638:(pseudonym of Oskar Reiss), with Walter Robert on piano (78 rpm's, RCA Victor; CD reprint by Biddulph). This was the world premiere recording of any version of the 24 Caprices. Renardy had played the solo violin version of the 24 in his Carnegie Hall debut the previous October. In 1953, shortly before his untimely death, Renardy recorded the 24 again (on Paganini's Guarnieri del GesĂš violin, 'Il Cannone'), in the same arrangement by David, with Eugene Helmer accompanying (2LPs, Remington R-99-146 & R-99-152).
2403:
20:
2427:
501:
After 4 measures of octaves marked Lento, the rest of the caprice is in ABA form marked
Allegro assai. The "A" section consists of playful staccato 8th notes, and the "B" section consists of fast 16th notes played on the G string. The opening 4 measures and the "A" section are in E-flat major, and
583:
is well known; it has been used as the basis for many pieces by a wide variety of composers. This caprice uses a wide range of highly advanced techniques such as tremendously fast scales and arpeggios, double and triple stops, left hand pizzicato, parallel octaves and tenths, rapid shifting, and
411:
starts out with scale-like double-stopped passages at a moderate speed. The second part consists of high speed runs that exercise left hand flexibility and position shifting, and right-hand high-speed string changing and detache bowing. The piece then repeats back to the beginning and ends right
349:
Nicknamed "La Chasse" or "The Hunt", the violin's A and E strings imitate the flutes ("Sulla tastiera imitando il Flauto"), while the G and D strings imitate the horns ("imitando il Corno sulla D e G corda"). Primarily a study in double stops, with ricochet occurring in the middle section.
565:. The middle, contrasting section is a formidable exercise in string crossings: it requires the violinist to play patterns of three sixteenth notes on the G string and then cross quickly to play one on the E string, and then back to the G string, all at a quick tempo.
440:
Caprice 15 is in ABA form. The "A" section is in E minor and starts with a melody in octaves followed by a variation in 32nd notes. The "B" section is in G major (the relative major to E minor) and features upbow staccato and singly-bowed arpeggios.
232:
Nicknamed "The
Arpeggio", this composition matches chordal playing with ricochet across all 4 strings. The piece opens in E major and then quickly transitions into an E minor development section, where descending scales in thirds are introduced.
306:
Nicknamed "The Trill", the sixth caprice exploits the use of left-hand tremolo on the violin by quickly alternating between different notes in the chord in one of the voices. A melody is played in one line with a tremolo occurring on another.
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The "A" section contains numerous thirty-second note runs on the A and E strings that converse back and forth with double stops on the lower two strings. The middle section is famous for the incredibly difficult octave passage.
2071:
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Caprice 20 is famous for the use of the D string as a drone, backdropping a lyrical melody on the A and E strings, imitating a bagpipe. This is followed by a rapid sixteenth note passage with trills and flying staccato.
392:
This caprice consists of a slurred pattern of a melody on an upper string alternating with a drone note on a bottom string, forcing the violinist to stretch great distances while keeping a finger on the drone string.
79:
artisti" (to the artists) rather than to a specific person. A sort of dedication can be recognized in
Paganini's own score, where he annotated between 1832 and 1840 the following 'dedicatee' for each
1719:
2056:
378:
The eleventh caprice starts and ends with sections that require multiple voices, containing a passage that consists of many dotted notes rapidly jumping up and down the scale.
545:
Caprice 22 explores many types of double and triple stops with lourĂŠ bowing, then implementing various elements of slurred staccato, slurred tremolos and strings crossings.
2101:
1446:(Nimbus Alliance, 2009) â arranged by William Zinn for string quartet (Wihan SQ: Leos Cepicky and Jan Schulmeister, violins / Jiri Zigmund, viola / Ales Kasprik, cello)
2163:
1851:
This process records the original sound direct to master discs without using a magnetic tape. Thus the full dynamic range and the original sound are fully preserved.
1827:
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Warner claim this to be the first complete recording made of the caprices, following the repetition marks included in the autograph score. Total playing time: 100'25
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78rpm's RCA Victor: matrix 16276/8 (Album M-672) Paganini
Caprices Nos. 1 to 12 (6 sides) + matrix 17636/8 (Album M-738) Paganini Caprices Nos. 13 to 24 (5 sides)
2194:
686:
1978 | 2LP | Price-Less Câ93042 (CD reprint: Price-Less D12179) | "Golden
Jubilee" â recorded direct-to-disc at Soundstage Recording Studio, Toronto, Canada |
426:
The 14th caprice displays the violin's ability to voice chords. It contains many triple and quadruple stops. Stylistically, the piece imitates brass fanfares.
2447:
2406:
191:
2212:
2086:
1491:, Variations for violin solo (Tema: Caprice 24; Var. I: Caprice 3; Var. II: Le Streghe; Var. III: Caprice 6; Var. IV: Caprice 14; Var. V: Caprice 21) by
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Caprice No. 8 focuses on sustaining a lower note while playing a higher melody at the same time, meanwhile incorporating many trills and double stops.
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The introduction to caprice 18 demonstrates playing on the G string in very high positions. This is followed by a rapid display of scales in thirds.
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Caprice 21 begins with a very expressive, aria-like melody played in double-stopped sixths. This is followed by a section of rapid up-bow staccato.
2022:
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is perhaps the simplest of the caprices. The chief difficulties are string crossings and some broken tenths. The only chord is the final note.
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made the first complete recording of the 24 Caprices in their original version (Decca). Ricci later made further recordings, as stated below:
701:
1988 | CD | Radio
Vaticana 061â003 / Biddulph LAW 016 | performed on Paganini's Guarneri del GesĂš "Il Cannone" (Genova, 16â20 April 1988)
1416:(Hungarian issue â Radioton, 1996) â arranged by Jules Herman for flute. Première recording of the 24 Caprices performed on the flute
364:
This caprice is primarily a study in up-bow staccato, with staccato notes punctuated by chords, trills and distant string crossings.
