359:, the day in which the story takes place (and therefore the song title) is an ordinary day, which was chosen for no particular reason. However, it was noted that the date of September 29 coincides with the birthday of his wife of the time, Serenella; this aspect could suggest an autobiographical nature of the text, almost a public confession of an infidelity made by the author. Mogol, however, argues that it was a coincidence, which he realized only one day after having written the lyrics. He said he regrets not having dedicated the song to her from the beginning, while his wife (who knew Mogol's proverbial inattention) understood that the tribute was not intentional and in fact did not thank him.
389:'s office who, as if to keep faith with his reputation of "pop song theorist" , had engaged in a discussion about the need to find new themes and new forms to be offered in songs verses. "We should," he said, "tell a whole story, perhaps choosing a date that would serve to remember it, to suggest a specific atmosphere: September 29, for example". "Perhaps" replied Battisti, "I have the right music". And he played at the piano a motif he had prepared. What came out of that was, of course, "29 settembre".
258:
527:
276:; in pop music, songs based on rosy and idealized loves prevailed, while adultery was almost always portrayed as a serious misconduct. The protagonist of "29 settembre", instead, shows no repentance and does not feel guilty when he returns to his partner; the passing of a single day erased everything, and the protagonist does not even remember the previous' night events. The message of "29 settembre", therefore, anticipates the
443:«the most up to date among Italian bands»; being the author of a song played by Equipe 84 would have given anyone great importance. So Battisti renounced to sing it personally and consented to hand it over, despite Mariano Detto insisted that it was the right song to launch his career as a singer. For the solo single, Battisti had to fall back on the two lesser known tracks
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The main innovation is
Battisti's vocal performance, which in the opinion of Stefanel is superior to Maurizio Vandelli's one. In particular, the last two verses, in which the protagonist is laughing on the phone, are interpreted by Battisti in an extremely expressive way, rippling the singing with a
29:
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Battisti gave a more "classical" and less experimental interpretation than Equipe 84's version. First of all, he removed the voiceover radio news announcer, a strongly innovative element in the Equipe's version, which was considered no longer necessary (since the story told was now widely known to
508:
of Milan's announcer) who, while reading the news of the radio bulletin, pronounces the current date, making it easier to understand the chronology of the story told. It is not clear who had this idea: Maurizio
Vandelli, Mogol, and Ricordi's production manager Paolo Ruggeri all took the credit.
327:
The nature of flashback of the first day is also strengthened by the vague and muffled style with which the events are described, giving them the appearance of an undefined memory, which emerges with difficulty from the mind: the succession of events is indeed «swirling» and with very nuanced
393:
At the time, Battisti still had to discover his own talent as a singer, and he was not fully affirmed even as a song author; for this reason, the song remained for some time within a repertoire that
Battisti presented to bands and singers, looking for someone who would sing them.
411:
Initially
Battisti thought of interpreting the song in person: at that time, in fact, the musician (just at the beginning of his career as a singer) was starting to think about publishing a new single, to overcome the fiasco of previous year's debut single
292:
Also in its form and style, the lyrics were extremely innovative and almost experimental. The story told, in fact, is not a single episode (as almost always happened in the pop music of the time) but a complex story, which takes place in two days.
217:
In 1969, the song was reinterpreted by
Battisti himself, and later by many other artists in Italy and abroad. It is one of the best-known songs both in Battisti's and in the Equipe 84 production, and is considered a classic of Italian pop music.
493:
studios in Milan. A few weeks before the studio had been equipped with an eight-track recorder, the first ever in an
Italian recording studio: so "29 settembre" was the first song in Italy to be fully recorded with this new equipment.
854:. Sessions took place on January 13, 1969 from 9 to 14:30, on January 17 from 15 to 18:30, on January 22 from 9 to 13; the rhythm tracks were recorded on January 23 from 9 to 13:30, while vocals and overdubs on January's last week.
497:
Vandelli gave much importance to sound research, which is why the recording of the song lasted a long time. Vandelli used the studio for so many hours that he angered
Ricordi's executives, who complained about excessive costs.
304:. The events of the first day are not told from a contemporary perspective, but are re-evoked by the protagonist when he wakes up, the next morning: in fact all events of September 29 use the verbal time of
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which closes the track. According to
Stefanel, the coda throws an ambiguous light on the mood of the protagonist, leaving open if the return with his partner is really happy or actually forced.
