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2 Gentlemen in Verona

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he wrote that this recording is "strictly for the hardcore fan of improvised exploration". He said that while it "showcases the improvisational talents" of Cutler and Frith, it is not without "hits and misses". Ashcraft felt that between "sublime moments of melody and emotion", there is "plenty of
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Mike Joyce described the album as a "curious and quixotic excursion into freely improvised music", adding that despite the "odd sounds and surprising tangents", the duo remains on a "common wavelength, anticipating each other's moods and moves with quick speed and wit". Joyce wrote that anyone who
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as a "feral modern classic". He said Frith's "massed sonorities and simple singsong patterns" are accompanied by the "noisy, byzantine complexity" of Cutler's drums that from time to time settle down to "stretchy rock beats and rigid marching patterns".
406:, Glenn Astarita called Cutler and Frith's set in Verona a "fascinating live exhibition" of "multi-textured pastiches ... abstract rhythms, otherworldly effects and mind-bending dialogue". Astarita rated the album "Highly recommended". 1641: 400:, Thom Jurek described Cutler and Frith's performance as "a joyously brash and boisterous cacophony", and labelled the album "one of the greatest live duet improv recordings ever". Writing in 2204: 1793: 1545: 2079: 1649: 159: 909: 1486: 751:
The following acts and scenes in the play were not used for the album's track names: Act 2, Scene V and VII, Act 3, Scene II, and Act 4, Scenes II–IV.
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has followed the career of Cutler and Frith will welcome this recording, but warned that the uninitiated may find it "unendurably indulgent".
829: 1070: 937: 1685: 1369: 2199: 1709: 2219: 1376: 1458: 1362: 1256: 2214: 1533: 1479: 1465: 1436: 488:"Act 1, Scene II: Enter Julia and Lucetta – And Yet Methinks I Do Not Like This Tune (The Mean Is Drowned By Your Unruly Bass)" 2071: 1561: 1390: 1344: 1337: 1221: 2015: 1158: 1153: 1105: 995: 1585: 1422: 1330: 1242: 1235: 286: 226: 20: 1026: 1934: 1809: 1214: 2194: 1761: 1717: 1657: 1302: 1168: 1729: 1063: 880: 543:"Act 2, Scene IV: Enter Valentine, Silvia, Thurio and Speed – We Have Conversed, and Spent Our Hours Together" 1538: 1295: 1228: 1889: 1878: 1605: 2173: 1927: 1833: 1323: 863: 255: 2114: 2095: 1856: 1773: 1753: 1429: 1309: 1277: 1112: 804: 717: 177: 859: 2155: 1908: 1838: 1629: 1056: 964: 914: 885: 425: 411: 281: 274: 134: 2149: 1316: 598:"Act 5, Scene II: Enter Thurio, Proteus and Julia – But Well, When I Discourse of Love and Peace" 532:"Act 2, Scene III: Enter Launce (With His Dog Crab) – As Light as a Lilly and as Small as a Wand" 258: 106: 102: 2052: 2030: 1825: 1697: 1665: 1622: 1190: 890: 208: 19:
This article is about the album by Chris Cutler and Fred Frith. For the Shakespeare play, see
565:"Act 3, Scene I: Enter Duke, Thurio and Proteus – Fostered, Illumin'd. Cherish'd, Kept Alive" 1493: 1270: 1263: 510:"Act 2, Scene I: Enter Valentine and Speed – And Yet, I Was Last Chidden For Being Too Slow" 1983: 1741: 1734: 1690: 1670: 1185: 1133: 1598: 776: 2123: 2119: 2037:
Years given below are for the recording(s), not first release, unless stated otherwise.
1814: 1766: 1722: 1634: 1404: 1249: 834: 402: 318: 800: 554:"Act 2, Scene VI: Enter Proteus Solus – This Night He Meaneth With a Coded Ladder ..." 2188: 2005: 1786: 1511: 1397: 1163: 1148: 2131: 2127: 2010: 1950: 1883: 1818: 1566: 1550: 1207: 1180: 1173: 1119: 972: 703: 669: 447: 262: 142: 129: 50: 772: 499:"Act 1, Scene III: Enter Antonio and Panthino – This Month I Have Been Hammering" 1781: 1746: 1593: 1578: 1573: 1554: 728: 683: 653: 587:"Act 5, Scene I: Enter Eglamour – Fear Not, the Forest Is Not Three Leagues Off" 576:"Act 4, Scene I: Enter Certain Outlaws – Fellows, Stand Fast: I See a Passenger" 97: 1029:. New York Downtown Scene and Other Miscellaneous Discographies. Archived from 620:"Act 5, Scene IV: Enter Valentine – Forgive Them What They Have Committed Here" 477:"Act 1, Scene I: Enter Valentine and Proteus – Gavest Thou My Letter to Julia?" 2025: 1801: 1702: 1383: 1126: 1079: 976: 675: 451: 266: 251: 195: 146: 54: 894: 1997: 1969: 1962: 1610: 1140: 1098: 1091: 1030: 1990: 1976: 1472: 707: 397: 355: 521:"Act 2, Scene II: Enter Proteus and Julia – Have Patience, Gentle Julia" 1617: 999: 732: 687: 657: 290:, and the track names were taken from the play's act and scene titles. 609:"Act 5, Scene III: Enter Silvia and Outlaws – Come, Come, Be Patient" 270: 89: 277:
in April 2000. It was Frith and Cutler's third collaborative album.
