KMFDM - Knowledge (XXG)

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remastering was done over concerns about losing the rights to the back catalog after TVT defaulted on a loan, explaining, "The original agreement was that the catalog would have reverted back to me in 2008, anyway, but TVT and Rykodisc were thinking of just making a KMFDM compilation, which would have eliminated my catalog, and I didn't want that." Konietzko commented in 2006 that the current line-up was the best he had worked with, and said in a separate interview that his former bandmates were "looking at me for handouts". Konietzko announced in October 2007 that he was packing up and moving back to Germany in the next three months.

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guitar tasks instead. Various highlights of the tour were captured live and can be heard on their fourth live album 'Live in the USSA', released the following year in 2018. The album sonically presents the band in a more stripped-down, drum laden heavy metal style containing their obligatory cutting guitar riffs, melded with the traditional keys, samples, programming and additional percussion courtesy of band mainstay Sascha Konietzko. The new quartet of Konietzko, Cifarelli, Selway, and Blacksugar announced the album,

472:"On the morning of February 29th, 1984 I woke up and went down to breakfast at a hotel in Paris. We had a show that night opening for an exhibition for young European artists. ... we needed a motto for the night so that we could make up some fliers and post them around. There was a German newspaper on the table and so I started cutting out words and threw them all into a cap. We picked a few of them out and it read "Kein Mehrheit Für Die Mitleid". It's kinda improper German in regards to its translation but in the 1869: 1572: 967: 630: 1267:

something better than what we had before." Recalled Esch in 2009, "I was happy about my new creative freedom at that time and so I refused the concept of a fast reunion of the original KMFDM." Konietzko said of the reformed band, "Not only is it fun again, but it's devoid of all the personal confrontations due to egos and fractions that were once a part of the band," but said, "I really miss En Esch," in 2003. KMFDM released its first album in three years,

44: 1981: 345:. Konietzko and Cifarelli moved back to Germany in 2007, while the rest of the band stayed in the U.S. Hodgson and White moved on to other pursuits between 2015 and 2017, leaving the band a working trio unofficially. In addition to these core members, dozens of other musicians have worked with the group across its twenty-two studio albums and over two dozen singles, with sales totaling in excess of two million records worldwide. 596: 418: 8604: 1752: 605: 364:. The band is fiercely political, with many of its lyrics taking stands against violence, war, and oppression. KMFDM normally tours at least once after every major release, and band members are known for their accessibility to and interaction with fans, both online and at concerts. Members, independently or working together and with other musicians, have recorded under many other names, primarily Watts' 1229: 1651:, it was released on February 26, 2013. The band toured the United States in March and Europe in April 2013, as well as a second leg across the SW, CA and PNW parts of the US in the fall of 2013 entitled "We Are KMFDM" (subsequently filmed for a commemorative release), with direct support from Texas's own primal 2-drummer band CHANT, performing a 30 year career-spanning set. KMFDM reissued 2057:

via e-mail and the band's website, and band representatives have experimented with ways for fans to interact more directly. KMFDM launched "Horde" in 2002, an exclusive fan club which gave members the opportunity to attend a private meet-and-greet with the band before every show, and allowed access to members-only music and footage online. A featurette on the Horde fan club appears on the

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stuff generally comes from him. The poppy, hard stuff comes from me." Esch commented in 1994, "Sascha and myself are different, of course. But that's why we can still make things happen. Our best and worst qualities are contrary. To put it simply, he's more organized and stable, I'm more complicated and abstract."

2573:, who creates the artwork adorning almost all of the band's albums and singles, which has been called "one of rock music's most memorable cover art collections". Hughes' artwork is featured in KMFDM's music videos for "A Drug Against War" and "Son of a Gun", and on the band's promotional T shirts. Art critic 1172:

KMFDM disbanded, albeit temporarily, on January 22, 1999, with only Konietzko and Skold remaining together. Konietzko said the split was due to "lots of stress and pressure, as well as differences in vision and drive". Esch said "There was a lot of negative energy between Sascha and Günter Schulz and

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s release, Konietzko said, "It's as if En and I are the suns and the other musicians at the time come and revolve around us." Regarding the duo's dynamic, Konietzko said, "En Esch and myself have always been the cornerstone of KMFDM's existence. And we are diametrically opposed as writers. The angsty

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Greg Rule declared in 1999, after its temporary disbandment, that KMFDM had "produced nine high-impact records that have earned them a large, loyal fanbase strewn across the planet." Erlewine called the band "one of Wax Trax's first industrial superstars", "an underground sensation", and "one of the

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mentality and the Finnish shooters' desire to emulate the lifestyles and actions of the Columbine shooters. "One of my biggest concerns immediately following this incident was that there would be copycats repeating such things in the future, as there often are when people commit heinous crimes and

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KMFDM has released on average an album every year and a half, and usually tours at least once in support of each album. At most concert venues, KMFDM mingles with the fans before and after the show to sign autographs, pose for photos, and answer questions. Konietzko, who keeps in contact with fans

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said of the band: "It's a small field, but KMFDM is tops in it: makers of dense, danceable, post-industrial torrents of noise. The German band specializes in fabricating aural assaults that can be intimidating to the uninitiated." MacDonald said in 1996, "With Ministry gone grindcore, Skinny Puppy

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artists. In an interview with Sherwin, Hughes stated, "KMFDM have cornered the market in industrial post-modern angst and so my work reflects that." Hughes said that initially he based his work on the music, which caused "artistic block". Konietzko gave him more freedom to use whatever themes he

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to record the guitar parts. Harms, along with Lord of the Lost bandmates Pi (guitar) and Gared Dirge (keyboards), had been slated to perform as the live band for KMFDM's late 2017 tour. Lord of the Lost were unable to secure work visas to enter the U.S., so Andee Blacksugar was tapped to handle

545:, in December 1986. It was recorded from 1983 to 1986, with some of the songs recorded by Konietzko and Watts before Esch was a member of the band, and indeed, before the band officially existed. Skysaw Records gave the album a second UK release in 1987 and introduced the band to visual artist 1266:

Konietzko announced the return of KMFDM in early 2001, due to "public demand", with Skold, Cifarelli, and former collaborators Watts and Rieflin joining him in the studio; he said at the time, "I talked with the usual KMFDM suspects to see if they were interested, and what we came up with was

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200 and the highest-charting album in the band's history, reaching No. 92 and selling more than 200,000 copies. "Power", the album's first single, was the most heavily promoted song in the band's history, with almost 100,000 copies included in a free Wax Trax! sampler album in mid-1996.

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Metropolis Records announced in mid-2006 it would reissue KMFDM's entire Wax Trax!-era studio album back catalog, which had been out of print since the early 2000s. The albums were released in chronological order in groups of two or three from September 2006 to May 2007. Konietzko said the

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On December 14, 2010, the official KMFDM website was changed to include a single image with the text "All Systems Have Been Ripped. The Internet Has Been Shut Down." A new song titled "Rebels in Control" became available for listening and download on the site, posted in support of

1219:"KMFDM are an art form—not a political party. From the beginning, our music has been a statement against war, oppression, fascism and violence against others. While some of the former band members are German as reported in the media, none of us condone any Nazi beliefs whatsoever." 1977:, when the band's sound began to develop, was called "more assured" by Hinds and "more representative of KMFDM's true motives" by Thompson, who added that KMFDM's guitar-heavy sound inspired Ministry's own embrace of the instrument after the bands toured together in 1990. 1212:"First and foremost, KMFDM would like to express their deep and heartfelt sympathy for the parents, families and friends of the murdered and injured children in Littleton. We are sick and appalled, as is the rest of the nation, by what took place in Colorado yesterday. 321:, the latter of whom left and rejoined the group several times over its history. The trio recorded the band's earliest albums in Germany before Konietzko and Esch moved to the United States, where they found much greater success with seminal industrial record label 1112:

album and heard exactly why KMFDM broke up in the first place. It told me the story of what went wrong. There were maybe two (good) songs on that album and the others were just a bunch of compromising tug-of-wars. That was something I was not going to do again."

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as pioneers in introducing industrial music to mainstream audiences, KMFDM describes its sound as "The Ultra-Heavy Beat". Konietzko once stated, "If I was to give myself a label it would be industrial-alternative-electronic-crossover-rock and danceabilly."

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was released on October 14, 2014, on both CD and vinyl. The "Genau" single was not released, with a single for "Salvation" from the same album coming out instead in 2015. Another run of the US on the 'Salvation Tour' commenced in the summer of 2015.

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critic Chuck Eddy. The subsequent albums released in the 1990s were described as some of the band's strongest by AllMusic critic Greg Prato, with their metal guitars, industrial beats, and dance floor sensibilities praised by Ira Robbins and

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The mid-to-late 1990s were KMFDM's most successful years in terms of album sales and mainstream awareness. Konietzko moved to Seattle in 1994, while Esch moved to New Orleans. Watts rejoined the band to work on its seventh album,

2601:, which Hughes said "was based upon my disillusionment with the street lifestyle I was experiencing at the time, and the art carries with it the implication that no matter what temptation lies in your path, you still gotta pay!" 2070:

project, an audience member was selected at each concert to record that night's show, as well as some back-stage antics, with a hand-held digital video camera. The resulting footage was incorporated into the following year's

440:, which, keeping the same word order, literally translates as "no majority for the pity", but is typically given the loose translation of "no pity for the majority". In the original phrase, the articles preceding the nouns 2553: 1208:, though one wrote, "Lyrically, the band has written some songs that could easily be misconstrued by anyone lacking an ear for irony and looking for an excuse to commit violence." In response, Konietzko issued a statement: 1033:

In late 1995, close friend and president of Chicago's Wax Trax! Jim Nash died of an illness complicated by AIDS, and Seattle became the official headquarters of KMFDM. Watts toured with KMFDM throughout 1995 in support of

724:. Konietzko later remarked, "We came from Germany and we all had to have day jobs and work our asses off to afford to be KMFDM and all of a sudden we're in the states and we're selling thousands of thousands of [ 7562: 526:. Although the group did some live performances, Konietzko and Esch dropped out of Missing Foundation before any recordings were made and went back to work as KMFDM, collaborating with Hamburg-based studio owner 1556:

at the April 2011 Wax Trax! Retrospectacle in Chicago, a charity event celebrating the industrial music label. The group performed KMFDM songs from the Wax Trax! era, including "Juke Joint Jezebel", "Godlike,

1957:, who was sampled extensively for the album, "It's not an anti-Bush record per se, it's an anti-stupidity record", and, "If we had a message, it would be: Think for Yourself and Don't Believe the Bullshit." 1834:

The band has made heavy use of guitars since its inception, and pioneered their use during the band's early days in Germany. Although not a metal fan, Konietzko said his "infatuation with ripping off metal

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major industrial bands of the '90s." Most of the band's albums released in the 21st century have been well-received, although Prato has commented on the sameness from one album to the next. Recent albums

1763:, as Konietzko incorporated not only visuals such as burning beds and exploding televisions, but also non-musical devices used as instruments, e.g. vacuum cleaners. The 1980s albums featured heavy use of 1941:. Lyrics often express political concerns and call for the rejection of and resistance to terrorism, violence, oppression, censorship, and war. In the 1995 song "Terror", Konietzko specifically warns, " 1502:

in early 2009, which was a collaboration that Skold and Konietzko conducted over the Internet while on separate continents from June to October 2008. A follow-up is planned, but is not a high priority.