627:, with lyrics translated by Tommy Scott. It was published on 45 rpm single in the United Kingdom and the United States, to weak success; it was republished only in 2008, within the compilation
340:. The narrative is so blurred and surreal that the listener is kept with the doubt on whether the extramarital adventure really happened, or whether it was just a dream made before waking up.
512:
In the song
Maurizio Vandelli played the guitar and solo voice, Alfio Cantarella the drums, Franco Ceccarelli the guitar and second voice, while Victor Sogliani the bass and second voice.
1882:
249:, the protagonist wakes up animated by an unchanged love for his usual partner, so much that he rushes to phone her declaring his love, as if nothing had happened the night before.
245:
meets a girl in a bar. Almost without realizing it, the two enter into intimacy and spend the whole night together, first at the restaurant and then dancing. The next day, the
381:
According to the testimony of musicologist
Salvatore Galeazzo Biamonte, the song was composed with the precise will to overcome the classical schemes of the traditional song:
378:
The song's composition probably dates back to the beginning of autumn of 1966. The song had a long gestation, and remained incomplete for a long time before it was finished.
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At the beginning of 1969, Battisti, who was now beginning to establish himself as a singer, decided to record his own version of the song, to include it in his debut album
1305:
436:, who appreciated it very much and understood to be in front of a potential success: so Vandelli began to ask Mogol and Battisti to have the song for his band.
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The choice of musical instruments is also more traditional: the arrangement consists of a tangle of guitars, bass and flutes, while there is no drum at all.
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which lasts only one day and is made with lightness of mind, without consequences on the protagonist's other sentimental relationship.
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in December 1971, in both cases accompanied by the acoustic guitar. The song was also often performed during his summer tour of 1969.
1110:, a new version was created, with a rock arrangement written by Massimo Satta, which was performed by various authors in the project
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The voiceover of the radio speaker used to mark the transition between the part about September 29 and the part about September 30
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Maurizio Vandelli recorded a new version in 1989, with a new arrangement written by Pino Santapaga, publishing it in the album
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924:, his debut album as a singer. Since then it has been republished countless times in collections, compilations and best-ofs.
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It was Battisti's first song to be played by Equipe 84, a partnership which subsequently continued with three more songs:
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2004:
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Strings and brasses, at first discrete, later acquire a more important role, and finally result in an instrumental
320:. The song, therefore, takes place entirely on the day of September 30, but the initial part is occupied by a long
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During the recording, it was decided to insert in the song the voiceover of a radio speaker (Gino Capponi, a
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in March 1967. It topped the Italian charts for five weeks and led to Battisti's definitive affirmation as a
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615:'s popular radio broadcast Bandiera gialla ("yellow flag"), and was hence honoured by the "yellow record".
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985:. With this version Vandelli participated and won the first edition of the revival television program
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Equipe 84 was at the peak of popularity at the time, and a short time before it was defined by
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Lucio Battisti - Discografia mondiale. Tutte le canzoni, le produzioni, le collaborazioni
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According to Renzo Stefanel, Battisti's version is psychedelic too, but is inspired by
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L'arcobaleno. Storia vera di Lucio Battisti vissuta da Mogol e dagli altri che c'erano
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Moreover, while maintaining chronological order, the lyrics have a relatively complex
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recorded a jazz, instrumental version of the song in 2004, releasing it in the album
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and distorted, so much to resemble, according to Renzo Stefanel, the effects of an
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in which the previous day is recalled, returning in the present only at the end.
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The cover picture, which also featured a psychedelic atmosphere, was shot by
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29 settembre, Mogol: "Una canzone moderna, il primo vero 'salto' di Lucio"
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Battisti sang live a hint of the song in his April 15, 1969 appearance in
206:. It is Notable for the innovative lyrics and sound heavily influenced by
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1530:"Footnote Archives: The 30 worst records from Kenny Everett's 1977 list"
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The song, however, also came to the ear of Maurizio Vandelli, leader of
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190:" ("29th of September") is a song composed in 1966 by Italian musician
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Norwegian singer-songwriter Terje Nordgarden covered the song in 2005.
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At last, in February, overdubs of strings and horns were added in the
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The song was published as a single in the last days of March 1967, in
401:, but he was not entirely convinced and therefore refused to sing it.
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between one event and another. Some details of the story are markedly
214:" for the impact and the influence it had on the Italian music scene.
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Battisti's rendering was published on March 5, 1969 in the eponymous
870:
the public and there was no need to make its understanding easier).
635:'s 1977 "Bottom 30" list of the world's worst records of all time.