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at Wolf Studios, London, and Studio Midi-Pyrénées, La Borde Basse,
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David Ashcraft was more critical of the album. In a review in
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Ramond, Michel; Roussel, Patrice; Vuilleumier, Stephane.
938:"Chris Cutler & Fred Frith – 2 Gentlemen in Verona" 910:"Chris Cutler and Fred Frith: '2 Gentlemen in Verona'" 830:"Chris Cutler & Fred Frith: 2 Gentlemen In Verona" 160:
Live in Trondheim, Berlin & Limoges, Vol. 2
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Concert recorded and photographed by Sergio Amadori
468: 460: 194: 141: 128: 112: 96: 84: 76: 61: 44: 30: 773:"Chris Cutler/Fred Frith: Two Gentlemen in Verona" 2080:Live in Trondheim, Berlin & Limoges, Vol. 2 1650:Live in Trondheim, Berlin & Limoges, Vol. 2 713:Engineered by Dominique Brethes at Wolf Studios 360: 324: 1935: 1064: 795: 793: 8: 2205:Experimental music albums by English artists 1020: 1018: 1016: 959: 957: 955: 723:CD cover and booklet design by Gregg Skerman 1942: 1928: 1920: 1845: 1689:(with Lesli Dalaba, Eric Glick Rieman and 1500: 1284: 1071: 1057: 1049: 990: 988: 986: 823: 821: 297: 36: 27: 1829:(with Nicolas Humbert and Marc Parisotto) 273:, Italy on 16 April 1999 and released by 457: 874: 872: 854: 852: 764: 744: 438:meandering and some dissonant sounds". 2021:Les 4 Guitaristes de l'Apocalypso-Bar 1487:All Is Always Now – Live at The Stone 303: 7: 678:– electrified guitars, voice, jetsam 16:Album by Fred Frith and Chris Cutler 1686:Dalaba Frith Glick Rieman Kihlstedt 672:– drums, electrified drums, flotsam 362: 326: 2156:Recommended Records / RēR Megacorp 1710:50th Birthday Celebration Volume 5 14: 828:Astarita, Glenn (1 August 2000). 280:The album title was derived from 2169: 2168: 1904: 1903: 381: 376: 371: 366: 361: 345: 340: 335: 330: 325: 2225:Recommended Records live albums 1466:Stone, Brick, Glass, Wood, Wire 936:Ashcraft, David (1 July 2001). 2210:Live free improvisation albums 1645:(with François-Michel Pesenti) 461: 1: 2072:Live in Prague and Washington 1562:Live in Prague and Washington 1338:Field Days (The Amanda Loops) 866:. Retrieved 12 November 2017. 1159:French Frith Kaiser Thompson 908:Joyce, Mike (6 April 2001). 889:. No. 290. p. 46. 879:Clark, Philip (April 2008). 1331:Nowhere, Sideshow, Thin Air 1027:"Discography of Fred Frith" 287:The Two Gentlemen of Verona 21:The Two Gentlemen of Verona 2241: 1810:Angels on the Edge of Time 1721:(with Carla Kihlstedt and 735:, Fred Frith discography. 690:, Fred Frith discography. 660:, Fred Frith discography. 18: 2200:2000 collaborative albums 2164: 1957: 1899: 1718:The Compass, Log and Lead 1169:Fred Frith Guitar Quartet 1086: 801:"Two Gentlemen of Verona" 638: 627: 616: 605: 594: 583: 572: 561: 550: 539: 528: 517: 506: 495: 484: 473: 465: 415:, Philip Clark described 311: 308: 239: 202: 190: 153: 35: 2220:Chris Cutler live albums 1730:Duo (Victoriaville) 2005 1609:(with Bob Ostertag and 1534:With Friends Like These 1296:The Technology of Tears 1229:Cheap at Half the Price 881:"The Primer: Henry Cow" 720:at Studio Midi-Pyrénées 702:Edited and mastered by 409:Reviewing the album in 2215:Fred Frith live albums 1890:Step Across the Border 1879:Fred Frith discography 1370:Step Across the Border 65:4 April 2000 2088:2 Gentlemen in Verona 1857:Friends & Enemies 1834:Laying Demons to Rest 1678:2 Gentlemen in Verona 1324:The Happy End Problem 969:2 Gentlemen in Verona 860:2 Gentlemen in Verona 417:2 Gentlemen in Verona 394:2 Gentlemen in Verona 247:2 Gentlemen in Verona 218:2 Gentlemen in Verona 169:2 Gentlemen in Verona 31:2 Gentlemen in Verona 2115:The Last Nightingale 2096:The Stone: Issue Two 1817:, Gianni Gebbia and 1797:(with ARTE Quartett) 1774:The Art of Memory II 1754:The Stone: Issue Two 1430:Freedom in Fragments 1377:Middle of the Moment 1310:The Previous Evening 1278:Guitar Solos / Fifty 299:Professional ratings 178:The Stone: Issue Two 1839:Susana Santos Silva 1757:(with Chris Cutler) 1681:(with Chris Cutler) 1653:(with Chris Cutler) 1630:Live Improvisations 1589:(with Henry Kaiser) 1363:The Top of His Head 965:Recommended Records 915:The Washington Post 426:The Washington Post 300: 275:Recommended Records 2150:File Under Popular 1586:Who Needs Enemies? 