2144:
The Twenty-Four
Caprices of Niccolò Paganini. Their significance for the history of violin playing and the music of the Romantic era
2133:
2187:
939:
Papavrami, Tedi (Aeon, 1997 + 2001) â 2-CD set with two different recordings: 1997 studio version + 19 April 2001, 'live' in Tokyo
2246:
2241:
2236:
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2226:
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1, together with 12 Sonatas for Violin and Guitar (Op. 2 and 3) and 6 Guitar
Quartets (Op. 4 and 5). When Paganini released his
2467:
1638:
1400:(Classica HD, 2013) â Orchestra dei Talenti Musicali â live, Biella, Teatro Sociale, 2013 (version with String Orchestra by
704:
1998 | CD | Dynamic CDS244 | 80th
Birthday Concert, live in Szeged Synagogue, Hungary | version for violin and orchestra by
1831:
292:
focuses on fast ricochet bowings. It begins and ends with a section of ascending arpeggios followed by descending scales.
2417:
2180:
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2251:
1141:
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In 1940, to celebrate the centenary of
Paganini's death, the complete set in the arrangement for violin and piano by
1993:
1976:
1959:
1942:
1925:
1908:
1891:
1815:
1482:
1472:
1082:
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1982 | LaserDisc-NTSC | One Eleven, Ltd. URS-V-91610 | 69 mins. | BBC Scotland, Live television performance (p)1991
631:
166:
100:
1030:(EMI, 1984/85) â plays the first twelve Caprices on a Stradivari of 1706 and the remainder on a Stradivari of 1684
770:(iClassical Academy, Italy 2018, complete set of all 24 Caprices on video; instructional lessons and performances)
2285:
2280:
2275:
1456:
1324:
801:(Adès, 1967 / CD reprint, 1987 (selection of 19 from the 24 Caprices: Nos. 2, 3, 8, 22 & 23 are not included)
580:
455:
408:
1578:
6 Concert Etudes after Paganini Caprices, Op. 10 (on Caprices Nos. 14, 6, 10, 4, 2, 3) by Robert Schumann (1833)
2270:
816:
289:
2350:
187:" (with additional piano accompaniment by Ferdinand David) and published by Breitkopf & Härtel (c. 1860).
170:
2462:
2457:
2121:
1401:
1216:
795:(1st rec: Telarc, 1995 / 2nd rec: Onyx, 2009) â unedited performance, each caprice recorded in a single take
127:
2431:
1027:
722:
1987 | VHS-NTSC | Shar Products Company RRâ1 (Michigan University, 10 January 1987) | unedited performance
96:
88:
1743:
2368:
2016:
1776:
1755:
1663:
987:(Omega Classics, 1966) â w. Lester Taylor, playing the Robert Schumann piano accompaniment for Nos. 1â23
736:
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147:
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996:
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2302:
1704:
Rosenthal, Albi (1982), "An intriguing copy of Paganini's Capricci", in Monterosso, Raffaello (ed.),
705:
321:
This caprice focuses on slurred staccato passages, featuring many long slurred scales and arpeggios.
112:
36:
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709:
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755:
190:
Unlike many earlier and later sets of 24 pieces, there was no intention to write these caprices in
131:
32:
1581:Ătudes d'exĂŠcution transcendante d'après Paganini, S. 140 (on Caprices Nos. 5+6, 17, 1, 9, 24) by
1301:
1296:
597:
261:
Caprice No. 3 is a slurred legato exercise with octave trills in the introduction and conclusion.
1608:
921:
909:
749:
123:
92:
1862:
1527:
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arrangement of Nos. 13, 22, 14 (Vol. I), Nos. 21, 15, 9 (Vol. II) and Nos. 20, 24 (Vol. III) by
143:
2129:
1534:
1440:(Epic SC 6049, 1965) â arranged for viola. Recorded on a 17" Dodd viola in Vardi's home studio
1167:
1064:
version of No. 24 by composer himself, for violin and piano or guitar published separately as
1036:(Vanguard Classics, 1970) â so-called 'authentic' performance based on the original manuscript
984:
942:
903:
880:
838:
730:
247:
The second caprice focuses on detache with many string crossings across non-adjacent strings.
139:
2005:
1798:
741:
672:
1959 | LP | Decca LXT.5569 -mono- / SXL.2194 -stereo- (Victoria Hall, Geneva, 1â9 April 1959)
616:
2390:
1337:
1250:
1229:
1015:
954:
933:
897:
862:
844:
761:
213:
84:
58:
1588:
Grandes ĂŠtudes de Paganini, S. 141 (on Caprices Nos. 6, 17, 1, 9, 24) by Franz Liszt (1851)
2334:
2030:
2026:
1720:"Paganini: 24 Capricci per il Violino solo, "dedicati agli Artisti" Op. 1 â Robin Stowell"
1673:
1612:
1592:
1572:
1513:
1492:
1425:
1310:
1129:
1075:
1046:
1021:
978:
859:(Japanese issue â BMG/RCA Victor Red Seal, 2009) â CD+DVD features an interview with Kamio
713:
178:
151:
1001:
1558:
1541:
1503:
1413:
1278:
1209:
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1109:
990:
966:
948:
915:
874:
868:
832:
784:
642:
117:
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1683:
1443:
1437:
1384:
1236:
1123:
1102:
1033:
972:
960:
810:
804:
108:
54:
1591:
Variations on a Theme by Paganini, Op. 35 (Book I & II)] (on Caprice No. 24) by
275:
Caprice No. 4 is an exercise featuring passages with many multiple stops in thirds.