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dedicated to the European psychedelic scene. It was voted no. 15 in
1708:
Ma c'è qualcosa che non scordo. Lucio Battisti - gli anni con Mogol
1079:. American bassist Mark Johnson also participates in the recording.
424:; he immediately sensed its potential and immediately set to work.
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The story takes place over two consecutive days. In the first, the
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Over time, the song has been reinterpreted by many other artists:
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forced laugh, which transposes into music the meaning of lyrics.
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In 1967 Equipe 84 recorded an English version of the song titled
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studios in Milan. The transfer took place on February 21, 1969.
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408:, Battisti resumed composing the song and finally completed it.
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Battisti recorded his version mostly at Sax Records studios in
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At first, during 1966, Battisti and Mogol proposed the song to
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Pensieri e parole. Lucio Battisti: una discografia commentata
989:; the song was therefore included in the show's compilation
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The song, at the time of recording, was still untitled.
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which would become widespread on the next year with the
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Lucio Battisti, la batteria, il contrabbasso, eccetera
1112:
Le canzoni di Mogol Battisti in versione rock New Era
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and Michele Torpedine) covered the song live in 1997.
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Equipe 84 published a live version in the 1995 album
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covered the song in 2006, releasing it in the album
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covered the song in 2001, releasing it in her album
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The song became the winner of the contest issued by
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In October 1968, the song was included in the album
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version, as the A-side of a 7″ vinyl disc which had
2098:
1973:
1800:
1515:"Oggi, 29 settembre: dieci cover di "29 settembre""
1272:"Quando "Seduto in quel caffè io non pensavo a te""
1235:"29 settembre, come nacque la leggenda di Battisti"
1010:recorded an English-language cover in 1993, titled
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661:, is in color and is set in a bar on the shore of
962:, under the nickname of Buddy, covered it in 1967
210:, so much so that the song is nicknamed "Italy's
1014:, releasing it as the B-side of a single titled
999:recorded a cover in 1989, released in the album
355:According to declarations by the lyrics' author
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798:"Nel sole, nel vento, nel sorriso e nel pianto"
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1477:. Storiaradiotv.it. 2018-12-17. Archived from
1449:"Discografia Nazionale della Canzone Italiana"
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592:, where it was released for the first time in
300:, which does not completely coincide with the
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604:The single reached the number one of Italian
420:listening the song, and asked him to make an
8:
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1363:Mille canzoni che ci hanno cambiato la vita
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416:. For this purpose, Battisti and Mogol had
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1665:"29 settembre by Rudy Rotta & Friends"
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404:In February 1967, just after the end of
264:, author of lyrics, in a 1968 photograph
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34:
1270:Enrico Silvestri (28 September 2013).
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1099:covered the song in their 2008 album
16:1966 song by Lucio Battisti and Mogol
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1018:published by Helter Skelter records.
1343:, 10–16 December 1967, p. 51.
968:recorded a cover in her 1975 album
896:who inspired the Equipe's version.
486:was cared for by Vandelli himself.
478:An eight-track recorder of the time
2143:Paradiso (Lucio Battisti Songbook)
940:and in full in radio transmission
312:, while those of September 30 use
14:
2180:Songs written by Mogol (lyricist)
1233:Leo Turrini (28 September 2017).
1064:, with an arrangement written by
1046:, Equipe 84's Maurizio Vandelli,
974:, with an arrangement written by
956:Mario Battaini covered it in 1967
600:Critical and commercial reception
1748:(in Italian). Coniglio Editore.
1729:(in Italian). Coniglio Editore.
1528:Thompson, Dave (21 April 2010).
643:Equipe 84 played the song using
561:Problems playing this file? See
541:
489:The recording took place in the
451:, which enjoyed little success.
2185:Songs written by Lucio Battisti
54:"È dall'amore che nasce l'uomo"
1710:(in Italian). Arcana Editore.
1691:(in Italian). Giunti Editore.
1106:In 2014, on the initiative of
1:
1685:Gianfranco Salvatore (2000).
576:È dall'amore che nasce l'uomo
1517:. Rockol. 29 September 2017.
1062:Un panino una birra e poi...
654:I ragazzi di Bandiera Gialla
2165:Number-one singles in Italy
2005:Acqua azzurra, acqua chiara
1955:Cosa succederà alla ragazza
1339:, p. 38, which quotes
991:Una rotonda sul mare vol. 2
2211:
1360:Ezio Guaitamacchi (2009).
1237:. QN Quotidiano Nazionale.