971:(CD liner notes). 298: 269:. It was recorded 259:experimental music 107:free improvisation 103:Experimental music 2182: 2181: 2083:(1979 & 1991) 2053:Three Suite Piece 2031:The Science Group 1917: 1916: 1867: 1866: 1860:with Henry Kaiser 1826:Cut Up the Border 1762:The Sugar Factory 1698:What Leave Behind 1666:Traffic Continues 1658:The Art of Memory 1623:Ferdinand Richard 1521: 1520: 1446: 1445: 858:Jurek, Thom. 694:Sound and artwork 649: 648: 390: 389: 243: 242: 235: 234: 209:Traffic Continues 186: 185: 2232: 2195:2000 live albums 2172: 2171: 2142:Related articles 1944: 1937: 1930: 1921: 1907: 1906: 1846: 1805:(with John Zorn) 1777:(with John Zorn) 1713:(with John Zorn) 1661:(with John Zorn) 1546:Voice of America 1501: 1391:Rivers and Tides 1285: 1271:Clearing Customs 1264:To Sail, to Sail 1073: 1066: 1059: 1050: 1043: 1042: 1040: 1038: 1022: 1011: 1010: 1008: 1006: 992: 981: 980: 961: 950: 949: 947: 945: 933: 927: 926: 924: 922: 905: 899: 898: 876: 867: 856: 847: 846: 844: 842: 825: 816: 815: 813: 811: 797: 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1547: 1543: 1540: 1536: 1535: 1531: 1530: 1528: 1524: 1514: 1513: 1509: 1508: 1506: 1504:Composer only 1502: 1496: 1495: 1491: 1489: 1488: 1484: 1482: 1481: 1477: 1475: 1474: 1470: 1468: 1467: 1463: 1461: 1460: 1459:Live in Japan 1456: 1455: 1453: 1449: 1439: 1438: 1434: 1432: 1431: 1427: 1425: 1424: 1420: 1419: 1417: 1415:Composer only 1413: 1407: 1406: 1402: 1400: 1399: 1398:Eye to Ear II 1395: 1393: 1392: 1388: 1386: 1385: 1381: 1379: 1378: 1374: 1372: 1371: 1367: 1365: 1364: 1360: 1359: 1357: 1353: 1347: 1346: 1342: 1340: 1339: 1335: 1333: 1332: 1328: 1326: 1325: 1321: 1319: 1318: 1314: 1312: 1311: 1307: 1305: 1304: 1300: 1298: 1297: 1293: 1292: 1290: 1286: 1280: 1279: 1275: 1273: 1272: 1268: 1266: 1265: 1261: 1259: 1258: 1257:Eleventh Hour 1254: 1252: 1251: 1247: 1245: 1244: 1240: 1238: 1237: 1233: 1231: 1230: 1226: 1224: 1223: 1219: 1217: 1216: 1212: 1210: 1209: 1205: 1204: 1202: 1200:Studio albums 1198: 1192: 1189: 1187: 1184: 1182: 1179: 1178: 1175: 1172: 1170: 1167: 1165: 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1551:Bob Ostertag 1544: 1539:Henry Kaiser 1532: 1510: 1492: 1485: 1480:Storytelling 1478: 1471: 1464: 1457: 1437:Back to Life 1435: 1428: 1421: 1403: 1396: 1389: 1382: 1375: 1368: 1361: 1343: 1336: 1329: 1322: 1315: 1308: 1301: 1294: 1276: 1269: 1262: 1255: 1248: 1241: 1234: 1227: 1220: 1213: 1208:Guitar Solos 1206: 1181:Aksak Maboul 1174:Maybe Monday 1139: 1132: 1125: 1120:Keep the Dog 1118: 1111: 1104: 1097: 1090: 1035:. 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Index

The Two Gentlemen of Verona
Two drawn, silhouetted male figures in suits walking over a painting of a city street. The artist's and album's names are written in a red space below which one of the figures is stepping onto.
Live album
Chris Cutler
Fred Frith
Verona
Genre
Experimental music
free improvisation
Label
Recommended
Chris Cutler
Fred Frith
Live in Trondheim, Berlin & Limoges, Vol. 2
The Stone: Issue Two
Fred Frith
Traffic Continues
Clearing
live album
improvised
experimental music
Chris Cutler
Fred Frith
Verona
Recommended Records
Shakespeare
The Two Gentlemen of Verona
All About Jazz
AllMusic
AllMusic

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