1787:
1431:
1397:
1185:
1160:
1154:
1116:
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820:
767:
635:
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first published them in 1820, where they were grouped and numbered from 1 to 24 as
64:
2146:, Stiftung Zentralstelle der Studentenschaft der Universität Zßrich, Zurich, 1997
1571:
Etudes after Paganini Caprices, Op. 3 (on Caprices Nos. 5, 9, 11, 13, 19, 16) by
1455:
Especially for compositions in the form of "Variations" see the related article:
602:
1582:
1407:
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1148:
1009:
826:
792:
208:
135:
104:
68:
51:
19:
1987:
1970:
1953:
1936:
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1809:
1419:
1330:
1178:
850:
798:
1540:
Trois caprices de Paganini Op. 97 (re-composition of Nos. 10, 13 and 22) by
1533:
Trois caprices de Paganini Op. 40 (re-composition of Nos. 20, 21 and 24) by
975:(Japanese issue â Universal Classics, 2009) â performed on pure gut strings
1887:
Yehudi Menuhin and George Enescu play Paganini Caprice No. 6 (arr. Enescu)
1282:
1264:
47:
2072:Ătudes d'exĂŠcution transcendante d'après Paganini, S. 140 (Liszt, Franz)
1777:
CD Symposium 1311, review by Jonathan Woolf on "Music Web International"
181:. Another edition by David was issued in two books of 12 caprices each "
924:(Dynamic, 2002/03) â 2-CD set with 'the complete music for solo violin'
733:(1st rec: RCA Italia, 1970 / 2nd rec: DGG, 1977 / 3rd rec: FonĂŠ, 2002)
877:(Wiediscon, 1996 / CD reprint: Hänssler, 2003) â 1996 live recording
746:(Fonit Cetra Italia, 1981) â from the original Paganini's manuscript
76:
2172:
2057:
6 Concert Etudes after Paganini Caprices, Op. 10 (Schumann, Robert)
35:
between 1802 and 1817. They are also designated as M.S. 25 in
1410:(Fleur De Son Classics, 2000) â arranged by Jules Herman for flute
1049:(live recording | 4 November 2003, San Donato Church Genoa, Italy)
726:
Other violinists have since recorded the complete set, including:
18:
2151:
24 капŃиŃĐ° Đ´ĐťŃ ŃĐşŃипки ŃОНО Đ. Đаганини: ПоŃОдиŃĐľŃкио кОППонŃĐ°Ńии
1147:
arrangement of Nos. 17 (1926), 9, 13, 19 (1941) and 24 (1918) by
2176:
823:, playing the Robert Schumann piano accompaniment for Nos. 1â23
184:
mit hinzugefĂźgter Begleitung des Pianoforte von Ferdinand David
1828:"LXT 2588 + LK 4025 â Paganini â 24 Caprices â Ruggiero Ricci"
1557:(da Paganini, 2 Studi per orchestra di virtuosi), Op. 50, by
1201:, No. 24 is based on Leopold Auer's piano arrangement (1940s)
1153:
arrangement (recomposition with new variations) of No. 24 by
2102:
Variations on a Theme by Paganini, Op. 35 (Brahms, Johannes)
1921:
Zino Francescatti plays Paganini/Francescatti Caprice No. 17
1955:
Caprice No. 24 with Orchestra, live recording by J. Heifetz
1938:
Caprice No. 13 with Orchestra, live recording by J. Heifetz
1799:
Ossy Renardy on "Maestronet â forum", by Alan Sanders, 2003
1422:(Nimbus Records, 1991) â arranged by Eliot Fisk for guitar
1706:
Nicolò Paganini e il suo tempo: relazioni e comunicazioni
1624:
Variations on a Theme by Paganini (on Caprice No. 24) by
2042:
Etudes after Paganini Caprices, Op. 3 (Schumann, Robert)
1972:
Sergey Krilov plays Edison Denisov "5 Paganini Caprices"
1434:(Eroica Classical Recordings, 2008) â arranged for viola
1502:
Op.25 for Violin and Piano ('ad libitum') dedicated to
712:(No.24), based on the piano accompaniment composed by
2415:
1648:
Wariacje na temat Paganiniego (on Caprice No. 24) by
412:
before reaching the second part for the second time.
173:
in 1854. David, as editor, also issued an edition of
1904:
Zino Francescatti plays Paganini/Pilati "8 Caprices"
1479:
12 variaciones sobre el capricho nĂşm. 24 de Paganini
1018:(1st rec: Teldec, 1992 / 2nd rec: ECM Records, 2007)
502:
the "B" section is in the relative minor (C minor).
2361:
2294:
2261:
2219:
1469:
9 variaciones sobre el capricho nĂşm. 24 de Paganini
1428:(DGG, 1991) â arranged by Patrick Gallois for flute
902:'live' recording, 3 May 1989. DVD Film directed by
634:was recorded by the 20-year-old Austrian violinist
559:
Caprice No. 23 begins with a melody in octaves in E
40:
Catalogo tematico delle musiche di Niccolò Paganini
31:were written in groups (seven, five and twelve) by
661:-mono-; 1950 reprint | 2LPs | London Decca LL.264
2087:Grandes ĂŠtudes de Paganini, S. 141 (Liszt, Franz)
1457:Caprice No. 24 (Paganini)#Variations on the theme
1215:string orchestra accompaniment for Nos. 1â24 by
2375:Diabolus in Musica, Accardo interpreta Paganini
1996:, 78rpm Columbia CO 31390 (rec: 2 October 1941)
83:(possibly ready for a new printed edition): 1:
50:, with each number exploring different skills (
1672:Nos. 5, 12 and fragments from Nos. 16, 19) by
1662:re-composition of various Paganini's works as
1041:Complete set / live, not commercial recordings
2188:
1066:
900:(DVD Warner Music Vision + CD Erato, 1989) â
157:
8:
1811:Ruggiero Ricci plays Paganini Caprice No. 24
1708:, Genova: Comune di Genova, pp. 235â246
1451:Original works, based on Paganini's Caprices
1089:
182:
1607:major (on Caprices Nos. 20, 19, 11, 14) by
1526:Paganini Variations on the 24th caprice by
807:(Russian and Japanese issue â Triton, 1996)
2195:
2181:
2173:
2168:International Music Score Library Project
2106:International Music Score Library Project
2091:International Music Score Library Project
2076:International Music Score Library Project
2061:International Music Score Library Project
2046:International Music Score Library Project
1756:Paganini 24 Caprices, Rev. R. De Barbieri
957:(French issue â LP Deesse DDLX 178, 1979)
576:Tema: Quasi presto/variazioni IâXI/Finale
1204:arrangement of Nos. 2, 21, 20, 9, 24 as
675:1973 | LP | Vox Turnabout TV-S 34528 |
201:
37:Maria Rosa Moretti's and Anna Sorrento's
16:Musical compositions by Niccolò Paganini
2422:
2006:24 Caprices arranged for String Quartet
1696:
1392:Complete set recordings of arrangements
1074:piano accompaniments for Nos. 1â23 by
1277:arrangement of Nos. 13, 20 and 24 by
1108:arrangement of Nos. 13, 20 and 24 by
7:
1989:Benny Goodman â Paganini, Caprice 24
1788:Ossy Renardy on "the Remington site"
1128:arrangement of No. 9 "La chasse" by
626:Complete set / commercial recordings
2126:Nicolo Paganini: His Life and Work
1744:Paganini 24 Capricci, Rev. F.Gulli
1166:arrangement of Nos. 13, 17, 24 by
1024:(Dante Productions LYSC 002, 1997)
829:(Philips, 1976) â released in 2007
407:Nicknamed "The Devil's Laughter",
169:'s first edition was published by
163:(to my self, regrettably buried).