1001:Canta Battisti Cantaitalia
795:"La mia canzone per Maria"
669:Lucio Battisti's rendering
198:and brought to success by
2019:Fiori rosa fiori di pesco
1851:Umanamente uomo: il sogno
1135:"Billboard, 10 June 1967"
1091:Some of My Favorite Songs
1006:British psychedelic band
777:
668:
657:. The video, directed by
151:
26:
761:Lucio Battisti and Mogol
470:Recording and production
174:"Nel cuore, nell'anima"
1706:Renzo Stefanel (2007).
1032:Adelmo e i suoi Sorapis
823:"Nel cuore, nell'anima"
817:"Prigioniero del mondo"
702:March 5, 1969
230:, tell the story of an
226:The lyrics, written by
2195:Dischi Ricordi singles
2190:Psychedelic rock songs
2136:Mazzini canta Battisti
2106:Sanremo Music Festival
2068:La collina dei ciliegi
1475:"Gianni Pettenati, on"
1341:Radiocorriere TV n. 50
1308:, Adnkronos Spettacolo
936:'s television program
530:
479:
391:
375:
265:
1867:Il nostro caro angelo
1843:Lucio Battisti Vol. 4
1819:Lucio Battisti Vol. 2
1744:Michele Neri (2010).
1725:Luciano Ceri (2008).
1158:Christian Calabrese.
820:"Io vivrò (senza te)"
529:
477:
456:Nel cuore, nell'anima
370:
268:The central theme is
260:
2175:Lucio Battisti songs
1947:La sposa occidentale
1915:Una giornata uggiosa
1016:Let's live for today
987:Una rotonda sul mare
882:Peter, Paul and Mary
482:The song's artistic
328:outlines, with many
2089:Una donna per amico
2061:Il mio canto libero
2047:I giardini di marzo
2040:La canzone del sole
2012:Mi ritorni in mente
1907:Una donna per amico
1859:Il mio canto libero
1366:. Milano: Rizzoli.
1068:and Carlo Gargioni.
1036:Zucchero Fornaciari
878:Buffalo Springfield
428:Equipe 84 rendering
1642:, pp. 460–461
1050:'s Umberto Maggi,
531:
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376:
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222:Lyrics and meaning
147:singles chronology
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2033:Pensieri e parole
1835:Amore e non amore
1755:978-88-6063-099-5
1736:978-88-6063-161-9
1717:978-88-7966-370-0
1164:Hit Parade Italia
1101:Beat ReGeneration
1073:Enrico Pieranunzi
928:Live performances
886:Tyrannosaurus Rex
834:
833:
804:"Non è Francesca"
684:by Lucio Battisti
663:Laghetto dell'Eur
548:
278:sexual revolution
247:30th of September
239:29th of September
212:Sergeant Pepper's
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2146:
2139:
2132:
2129:Minacantalucio
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2100:
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2095:
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2071:
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2015:
2008:
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1895:
1887:
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1815:
1811:Lucio Battisti
1806:
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1794:Lucio Battisti
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1274:. Il Giornale.
1257:
1253:Salvatore 2000
1240:
1225:
1196:
1192:Salvatore 2000
1184:
1169:
1160:"29 settembre"
1147:
1137:. 10 June 1967
1122:
1120:
1117:
1116:
1115:
1104:
1094:
1083:
1080:
1069:
1058:Ornella Vanoni
1055:
1044:Dodi Battaglia
1026:
1019:
1012:29th September
1004:
994:
979:
971:Minacantalucio
963:
960:Gianni Nazzaro
957:
949:
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929:
926:
921:Lucio Battisti
912:
909:
866:
863:
847:
844:
839:Lucio Battisti
832:
831:
828:
827:
824:
821:
818:
815:
814:"Per una lira"
812:
805:
802:
799:
796:
793:
786:
785:"Un'avventura"
782:
779:
778:
775:
774:
768:Lucio Battisti
763:
762:
759:
751:
750:
748:Dischi Ricordi
745:
739:
738:
727:
723:
722:
717:
711:
710:
700:
696:
695:
692:Lucio Battisti
686:
685:
678:
677:
676:"29 settembre"
670:
667:
640:
637:
625:29th September
620:
617:
601:
598:
583:Mario Schifano
558:
552:
540:
537:"29 settembre"
535:
534:
533:
524:
523:
522:
520:
517:
471:
468:
429:
426:
385:Lucio was in
372:Lucio Battisti
364:
361:
352:
349:
310:passato remoto
289:
286:
254:
251:
223:
220:
192:Lucio Battisti
182:
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149:
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134:Lucio Battisti
131:
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120:Dischi Ricordi
117:
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110:
99:
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79:
78:
75:
71:
70:
60:
56:
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44:
43:
33:
32:
24:
23:
22:"29 settembre"
15:
13:
10:
9:
6:
4:
3:
2:
2207:
2196:
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2188:
2186:
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2178:
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2171:
2168:
2166:
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2160:
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2082:Amarsi un po'
2079:
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2048:
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2023:
2020:
2016:
2013:
2009:
2006:
2002:
1999:
1995:
1992:
1988:
1985:
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1972:
1965:
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1698:88-09-01805-2
1694:
1690:
1689:
1683:
1682:
1678:
1670:
1666:
1660:
1657:
1654:, p. 467
1653:
1648:
1645:
1641:
1636:
1634:
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1626:
1624:
1622:
1620:
1618:
1616:
1612:
1609:, p. 349
1608:
1603:
1600:
1597:, p. 355
1596:
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1585:, p. 346
1584:
1579:
1576:
1573:, p. 105
1572:
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1564:
1561:, p. 104
1560:
1555:
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1524:
1521:
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1504:
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1498:
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1481:on 2016-08-17
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1294:Stefanel 2007
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1221:Stefanel 2007
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1063:
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1034:(composed of
1033:
1030:
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1020:
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977:
976:Gabriel Yared
973:
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964:
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947:
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943:
939:
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845:
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841:
840:
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822:
819:
816:
813:
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806:
803:
800:
797:
794:
791:
787:
784:
783:
776:
772:track listing
770:
769:
764:
760:
757:
756:Songwriter(s)
752:
749:
746:
744:
740:
728:
724:
721:
718:
716:
712:
701:
697:
694:
693:
683:
674:
666:
664:
660:
656:
655:
650:
646:
638:
636:
634:
633:Kenny Everett
630:
626:
618:
616:
614:
609:
607:
599:
597:
595:
591:
586:
584:
579:
577:
573:
566:
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513:
510:
507:
502:
499:
495:
492:
487:
485:
476:
469:
467:
465:
461:
457:
452:
450:
446:
442:
437:
435:
427:
425:
423:
419:
418:Mariano Detto
415:
409:
407:
402:
400:
395:
390:
388:
382:
379:
373:
369:
362:
360:
358:
350:
348:
346:
341:
339:
335:
331:
325:
323:
319:
315:
314:present tense
311:
307:
303:
299:
294:
287:
285:
283:
279:
275:
271:
263:
259:
252:
250:
248:
244:
240:
235:
233:
229:
221:
219:
215:
213:
209:
205:
201:
197:
194:and lyricist
193:
189:
173:
168:
164:
159:
155:
154:
150:
146:
142:
139:
135:
132:
129:
128:Songwriter(s)
124:
121:
118:
116:
112:
100:
96:
93:
89:
86:
84:
80:
76:
72:
61:
57:
53:
50:
45:
42:
38:
30:
25:
20:
2141:
2134:
2127:
2054:E penso a te
1984:29 settembre
1983:
1961:
1953:
1945:
1937:
1931:Don Giovanni
1929:
1921:
1913:
1905:
1897:
1889:
1881:
1875:Anima latina
1873:
1865:
1857:
1849:
1841:
1833:
1825:
1817:
1809:
1745:
1726:
1707:
1687:
1679:Bibliography
1668:
1659:
1647:
1602:
1590:
1578:
1566:
1537:. Retrieved
1533:
1523:
1483:. Retrieved
1479:the original
1469:
1464:, p. 79
1457:
1443:
1438:, p. 42
1431:
1426:, p. 36
1419:
1414:, p. 43
1362:
1340:
1332:
1327:, p. 37
1301:
1296:, p. 26
1255:, p. 88
1228:
1223:, p. 25
1194:, p. 87
1187:
1182:, p. 38
1163:
1139:. Retrieved
1111:
1100:
1090:
1076:
1061:
1022:
1015:
1011:
1000:
990:
986:
982:
969:
951:
941:
937:
931:
919:
914:
902:
898:
888:rather than
875:
872:
868:
856:
849:
837:
835:
801:"Uno in più"
790:29 settembre
789:
766:
690:
652:
642:
628:
624:
622:
610:
603:
594:stereophonic
590:Stereoequipe
589:
587:
580:
575:
569:
514:
511:
503:
500:
496:
488:
481:
463:
459:
455:
453:
448:
444:
438:
431:
414:Per una lira
413:
410:
403:
396:
392:
384:
380:
377:
354:
343:In this way
342:
326:
295:
291:
267:
236:
225:
216:
188:29 settembre
187:
185:
167:29 settembre
166:
1998:Il paradiso
1991:Balla Linda
1939:L'apparenza
1539:10 February
1052:Fio Zanotti
1023:In concerto
809:Balla Linda
649:musicarello
464:Hey ragazzo
445:Luisa Rossi
441:John Lennon
422:arrangement
345:psychedelia
316:or at most
282:Sessantotto
243:protagonist
208:psychedelia
2170:1967 songs
2159:Categories
1485:2019-02-13
1141:2019-02-13
1119:References
1087:Rudy Rotta
1029:Supergroup
911:Publishing
826:"Il vento"
706:1969-03-05
629:Let's Ride
606:hit parade
572:monophonic
563:media help
519:Publishing
484:production
284:movement.
