416:
brothers
Damodar Hari and Balkrishna Hari selected a spot of Ganeshkhind road, by the side of a yellow bungalow to shoot at Rand. Each armed with a sword and a pistol. Balkrishna, in addition, carried a hatchet. They reached Ganeshkhind, they saw what looked like Rand's carriage pass by, but they let it go, not being sure, deciding to attack him on his way back. They reached Government House at 7.00–7.30 in the evening, as darkness was beginning to set in. A large number of people had gathered to witness the spectacle at Government House, and there were bonfires on the hills. The swords and the hatchet they carried made a movement without raising suspicion difficult, so they deposited them under a stone culvert near the bungalow, so as to retrieve it in case of need. As planned, Damodar Hari waited at the gate of the Government House, and as Rand's carriage emerged, ran 10–15 paces behind it. As the carriage reached the yellow bungalow, Damodar made up the distance and called out "Gondya", a predetermined signal for Balkrishna to take action. Damodar Hari undid the flap of the carriage, raised it and fired from a distance of about a span. It was originally planned that both would shoot at Rand, so as to ensure that Rand would not live, however, Balkrishna Hari lagged behind and Rand's carriage rolled on, Balkrishna Hari meanwhile on the suspicion that the occupants of the following carriage were whispering to each other, fired at the head of one of them from behind.
371:
239:
Damodar, Balkrishna, and others were waiting, he shouted to them 'Gondya ala re! (Gondya has come)'. Balkrishna jumped on the carriage and shot the occupant. But there was a mistake. It was Ayerst whom he had killed. They realised their mistake. When Rand's carriage came to the spot, Damodar climbed on it and shot Rand. Ayerst was killed on the spot, and Rand died in hospital on 3 July 1897.
31:
428:, calls the film, made by the Patwardhans, practising architects, a leaf out of history more as an exercise in cinema than in patriotism, faithful in every detail and structurally controlled, an unusual attempt at bringing a new visual perception into the mechanisms of film making. It finds the faces, mostly from
362:
The film is based on true life events leading up to, and the consequences of, the assassination of
Charles Walter Rand, Assistant Collector of Pune and Chairman of the Special Plague Committee, Pune, and British Army officer Lt Charles Egerton Ayerst. Ayerst was Rand's military escort on 22 June 1897
226:
On 22 June 1897, British officer
Charles Walter Rand Assistant Collector of Pune and Chairman of the Special Plague Committee, Pune, and British Army officer Lieutenant Charles Egerton Ayerst, were assassinated on the Ganeshkhind road, Pune, on their way back from a Government house party celebrating
182:
and
Nachiket Patwardhan and directed by the husband and wife team of Jayoo Patwardhan and Nachiket Patwardhan. The duo are also practising architects. It is based on the true life story of the assassination of British Government officers Walter Charles Rand ICS and Lt. Charles Egerton Ayerst by the
238:
The climax scene is the shooting after the midnight party finished, the carriages started moving out of the
Government House, one of the boys in that group watched from outside the gate. As Rand came out, he gave the signal. Another boy began running with the carriage. As he reached the spot where
415:
Damodar Hari's narration of the shooting differs from the events as shown in the film. In his autobiography, Damodar Hari writes that he believed the jubilee celebrations would cause
Europeans of all ranks to go to the Government House, and this would give them the opportunity to kill Rand. The
234:
C. W. Rand of the ICS was appointed to take charge of the plague control measures and had successfully contained the epidemic; but his methods of evacuating the people, of fumigating their dwellings, and burning the contaminated articles, evoked tremendous hatred amongst certain sections of the
533:
The film has been included in the selected list of Indian films and videos in the US Library of
Congress. This collection is included in the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. The Library describes this collection as one of its richest and most
440:, that the film cinematises a violent incident in Indian history, the determination of a group of Brahmin youths to challenge two of the elements of British imperialism – the English language and Christianity, the killing of Rand and events before and its aftermath. Mukta Rajadhyaksha,
394:
for the period look, poring over scores of photographs obtained by her grandfather, and spending months researching the details. Most of the performers in the film belonged to
Theater Academy, Pune. This film marked the debut of Balkrishna Chapekar, a then student of the
1798:
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432:
stage, powerful in their authenticity, chiselled of grim determination, with firelight dancing on them, rugged stone walls, skirting narrow paths, the pillared inner courtyards of traditional dwellings, all into place in an intensely moving dramatic experience.