14:
2149:Konstantin Georgiyevich Mostras,
1668:, Op. 65: I. Allegro agitato (on
1641:, Op. 43, (on Caprice No. 24) by
1263:arrangement of Nos. 9, 14, 17 by
1115:arrangement of Nos. 17 and 24 by
1091:avec accompagnement de pianoforte
42:which was published in 1982. The
2448:Compositions by Niccolò Paganini
2425:
2402:
2401:
1682:, Op. 26 (on Caprice No. 24) by
1228:arrangement of Nos. 5 and 13 by
1639:Rhapsody on a Theme of Paganini
1134:arrangement of No. 9 and 23 by
889:(Warner Classics Apex, 2002) â
154:; 22: Luigi Alliani; 23: ; 24:
1197:arrangement of Nos. 13, 24 by
1085:for violin and piano (c. 1860)
981:(Japanese issue â Platz, 1990)
57:, extremely fast switching of
1:
2128:. London: E. Shore & Co.
177:with piano accompaniments by
2020:, Variations for violin solo
1329:arrangement of Nos. 1â24 by
1309:arrangement of Nos. 1â24 by
1295:arrangement of Nos. 1â24 by
1235:arrangement of Nos. 1â24 by
1173:re-composition of No. 20 as
1088:version of the 24 caprices "
1081:arrangement of Nos. 1â24 by
1012:(Budapest, 4â13 August 2015)
649:1947 | 2LPs | Decca LK.4025
2164:24 Caprices for Solo Violin
1349:arrangement of Nos. 1-24 by
1192:Violin and string orchestra
789:(Italian issue â DGG, 2012)
29:24 Caprices for Solo Violin
2491:
1253:and No. 24 by David Stimer
258:Sostenuto/Presto/Sostenuto
146:; 18: Antoine Bohrer; 19:
2399:
2210:
1746:â Ed. Curci Milano (1982)
1379:arrangement of No. 24 by
1365:arrangement of No. 24 by
1336:arrangement of No. 24 by
1323:arrangement of No. 24 by
1249:arrangements of No.17 by
1184:arrangement of No. 24 by
1101:arrangement of No. 13 by
841:(Warner Classics, 2017/8)
813:(Decca Classics, 2008/09)
217:
212:
207:
204:
150:; 20: Carlo Bignami; 21:
87:; 2: Giuseppe Austri; 3:
1861:Foundation, iClassical.
1758:â G. Henle Verlag (1990)
1611:(1942/43), dedicated to
1450:
1426:Gallois, Patrick (flute)
1281:(1911) / re-arranged by
1140:arrangement of No. 9 by
1122:arrangement of No. 6 by
677:+ premiere recording of
669:mono (London, July 1947)
2227:No. 1 in D/E-flat major
1512:(on Caprice No. 24) by
1028:Zimmermann, Frank Peter
835:(Orchid Classics, 2012)
128:Charles Philippe Lafont
2468:Music with dedications
2153:Moscow, Musghiz, 1959
1555:Capriccio dei Capricci
1438:Vardi, Emanuel (viola)
1374:Clarinet and jazz band
1206:Five Paganini Caprices
1090:
1067:
955:Poulet, GĂŠrard Georges
945:(Auvidis Valois, 1991)
912:(Sony Classical, 1988)
716:(Hungary, 17 May 1998)
375:Andante/Presto/Andante
183:
171:Breitkopf & Härtel
158:
97:Heinrich Wilhelm Ernst
89:Ernesto Camillo Sivori
24:
2369:Il Cannone Guarnerius
2351:The Devil's Violinist
1652:(1941; rescored 1979)
1530:(posthumous ed. 1960)
1510:50 Caprice Variations
1432:Slapin, Scott (viola)
1068:Variazioni di bravura
148:Andreas Jakob Romberg
75:, he dedicated them "
22:
2386:Paganini Competition
2381:Moretti and Sorrento
2213:List of compositions
1549:Violin and orchestra
1444:Wihan String Quartet
1420:Fisk, Eliot (guitar)
1414:Drahos, BĂŠla (flute)
1408:Boyd, Bonita (flute)
1402:Giedrius KupreviÄius
1344:Electric guitar solo
1217:Giedrius KupreviÄius
871:(RovenRecords, 2016)
774:Chumachenco, Nicolas
756:Becker-Bender, Tanja
692:in E major, MS 68 +
610:Critical edition by
596:Critical edition by
556:Posato/Minore/Posato
101:Karol JĂłzef LipiĹski
1680:Paganini Variations
1643:Sergei Rachmaninoff
1633:Piano and orchestra
1500:Paganini Variations
1285:for cello and piano
1136:Florizel von Reuter
1096:John Liptrot Hatton
922:Milenkovich, Stefan
764:(Equilibrium, 2014)
750:Barton-Pine, Rachel
737:Barbieri, Renato de
498:Lento/Allegro assai
132:Jacques Pierre Rode
111:; 9: Herrmann; 10:
61:and strings, etc.)
