:
543:
512:
488:
475:
462:
449:
448:
446:
443:
442:
441:
432:
423:
410:
401:
392:
381:
378:
377:
376:
369:
366:
363:
360:
357:
349:
346:
333:All About Jazz
311:
310:
286:
278:
277:
248:
242:
241:
238:
234:
233:
223:
220:
182:, recorded at
169:
168:
165:
164:
162:
153:
139:
138:
131:
130:
127:
121:
120:
111:
105:
104:
93:
89:
88:
83:
77:
76:
66:
62:
61:
58:
54:
53:
50:
46:
45:
40:
33:
32:
24:
23:
15:
13:
10:
9:
6:
4:
3:
2:
765:
754:
751:
749:
746:
744:
741:
740:
738:
723:
720:
719:
717:
713:
706:
705:
701:
698:
697:
693:
690:
686:
682:
681:
677:
674:
673:
669:
666:
665:
661:
658:
657:John Coltrane
654:
653:
649:
646:
645:
641:
638:
637:
633:
632:
630:
626:
622:
617:
613:
612:Paul Chambers
606:
601:
599:
594:
592:
587:
586:
583:
573:
567:
564:
560:
557:Hovan, C. M.
554:
551:
546:
540:
536:
532:
531:
526:
525:Morton, Brian
522:
521:Cook, Richard
516:
513:
509:
505:
503:
495:
493:
489:
485:
479:
476:
472:
466:
463:
459:
454:
451:
444:
440:
436:
435:Lex Humphries
433:
431:
427:
424:
422:
418:
414:
411:
409:
405:
404:Curtis Fuller
402:
400:
396:
393:
391:
387:
386:Paul Chambers
384:
383:
379:
374:
370:
367:
364:
361:
358:
355:
354:
353:
348:Track listing
347:
345:
342:
339:
334:
330:
326:
321:
317:
287:
285:
284:
280:
279:
249:
247:
244:
243:
235:
232:Review scores
230:
221:
219:
217:
216:Lex Humphries
213:
209:
205:
204:Curtis Fuller
202:, trombonist
201:
197:
193:
192:acoustic bass
189:
185:
181:
180:Paul Chambers
177:
176:
163:
159:
158:
154:
150:
149:
145:
144:
140:
136:
135:Paul Chambers
132:
128:
126:
122:
115:
112:
110:
106:
94:
90:
87:
84:
82:
78:
74:
73:New York City
70:
67:
63:
59:
55:
51:
47:
43:
42:Paul Chambers
38:
34:
30:
25:
20:
703:
702:
694:
678:
670:
662:
650:
642:
634:
620:
566:
553:
528:
515:
501:
478:
465:
453:
426:Wynton Kelly
413:Yusef Lateef
351:
341:Harvey Pekar
328:
324:
319:
314:
281:
214:and drummer
212:Wynton Kelly
208:Yusef Lateef
174:
173:
172:
156:
155:
146:
60:May 12, 1960
37:Studio album
743:1961 albums
722:Discography
704:1st Bassman
664:Bass on Top
320:1st Bassman
175:1st Bassman
157:1st Bassman
22:1st Bassman
737:Categories
685:Roy Haynes
570:Pekar, H.
445:References
210:, pianist
137:chronology
69:Bell Sound
652:High Step
380:Personnel
338:JazzTimes
129:Sid McCoy
118:VJLP 3012
680:We Three
527:(2008).
508:AllMusic
504:– Review
408:trombone
375:) – 8:24
316:AllMusic
246:AllMusic
125:Producer
57:Recorded
49:Released
39: by
691:, 1958)
659:, 1956)
535:Penguin
399:trumpet
194:as the
188:Vee-Jay
161:(1961)
152:(1959)
114:Vee-Jay
707:(1960)
699:(1959)
683:(with
675:(1957)
667:(1957)
655:(with
647:(1956)
639:(1956)
628:Albums
541:
240:Rating
237:Source
92:Length
65:Studio
439:drums
430:piano
421:flute
109:Label
81:Genre
687:and
539:ISBN
390:bass
331:for
86:Jazz
52:1961
506:at
739::
696:Go
523:;
502:Go
491:^
437:-
428:-
419:,
415:-
406:-
397:-
388:-
325:Go
218:.
148:Go
101:05
97:30
604:e
597:t
590:v
547:.
99::
75:)
71:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