222:
which took a heavy toll of life. But the plague had another indirect and far-reaching consequence on the politics of the country. The behaviour of the military which was called out to deal with the situation arising from the pestilence caused great indignation.
1037:
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352:"It was a learning experience for all of us, and the film launched my acting career". "It was a straight shot of nine minutes and 57 seconds without any retakes simply because we could not afford to waste footage"
1053:
448:, considers this film an honourable exception amid the degeneration that Marathi cinema went through after its golden age, the decades of the 50s and 60s. She feels that the film should have won the
897:
407:
its dialogue writer considered that "the film is significant because it shows the way history needs to be treated in cinema – in a deglam manner where martyrs are also shown as human beings".
367:– Damodar Hari, Vasudev Hari, and Balkrishna Hari and Mahadeo Vinayak Ranade, Khando Vishnu Sathe a schoolboy was charged as a co-conspirator and sentenced to 10 years rigorous imprisonment.
517:
The film was released on its 25th anniversary, by Rudraa Home Video in its 'Modern
Classic' series on 22 June 2005, VCDs with English subtitles and each original VCD. It is listed under
191:
a representative selection from the first Indian talkies to the then-present date (1988). The title of the film is the date of the assassination, 22 June 1897. It won the 1980 Indian
530:
The film has been included in the book One
Hundred Indian Feature Films: An Annotated Filmography, a representative selection from the first Indian talkies to the present day (1988).
509:, the film tells one of the most important chapters of the early armed independence attempts in India. Spicevienna.org considers the film a modern classic of Indian cinema.
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for best film of the year and best director. The film has been included in the selected collection of Indian films and videos in the US
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679:"22 June 1897 will be 25 on Thursday: Milestone for film based on Chapekar brothers who assassinated Rand"
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film.at writes that while the Indian independence movement is known in the West only in connection with
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opines that commercial Marathi cinema did not benefit from arthouse films made by filmmakers like
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in two categories: Best film on National Integration and Art Direction. It also won the 1980
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interesting. This collection consists of ninety feature films and one hundred short films.
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456:, unlike cinema from Bengal and the South lacked a powerful lobby at the national level.
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The film was the directorial debut of Jayoo and Nachiket Patwardhan, commissioned by the
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Films whose production designer won the Best Production Design National Film Award
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207:. Most of the performers in the film then belonged to Theatre Academy, Pune.
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984:"A Selected List of Indian Films & Videos in the Library of Congress"
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The film has been a winner of a couple of State and National Awards
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729:
Plague Ports: The Global Urban Impact of Bubonic Plague, 1894–1901
383:
369:
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National Film Award for Best Feature Film on National Integration
391:
215:
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Best Film on National Integration National Film Award winners
399:. The film was shot entirely on locations in Pune, Wai and
189:
One Hundred Indian Feature Films: An Annotated Filmography,
841:
One Hundred Indian Feature Films: An Annotated Filmography
426:
One Hundred Indian Feature Films: An Annotated Filmography
386:
350,000 budget. Jayoo Patwardhan scouted for locations in
824:. From Bombay Police Abstracts of 1910. pp. 50–107.
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Trivandrum, Kerala: Regional Film Festival, October 1980
563:
Best Director of the Year: Nachiket and Jayoo Patwardhan
731:. New York: New York University Press. pp. 66–68.
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Silver Lotus: Best Feature Film on National Integration
872:
Indian popular cinema: a narrative of cultural change
227:
the Diamond Jubilee anniversary of the coronation of
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Silver Lotus: Best Art Direction (Jayoo Patwardhan)
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573:Calcutta '80: Regional Film Festival, April 1980
374:Film's director and producer Nachiket Patwardhan
350:
1531:Netaji Subhas Chandra Bose: The Forgotten Hero
833:
831:
380:National Film Development Corporation of India
1038:
560:Best Film of the Year: Dadasaheb Phalke award
357: — Balkrishna Chapekar on the film, 2006
8:
614:Kailashnath, Dr. Koppikar; Chheda, Subhash.
444:based theatre and media critic, writing in
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844:. Taylor & Francis. pp. 182–183.
838:Shampa Banerjee, Anil Srivastava (1995) .
29:
20:
783:
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672:
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555:Maharashtra State Film Awards: March 1980
235:society, which led to his assassination.
187:. The film has been included in the book
898:"Marathi cinema gets a shot in the arm"
609:
607:
605:
603:
599:
264:Hari Vinayak Chapekar: Vasudev Palande.