46:are in the form of
2473:Capriccios (music)
2453:Solo violin pieces
2025:2016-03-06 at the
1867:iClassical Academy
1650:Witold LutosĹawski
1626:Witold LutosĹawski
1609:Luigi Dallapiccola
1006:(Arts Music, 2002)
985:Spivakovsky, Tossy
865:(Dynamic, 1989/90)
839:Hadelich, Augustin
731:Accardo, Salvatore
612:Renato de Barbieri
584:string crossings.
159:sepolto pur troppo
126:; 12: Dhuler; 13:
124:Sigismond Thalberg
93:Ole Bornemann Bull
25:
2413:
2412:
2122:Stratton, Stephen
1599:Sonatina Canonica
1537:(1918; rev. 1926)
1535:Karol Szymanowski
1360:Chamber orchestra
1168:Zino Francescatti
1016:Zehetmair, Thomas
997:Tchakerian, Sonig
934:Paetsch, Michaela
906:
904:Bruno Monsaingeon
898:Markov, Alexander
894:
863:Kavakos, Leonidas
845:Ibragimova, Alina
819:(DGG, 1996) â w.
776:(Edelweiss, 1982)
762:Berick, Yehonatan
697:
682:
681:in E major, MS 68
668:
664:
660:
654:
607:(Ed. Curci, 1982)
588:
587:
469:Sostenuto/Andante
192:24 different keys
156:Nicolò Paganini,
140:Rodolphe Kreutzer
2480:
2430:
2429:
2428:
2421:
2405:
2404:
2391:Paganini Quartet
2252:No. 6 in E minor
2247:No. 5 in A minor
2242:No. 4 in D minor
2237:No. 3 in E major
2232:No. 2 in B minor
2204:Niccolò Paganini
2197:
2190:
2183:
2174:
2166:: Scores at the
2142:Philippe Borer,
2139:
2108:
2104:: Scores at the
2099:
2093:
2089:: Scores at the
2084:
2078:
2074:: Scores at the
2069:
2063:
2059:: Scores at the
2054:
2048:
2044:: Scores at the
2039:
2033:
2014:
2008:
2003:
1997:
1990:
1985:
1979:
1973:
1968:
1962:
1956:
1951:
1945:
1939:
1934:
1928:
1922:
1917:
1911:
1905:
1900:
1894:
1888:
1883:
1877:
1876:
1874:
1873:
1858:
1852:
1849:
1843:
1842:
1840:
1839:
1830:. Archived from
1824:
1818:
1812:
1807:
1801:
1796:
1790:
1785:
1779:
1774:
1768:
1765:
1759:
1753:
1747:
1741:
1735:
1734:
1732:
1731:
1722:. Archived from
1716:
1710:
1709:
1701:
1606:
1605:
1521:Violin and piano
1498:Paolo Pessina â
1338:Marcin Patrzalek
1305:
1251:William Primrose
1230:William Primrose
1093:
1070:
1059:Violin and Piano
1047:Madoyan, Nikolay
1022:Zhislin, Grigori
1005:
993:(Melodiya, 1983)
979:Shimizu, Takashi
901:
890:
847:(Hyperion, 2021)
788:
758:(Hyperion, 2007)
745:
696:in C major, MS 6
687:
676:
666:
662:
656:
650:
620:
606:
564:
563:
484:Corrente/Allegro
202:
186:
161:
121:
85:Henri Vieuxtemps
33:Niccolò Paganini
23:Niccolò Paganini
2490:
2489:
2483:
2482:
2481:
2479:
2478:
2477:
2438:
2437:
2436:
2432:Classical music
2426:
2424:
2416:
2414:
2409:
2395:
2357:
2335:Paganini Horror
2314:(1925 operetta)
2290:
2257:
2215:
2206:
2201:
2160:
2136:
2120:
2117:
2115:Further reading
2112:
2111:
2100:
2096:
2085:
2081:
2070:
2066:
2055:
2051:
2040:
2036:
2031:Nathan Milstein
2027:Wayback Machine
2015:
2011:
2004:
2000:
1988:
1986:
1982:
1971:
1969:
1965:
1954:
1952:
1948:
1937:
1935:
1931:
1920:
1918:
1914:
1903:
1901:
1897:
1886:
1884:
1880:
1871:
1869:
1860:
1859:
1855:
1850:
1846:
1837:
1835:
1826:
1825:
1821:
1810:
1808:
1804:
1797:
1793:
1786:
1782:
1775:
1771:
1766:
1762:
1754:
1750:
1742:
1738:
1729:
1727:
1718:
1717:
1713:
1703:
1702:
1698:
1693:
1674:Alfredo Casella
1659:
1635:
1621:
1613:Pietro Scarpini
1603:
1602:
1593:Johannes Brahms
1573:Robert Schumann
1568:
1551:
1523:
1514:George Rochberg
1493:Nathan Milstein
1465:
1453:
1394:
1376:
1362:
1346:
1320:
1311:Patrick Gallois
1299:
1292:
1274:
1272:Cello and piano
1260:
1246:
1244:Viola and piano
1225:
1194:
1175:Concert Caprice
1142:Albert Spalding
1130:Jacques Thibaud
1083:Ferdinand David
1076:Robert Schumann
1061:
1056:
1043:
999:
991:Stadler, Sergei
967:Rogliano, Marco
963:(Capitol, 1958)
949:Perlman, Itzhak
943:Pasquier, RĂŠgis
916:Milanova, Vanya
883:(Gramola, 1999)
875:Koelman, Rudolf
869:Kinga, Augustin
833:Gringolts, Ilya
782:
739:
714:Robert Schumann
708:(Nos.1â23) and