92:Beat music
2075:Ancora tu
1652:Ceri 2008
1640:Ceri 2008
1607:Ceri 2008
1595:Ceri 2008
1583:Ceri 2008
1571:Neri 2010
1559:Neri 2010
1462:Neri 2010
1436:Neri 2010
1424:Ceri 2008
1412:Neri 2010
1337:Ceri 2008
1325:Ceri 2008
1180:Ceri 2008
846:Recording
780:12 tracks
665:in Rome.
639:Videoclip
596:version.
434:Equipe 84
363:Composing
338:acid trip
322:flashback
306:imperfect
200:Equipe 84
158:Auschwitz
145:Equipe 84
41:Equipe 84
2026:Emozioni
1827:Emozioni
1534:Goldmine
1071:Pianist
720:Folk-pop
699:Released
645:lip sync
330:ellipses
270:adultery
232:adultery
204:composer
74:Recorded
59:Released
2099:Related
997:Dik Dik
859:Ricordi
704: (
491:Ricordi
406:Sanremo
334:surreal
176:(1967)
171:(1967)
162:(1966)
66:1967-03
64: (
1966:(1994)
1958:(1992)
1950:(1990)
1942:(1988)
1934:(1986)
1926:(1982)
1918:(1980)
1910:(1978)
1902:(1977)
1899:Images
1894:(1977)
1886:(1976)
1878:(1974)
1870:(1973)
1862:(1972)
1854:(1972)
1846:(1971)
1838:(1971)
1830:(1970)
1822:(1970)
1814:(1969)
1802:Albums
1752:
1733:
1714:
1695:
1370:
1048:Nomadi
726:Length
651:movie
241:, the
98:Length
49:B-side
37:Single
2118:Mogol
1975:Songs
1963:Hegel
1923:E già
1108:Mogol
890:Byrds
865:Music
852:Milan
743:Label
715:Genre
460:Ladro
387:Mogol
357:Mogol
351:Title
288:Style
274:taboo
262:Mogol
253:Theme
228:Mogol
196:Mogol
138:Mogol
115:Label
83:Genre
2111:1969
1750:ISBN
1731:ISBN
1712:ISBN
1693:ISBN
1541:2022
1368:ISBN
1097:Pooh
1040:Pooh
966:Mina
905:coda
894:Love
892:and
884:and
682:Song
462:and
447:and
298:plot
136:and
77:1967
1042:'s
934:RAI
613:RAI
506:RAI
449:Era
308:or
39:by
2161::
1667:.
1614:^
1549:^
1532:.
1494:^
1382:^
1348:^
1313:^
1280:^
1260:^
1243:^
1199:^
1172:^
1162:.
1150:^
1126:^
1038:,
917:LP
880:,
842:.
735:30
585:.
466:.
458:,
169:"
160:"
107:31
2114:)
2108:(
2091:"
2087:"
2084:"
2080:"
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2063:"
2059:"
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2052:"
2049:"
2045:"
2042:"
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2035:"
2031:"
2028:"
2024:"
2021:"
2017:"
2014:"
2010:"
2007:"
2003:"
2000:"
1996:"
1993:"
1989:"
1986:"
1982:"
1786:e
1779:t
1772:v
1758:.
1739:.
1720:.
1701:.
1671:.
1543:.
1488:.
1451:.
1376:.
1166:.
1144:.
1114:.
1103:.
1093:.
1025:.
1003:.
993:.
978:.
811:"
807:"
792:"
788:"
733::
731:3
708:)
565:.
186:"
165:"
156:"
105::
103:2
68:)
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