818:Autobiography of Damodar Hari Chapekar
754:"Revolutionary martyrs of Maharashtra"
896:Mukta Rajadhyaksha (29 August 2004).
436:Gokulsing et al. write in their book
411:Damodar Hari Chapekar's autobiography
7:
616:"22 June 1897, Celebrating 25 years"
588:Mannheim, West Germany, October 1980
302:Havaldar Rama Pandu: Mukund Chitale.
247:The cast of the film is as follows:
1779:Indian films based on actual events
929:Joshi, Namrata (17 November 2008).
990:from the original on 8 August 2009
641:Buzz Reporters (5 November 2009).
478:), Jayoo and Nachiket Patwardhan (
14:
579:International Film Festivals at:
296:Ramchandra Dravid: Sanjiv Ambika.
267:Dwarka Hari Chapekar: Shanta Jog.
218:was visited by the pestilence of
933:. India: Outlook. Archived from
542:National Film Awards: March 1980
875:. Trentham Books. p. 137.
677:Mehta, Sunanda (16 June 2006).
286:Dutta Bhuskute: Suresh Bhasale.
274:, Sujal Watve, Dipali Kulkarni.
1824:Films shot in Wai, Maharashtra
982:Cooper, Graham C. (May 1992).
582:La Rochelle, France, June 1980
452:for best film, but did not as
321:Inspector Brewin: Rod Gilbert.
1:
585:Montreal, Canada, August 1980
410:
299:Nilu Dravid: Vikas Deshpande.
1809:1979 directorial debut films
1794:1970s Marathi-language films
1774:Films set in the British Raj
752:V Sundaram (18 April 2009).
727:Echenberg, Myron J. (2007).
397:College of Engineering, Pune
1819:Films scored by Anand Modak
1840:
1344:Santha Shishunala Sharifa
403:in March and April 1979.
277:Govindmama: Satish Khare.
28:
1784:Films set in Maharashtra
815:Chapekar, Damodar Hari.
270:Daughters-in-law :
201:Maharashtra State awards
1769:Indian historical films
382:(NFDC) on a shoestring
325:Harry Falk (Indologist)
280:Ranade: Sadanand Borse.
1814:1970s historical films
568:Festival participation
525:Awards and recognition
519:Best of Marathi cinema
375:
354:
931:"Evolution of Manoos"
643:"22 June 1897 – Film"
438:Popular Indian Cinema
420:Critical appreciation
373:
336:Balkrishna Chapekar:
283:Apte: Shrikant Gadre.
255:: Prabhakar Patankar.
1667:Dikchow Banat Palaax
197:National Film Awards
1645: –
1613: –
1460:Shaheed Udham Singh
1354: –
1310: –
1195: –
1187: –
1179: –
1087: –
1079: –
937:on 20 February 2011
691:on 14 February 2007
316:Sadashiv Amrapurkar
312:Bal Gangadhar Tilak
205:Library of Congress
178:film co-written by
75:Sadashiv Amrapurkar
66:Nachiket Patwardhan
58:Nachiket Patwardhan
46:Nachiket Patwardhan
1300:Sree Narayana Guru
1121:Thurakkatha Vathil
910:on 19 January 2012
903:The Times of India
684:The Indian Express
653:on 18 January 2013
647:www.buzzintown.com
446:The Times of India
376:
96:Navroze Contractor
88:Prabhakar Patankar
1764:Films set in 1897
1746:
1745:
1732:The Kashmir Files
1555:Kallarali Hoovagi
1507:Mr. and Mrs. Iyer
882:978-1-85856-329-9
867:Wimal Dissanayake
851:978-0-8240-9483-6
738:978-0-8147-2232-9
365:Chapekar brothers
185:Chapekar brothers
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1691:Ondalla Eradalla
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1145:Achanum Bappayum
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959:. Archived from
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906:. Archived from
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792:. Archived from
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766:on 17 March 2012
762:. Archived from
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687:. Archived from
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649:. Archived from
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618:. Archived from
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358:
338:Ravindra Mankani
259:Vasudev Chapekar
253:Damodar Chapekar
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85:Ravindra Mankani
44:Jayoo Patwardhan
33:
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1789:History of Pune
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1288:Aadmi Aur Aurat
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1109:Saat Hindustani
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796:on 20 July 2011
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622:on 3 March 2007
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405:Vijay Tendulkar
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291:Jairam Hardikar
289:Ganesh Dravid:
261:: Udayan Dixit.