706:Laszlo MeszlĂŠny
698:(Toronto, 1978)
690:Caprice d'adieu
679:Caprice d'adieu
632:Ferdinand David
628:
614:
600:
593:
579:The theme from
561:
560:
200:
179:Robert Schumann
167:Ferdinand David
152:Antonio Bazzini
144:Alexandre ArtĂ´t
115:
113:Theodor Haumann
17:
12:
11:
5:
2488:
2487:
2484:
2476:
2475:
2470:
2465:
2463:1810s in music
2460:
2458:1800s in music
2455:
2450:
2440:
2439:
2435:
2434:
2411:
2410:
2400:
2397:
2396:
2394:
2393:
2388:
2383:
2378:
2371:
2365:
2363:
2359:
2358:
2356:
2355:
2347:
2339:
2331:
2323:
2315:
2307:
2298:
2296:
2292:
2291:
2289:
2288:
2286:Caprice No. 24
2283:
2281:Caprice No. 16
2278:
2276:Caprice No. 13
2273:
2267:
2265:
2259:
2258:
2256:
2255:
2249:
2244:
2239:
2234:
2229:
2223:
2221:
2217:
2216:
2211:
2208:
2207:
2202:
2200:
2199:
2192:
2185:
2177:
2171:
2170:
2159:
2158:External links
2156:
2155:
2154:
2147:
2140:
2134:
2116:
2113:
2110:
2109:
2094:
2079:
2064:
2049:
2034:
2009:
1998:
1980:
1963:
1946:
1929:
1912:
1895:
1878:
1863:"Pavel Berman"
1853:
1844:
1819:
1802:
1791:
1780:
1769:
1760:
1748:
1736:
1711:
1695:
1694:
1692:
1689:
1688:
1687:
1677:
1658:
1655:
1654:
1653:
1646:
1634:
1631:
1630:
1629:
1620:
1617:
1616:
1615:
1596:
1589:
1586:
1579:
1576:
1567:
1564:
1563:
1562:
1559:Franco Mannino
1550:
1547:
1546:
1545:
1542:Darius Milhaud
1538:
1531:
1522:
1519:
1518:
1517:
1507:
1504:Ruggiero Ricci
1496:
1486:
1483:Manuel Quiroga
1476:
1473:Manuel Quiroga
1464:
1461:
1452:
1449:
1448:
1447:
1441:
1435:
1429:
1423:
1417:
1411:
1405:
1393:
1390:
1389:
1388:
1375:
1372:
1371:
1370:
1361:
1358:
1351:
1350:
1345:
1342:
1341:
1340:
1334:
1327:
1319:
1316:
1315:
1314:
1307:
1291:
1288:
1287:
1286:
1279:Fritz Kreisler
1273:
1270:
1269:
1268:
1259:
1256:
1255:
1254:
1245:
1242:
1241:
1240:
1233:
1224:
1221:
1220:
1219:
1213:
1210:Edison Denisov
1202:
1199:Jascha Heifetz
1193:
1190:
1189:
1188:
1182:
1171:
1164:
1157:
1151:
1145:
1138:
1132:
1126:
1120:
1113:
1110:Fritz Kreisler
1106:
1099:
1086:
1079:
1072:
1060:
1057:
1055:
1052:
1051:
1050:
1042:
1039:
1038:
1037:
1034:Zukofsky, Paul
1031:
1025:
1019:
1013:
1007:
994:
988:
982:
976:
970:
969:(Tactus, 2000)
964:
961:Rabin, Michael
958:
952:
946:
940:
937:
936:(Teldec, 1987)
931:
925:
919:
913:
907:
895:
884:
878:
872:
866:
860:
854:
848:
842:
836:
830:
824:
817:Garrett, David
814:
811:Fischer, Julia
808:
805:Fedotov, Maxim
802:
796:
790:
780:Francesca Dego
777:
771:
765:
759:
753:
747:
734:
724:
723:
720:
717:
710:Chris Nicholls
702:
699:
684:
673:
670:
643:Ruggiero Ricci
627:
624:
623:
622:
621:(Urtext, 1990)
608:
592:
589:
586:
585:
581:Caprice No. 24
577:
574:
571:
567:
566:
557:
554:
551:
547:
546:
543:
540:
537:
533:
532:
529:
528:Amoroso/Presto
526:
523:
519:
518:
514:
511:
508:
504:
503:
499:
496:
493:
489:
488:
485:
482:
479:
475:
474:
470:
467:
464:
460:
459:
456:Caprice No. 16
453:
450:
447:
443:
442:
438:
435:
432:
428:
427:
424:
421:
418:
414:
413:
409:Caprice No. 13
405:
402:
399:
395:
394:
390:
387:
384:
380:
379:
376:
373:
370:
366:
365:
362:
359:
356:
352:
351:
347:
344:
341:
337:
336:
333:
330:
327:
323:
322:
319:
316:
313:
309:
308:
304:
301:
298:
294:
293:
287:
284:
281:
277:
276:
273:
270:
267:
263:
262:
259:
256:
253:
249:
248:
245:
242:
239:
235:
234:
230:
227:
224:
220:
219:
216:
211:
206:
199:
196:
52:double stopped
15:
13:
10:
9:
6:
4:
3:
2:
2486:
2485:
2474:
2471:
2469:
2466:
2464:
2461:
2459:
2456:
2454:
2451:
2449:
2446:
2445:
2443:
2433:
2423:
2419:
2408:
2398:
2392:
2389:
2387:
2384:
2382:
2379:
2377:
2376:
2372:
2370:
2367:
2366:
2364:
2360:
2353:
2352:
2348:
2345:
2344:
2340:
2337:
2336:
2332:
2329:
2328:
2327:The Magic Bow
2324:
2321:
2320:
2316:
2313:
2312:
2308:
2305:
2304:
2300:
2299:
2297:
2293:
2287:
2284:
2282:
2279:
2277:
2274:
2272:
2271:Caprice No. 5