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DVD, which included fan photos submitted to the KMFDM official website. KMFDM encouraged fans to call a special "FanPhone" and leave a voice message in March 2007. The song "Superpower" from 2007's

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Critics consider KMFDM one of the first bands to bring industrial music to mainstream audiences, though Konietzko refers to the band's music as "The Ultra-Heavy Beat". The band incorporates

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in late 1986, adding, "What I always hated most about heavy metal was that the best riffs came only once and were never repeated. So the fascination, actually, was to sample a great riff,

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just gone, and Nine Inch Nails a brand name, KMFDM is now the standard bearer of industrial", though Erlewine and Hinds felt the band was losing some steam towards the end of the decade.

1462:, media reports again attempted to draw a connection between the shooters and KMFDM, and noted that both listed the band among their favorites. In an interview with Norwegian broadcaster 1893:

This song, from the band's second album, features "scathing political commentary ... that helped define the group's subversive identity", sampling a speech by former U.S. president

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As of July 2007, KMFDM had sold approximately two million records worldwide. Critics have been widely positive of KMFDM, though less enthusiastic about the band's earliest work.

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and democratic political structures". Samples of news broadcasts and speeches by political leaders are sometimes featured in songs. Konietzko has said that while the 2003 album

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Many albums feature one or more songs in which the band lampoons itself, notably in the lyrics to "Sucks" and "Inane". The band's "cynical detachment" has been compared to

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soundtracks, the latter of which peaked at No. 10 on the Billboard 200 and sold over 1.8 million copies. Their song "Ultra" was used in the English version of

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joined in 1990; both he and Esch continued with the band until KMFDM broke up in 1999. Konietzko resurrected KMFDM in 2002 (Esch and Schulz declined to rejoin) on

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Konietzko moved to Chicago in 1991, and Esch followed a year later. KMFDM quickly became a part of the Chicago industrial music scene that included Ministry,

8573: 7379: 486:. He liked it but he was having difficulty pronouncing it correctly. So finally he said, 'Why don't you just call it KMFDM?' So that was it. We were KMFDM." 8700: 1887: 1512:, released in March 2009, showcased further collaboration with Skold, but less input from the band members not living in Germany. It reached No. 4 on 405:

synthesizer, Konietzko playing bass guitars with their amplifiers spread throughout the building, and four Polish coal miners (whom Konietzko had met at a

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s Dance/Electronic Albums Chart for just three weeks and peaked at No. 4. It appeared on the Independent Albums Chart for one week at No. 29.

681:, in early 1989 for distribution in both the U.S. and Europe, arrived in America for the first time on December 16, and commenced touring the U.S. with 5498: 506:

Sturm left early on, but Konietzko continued performing, at one point having twenty people in his troupe, which by then was engaged in antics such as

8640: 6003: 5390: 3851: 867:, was released the following year. It contained new mixes of several songs, including a version of "Liebeslied" with the offending sample removed. 648: 8655: 8645: 5858: 863:. Orff's publisher threatened the band with legal action, and the album was withdrawn from production in 1993. A new version of the album, titled 8147: 3398: 566:. After working the Hamburg underground music scene and releasing albums on European labels, the band began its long-standing relationship with 6064: 4684: 1858:

was more sparse in content, due to the influence of producer Sherwood, it was the exception rather than the rule. Ministry founder and frontman

689:" for the initialism to tease journalists who did not understand German. The band signed directly to Wax Trax! to distribute its fourth album, 1263:

and asked if they'd be interested in signing KMFDM. The label agreed, although at the time only Konietzko himself was certain to participate.

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bankruptcy to begin corporate reorganization in November 1992. The band went into the studio in 1993 as a group to record its sixth album,

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includes sound-clips from these messages. The band used the Fankam project again for its 2011 "Kein Mitleid" tour in the United States.

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KMFDM re-released all of its old singles and hard-to-find tracks from before the 1999 breakup in a series of three double albums called

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A new album commemorating KMFDM's 40 year anniversary (having formed on February 29, 1984) was released on February 2, 2024, entitled

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after touring with the band. All three, along with Watts and Cifarelli, were mentioned as band members on "Intro", the final track on

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The "snarling guitars in spiky synth barbed wire" and "swooping, gospelish chorus" from "Juke Joint Jezebel", KMFDM's biggest "hit"

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Part of the chorus from "Krank", which critics called "adrenalin-pumping" and "an aggressive stomper in the best KMFDM tradition".

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was created in 1996 almost entirely without his input. Konietzko instead brought in a number of other industrial artists such as

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Heatseekers chart and sold 209,000 copies, making it the band's best-selling album. It marked the first contributions by drummer

803:, which sold more than 100,000 copies over the next two years. Esch said after the album's release, "I like this album way more. 6596: 5891: 8685: 7890: 7784: 6327: 5303: 4082: 3119: 2739: 1589: 541: 468:, which translates directly as "no pity for the majority". In a 2003 interview, Konietzko explained the origins of the phrase: 1973:

was called "a little flimsy" in comparison to later albums by AllMusic critics Andy Hinds and Vincent Jeffries, respectively.

1005: 522:. Drummer Nicklaus Schandelmaier, who had recently moved to Hamburg from Frankfurt, joined the group, and took the stage name 7305: 6199: 5329: 4978: 3578: 1466:

shortly after the 2008 incident, Konietzko responded to these claims by saying the recent shootings were a by-product of the

1347: 1188:, it was revealed that lyrics to KMFDM songs ("Son of a Gun", "Stray Bullet", "Waste") were posted on the website of shooter 1185: 7897: 4904: 2747: 2003:, "brilliant" by fellow AllMusic critic Ned Raggett, "superb" by Hinds, and "the most fun 'industrial dance' album ever" by 558: 7320: 6964: 5826:"Wax Trax! Retrospectacle: 33 1/3 Anniversary with Front 242, Thrill Kill Kult, members of KMFDM, Revolting Cocks and more" 4824: 8119: 1562: 1189: 639: 7412: 5353: 4363: 8710: 8690: 5983: 4439: 3748: 3133: 1847: 1161:

was written and performed almost exclusively by Konietzko and Skold. Ogre again provided vocals, as did German musician

8589: 5835: 4782: 3218: 2088: 1926:, as well as orchestral samples and live horns. Many songs feature prominent backing vocals by female singers such as 482:] mindset of the early morning it made perfect sense. So when I was on my way back to Hamburg I'd mentioned it to 6387: 6703: 6473: 6353: 6037: 3503: 397:

and German painter and multimedia artist Udo Sturm at the opening of an exhibition of young European artists at the

8579: 8291: 8009: 6729: 5239: 5122: 4232: 3253: 2875: 2286: 1668: 1565:". Konietzko expressed a desire to perform with the current band line-up, but was turned down by event organizers. 1092: 942: 7387: 5470: 5442: 5183: 4875: 1726:, for release on September 27, 2019. The band features a variety of guest appearances, including KMFDM co-founder 43: 8500: 8450: 8238: 5276: 2581: 1628: 1459: 1104:, made his first appearance as a band member, writing lyrics and performing vocals on "Anarchy". Looking back on 1087: 1045: 900: 7644: 7466: 7440: 6109: 6091: 5744: 5412: 4655: 3884: 3036: 539:, began circulating through the underground clubs and bars of Hamburg in 1984. KMFDM released its debut album, 4589: 3911: 2565:. The man on the left is a self-portrait. Hughes' artwork has become closely associated with the band's image. 1012:

Konietzko wrote the "dumb and catchy" song to satisfy the label's demand for a song for radio play, but hired

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later signaled the breakup of the band itself, which Esch's and Schulz's limited participation foreshadowed.

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was released on September 9. The title track was revealed as a promotional single at the end of August.

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to lend "soul-mama vamping" to the chorus because he had heard "radio didn't like big female choruses".

658:, a song called KMFDM's "first classic" which "shows some early glimpses of the band's sense of humor". 7222: 3408: 1862:, on tour with the band in 1989, described KMFDM as "a battalion of guitars marching through Europe." 8330: 8266: 8037: 6478: 6290: 5281: 5127: 5100: 4689: 4560: 4404: 4334: 4265: 4060: 4033: 3619: 3258: 2907: 2585: 2248: 1715:

on August 18. Guitarists White and Hodgson were unavailable, so Konietzko recruited Chris Harms from

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was released in August, with a U.S. tour planned in support of the releases for October. On June 23,

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stance, the video of "A Drug Against War" received airplay on MTV and was shown on the MTV cartoon

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have been described as moving in an electronic, less guitar-focused direction by Trey Spencer of

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s Dance/Electronic Albums Chart, and was on the chart for four weeks. Its companion remix album,

1391: 1260: 1192:, and that the date of the massacre, April 20, coincided with both the release date of the album 1117: 931: 881: 843: 829: 779: 775: 754: 734: 519: 453: 330: 124: 86: 3642: 3434: 17: 7540: 5571: 8584: 7670: 7594: 7057: 6849: 6843: 6606: 6525: 6397: 5863: 5719: 5068: 4786: 3824: 3515: 2723: 2639:– vocals, guitars, bass, programming, keyboards, synthesizer, percussion, drums (1984–present) 2580:

All of his work, which has been called "striking", shares a distinct visual style inspired by

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in April 2011, featuring what Konietzko called "a slew of guest musicians" including Rieflin,

567: 433: 140: 135: 7518: 7492: 7171: 6937: 6672: 4723: 4555: 4296: 4260: 4164: 4055: 553:. Hughes redesigned the album's cover, and went on to design almost every KMFDM album cover. 8312: 8126: 7911: 7845: 7805: 7149: 7093: 7027: 6997: 6915: 6885: 6647: 6559: 6393: 6309: 6265: 6233: 6149: 6137: 6033: 5039: 4754: 4626: 4399: 4205: 4006: 3977: 3948: 3708: 3554: 3442: 3369: 3295: 3098: 2763: 2679: 2636: 1980: 1915: 1815: 1803: 1716: 1256: 696: 691: 617: 421: 394: 353: 326: 307: 218: 174: 81: 5622: 762:, which was eventually released as two separate albums. Esch's half became his solo album, 8526: 8445: 8344: 8298: 8062: 7946: 7812: 4880: 4169: 3998: 3916: 3792: 3403: 2803: 2642: 2307: 2059: 1894: 1823: 1807: 1760: 1498: 1451: 1248: 1232: 1101: 1066: 749: 721: 685:. During KMFDM's first US tour, band members started using the phrase "Kill Motherfucking 682: 575: 390: 369: 357: 334: 299: 233: 179: 158: 76: 3829: 6877: 6511: 4329: 4111:"Moral Minority: German-born Industrial Rock Group Kmfdm Has 'No Pity For The Majority'" 778:", which reached No. 19 on the Billboard Dance/Club Play Songs Chart in April, and 8630: 8607: 8455: 8435: 8140: 8112: 8080: 7770: 7115: 3331: 2577:

said Hughes is probably best known for the collection of KMFDM artwork he has created.