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1006:External links
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963:on 6 July 2008
957:"22 June 1897"
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865:K. Gokulsing,
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454:Marathi cinema
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229:Queen Victoria
220:bubonic plague
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458:Namrata Joshi
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1217:22 June 1897
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1013:22 June 1897
1012:
992:. Retrieved
977:
965:. Retrieved
961:the original
951:
939:. Retrieved
935:the original
924:
912:. Retrieved
908:the original
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798:. Retrieved
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768:. Retrieved
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711:22 June 1897
710:
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693:. Retrieved
689:the original
682:
655:. Retrieved
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646:
636:
624:. Retrieved
620:the original
537:
518:
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504:
502:and others.
495:
492:Amol Palekar
487:
484:Vijaya Mehta
480:22 June 1897
479:
473:
469:
466:Jabbar Patel
460:writing for
450:Golden Lotus
437:
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193:Silver Lotus
188:
171:22 June 1897
170:
169:
168:
143:Running time
120:Release date
78:Udayan Dixit
24:22 June 1897
18:
1579:Aai Kot Nai
1097:Janmabhoomi
967:6 September
800:6 September
306:Walter Rand
180:Shankar Nag
147:121 minutes
113:Anand Modak
104:Madhu Sinha
82:John Irving
80:Rod Gilbert
63:Produced by
55:Shankar Nag
41:Directed by
1759:1979 films
1753:Categories
1332:Rudraveena
759:News Today
595:References
496:Bangarwadi
346:Production
174:is a 1979
51:Written by
1702:Taj Mahal
1487:2001–2020
1252:Saptapadi
1244:1981–2000
1157:Garm Hava
1061:1965–1980
869:(2004) .
424:The book
101:Edited by
35:DVD cover
16:1979 film
1264:Aaroodam
994:6 August
988:Archived
941:9 August
914:6 August
788:Genres.
475:Umbartha
470:Sinhasan
314: :
160:Language
109:Music by
71:Starring
1591:Delhi-6
1205:Grahana
1169:Parinay
1069:Shaheed
770:6 March
695:17 July
657:6 March
626:6 March
462:Outlook
430:Marathi
363:by the
195:at the
176:Marathi
163:Marathi
152:Country
129: (
1737:(2021)
1714:(2020)
1706:(2019)
1696:(2018)
1684:(2017)
1679:Dhappa
1672:(2016)
1660:(2015)
1648:(2014)
1640:(2013)
1628:(2012)
1616:(2011)
1608:(2010)
1596:(2009)
1584:(2008)
1572:(2007)
1560:(2006)
1548:(2005)
1536:(2004)
1524:(2003)
1519:Pinjar
1512:(2002)
1500:(2001)
1477:(2000)
1465:(1999)
1453:(1998)
1441:(1997)
1436:Border
1429:(1996)
1417:(1995)
1412:Bombay
1405:(1994)
1393:(1993)
1388:Sardar
1381:(1992)
1369:(1991)
1357:(1990)
1349:(1989)
1337:(1988)
1325:(1987)
1313:(1986)
1305:(1985)
1293:(1984)
1281:(1983)
1276:Sookha
1269:(1982)
1257:(1981)
1234:(1980)
1222:(1979)
1210:(1978)
1198:(1977)
1190:(1976)
1182:(1975)
1174:(1974)
1162:(1973)
1150:(1972)
1138:(1971)
1126:(1970)
1114:(1969)
1102:(1968)
1090:(1967)
1082:(1966)
1074:(1965)
879:
848:
735:
442:Mumbai
401:Mumbai
384:Rupees
1567:Dharm
1472:Pukar
1448:Zakhm
1400:Mukta
1320:Tamas
822:(PDF)
513:Video
216:Poona
155:India
1376:Roja
1018:IMDb
996:2009
969:2009
943:2009
916:2009
877:ISBN
846:ISBN
802:2009
772:2009
733:ISBN
716:IMDb
697:2009
659:2009
628:2009
392:Pune
390:and
243:Cast
211:Plot
131:1979
127:1979
1495:Bub
1016:at
714:at
498:),
490:),
482:),
388:Wai
1755::
1711:–
986:.
900:.
830:^
780:^
756:.
681:.
667:^
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602:^
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1046:e
1039:t
1032:v
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804:.
774:.
741:.
699:.
661:.
630:.
494:(
486:(
468:(
340:.
333:.
327:.
318:.
293:.
133:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