2269:
2268:
2266:
2264:
2260:
2253:
2250:
2248:
2245:
2243:
2240:
2238:
2235:
2233:
2230:
2228:
2225:
2224:
2222:
2218:
2214:
2209:
2205:
2198:
2193:
2191:
2186:
2184:
2179:
2178:
2175:
2169:
2165:
2162:
2161:
2157:
2152:
2148:
2145:
2141:
2137:
2135:0-559-80636-1
2131:
2127:
2123:
2119:
2118:
2114:
2107:
2103:
2098:
2095:
2092:
2088:
2083:
2080:
2077:
2073:
2068:
2065:
2062:
2058:
2053:
2050:
2047:
2043:
2038:
2035:
2032:
2028:
2024:
2021:
2019:
2013:
2010:
2007:
2002:
1999:
1995:
1991:
1984:
1981:
1978:
1974:
1967:
1964:
1961:
1957:
1950:
1947:
1944:
1940:
1933:
1930:
1927:
1923:
1916:
1913:
1910:
1906:
1899:
1896:
1893:
1889:
1882:
1879:
1868:
1864:
1857:
1854:
1848:
1845:
1834:on 2015-04-16
1833:
1829:
1823:
1820:
1817:
1813:
1806:
1803:
1800:
1795:
1792:
1789:
1784:
1781:
1778:
1773:
1770:
1764:
1761:
1757:
1752:
1749:
1745:
1740:
1737:
1726:on 2015-10-02
1725:
1721:
1715:
1712:
1707:
1700:
1697:
1690:
1685:
1684:Boris Blacher
1681:
1678:
1675:
1671:
1667:
1666:
1661:
1660:
1656:
1651:
1647:
1644:
1640:
1637:
1636:
1632:
1627:
1623:
1622:
1618:
1614:
1610:
1600:
1597:
1594:
1590:
1587:
1584:
1580:
1577:
1574:
1570:
1569:
1565:
1560:
1556:
1553:
1552:
1548:
1543:
1539:
1536:
1532:
1529:
1525:
1524:
1520:
1515:
1511:
1508:
1505:
1501:
1497:
1494:
1490:
1487:
1484:
1480:
1477:
1474:
1470:
1467:
1466:
1462:
1460:
1458:
1445:
1442:
1439:
1436:
1433:
1430:
1427:
1424:
1421:
1418:
1415:
1412:
1409:
1406:
1403:
1399:
1398:Berman, Pavel
1396:
1395:
1391:
1386:
1385:Benny Goodman
1382:
1378:
1377:
1373:
1368:
1364:
1363:
1359:
1357:
1355:
1354:Steve Jeffrey
1348:
1347:
1343:
1339:
1335:
1332:
1328:
1326:
1325:John Williams
1322:
1321:
1317:
1312:
1308:
1303:
1298:
1294:
1293:
1289:
1284:
1280:
1276:
1275:
1271:
1266:
1262:
1261:
1257:
1252:
1248:
1247:
1243:
1238:
1237:Emanuel Vardi
1234:
1231:
1227:
1226:
1222:
1218:
1214:
1211:
1207:
1203:
1200:
1196:
1195:
1191:
1187:
1183:
1180:
1176:
1172:
1169:
1165:
1162:
1158:
1156:
1152:
1150:
1146:
1143:
1139:
1137:
1133:
1131:
1127:
1125:
1124:George Enescu
1121:
1118:
1114:
1111:
1107:
1104:
1100:
1097:
1092:
1087:
1084:
1080:
1077:
1073:
1071:
1069:
1063:
1062:
1058:
1053:
1048:
1045:
1044:
1040:
1035:
1032:
1029:
1026:
1023:
1020:
1017:
1014:
1011:
1008:
1003:
998:
995:
992:
989:
986:
983:
980:
977:
974:
973:Shunsuke Sato
971:
968:
965:
962:
959:
956:
953:
950:
947:
944:
941:
938:
935:
932:
929:
928:Mintz, Shlomo
926:
923:
920:
918:(Simax, 1985)
917:
914:
911:
908:
905:
899:
896:
893:
888:
887:Malikian, Ara
885:
882:
879:
876:
873:
870:
867:
864:
861:
858:
857:Kamio, Mayuko
855:
853:(Naxos, 1992)
852:
849:
846:
843:
840:
837:
834:
831:
828:
825:
822:
818:
815:
812:
809:
806:
803:
800:
797:
794:
791:
786:
781:
778:
775:
772:
769:
768:Berman, Pavel
766:
763:
760:
757:
754:
751:
748:
743:
738:
735:
732:
729:
728:
727:
721:
718:
715:
711:
707:
703:
700:
695:
694:Duo merveille
691:
685:
680:
674:
671:
659:
653:
648:
647:
646:
644:
639:
637:
633:
625:
618:
613:
609:
604:
599:
595:
594:
590:
582:
578:
575:
572:
569:
568:
558:
555:
552:
549:
548:
544:
541:
538:
535:
534:
530:
527:
524:
521:
520:
515:
512:
509:
506:
505:
500:
497:
494:
491:
490:
486:
483:
480:
477:
476:
471:
468:
465:
462:
461:
457:
454:
451:
448:
445:
444:
439:
436:
433:
430:
429:
425:
422:
419:
416:
415:
410:
406:
403:
400:
397:
396:
391:
388:
385:
382:
381:
377:
374:
371:
368:
367:
363:
360:
357:
354:
353:
348:
345:
342:
339:
338:
334:
331:
328:
325:
324:
320:
317:
314:
311:
310:
305:
302:
299:
296:
295:
291:
290:Caprice No. 5
288:
285:
282:
279:
278:
274:
271:
268:
265:
264:
260:
257:
254:
251:
250:
246:
243:
240:
237:
236:
231:
228:
225:
222:
221:
215:
210:
203:
197:
195:
193:
188:
185:
180:
176:
172:
168:
164:
162:
160:
153:
149:
145:
141:
137:
133:
129:
125:
119:
114:
110:
109:Delphin Alard
106:
102:
98:
94:
90:
86:
82:
78:
74:
70:
66:
62:
60:
56:
53:
49:
45:
41:
38:
34:
30:
21:
2373:
2349:
2341:
2333:
2325:
2317:
2309:
2301:
2262:
2254:(incomplete)
2150:
2143:
2125:
2097:
2082:
2067:
2052:
2037:
2017:
2012:
2001:
1983:
1966:
1949:
1932:
1915:
1898:
1881:
1870:. Retrieved
1866:
1856:
1847:
1836:. Retrieved
1832:the original
1822:
1805:
1794:
1783:
1772:
1763:
1751:
1739:
1728:. Retrieved
1724:the original
1714:
1705:
1699:
1679:
1669:
1664:
1598:
1554:
1528:Eugène Ysaÿe
1509:
1499:
1488:
1478:
1468:
1454:
1352:
1297:Jules Herman
1205:
1186:Eduard Tubin
1174:
1161:Mario Pilati
1155:Mischa Elman
1117:Leopold Auer
1065:
1054:Arrangements
1010:Zalai, Antal
892:
881:KovĂĄÄ, Tibor
827:Gitlis, Ivry
821:Bruno Canino
793:Ehnes, James
752:(Avie, 2017)
725:
693:
689:
678:
657:
651:
640:
636:Ossy Renardy
629:
598:Franco Gulli
553:E-flat major
495:E-flat major
466:E-flat major
420:E-flat major
401:B-flat major
386:A-flat major
329:E-flat major
189:
174:
165:
155:
80:
72:
63:
43:
39:
28:
26:
2354:(2013 film)
2346:(1989 film)
2338:(1989 film)
2330:(1946 film)
2322:(1934 film)
2306:(1923 film)
2018:Paganiniana
1665:Paganiniana
1583:Franz Liszt
1489:Paganiniana
1463:Violin solo
1381:Skip Martin
1367:Adolf Busch
1318:Guitar solo
1300: [
1149:Adolf Busch
1000: [
951:(EMI, 1972)
930:(DGG, 1981)
851:Kaler, Ilya
799:Erlih, Devy
783: [
740: [
683:(USA, 1973)
655:; LXT.2588
615: [
601: [
136:Louis Spohr
116: [
105:Franz Liszt
2442:Categories
2295:Portrayals
1872:2019-08-28
1838:2015-04-16
1730:2015-03-12
1691:References
1619:Two pianos
1566:Piano solo
1331:Eliot Fisk
1290:Flute solo
1258:Cello solo
1223:Viola solo
1179:Max Rostal
1103:JenĹ Hubay
513:Allegretto
346:Allegretto
2220:Concertos
1657:Orchestra
1595:(1862/63)
1585:(1838/40)
1333:(1990/91)
1313:(1990/91)
1267:(1981/82)
1232:(1933/34)
1105:(c. 1925)
667:Nos.13â24
665:; LL.252
658:Nos.13â24
641:In 1947,
214:Movements
59:positions
2407:Category
2343:Paganini
2319:Paganini
2311:Paganini
2303:Paganini
2263:Caprices
2124:(1907).
2023:Archived
1670:Caprices
1604:♭
1283:Yo-Yo Ma
1265:Yo-Yo Ma
663:Nos.1â12
652:Nos.1â12
562:♭
423:Moderato
332:Maestoso
272:Maestoso
244:Moderato
175:Caprices
73:Caprices
44:Caprices
2362:Related
1994:YouTube
1977:YouTube
1960:YouTube
1943:YouTube
1926:YouTube
1909:YouTube
1892:YouTube
1816:YouTube
1369:(1918?)
1170:(1950s)
573:A minor
542:Marcato
539:F major
525:A major
510:D major
481:C major
449:G minor
434:E minor
404:Allegro
389:Allegro
372:C major
358:G minor
343:E major
315:A minor
300:G minor
286:Agitato
283:A minor
269:C minor
255:E minor
241:B minor
229:Andante
226:E major
198:Details
81:Caprice
65:Ricordi
2418:Portal
2132:
1686:(1947)
1676:(1942)
1645:(1934)
1628:(1941)
1575:(1832)
1561:(1967)
1544:(1927)
1516:(1970)
1506:(1997)
1495:(1954)
1485:(1942)
1475:(1928)
1387:(1941)
1306:(1902)
1302:scores
1239:(1965)
1212:(1985)
1181:(1955)
1163:(1935)
1144:(1918)
1119:(1922)
1112:(1911)
1098:(1870)
1078:(1855)
910:Midori
591:Scores
452:Presto
437:Posato
361:Vivace
318:Posato
218:Notes
142:; 17:
138:; 16:
134:; 15:
130:; 14:
122:; 11:
55:trills
48:ĂŠtudes
1356:2023
1304:]
1094:" by
1004:]
787:]
744:]
619:]
605:]
303:Lento
120:]
107:; 8:
103:; 7:
99:; 6:
95:; 5:
91:; 4:
2130:ISBN
1601:in E
1383:and
205:No.
77:alli
27:The
2029:by
1992:on
1975:on
1958:on
1941:on
1924:on
1907:on
1890:on
1814:on
1481:by
1471:by
1208:by
1177:by
209:Key
69:Op.
2444::
1865:.
1459:.
1002:it
785:it
742:it
688:+
617:it
603:it
570:24
550:23
536:22
522:21
507:20
492:19
478:18
463:17
446:16
431:15
417:14
398:13
383:12
369:11
355:10
194:.
118:it
2420::
2196:e
2189:t
2182:v
2138:.
1875:.
1841:.
1733:.
1404:)
340:9
326:8
312:7
297:6
280:5
266:4
252:3
238:2
223:1
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