1954: 1942: 1927: 1764: 1624: 1542: 1467: 1382: 1126:, was a greatest hits compilation which included most of the singles released up until 885: 764: 7085: 5549: 4467: 1136:, was a collection of rarities and previously unreleased tracks, including a cover of 595: 417: 8624: 8495: 8485: 8465: 8418: 8404: 8397: 8390: 8376: 8094: 8002: 7967: 7918: 7640: 7019: 6517: 5899: 5771: 5475: 4973: 4495: 3734: 3162: 3157: 2867: 2827: 2771: 2664: 2574: 2561: 2252: 1859: 1787:

as inspiration in the early stages of KMFDM. Before forming the band, he listened to

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s Dance/Electronic Albums Chart for eight weeks but only hitting No. 5. Unlike

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for the first time since 2003. In July 2022, the band announced a brand new album,

1558: 1197: 1165:. Originally the fulfillment of the band's ten record contract with Wax Trax!/TVT, 1075: 923: 824: 822:

Konietzko released a second album under the Excessive Force moniker in 1993 titled

790: 786: 686: 546: 491: 398: 298:, loosely translated by the band as "no pity for the majority") is a multinational 213: 7860: 7141: 5797:"Wax Trax! 'Retrospectacle': Front 242, Thrill Kill Kult, members of KMFDM, RevCo" 5339: 3585: 2704: 1228: 758:. Konietzko and Esch then began work on their halves of the intended fifth album, 604: 333:, and by 2005 he had assembled a consistent line-up that included American singer 228: 5656: 4522: 1885: 1588: 1004: 983: 646: 8536: 8490: 8440: 7819: 7719: 7413:"KMFDM announces North American, European tours in support of new album 'WTF?!'" 7328: 6845:

All Music Guide to Rock: The Definitive Guide to Rock, Pop, and Soul 3rd Edition

4912: 4368: 2648: 2229: 2049: 1784: 1780: 1768: 1338:

was re-released in 2002 as KMFDM001 on the band's new label, KMFDM Records, and

1298: 1240: 1071: 871: 846:" reached No. 31 on the Billboard Dance/Club Play Songs Chart in May 1994. 744:

s Dance/Club Play Songs Chart in July. During 1991, Konietzko collaborated with

507: 373: 342: 184: 145: 7753: 6974: 1930:, Travis, and Cifarelli. Many of the musicians who have played in the band are 8546: 8480: 8475: 8470: 8245: 8087: 5357: 4373: 3158:"KMFDM make industrial music the old-fashioned way. They trash their hardware" 1946: 1938: 1906: 1851: 1792: 1788: 1605: 1412: 1162: 1079: 1025: 904: 794: 745: 667: 457: 449: 429: 8383: 2507:

Support: Lord of the Lost & Inertia, DJ Ritual & ohGr (select dates)

1339: 5830: 1923: 1844: 1689: 1546: 1439: 1097: 896: 854: 322: 1380:

Independent Albums chart for a single week at No. 48. A companion EP,

1332:

s Dance/Electronic Albums Chart for seven weeks, and peaked at No. 3.

768:, while the official KMFDM album used Konietzko's material and was renamed 6174:"Eine bessere Zukunft mit KMFDM: Details zum und Snippets vom neuen Album" 5031: 4905:"Record Industry Lets the Beat Go on Because Sex, Angst and Violence Sell" 389:

KMFDM was officially founded in Paris, France, on February 29, 1984, as a

8411: 8030: 7974: 7691: 7145: 7089: 7023: 6993: 6911: 6881: 6707: 6643: 6639: 6555: 6430: 6361: 6145: 6114: 6041: 5035: 4750: 4622: 4201: 4002: 3973: 3969: 3944: 3704: 3700: 3550: 3438: 3365: 3094: 2899: 2835: 2589: 2000: 1991:

The first major breakthrough in the band's critical reception was 1990's

1732: 1663: 1553: 1527: 1313: 579: 574:

was licensed to the label for US distribution. The album was produced by

406: 402: 6733: 5243: 5217: 5161: 2045: 1423:

s Dance/Electronic Albums Chart, hitting No. 20 for a single week.

1096:, and was the first song from its soundtrack to receive radio airplay. 789:, the then-core of KMFDM (Konietzko, Esch, Schulz, and second guitarist 490:

The initialism has jokingly been said to stand for "Kill Mother-Fucking

8551: 7837: 5191: 2670: 2593: 2552: 2210: 828:. KMFDM received its first exposure to the mainstream with its single " 808: 748:

of My Life With the Thrill Kill Kult to record an album under the name

613: 523: 511: 494:", coined by the band on their first U.S. tour and used as recently as 314: 303: 278: 223: 62: 6065:"KMFDM Announces New Album, Release Date, AND Reveal NSFW Album Cover" 1676:

and a single called "Genau (The German in You)" were also announced.

1416:, a full length remix album released in 2008 that barely made it onto 8567: 7995: 7470: 7444: 7294:. The tour was referred to as "KMFDM Money Sucks Tour" in the source. 6095: 5748: 2859: 1615: 1205: 6389:

All Music Guide to Rock: The Definitive Guide to Rock, Pop, and Soul

5416: 3888: 3040: 5712:"KMFDM Wikileaks tribute song gets over 75.000 streams in 48 hours" 1552:

Former band members Durante, Esch, Schulz, and Watts appeared with

1321:, although that was to be the last album on which Watts performed. 874:, and in March 1994 announced plans to release the compilation set 695:, which was recorded in Europe and featured the debut of guitarist 8521: 7960: 7939: 7932: 7904: 2819: 2795: 2787: 2755: 2551: 2044: 1979: 1750: 1688: 1434: 1269: 1244: 1227: 1040: 914: 895: 811:

tour, so I didn't have much influence on the album. I really like

677: 416: 6110:"KMFDM Reissue 'Opium' and 'WWIII,' Announce North American Tour" 5548:

Fredriksen, Alexander; Moen, Siri Narverud (September 30, 2008).

4029:"KMFDM Reflect on 3-Decade Career & Hating Their Biggest Hit" 2710:

Jules Hodgson – guitars, bass, keyboards, programming (2002–2016)

1672:, would be released on October 14, 2014. A new live album titled 1277:

Independent Albums Chart for four weeks, peaking at No. 11.

1177:

was released three months later, and reached No. 189 on the

870:

Wax Trax! was saved from bankruptcy by an infusion of funds from

556:

Watts left the group after working on just three songs on 1988's

4874:

Duggan, Paul; Shear, Michael D.; Fisher, Marc (April 22, 1999).

4400:"Wax Trax!/TVT's KMFDM Rides Industrial Revolution with 8th Set" 1934:, so there is a degree of versatility and freedom in the music. 1767:

and studio manipulations, and the primary instruments used were

1645:

Work on KMFDM's eighteenth album began in February 2012. Titled

1173:

myself and we all decided on the phone to call the band quits."

473: 7766: 7278:

Geoff Mayfield; Paul Page; Roger Fitton, eds. (June 13, 1992).

7226: 510:

and throwing entrails at audiences. Konietzko then returned to

5682:"All System Have Been Ripped. The Internet Has Been Shut Down" 5503: 3855: 2697:– drums, programming, percussion, bass (1995–1999, 2002–2003; 2569:

KMFDM has a long-standing relationship with commercial artist

907:

in 1991. Both contributed guest vocals for KMFDM in the 1990s.

853:

originally contained an unlicensed sample of "O Fortuna" from

833: 737:", which was released in June 1991 and reached No. 46 on 726: 478: 7615: 6142:"KMFDM Facebook Post May 24, 2014 beginning 'Käpt'n here...'" 2707:– vocals, guitars, bass, drums, programming (1997–2002, 2009) 2673:– vocals, drums, guitars, programming, percussion (1985–1999) 2667:– vocals, programming (1984–1988, 1994–1995, 1997, 2002–2004) 1086:

reached No. 137 on the Billboard 200. Its first track, "

582:

critic Dave Thompson as " the producer as much as the band".

310:, who founded the band in 1984 as a performance art project. 7172:"World Tour 2003 KMFDM sees DVD/CD release in June and July" 5689: 1867: 1755:

Jules Hodgson performing in Edmonton, Canada in October 2004

1642:

s Dance/Electronic Albums Chart for one week at No. 8.

1570: 965: 628: 5383:"Sascha Konietzko of KMFDM: 'I Actually Am Not A Musician'" 4685:"Wax Trax!-TXT Offers KMFDM's Final Statement With 'Adios'" 1239:

After the group disbanded, Schulz and Esch formed the band

1137: 955:

Commenting on the rotating cast of musicians shortly after

620:

were instrumental in the success of the band in the 1990s.

2654:

Andee Blacksugar – guitars, backing vocals (2017–present)

2093:

All tours featured KMFDM headlining, except where noted.

793:) returned to Chicago and found that Wax Trax! had filed 7762: 7746: 6328:"KMFDM Stream Title Track From Their New Album "LET GO"" 4945: 3190:"No Political Rage, Just 'Life, Normal Stuff' for KMFDM" 2604:

The only studio album covers not designed by Hughes are

782:, which reached No. 36 on that same chart in July. 464:

Swapping the two nouns yields the grammatically correct

313:

The band's earliest incarnation included German drummer

3885:"KMFDM History on December 10, 2002, from archive.org" 1854:

it, and play it over and over again." While the album

1525:, was released in early 2010. Two compilation albums, 2324:

United States, Canada, Europe, Russia, and Australia

5805:. in this world, among all others. February 16, 2011 1346:, Konietzko began work on the soundtrack for 2004's 1340:

a collection of songs recorded between 1984 and 1986

1181:

200. Its title track was called "a bitter goodbye".

926:, who worked with the band on its next five albums. 8560: 8514: 8428: 8361: 8322: 8283: 8104: 8072: 8047: 7875: 5578:. Iconoclast Entertainment Group. February 10, 2009 4491:"Mortal Kombat Getting Ready To Annihilate America" 3695: 3693: 3579:"A Completely Different Chicken: KMFDM's Sascha K." 1662:On May 24, 2014, Konietzko announced on the band's 1342:was released in 2004. Shortly after the release of 703:was the group's first hit, reaching No. 21 on 409:) pounding on the foundations of the Grand Palais. 263: 258: 254: 199: 195: 168: 164: 154: 114: 95: 69: 58: 53: 34: 7321:"KMFDM Mixes Uplifting Tones into Its Dark Lyrics" 6545: 6543: 6541: 4969:"An Old Debate Emerges in Wake of School Shooting" 3970:"Black Box: WaxTrax! Records – The First 13 Years" 3183: 3181: 774:. This album spawned two more club hits in 1992: " 6698: 6696: 6455:Di Perna, Alan (1995). "Jackhammer of the Gods". 5974:(CD booklet). KMFDM. Philadelphia, Pennsylvania: 5499:"Finland in mourning after fatal school shooting" 5271: 5269: 5267: 5265: 5263: 5261: 4430:(CD booklet). KMFDM. Philadelphia, Pennsylvania: 4191: 4189: 4187: 3739:(CD booklet). KMFDM. Philadelphia, Pennsylvania: 3124:(CD booklet). KMFDM. Philadelphia, Pennsylvania: 2608:, which consists of a black-and-white photo, and 1204:, were inspired by the violent entertainment and 877:Black Box – Wax Trax! Records: The First 13 Years 7421:. in this world, among all others. June 28, 2011 6666: 6664: 6360:. Dunedin Free Press/Brennan Ink. Archived from 4649: 4647: 4645: 4643: 3609: 3607: 3605: 3603: 3428: 3426: 2014:critic Heidi MacDonald. Michael Saunders of the 1471:acts of violence. I was, unfortunately, right." 1235:performing in New York, New York in October 2022 432:for the nonsensical and grammatically incorrect 6633: 6631: 6629: 6505: 6503: 6501: 6499: 6497: 6474:"CMT Spots a 'Turn On'; KMFDM Cries Censorship" 6200:"KMFDM Return With New EP, Album and U.S. Tour" 5988:: CS1 maint: others in cite AV media (notes) ( 5436: 5434: 4817:"KMFDM And Rammstein Speak Out About Columbine" 4811: 4809: 4583: 4581: 4579: 4444:: CS1 maint: others in cite AV media (notes) ( 4354: 4352: 4290: 4288: 4286: 4284: 3879: 3877: 3753:: CS1 maint: others in cite AV media (notes) ( 3355: 3353: 3351: 3349: 3138:: CS1 maint: others in cite AV media (notes) ( 3084: 3082: 3080: 3078: 3031: 3029: 3027: 3025: 3023: 3021: 3019: 3017: 3015: 3013: 3011: 2952:Touring member in 1989 and studio guest in 1990 1693:Andee Blacksugar performing with KMFDM in 2024. 1070:album, which was released in 1997 and featured 888:", two songs which Thompson called "defining". 470: 401:. The first show consisted of Sturm playing an 7352:"KMFDM and Dink Lay Alternative Music to Rest" 6004:"KMFDM – WTF?! (CD – Dependent/KMFDM Records)" 5595: 5593: 4938:"KMFDM.net on April 27, 1999 from archive.org" 4104: 4102: 4100: 3076: 3074: 3072: 3070: 3068: 3066: 3064: 3062: 3060: 3058: 3009: 3007: 3005: 3003: 3001: 2999: 2997: 2995: 2993: 2991: 2713:Steve White – guitars, programming (2003–2015) 1995:, called "one of their strongest releases" by 1747:Musical style, influences, and lyrical content 1697:In April 2017, KMFDM revealed a new EP titled 7778: 7407: 7405: 7054:Electro Shock!: Groundbreakers of Synth Music 6381: 6379: 6086: 6084: 6082: 5739: 5737: 5651: 5649: 5647: 5645: 5643: 5377: 5375: 3781: 3779: 3729: 3727: 3725: 1537:, were released in September that same year. 1224:MDFMK, Slick Idiot, and reformation (2000–02) 1151:(1999) and the Columbine High School massacre 807:was done in a hurry, and I was doing a major 699:, known at the time as Svetlana Ambrosius. A 675:KMFDM recorded and released its third album, 8: 7584: 7582: 7580: 7515:"KMFDM – Bandsintown | Flag Promotions" 6791:. Vol. 50, no. 928. Archived from 5090: 5088: 5086: 4932: 4930: 4408:. Vol. 108, no. 25. pp. 9, 97 4324: 4322: 4320: 3670:Rosenblum, Trudi Miller (October 21, 1995). 2676:Rudolph Naomi – drums (1985–1986, 1988–1991) 1108:in 2002, Konietzko said, "I listened to the 7715:"KMFDM delves deeper into metal-industrial" 7635: 7633: 7327:. Bergen County, New Jersey. Archived from 6450: 6448: 6347: 6345: 4393: 4391: 4226: 4224: 4222: 3672:"Jim Nash Dies at 47; Founder of Wax Trax!" 7785: 7771: 7763: 5824:Bodine-Fischer, Diamond (April 18, 2011). 4556:"Kmfdm Is Back With 'attak' On Metropolis" 3573: 3571: 2095: 1052:was the first KMFDM album to chart on the 934:", versions of which appeared on both the 930:featured KMFDM's most widely known song, " 654:The chorus of "More & Faster 243" off 533:Cassette copies of the band's demo album, 31: 8574:Don't Blow Your Cover: A Tribute to KMFDM 7667:The Virgin Encyclopedia of Nineties Music 6291:"KMFDM announces details of latest album" 6010:. SideLine. June 20, 2011. Archived from 5062:"MDFMK Prepare For Sonic Assault Of U.S." 4549: 4547: 4545: 4543: 3813: 3811: 3247: 3245: 2539:Support: Cyanotic, Morlocks, Sour Tongue 1987:performing in Bolków, Poland in July 2009 1914:KMFDM's music has since been a fusion of 1711:was released, followed by the release of 1243:, while Konietzko and Skold regrouped as 7286:. Vol. 104, no. 24. p. 82 7056:. Hal Leonard Corporation. p. 211. 6482:. Vol. 107, no. 42. p. 93 5148: 5146: 4564:. Vol. 114, no. 14. p. 14 4269:. Vol. 108, no. 21. p. 84 3540: 3538: 3392: 3390: 3388: 3386: 3317: 3315: 3313: 3311: 3309: 3307: 3305: 3252:Mitchel, Wendy, ed. (February 8, 1999). 2122:"The Mind Is a Terrible Thing to Taste" 1945:forces are undermining the integrity of 1822:. While recognized along with Ministry, 6461:. Vol. 15, no. 6. p. 69. 3665: 3663: 3397:Cardenas, Georgina (October 26, 1995). 3262:. Vol. 57, no. 604. p. 4 3151: 3149: 2987: 2927: 2144:with My Life with the Thrill Kill Kult 1802:The band's music has been described as 337:, British guitarists Jules Hodgson and 8676:German industrial metal musical groups 7541:"KMFDM – Bandsintown | Next Mosh" 7297: 7170:Van Isacker, Bernard (June 10, 2004). 6552:"KMFDM: What Do You Know Deutschland?" 5981: 5610:. No. 5. August 2010. p. 11. 5471:"Seattle's KMFDM is a clown-free zone" 4710: 4708: 4437: 3746: 3497: 3495: 3493: 3491: 3489: 3487: 3485: 3483: 3481: 3322:Freedland, Israel; Schneider, Justin. 3131: 2691:Jennifer Ginsberg – vocals (1994–1996) 1904: 1603: 1273:, in March 2002. The album was on the 1023: 665: 8696:Musical groups disestablished in 1999 8671:German industrial rock musical groups 8148:Naïve / The Days of Swine & Roses 7493:"KMFDM – Bandsintown | Facebook" 7267:. No. 3. KMFDM. 1992. p. 5. 7252:. No. 2. KMFDM. 1992. p. 2. 7196:Cooper, Christina (August 28, 2007). 6063:Barkan, Jonathan (November 5, 2012). 5946:"KMFDM are Neck Deep in New Material" 5898:(9). Dark Arts Ltd: 7. Archived from 5441:Iwasaki, Scott (September 22, 2006). 5277:"KMFDM Dance/Electronic Albums Chart" 5123:"Twiggy Ramirez Exits Marilyn Manson" 4876:"Shooter Pair Mixed Fantasy, Reality" 4720:Deutschmusikland.com. Radio Nietzsche 1545:with regards to the controversy over 1496:—in mid-2008. KMFDM Records released 1061:was his favorite album of the 1990s. 949:Street Fighter II: The Animated Movie 918:, which peaked at No. 16 on the 7: 8706:Musical groups reestablished in 2002 6598:The Trouser Press guide to '90s rock 6584:. No. 42–47. 1992. p. 111. 3281: 3279: 3277: 1839:" stemmed from his experiments with 1795:and "true industrial" bands such as 1685:Another line-up shift (2017–present) 7380:"KMFDM 20th Anniversary World Tour" 6755:Zahora, George (October 15, 2003). 5718:. December 23, 2010. Archived from 5621:Burkart, Gregory (March 31, 2010). 5531:"Gunman kills 10 in Finnish school" 5389:. November 10, 2007. Archived from 4775:Wilson, Scott (2008). "Columbine". 4489:Bendersky, Ari (October 15, 1997). 4295:MacDonald, Heidi (September 1996). 3584:. November 10, 2007. Archived from 3254:"Top Stories: KMFDM Calls It Quits" 2651:– drums, programming (2003–present) 2504:United Kingdom & United States 1251:to form a trio. MDFMK released one 785:After touring in 1992 with drummer 8701:Musical groups established in 1984 7669:. Virgin Paperbacks. p. 219. 7589:Drozdowski, Ted (September 1997). 6963:Saunders, Michael (May 23, 1995). 6472:Atwood, Brett (October 21, 1995). 5944:Sciarretto, Amy (March 19, 2010). 5770:Ilker, Yücel (December 11, 2011). 5338:. Jered Flickinger. Archived from 4909:Knight Ridder/Tribune News Service 4716:"Mona Mur & En Esch Interview" 4590:"KMFDM back together after strife" 4554:McCormick, Moira (April 6, 2002). 4398:Borzillo, Carrie (June 22, 1996). 4152:. Vol. 21. 1995. p. 120. 4109:McDonald, Sam (October 20, 1995). 4089:. No. 1. 1999. Archived from 4027:Kroll, Katy (September 12, 2016). 3641:McCarthy, Jackie (April 4, 1999). 3156:Wiederhorn, Jon (August 8, 1996). 2682:– guitars, programming (1989–1999) 2645:– vocals, keyboards (2000–present) 2597:wished, resulting in the cover to 2367:United States, Canada, and Europe 1389:Konietzko took a new approach for 1024:Problems playing these files? See 880:, which includes the KMFDM songs " 25: 8651:German heavy metal musical groups 7517:. Flag Promotions. Archived from 7198:"KMFDM's Sascha Konietzko Part 1" 6842:Erlewine, Stephen Thomas (2002). 6386:Erlewine, Stephen Thomas (2002). 5921:Uhlenbruch, J. (March 21, 2011). 5857:Conner, Thomas (April 14, 2011). 5469:Scanlon, Tom (October 27, 2006). 5002:"Reviews: Slick Idiot – Sucksess" 5000:Yücel, Ilker (October 22, 2009). 4967:Boehlert, Eric (April 23, 1999). 3818:Sutton, Jeneveve (January 1994). 3286:Curry, Chris (November 1, 2003). 3217:Kennedy, Helen (April 21, 1999). 718:My Life with the Thrill Kill Kult 8603: 8602: 8352:20th Anniversary World Tour 2004 7265:KMFDM/Excessive Force Newsletter 7250:KMFDM/Excessive Force Newsletter 7114:Spencer, Trey (March 25, 2009). 6781:Chernov, Sergey (July 2, 2004). 6308:Carlson, Johan (July 12, 2022). 5497:Black, Phil (November 8, 2007). 5096:"KMFDM Independent Albums Chart" 4944:. April 27, 1999. Archived from 4903:Finn, Timothy (April 26, 1999). 4823:. April 23, 1999. Archived from 4683:Sciaretto, Amy (April 5, 1999). 4588:Iwasaki, Scott (June 28, 2002). 3770:KMFDM/Excessive Force Newsletter 2533:"Let Go Tour-40 Years of KMFDM" 1969:was called "less energetic" and 1905:Problems playing this file? See 1883: 1604:Problems playing this file? See 1586: 1506:KMFDM's sixteenth studio album, 1301:first played drums for KMFDM on 1002: 981: 701:remix of the album's title track 666:Problems playing this file? See 644: 603: 594: 502:Early years in Germany (1984–89) 277: 42: 18:20th Anniversary World Tour 2004 8641:Electro-industrial music groups 7378:Yucel, Ilker (March 29, 2006). 7350:Iwasaki, Scott (May 10, 1995). 7319:Staple, Arthur (May 23, 1995). 6848:. Backbeat Books. p. 627. 5978:. 2011. pp. 5, 11. MET708. 5443:"KMFDM playing until fun stops" 5415:. KMFDM Records. Archived from 4261:"Reviews and Previews: Singles" 3504:"The Industrial Gothic Complex" 3288:"MK Magazine Interviews: KMFDM" 2037:and AllMusic's David Jeffries. 462:Keine Mehrheit für das Mitleid. 8656:German industrial music groups 8646:German electronic music groups 7891:What Do You Know, Deutschland? 7713:Gopalan, Nisha (May 2, 1995). 7645:"Art Space Talk: Aidan Hughes" 7591:The Best Music Cd Art + Design 7565:. Evol Radio. January 13, 2024 7116:"KMFDM – Blitz (staff review)" 6783:"KMFDM bring sound of 'WWIII'" 6513:The Trouser Press record guide 5552:. NRK – Norsk Rikskringkasting 5537:. Reuters. September 24, 2008. 3852:"Mr. Anderson's Balls Episode" 3772:. No. 1. 1991. p. 3. 3362:"Missing Foundation Biography" 3219:"Outcast Clique Proud of Role" 3188:Iwasaki, Scott (May 5, 1995). 3121:What Do You Know, Deutschland? 2740:What Do You Know, Deutschland? 1967:What Do You Know, Deutschland? 1953:is critical of then-president 1922:, with occasional elements of 1666:page that a new album, titled 1186:Columbine High School massacre 733:The band's next club hit was " 542:What Do You Know, Deutschland? 1: 7593:. Rockport Pub. p. 130. 6815:"KMFDM Return with New Album" 6673:"Best New Music: KMFDM Nihil" 6671:MacDonald, Heidi (May 1995). 6289:Yücel, Ilker (July 5, 2019). 4259:Flick, Larry (May 25, 1996). 3743:. 2006. pp. 2–3. MET463. 3615:"KMFDM Dance/Club Play Songs" 2961:Studio guest in 1990 and 2011 2427:Germany, Belgium, and France 1431:Return to Germany (2007–2016) 711:s Dance/Club Play Songs Chart 466:Kein Mitleid für die Mehrheit 438:Kein Mehrheit Für Die Mitleid 296:Kein Mehrheit Für Die Mitleid 8176:Help Us—Save Us—Take Us Away 5623:"KMFDM: 'Krieg' – CD Review" 4722:. March 2009. Archived from 3786:Kot, Greg (March 11, 1994). 3435:"Don't Blow Your Top Review" 2454:"I (HEART) YOU Europe Tour" 1759:KMFDM's earliest output was 1116:The band released a pair of 1090:", was featured in the film 8590:List of KMFDM concert tours 8338:Sturm & Drang Tour 2002 8292:Sturm & Drang Tour 2002 7543:. Next Mosh. April 21, 2022 5834:. p. 2. Archived from 5550:"Don't Shoot Up the School" 5060:Moss, Corey (May 4, 2000). 4847:"Music Linked To Killings?" 4783:Manchester University Press 4654:Jarman, David (July 1999). 4372:. p. 3. Archived from 3788:"The Morrissey The Merrier" 3407:. p. 2. Archived from 3324:"KMFDM Reloads with: Attak" 3039:. KMFDM Inc. Archived from 2979:Touring member in 2002–2003 2934:Touring member in 2002–2003 2616:, wife of drummer Rieflin. 2488:United States & Canada 2472:United States & Canada 2287:Sturm & Drang Tour 2002 2089:List of KMFDM concert tours 2073:20th Anniversary World Tour 1357:performed about as well as 849:The song "Liebeslied" from 832:". Despite the band's anti- 586:Success in the US (1990–94) 27:German industrial rock band 8732: 8681:Metropolis Records artists 8580:List of KMFDM band members 7665:Larkin, Colin (May 2000). 7304:: CS1 maint: postscript ( 6988:Erlewine, Stephen Thomas. 6965:"KMFDM turns up the noise" 6310:"KMFDM returns with Hyena" 5923:"CD Review: KMFDM – Krank" 4693:. No. 612. p. 14 4163:Kot, Greg (May 26, 1995). 4056:"Mortal Kombat Soundtrack" 3999:"Nihil: Charts and Awards" 3910:Eddy, Chuck (April 2010). 3820:"Laff Mich Glucklich Seim" 3701:"Excessive Force Overview" 3166:. No. 740. p. 24 3128:. 2006. p. 2. MET439. 2721: 2623: 2439:"I (HEART) YOU USSA Tour" 2290:live album, 16volt opened 2086: 2052:performing live with KMFDM 1257:Republic/Universal Records 1093:Mortal Kombat Annihilation 1048:to assist with the album. 562:to start his own project, 514:, where he joined up with 8716:Wax Trax! Records artists 8636:Dependent Records artists 8598: 7800: 6936:Eddy, Chuck (July 1992). 6352:Brennan, Frances (2009). 6330:. ThePRP. January 12, 204 5925:. Reflections of Darkness 5890:Hoon, Ross (March 2011). 5330:"Artist Spotlight: KMFDM" 4664:. No. 71. p. 51 4083:"Raymond Watts Interview" 3941:"Naïve/Hell To Go Review" 3464:"Raymond Watts Interview" 2529: 2513: 2497: 2481: 2465: 2450: 2435: 2420: 2405: 2397:United States and Canada 2390: 2375: 2360: 2346: 2332: 2317: 2296: 2275: 2267:United States and Europe 2260: 2244:United States and Europe 2237: 2218: 2195: 2180: 2165: 2150: 2134: 2118: 2113: 2110: 2107: 2104: 2101: 892:Peak popularity (1994–99) 285: 276: 272: 41: 8666:German rock music groups 6788:The St. Petersburg Times 6595:Robbins, Ira A. (1997). 6510:Robbins, Ira A. (1991). 5859:"Where's Al Jourgensen?" 4233:"KMFDM Ready to 'Xtort'" 4231:Fortunato, John (1996). 2612:, which was designed by 1386:, was released in 2006. 730:] fucking records!" 372:, and Esch and Schulz's 8661:German musical quartets 7469:. KMFDM. Archived from 7443:. KMFDM. Archived from 7225:. KMFDM. Archived from 6732:. KMFDM. Archived from 6706:. KMFDM. Archived from 6094:. KMFDM. Archived from 6040:. KMFDM. Archived from 5747:. KMFDM. Archived from 5356:. KMFDM. Archived from 5354:"Discography: Web/MP3s" 5306:. KMFDM. Archived from 5242:. KMFDM. Archived from 5216:. KMFDM. Archived from 5154:"Jules Hodgson Profile" 4852:Philadelphia Daily News 3512:Hal Leonard Corporation 3502:Thompson, Dave (2000). 2586:Russian Constructivists 2514:September–October 2022 1997:Stephen Thomas Erlewine 1100:, formerly of the band 640:"More & Faster 243" 578:, and was described by 8686:Political music groups 7263:"Newsletter Issue 3". 7248:"Newsletter Issue 2". 6757:"Reviews KMFDM: WWIII" 6358:The Dunedin Free Press 4656:"Reviews: KMFDM-Adios" 3470:. 1992. Archived from 3399:"KMFDM Blows Your Top" 2566: 2181:October–November 1992 2053: 1988: 1932:multi-instrumentalists 1872: 1775:. Konietzko has cited 1756: 1694: 1575: 1450:Following the Finnish 1447: 1311:contributed to 2005's 1236: 1064:Esch returned for the 970: 908: 633: 549:, usually credited as 488: 425: 341:, and British drummer 54:Background information 7643:(December 31, 2008). 6678:CMJ New Music Monthly 5214:"Steve White Profile" 5184:"Andy Selway Profile" 4661:CMJ New Music Monthly 4330:"KMFDM Billboard 200" 4302:CMJ New Music Monthly 4093:on February 27, 2012. 3862:on September 16, 2011 3474:on February 27, 2012. 2688:– guitars (1992–1997) 2626:List of KMFDM members 2624:Further information: 2571:Aidan "Brute!" Hughes 2555: 2350:"Hau Ruck Zuck USSA" 2128:opening for Ministry 2048: 2011:CMJ New Music Monthly 1983: 1871: 1754: 1692: 1574: 1438: 1281:New line-up (2003–07) 1231: 1057:Konietzko later said 969: 899: 632: 420: 362:electronic body music 317:and British vocalist 8331:Beat by Beat by Beat 6938:"KMFDM Money Review" 6878:"KMFDM Naïve Review" 6603:Simon & Schuster 6270:on February 26, 2022 6238:on February 26, 2022 6180:. September 29, 2014 6154:on February 26, 2022 6036:(January 31, 2012). 5896:Terrorizer: Dominion 5772:"Done with the Past" 5751:on February 12, 2012 5722:on September 6, 2011 5511:on February 19, 2008 5304:"Discography: Opium" 5164:on September 4, 2012 4785:. pp. 138–139. 4690:CMJ New Music Report 3891:on December 10, 2002 3832:on December 26, 2010 3259:CMJ New Music Report 2970:Studio guest in 2022 2943:Studio guest in 2019 2394:North American tour 2279:"Sturm & Drang" 2249:God Lives Underwater 2184:"KMFDM Sucks Money" 2169:"Aloha Jerry Brown" 2097:List of KMFDM tours 1196:and the birthday of 1120:in 1998. The first, 977:"Juke Joint Jezebel" 839:Beavis and Butt-head 8711:TVT Records artists 8691:Musical collectives 8120:Don't Blow Your Top 7898:Don't Blow Your Top 7616:"Brute! Propaganda" 7563:"KMFDM – Evolradio" 7521:on February 7, 2017 7418:Slicing Up Eyeballs 7280:"Popular Uprisings" 7048:Rule, Greg (1999). 6550:Jeffries, Vincent. 6067:. Bloody Disgusting 5984:cite AV media notes 5892:"Digital Evolution" 5871:on October 10, 2012 5802:Slicing Up Eyeballs 5194:on February 4, 2012 5071:on January 29, 2013 5012:on January 11, 2010 4827:on February 9, 2012 4440:cite AV media notes 4362:(October 5, 2003). 4238:The Aquarian Weekly 3749:cite AV media notes 3582:Tastes Like Chicken 3468:Convulsion Magazine 3298:on August 26, 2007. 3224:New York Daily News 3134:cite AV media notes 2748:Don't Blow Your Top 2559:'s album cover for 2379:"Für die Mehrheit" 2321:"20th Anniversary" 2098: 2041:Touring and fanbase 1971:Don't Blow Your Top 1879:"What Do You Know?" 1856:Don't Blow Your Top 1563:Don't Blow Your Top 1184:In the wake of the 572:Don't Blow Your Top 559:Don't Blow Your Top 424:performing in 2022. 325:. German guitarist 8211:Juke Joint Jezebel 8190:A Drug Against War 8010:Our Time Will Come 7284:Billboard Magazine 6364:on August 15, 2011 6226:"Lord Of The Lost" 6098:on March 16, 2013. 6092:"KMFDM Tour Dates" 5976:Metropolis Records 5838:on August 20, 2011 5661:Metropolis Records 5342:on March 11, 2012. 4778:Great Satan's Rage 4527:Metropolis Records 4503:on August 15, 2017 4432:Metropolis Records 3741:Metropolis Records 3514:. pp. 70–71. 3411:on January 7, 2014 3334:on August 10, 2002 3229:Mortimer Zuckerman 3126:Metropolis Records 2876:Our Time Will Come 2659:Key former members 2614:Francesca Sundsten 2567: 2207:Sister Machine Gun 2096: 2054: 1989: 1873: 1812:electro-industrial 1757: 1701:; an album called 1695: 1678:Our Time Will Come 1669:Our Time Will Come 1576: 1448: 1261:Metropolis Records 1237: 1118:compilation albums 971: 932:Juke Joint Jezebel 909: 830:A Drug Against War 755:Conquer Your World 634: 520:Missing Foundation 426: 331:Metropolis Records 87:electro-industrial 48:KMFDM live in 2022 8616: 8615: 8585:KMFDM discography 8127:More & Faster 7676:978-0-7535-0427-7 7600:978-1-56496-367-3 7495:. Bandsintown Inc 7473:on March 16, 2013 7467:"KMFDM Tour Info" 7447:on March 16, 2013 7441:"KMFDM Tour Info" 7331:on March 29, 2015 7140:Jeffries, David. 7086:"Hau Ruck Review" 6977:on April 9, 2016. 6855:978-0-87930-653-3 6761:Splendid Magazine 6736:on April 14, 2012 6612:978-0-684-81437-7 6531:978-0-02-036361-3 6403:978-0-87930-653-3 6138:Konietzko, Sascha 6118:. August 19, 2013 6044:on April 25, 2012 6038:"Käpt'n's Korner" 6034:Konietzko, Sascha 5902:on March 19, 2012 5864:Chicago Sun-Times 5692:on March 24, 2016 5572:"Skold vs. KMFDM" 5220:on August 4, 2012 4948:on April 27, 1999 4915:on March 25, 2016 4792:978-0-7190-7463-9 4726:on August 8, 2016 4460:"Symbols Credits" 4165:"Industrial Arts" 3521:978-0-87930-607-6 3091:"KMFDM Biography" 2724:KMFDM discography 2700: 2545: 2544: 2501:"Hell Yeah Tour" 2485:"Salvation Tour" 1888: 1820:techno-industrial 1797:Throbbing Gristle 1659:in October 2013. 1591: 1410:had a companion, 1376:showed up on the 1285:Skold left after 1253:self-titled album 1007: 986: 649: 568:Wax Trax! Records 289: 288: 210:Jennifer Ginsberg 16:(Redirected from 8723: 8606: 8605: 8561:Related articles 8313:Live in the USSA 7826:Andee Blacksugar 7806:Sascha Konietzko 7787: 7780: 7773: 7764: 7750: 7749: 7747:Official website 7732: 7731: 7729: 7727: 7710: 7704: 7703: 7701: 7699: 7687: 7681: 7680: 7662: 7656: 7655: 7653: 7651: 7637: 7628: 7627: 7625: 7623: 7611: 7605: 7604: 7586: 7575: 7574: 7572: 7570: 7559: 7553: 7552: 7550: 7548: 7537: 7531: 7530: 7528: 7526: 7511: 7505: 7504: 7502: 7500: 7489: 7483: 7482: 7480: 7478: 7463: 7457: 7456: 7454: 7452: 7437: 7431: 7430: 7428: 7426: 7409: 7400: 7399: 7397: 7395: 7386:. 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Archived from 6960: 6954: 6953: 6951: 6949: 6933: 6927: 6926: 6924: 6922: 6916:Rovi Corporation 6903: 6897: 6896: 6894: 6892: 6886:Rovi Corporation 6873: 6867: 6866: 6864: 6862: 6839: 6833: 6832: 6830: 6828: 6811: 6805: 6804: 6802: 6800: 6795:on June 14, 2013 6778: 6772: 6771: 6769: 6767: 6752: 6746: 6745: 6743: 6741: 6726: 6720: 6719: 6717: 6715: 6704:"Lyrics: Terror" 6700: 6691: 6690: 6688: 6686: 6668: 6659: 6658: 6656: 6654: 6648:Rovi Corporation 6635: 6624: 6623: 6621: 6619: 6592: 6586: 6585: 6580:"KMFDM: Money". 6577: 6571: 6570: 6568: 6566: 6560:Rovi Corporation 6547: 6536: 6535: 6507: 6492: 6491: 6489: 6487: 6469: 6463: 6462: 6452: 6443: 6442: 6440: 6438: 6421: 6415: 6414: 6412: 6410: 6394:Rovi Corporation 6383: 6374: 6373: 6371: 6369: 6349: 6340: 6339: 6337: 6335: 6324: 6318: 6317: 6314:Release Magazine 6305: 6299: 6298: 6286: 6280: 6279: 6277: 6275: 6269: 6264:. Archived from 6262:www.facebook.com 6254: 6248: 6247: 6245: 6243: 6237: 6232:. Archived from 6230:www.facebook.com 6222: 6216: 6215: 6213: 6211: 6206:. April 25, 2017 6196: 6190: 6189: 6187: 6185: 6170: 6164: 6163: 6161: 6159: 6153: 6148:. Archived from 6140:(May 24, 2014). 6134: 6128: 6127: 6125: 6123: 6106: 6100: 6099: 6088: 6077: 6076: 6074: 6072: 6060: 6054: 6053: 6051: 6049: 6030: 6024: 6023: 6021: 6019: 6000: 5994: 5993: 5987: 5979: 5968: 5962: 5961: 5959: 5957: 5941: 5935: 5934: 5932: 5930: 5918: 5912: 5911: 5909: 5907: 5887: 5881: 5880: 5878: 5876: 5867:. Archived from 5854: 5848: 5847: 5845: 5843: 5821: 5815: 5814: 5812: 5810: 5793: 5787: 5786: 5784: 5782: 5767: 5761: 5760: 5758: 5756: 5741: 5732: 5731: 5729: 5727: 5708: 5702: 5701: 5699: 5697: 5688:. Archived from 5678: 5672: 5671: 5669: 5667: 5657:"Artists: KMFDM" 5653: 5638: 5637: 5635: 5633: 5618: 5612: 5611: 5597: 5588: 5587: 5585: 5583: 5568: 5562: 5561: 5559: 5557: 5545: 5539: 5538: 5527: 5521: 5520: 5518: 5516: 5507:. Archived from 5494: 5488: 5487: 5485: 5483: 5466: 5460: 5459: 5457: 5455: 5438: 5429: 5428: 5426: 5424: 5419:on July 13, 2011 5409: 5403: 5402: 5400: 5398: 5393:on March 5, 2016 5379: 5370: 5369: 5367: 5365: 5350: 5344: 5343: 5326: 5320: 5319: 5317: 5315: 5310:on April 2, 2010 5300: 5294: 5293: 5291: 5289: 5273: 5256: 5255: 5253: 5251: 5246:on July 10, 2012 5236: 5230: 5229: 5227: 5225: 5210: 5204: 5203: 5201: 5199: 5190:. Archived from 5180: 5174: 5173: 5171: 5169: 5160:. Archived from 5150: 5141: 5140: 5138: 5136: 5119: 5113: 5112: 5110: 5108: 5092: 5081: 5080: 5078: 5076: 5067:. Archived from 5057: 5051: 5050: 5048: 5046: 5040:Rovi Corporation 5032:"MDFMK Overview" 5028: 5022: 5021: 5019: 5017: 5008:. Archived from 4997: 4991: 4990: 4988: 4986: 4981:on July 14, 2014 4977:. Archived from 4964: 4958: 4957: 4955: 4953: 4934: 4925: 4924: 4922: 4920: 4911:. Archived from 4900: 4894: 4893: 4891: 4889: 4871: 4865: 4864: 4862: 4860: 4855:. April 22, 1999 4843: 4837: 4836: 4834: 4832: 4813: 4804: 4803: 4801: 4799: 4772: 4766: 4765: 4763: 4761: 4755:Rovi Corporation 4742: 4736: 4735: 4733: 4731: 4712: 4703: 4702: 4700: 4698: 4680: 4674: 4673: 4671: 4669: 4651: 4638: 4637: 4635: 4633: 4627:Rovi Corporation 4614: 4608: 4607: 4605: 4603: 4585: 4574: 4573: 4571: 4569: 4551: 4538: 4537: 4535: 4533: 4523:"Artists: Skold" 4519: 4513: 4512: 4510: 4508: 4499:. Archived from 4486: 4480: 4479: 4477: 4475: 4470:on March 8, 2010 4466:. Archived from 4456: 4450: 4449: 4443: 4435: 4424: 4418: 4417: 4415: 4413: 4395: 4386: 4385: 4383: 4381: 4356: 4347: 4346: 4344: 4342: 4326: 4315: 4314: 4312: 4310: 4292: 4279: 4278: 4276: 4274: 4256: 4250: 4249: 4247: 4245: 4228: 4217: 4216: 4214: 4212: 4206:Rovi Corporation 4193: 4182: 4181: 4179: 4177: 4160: 4154: 4153: 4139: 4133: 4132: 4130: 4128: 4123:on June 26, 2015 4119:. Archived from 4106: 4095: 4094: 4079: 4073: 4072: 4070: 4068: 4052: 4046: 4045: 4043: 4041: 4024: 4018: 4017: 4015: 4013: 4007:Rovi Corporation 3995: 3989: 3988: 3986: 3984: 3978:Rovi Corporation 3966: 3960: 3959: 3957: 3955: 3949:Rovi Corporation 3936: 3930: 3929: 3927: 3925: 3907: 3901: 3900: 3898: 3896: 3887:. Archived from 3881: 3872: 3871: 3869: 3867: 3858:. Archived from 3848: 3842: 3841: 3839: 3837: 3828:. Archived from 3815: 3806: 3805: 3803: 3801: 3783: 3774: 3773: 3765: 3759: 3758: 3752: 3744: 3731: 3720: 3719: 3717: 3715: 3709:Rovi Corporation 3697: 3688: 3687: 3685: 3683: 3667: 3658: 3657: 3655: 3653: 3643:"Guns n Records" 3638: 3632: 3631: 3629: 3627: 3611: 3598: 3597: 3595: 3593: 3588:on July 16, 2011 3575: 3566: 3565: 3563: 3561: 3555:Rovi Corporation 3542: 3533: 3532: 3530: 3528: 3508:Alternative Rock 3499: 3476: 3475: 3460: 3454: 3453: 3451: 3449: 3443:Rovi Corporation 3430: 3421: 3420: 3418: 3416: 3394: 3381: 3380: 3378: 3376: 3370:Rovi Corporation 3357: 3344: 3343: 3341: 3339: 3330:. Archived from 3319: 3300: 3299: 3294:. Archived from 3283: 3272: 3271: 3269: 3267: 3249: 3240: 3239: 3237: 3235: 3214: 3208: 3207: 3205: 3203: 3185: 3176: 3175: 3173: 3171: 3153: 3144: 3143: 3137: 3129: 3116: 3110: 3109: 3107: 3105: 3099:Rovi Corporation 3086: 3053: 3052: 3050: 3048: 3043:on April 8, 1997 3033: 2980: 2977: 2971: 2968: 2962: 2959: 2953: 2950: 2944: 2941: 2935: 2932: 2698: 2637:Sascha Konietzko 2582:Golden Age comic 2099: 1890: 1889: 1870: 1816:industrial metal 1717:Lord of the Lost 1641: 1593: 1592: 1573: 1518: 1452:school shootings 1442:performing with 1422: 1405: 1367: 1331: 1247:, adding singer 1009: 1008: 988: 987: 968: 865:Naïve/Hell to Go 743: 710: 651: 650: 631: 607: 598: 518:in his new band 476:-esque [ 456:, as the proper 422:Sascha Konietzko 395:Sascha Konietzko 393:project between 354:electronic music 308:Sascha Konietzko 281: 268: 265: 202: 189:Andee Blacksugar 175:Sascha Konietzko 98: 82:industrial metal 46: 32: 21: 8731: 8730: 8726: 8725: 8724: 8722: 8721: 8720: 8621: 8620: 8617: 8612: 8594: 8556: 8527:Excessive Force 8515:Associated acts 8510: 8446:Nicole Blackman 8429:Guest musicians 8424: 8357: 8345:WWIII Live 2003 8318: 8299:WWIII Live 2003 8279: 8100: 8068: 8063:Skold vs. KMFDM 8043: 7871: 7813:Lucia Cifarelli 7796: 7791: 7745: 7744: 7741: 7736: 7735: 7725: 7723: 7712: 7711: 7707: 7697: 7695: 7692:"About the Man" 7690:Hughes, Aiden. 7689: 7688: 7684: 7677: 7664: 7663: 7659: 7649: 7647: 7639: 7638: 7631: 7621: 7619: 7614:Hughes, Aiden. 7613: 7612: 7608: 7601: 7588: 7587: 7578: 7568: 7566: 7561: 7560: 7556: 7546: 7544: 7539: 7538: 7534: 7524: 7522: 7513: 7512: 7508: 7498: 7496: 7491: 7490: 7486: 7476: 7474: 7465: 7464: 7460: 7450: 7448: 7439: 7438: 7434: 7424: 7422: 7411: 7410: 7403: 7393: 7391: 7390:on May 11, 2008 7377: 7376: 7372: 7362: 7360: 7349: 7348: 7344: 7334: 7332: 7318: 7317: 7313: 7296: 7289: 7287: 7277: 7276: 7272: 7262: 7261: 7257: 7247: 7246: 7242: 7232: 7230: 7221: 7220: 7216: 7206: 7204: 7195: 7194: 7190: 7180: 7178: 7169: 7168: 7164: 7154: 7152: 7139: 7138: 7134: 7124: 7122: 7113: 7112: 7108: 7098: 7096: 7083: 7082: 7078: 7068: 7066: 7064: 7047: 7046: 7042: 7032: 7030: 7017: 7016: 7012: 7002: 7000: 6987: 6986: 6982: 6962: 6961: 6957: 6947: 6945: 6935: 6934: 6930: 6920: 6918: 6905: 6904: 6900: 6890: 6888: 6875: 6874: 6870: 6860: 6858: 6856: 6841: 6840: 6836: 6826: 6824: 6823:. July 12, 2007 6813: 6812: 6808: 6798: 6796: 6780: 6779: 6775: 6765: 6763: 6754: 6753: 6749: 6739: 6737: 6730:"Lyrics: Glory" 6728: 6727: 6723: 6713: 6711: 6710:on July 4, 2012 6702: 6701: 6694: 6684: 6682: 6670: 6669: 6662: 6652: 6650: 6637: 6636: 6627: 6617: 6615: 6613: 6605:. p. 398. 6594: 6593: 6589: 6582:Option Magazine 6579: 6578: 6574: 6564: 6562: 6549: 6548: 6539: 6532: 6509: 6508: 6495: 6485: 6483: 6471: 6470: 6466: 6454: 6453: 6446: 6436: 6434: 6426:"Angst – KMFDM" 6423: 6422: 6418: 6408: 6406: 6404: 6396:. p. 627. 6385: 6384: 6377: 6367: 6365: 6351: 6350: 6343: 6333: 6331: 6326: 6325: 6321: 6307: 6306: 6302: 6288: 6287: 6283: 6273: 6271: 6256: 6255: 6251: 6241: 6239: 6224: 6223: 6219: 6209: 6207: 6198: 6197: 6193: 6183: 6181: 6172: 6171: 6167: 6157: 6155: 6136: 6135: 6131: 6121: 6119: 6108: 6107: 6103: 6090: 6089: 6080: 6070: 6068: 6062: 6061: 6057: 6047: 6045: 6032: 6031: 6027: 6017: 6015: 6002: 6001: 5997: 5980: 5970: 5969: 5965: 5955: 5953: 5943: 5942: 5938: 5928: 5926: 5920: 5919: 5915: 5905: 5903: 5889: 5888: 5884: 5874: 5872: 5856: 5855: 5851: 5841: 5839: 5823: 5822: 5818: 5808: 5806: 5795: 5794: 5790: 5780: 5778: 5769: 5768: 5764: 5754: 5752: 5743: 5742: 5735: 5725: 5723: 5710: 5709: 5705: 5695: 5693: 5680: 5679: 5675: 5665: 5663: 5655: 5654: 5641: 5631: 5629: 5620: 5619: 5615: 5599: 5598: 5591: 5581: 5579: 5570: 5569: 5565: 5555: 5553: 5547: 5546: 5542: 5529: 5528: 5524: 5514: 5512: 5496: 5495: 5491: 5481: 5479: 5468: 5467: 5463: 5453: 5451: 5440: 5439: 5432: 5422: 5420: 5411: 5410: 5406: 5396: 5394: 5387:Ultimate Guitar 5381: 5380: 5373: 5363: 5361: 5360:on July 2, 2012 5352: 5351: 5347: 5328: 5327: 5323: 5313: 5311: 5302: 5301: 5297: 5287: 5285: 5275: 5274: 5259: 5249: 5247: 5238: 5237: 5233: 5223: 5221: 5212: 5211: 5207: 5197: 5195: 5182: 5181: 5177: 5167: 5165: 5152: 5151: 5144: 5134: 5132: 5121: 5120: 5116: 5106: 5104: 5094: 5093: 5084: 5074: 5072: 5059: 5058: 5054: 5044: 5042: 5030: 5029: 5025: 5015: 5013: 4999: 4998: 4994: 4984: 4982: 4966: 4965: 4961: 4951: 4949: 4936: 4935: 4928: 4918: 4916: 4902: 4901: 4897: 4887: 4885: 4881:Washington Post 4873: 4872: 4868: 4858: 4856: 4845: 4844: 4840: 4830: 4828: 4815: 4814: 4807: 4797: 4795: 4793: 4774: 4773: 4769: 4759: 4757: 4745:Boldman, Gina. 4744: 4743: 4739: 4729: 4727: 4714: 4713: 4706: 4696: 4694: 4682: 4681: 4677: 4667: 4665: 4653: 4652: 4641: 4631: 4629: 4617:Boldman, Gina. 4616: 4615: 4611: 4601: 4599: 4587: 4586: 4577: 4567: 4565: 4553: 4552: 4541: 4531: 4529: 4521: 4520: 4516: 4506: 4504: 4488: 4487: 4483: 4473: 4471: 4458: 4457: 4453: 4436: 4426: 4425: 4421: 4411: 4409: 4397: 4396: 4389: 4379: 4377: 4376:on June 5, 2011 4364:"KMFDM Profile" 4358: 4357: 4350: 4340: 4338: 4328: 4327: 4318: 4308: 4306: 4294: 4293: 4282: 4272: 4270: 4258: 4257: 4253: 4243: 4241: 4230: 4229: 4220: 4210: 4208: 4195: 4194: 4185: 4175: 4173: 4170:Chicago Tribune 4162: 4161: 4157: 4141: 4140: 4136: 4126: 4124: 4108: 4107: 4098: 4081: 4080: 4076: 4066: 4064: 4054: 4053: 4049: 4039: 4037: 4026: 4025: 4021: 4011: 4009: 3997: 3996: 3992: 3982: 3980: 3968: 3967: 3963: 3953: 3951: 3938: 3937: 3933: 3923: 3921: 3909: 3908: 3904: 3894: 3892: 3883: 3882: 3875: 3865: 3863: 3850: 3849: 3845: 3835: 3833: 3817: 3816: 3809: 3799: 3797: 3793:Chicago Tribune 3785: 3784: 3777: 3767: 3766: 3762: 3745: 3733: 3732: 3723: 3713: 3711: 3699: 3698: 3691: 3681: 3679: 3669: 3668: 3661: 3651: 3649: 3640: 3639: 3635: 3625: 3623: 3613: 3612: 3601: 3591: 3589: 3577: 3576: 3569: 3559: 3557: 3544: 3543: 3536: 3526: 3524: 3522: 3501: 3500: 3479: 3462: 3461: 3457: 3447: 3445: 3432: 3431: 3424: 3414: 3412: 3404:Miami New Times 3396: 3395: 3384: 3374: 3372: 3359: 3358: 3347: 3337: 3335: 3328:Hybrid Magazine 3321: 3320: 3303: 3285: 3284: 3275: 3265: 3263: 3251: 3250: 3243: 3233: 3231: 3216: 3215: 3211: 3201: 3199: 3187: 3186: 3179: 3169: 3167: 3155: 3154: 3147: 3130: 3118: 3117: 3113: 3103: 3101: 3088: 3087: 3056: 3046: 3044: 3037:"KMFDM History" 3035: 3034: 2989: 2984: 2983: 2978: 2974: 2969: 2965: 2960: 2956: 2951: 2947: 2942: 2938: 2933: 2929: 2919: 2914: 2726: 2720: 2643:Lucia Cifarelli 2631:Current line-up 2628: 2622: 2550: 2523:Support: Chant 2491:Support: Chant 2475:Support: Chant 2469:"We Are KMFDM" 2364:"Kein Mitleid" 2308:WWIII Live 2003 2241:"In Your Face" 2222:"Beat by Beat" 2091: 2085: 2060:WWIII Live 2003 2043: 1963: 1912: 1911: 1903: 1901: 1900: 1899: 1898: 1895:John F. Kennedy 1891: 1884: 1881: 1874: 1868: 1824:Nine Inch Nails 1808:industrial rock 1761:performance art 1749: 1687: 1639: 1613:KMFDM released 1611: 1610: 1602: 1600: 1599: 1598: 1597: 1594: 1587: 1584: 1577: 1571: 1516: 1499:Skold vs. KMFDM 1433: 1420: 1403: 1365: 1361:, appearing on 1329: 1283: 1249:Lucia Cifarelli 1233:Lucia Cifarelli 1226: 1153: 1142:Mysterious Ways 1102:Shotgun Messiah 1031: 1030: 1022: 1020: 1019: 1018: 1017: 1010: 1003: 1000: 994: 993: 992: 989: 982: 979: 972: 966: 894: 780:the title track 750:Excessive Force 741: 722:Revolting Cocks 713:in March 1991. 708: 673: 672: 664: 662: 661: 660: 659: 652: 645: 642: 635: 629: 624: 623: 622: 621: 610: 609: 608: 600: 599: 588: 576:Adrian Sherwood 504: 415: 391:performance art 387: 382: 370:Excessive Force 358:industrial rock 335:Lucia Cifarelli 300:industrial rock 262: 200: 180:Lucia Cifarelli 159:Excessive Force 150: 110: 96: 91: 77:Industrial rock 49: 37: 28: 23: 22: 15: 12: 11: 5: 8729: 8727: 8719: 8718: 8713: 8708: 8703: 8698: 8693: 8688: 8683: 8678: 8673: 8668: 8663: 8658: 8653: 8648: 8643: 8638: 8633: 8623: 8622: 8614: 8613: 8611: 8610: 8599: 8596: 8595: 8593: 8592: 8587: 8582: 8577: 8570: 8564: 8562: 8558: 8557: 8555: 8554: 8549: 8544: 8539: 8534: 8529: 8524: 8518: 8516: 8512: 8511: 8509: 8508: 8503: 8501:William Wilson 8498: 8493: 8488: 8483: 8478: 8473: 8468: 8463: 8458: 8456:Free Dominguez 8453: 8451:Chris Connelly 8448: 8443: 8438: 8436:Dorona Alberti 8432: 8430: 8426: 8425: 8423: 8422: 8415: 8408: 8401: 8394: 8387: 8380: 8373: 8365: 8363: 8359: 8358: 8356: 8355: 8348: 8341: 8334: 8326: 8324: 8320: 8319: 8317: 8316: 8309: 8302: 8295: 8287: 8285: 8281: 8280: 8278: 8277: 8270: 8263: 8256: 8249: 8242: 8235: 8228: 8221: 8214: 8207: 8200: 8193: 8186: 8179: 8172: 8165: 8158: 8151: 8144: 8137: 8130: 8123: 8116: 8108: 8106: 8102: 8101: 8099: 8098: 8091: 8084: 8076: 8074: 8070: 8069: 8067: 8066: 8059: 8051: 8049: 8048:Collaborations 8045: 8044: 8042: 8041: 8034: 8027: 8020: 8013: 8006: 7999: 7992: 7985: 7978: 7971: 7964: 7957: 7950: 7943: 7936: 7929: 7922: 7915: 7908: 7901: 7894: 7887: 7879: 7877: 7873: 7872: 7870: 7869: 7866: 7863: 7858: 7853: 7848: 7843: 7840: 7835: 7829: 7828: 7823: 7816: 7809: 7801: 7798: 7797: 7792: 7790: 7789: 7782: 7775: 7767: 7761: 7760: 7751: 7740: 7739:External links 7737: 7734: 7733: 7705: 7694:. Aiden Hughes 7682: 7675: 7657: 7641:Sherwin, Brian 7629: 7618:. Aiden Hughes 7606: 7599: 7576: 7554: 7532: 7506: 7484: 7458: 7432: 7401: 7384:ReGen Magazine 7370: 7342: 7311: 7270: 7255: 7240: 7214: 7202:Revenant Media 7188: 7162: 7142:"WTF?! Review" 7132: 7106: 7076: 7062: 7040: 7010: 6990:"Xtort Review" 6980: 6955: 6928: 6908:"Angst Review" 6898: 6876:Raggett, Ned. 6868: 6854: 6834: 6806: 6773: 6747: 6721: 6692: 6660: 6640:"Angst Review" 6625: 6611: 6587: 6572: 6537: 6530: 6493: 6464: 6444: 6416: 6402: 6375: 6341: 6319: 6300: 6295:Regen Magazine 6281: 6249: 6217: 6191: 6165: 6129: 6101: 6078: 6055: 6025: 6014:on May 2, 2013 5995: 5963: 5936: 5913: 5882: 5849: 5816: 5788: 5776:ReGen Magazine 5762: 5733: 5703: 5673: 5639: 5613: 5589: 5563: 5540: 5522: 5489: 5461: 5430: 5404: 5371: 5345: 5321: 5295: 5257: 5240:"Intro Lyrics" 5231: 5205: 5175: 5142: 5114: 5082: 5052: 5023: 5006:ReGen Magazine 4992: 4959: 4926: 4895: 4866: 4838: 4805: 4791: 4767: 4747:"Adios Review" 4737: 4704: 4675: 4639: 4619:"Retro Review" 4609: 4575: 4539: 4514: 4481: 4451: 4419: 4387: 4348: 4316: 4280: 4251: 4218: 4198:"Nihil Review" 4183: 4155: 4134: 4096: 4074: 4047: 4019: 3990: 3961: 3931: 3902: 3873: 3843: 3807: 3775: 3760: 3721: 3689: 3659: 3647:Seattle Weekly 3633: 3599: 3567: 3547:"UAIOE Review" 3534: 3520: 3477: 3455: 3422: 3382: 3345: 3301: 3273: 3241: 3209: 3177: 3145: 3111: 3054: 2986: 2985: 2982: 2981: 2972: 2963: 2954: 2945: 2936: 2926: 2925: 2918: 2915: 2913: 2912: 2904: 2896: 2888: 2880: 2872: 2864: 2856: 2848: 2840: 2832: 2824: 2816: 2808: 2800: 2792: 2784: 2776: 2768: 2760: 2752: 2744: 2736: 2727: 2722:Main article: 2719: 2716: 2715: 2714: 2711: 2708: 2702: 2692: 2689: 2683: 2677: 2674: 2668: 2656: 2655: 2652: 2646: 2640: 2621: 2618: 2549: 2546: 2543: 2542: 2540: 2537: 2536:United States 2534: 2531: 2527: 2526: 2524: 2521: 2520:United States 2518: 2515: 2511: 2510: 2508: 2505: 2502: 2499: 2495: 2494: 2492: 2489: 2486: 2483: 2479: 2478: 2476: 2473: 2470: 2467: 2463: 2462: 2460: 2458: 2455: 2452: 2448: 2447: 2445: 2443: 2442:United States 2440: 2437: 2433: 2432: 2430: 2428: 2425: 2424:European tour 2422: 2418: 2417: 2415: 2413: 2410: 2409:European tour 2407: 2403: 2402: 2400: 2398: 2395: 2392: 2388: 2387: 2385: 2383: 2380: 2377: 2373: 2372: 2370: 2368: 2365: 2362: 2358: 2357: 2355: 2353: 2351: 2348: 2344: 2343: 2341: 2339: 2337: 2334: 2330: 2329: 2327: 2325: 2322: 2319: 2315: 2314: 2312: 2304: 2303:United States 2301: 2298: 2294: 2293: 2291: 2283: 2282:United States 2280: 2277: 2273: 2272: 2270: 2268: 2265: 2262: 2258: 2257: 2255: 2245: 2242: 2239: 2235: 2234: 2232: 2226: 2225:United States 2223: 2220: 2216: 2215: 2213: 2203: 2202:United States 2200: 2197: 2193: 2192: 2190: 2188: 2187:United States 2185: 2182: 2178: 2177: 2175: 2173: 2172:United States 2170: 2167: 2163: 2162: 2160: 2158: 2157:United States 2155: 2152: 2148: 2147: 2145: 2142: 2139: 2136: 2132: 2131: 2129: 2126: 2125:United States 2123: 2120: 2116: 2115: 2112: 2109: 2106: 2103: 2087:Main article: 2084: 2081: 2042: 2039: 1962: 1959: 1955:George W. 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The second, 1046:Chris Connelly 1021: 1011: 1001: 996: 995: 990: 980: 975: 974: 973: 964: 963: 962: 901:Chris Connelly 893: 890: 860:Carmina Burana 663: 653: 643: 638: 637: 636: 627: 626: 625: 612: 611: 602: 601: 593: 592: 591: 590: 589: 587: 584: 503: 500: 452:for the wrong 414: 411: 386: 383: 381: 378: 368:, Konietzko's 352:guitar riffs, 287: 286: 283: 282: 274: 273: 270: 269: 260: 256: 255: 252: 251: 250: 249: 246: 241: 236: 231: 226: 221: 216: 211: 208: 203: 197: 196: 193: 192: 191: 190: 187: 182: 177: 170: 166: 165: 162: 161: 156: 152: 151: 149: 148: 143: 138: 133: 130: 127: 122: 118: 116: 112: 111: 109: 108: 105: 101: 99: 93: 92: 90: 89: 84: 79: 73: 71: 67: 66: 60: 56: 55: 51: 50: 47: 39: 38: 35: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 8728: 8717: 8714: 8712: 8709: 8707: 8704: 8702: 8699: 8697: 8694: 8692: 8689: 8687: 8684: 8682: 8679: 8677: 8674: 8672: 8669: 8667: 8664: 8662: 8659: 8657: 8654: 8652: 8649: 8647: 8644: 8642: 8639: 8637: 8634: 8632: 8629: 8628: 8626: 8619: 8609: 8601: 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The track " 841: 840: 835: 831: 827: 826: 820: 818: 814: 810: 806: 802: 801: 796: 792: 788: 783: 781: 777: 773: 772: 767: 766: 761: 757: 756: 751: 747: 740: 736: 731: 729: 728: 723: 719: 714: 712: 707: 702: 698: 697:Günter Schulz 694: 693: 688: 684: 680: 679: 671: 669: 657: 641: 619: 618:Günter Schulz 615: 606: 597: 585: 583: 581: 577: 573: 569: 565: 561: 560: 554: 552: 548: 544: 543: 538: 537: 531: 529: 528:Raymond Watts 525: 521: 517: 516:Peter Missing 513: 509: 501: 499: 497: 493: 487: 485: 481: 480: 475: 469: 467: 463: 459: 455: 451: 447: 443: 439: 435: 431: 423: 419: 412: 410: 408: 404: 400: 396: 392: 385:Origin (1984) 384: 379: 377: 375: 371: 367: 363: 359: 355: 351: 346: 344: 340: 336: 332: 328: 327:Günter Schulz 324: 320: 319:Raymond Watts 316: 311: 309: 305: 301: 297: 293: 284: 280: 275: 271: 267: 261: 257: 253: 248:Jules Hodgson 247: 245: 242: 240: 239:Raymond Watts 237: 235: 232: 230: 227: 225: 222: 220: 219:Günter Schulz 217: 215: 212: 209: 207:Rudolph Naomi 206: 205: 204: 198: 194: 188: 186: 183: 181: 178: 176: 173: 172: 171: 167: 163: 160: 157: 153: 147: 144: 142: 139: 137: 134: 131: 128: 126: 123: 120: 119: 117: 113: 106: 103: 102: 100: 94: 88: 85: 83: 80: 78: 75: 74: 72: 68: 64: 61: 57: 52: 45: 40: 33: 30: 19: 8618: 8572: 8506:Doug Wimbish 8461:F.M. Einheit 8417: 8410: 8403: 8396: 8389: 8382: 8375: 8368: 8362:Compilations 8350: 8343: 8336: 8329: 8311: 8306:We Are KMFDM 8304: 8297: 8290: 8253:Day of Light 8239:Megalomaniac 8093: 8086: 8079: 8073:Remix albums 8061: 8054: 8036: 8029: 8022: 8015: 8008: 8001: 7994: 7987: 7980: 7973: 7966: 7959: 7952: 7945: 7938: 7931: 7924: 7917: 7910: 7903: 7896: 7889: 7882: 7856:Bill Rieflin 7851:Mark Durante 7825: 7818: 7811: 7804: 7793: 7726:February 28, 7724:. Retrieved 7718: 7708: 7696:. Retrieved 7685: 7666: 7660: 7648:. Retrieved 7620:. Retrieved 7609: 7590: 7567:. Retrieved 7557: 7545:. Retrieved 7535: 7523:. Retrieved 7519:the original 7509: 7497:. Retrieved 7487: 7475:. Retrieved 7471:the original 7461: 7449:. Retrieved 7445:the original 7435: 7423:. Retrieved 7416: 7392:. Retrieved 7388:the original 7383: 7373: 7361:. Retrieved 7357:Deseret News 7355: 7345: 7335:November 29, 7333:. Retrieved 7329:the original 7324: 7314: 7290:November 15, 7288:. 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