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Structurally, the work is assembled by placing a number of self-contained 'blocks' of music against one another in the manner of
Stravinsky. The blocks are marked primarily by
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318:, not failing to incorporate its howling police car sirens. Varèse used the sirens for structural importance, as representations of a continuum
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The work is in one movement which lasts around 23 minutes, with full orchestral involvement almost throughout. Although it opens quietly, with "
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The instrument identified as a "Low rattle" is translated from the French "Crécelle". A clearer rendition would be "
307:
with melody and rhythm being much more malleable. This remained common practice for Varèse throughout his career.
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The siren is specified to be "deep and very powerful with a brake for instant stopping, affixed to a solid base".
198:. Written between 1918 and 1921 and revised in 1927, it was the first work Varèse composed after he moved to the
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but on a much larger scale. The work is marked by its fiercely dissonant chords and rhythmically complex
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The low rattle, triangle, sleigh bells, whip, gong, and bass drum 2 are shared by more than 1 player.
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202:. Although it was not his first work, he destroyed many of his earlier pieces, effectively making
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230:. The revised version was premiered on 30 May 1929 by the Orchestre des Concerts Poulet under
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to symbolize "discoveries – new worlds on earth, in the sky, or in the minds of men."
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Varèse and the Music of Fire | Rudhyar
Archival Project | Musical Works and Writings
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Bass drum 1, Bass drum 2 with wirebrush, Crash cymbal attached to bass drum 1, Gong
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for percussion and winds. It develops in continuous evolution with recurring short
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274:-like musing", it quickly builds in dynamic power and is punctuated by massive
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is scored for the following very large orchestra with additional percussion:
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The revised version of 1927 reduced the instrumentation to the following:
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Crow call, Sleigh bells, Lion's roar, Wind machine, Triangle, Slapsticks
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has focused on its elemental power, and its vivid representation of
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Edgard Varèse: Ameriques (Score), Colfranc, New York 1973, ed.
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The number of players is not specified in the revised version.
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showpiece in the orchestral repertoire, with recordings by
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at the Maison Gaveau. It was first recorded in 1966 by the
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A 30-second sample from the original (1921) version of
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242:. In recent years, it has emerged as a popular
210:one (although he never used that designation).
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278:which are similar in style to those found in
8:
896:2 (head extremely tightened), Triangle, Gong
296:, which are juxtaposed without development.
595:Slapsticks, Lion's roar, Sleigh bells, Whip
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1151:
1143:
48:
29:
1139:International Music Score Library Project
601:Sleigh bells, Slapsticks, Gong, Triangle
598:Whip, Triangle, Slapsticks, Wind machine
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27:Orchestral composition by Edgard Varèse
857:, Low rattle affixed to a solid base,
222:was premiered on 9 April 1926 by the
7:
1105:Cambridge Companion to the Orchestra
1037:Composer Biography - Varese, Edgard
917:(both suspended and crash cymbals)
194:(for eleven performers) including
25:
134:
1394:
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713:(doubling Flute 3 and Piccolo 3)
182:is an orchestral composition by
1368:International Composers' Guild
1001:, not a Javanese or fire-gong.
1:
1418:Compositions by Edgard Varèse
555:, Gong, Triangle, Lion's roar
324:twelve-tone equal temperament
326:. Varèse intended the title
622:3 Trombones (2 Tenor, Bass)
186:, scored for a very large,
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190:orchestra with additional
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171:
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47:
39:
1108:(2003) ed. Lawson, p. 63
1082:Magazine, September 2001
1042:October 8, 2007, at the
558:2 Bass drums, Slapsticks
343:The original version of
218:The original version of
1358:French electronic music
236:Utah Symphony Orchestra
95:April 9, 1926
1363:Indeterminacy in music
499:13 Percussion Players:
252:Christoph von Dohnanyi
224:Philadelphia Orchestra
145:
121:Philadelphia Orchestra
1337:Karlheinz Stockhausen
1188:Un grand sommeil noir
840:9 Percussion Players:
144:
54:Edgard Varèse in 1915
1327:Krzysztof Penderecki
905:, Sleigh bells, Gong
63:1918–1921, rev. 1927
1332:William Grant Still
806:Contrabass trombone
424:Contrabass clarinet
1289:Poème électronique
613:4 Trumpets (2 in E
285:The Rite of Spring
146:
1405:
1404:
1268:Étude pour espace
972:
971:
674:
673:
240:Maurice Abravanel
228:Leopold Stokowski
175:
174:
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111:Leopold Stokowski
16:(Redirected from
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1378:Musique concrète
1373:Music technology
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1137:: Scores at the
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475:Contrabass tubas
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262:, among others.
256:Riccardo Chailly
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71:About 23 minutes
52:
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816:Contrabass tuba
796:Tenor trombones
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678:Revised version
675:
661:(10) (with low
643:I, II (16 each)
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464:Tenor trombones
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334:Instrumentation
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1174:Edgard Varèse
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1055:Gaston Poulet
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957:Double basses
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801:Bass trombone
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755:Bass clarinet
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733:Clarinet in E
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469:Bass trombone
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419:Bass clarinet
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397:Clarinet in E
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316:New York City
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248:Pierre Boulez
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232:Gaston Poulet
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200:United States
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184:Edgard Varèse
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42:Edgard Varèse
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1261:
1255:Density 21.5
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1187:
1181:Compositions
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1131:
1113:
1103:
1098:
1087:
1079:
1075:
1061:
1050:
1032:
1023:
1022:
1012:
989:
980:
979:
966:
961:C extensions
952:Violoncellos
864:Glockenspiel
859:Sleigh bells
839:
723:English horn
681:
668:
663:C extensions
653:Violoncellos
577:Wind machine
523:Glockenspiel
518:Sleigh bells
498:
387:English horn
344:
342:
327:
311:
309:
298:
283:
269:
219:
217:
214:Performances
203:
178:
177:
176:
150:
131:Audio sample
33:
1292:(1957–1958)
1284:(1950–1954)
1244:(1929–1931)
1236:(1925–1927)
1228:(1924–1925)
1212:(1922–1923)
1198:(1918–1921)
868:Lion's roar
834:(2 players)
728:Heckelphone
529:, Ratchet,
527:Lion's roar
493:(2 players)
392:Heckelphone
290:polyphonies
1383:Sound mass
1248:Ecuatorial
1241:Ionisation
1225:Intégrales
1209:Hyperprism
1202:Offrandes
1102:Quoted in
1080:Gramophone
976:References
959:(with low
921:Snare Drum
877:Tambourine
825:Percussion
711:Alto flute
606:"Interior
588:Snare drum
553:Slapsticks
549:Bass drums
536:Tambourine
484:Percussion
376:Alto flute
280:Stravinsky
276:crescendos
192:percussion
117:Performers
99:1926-04-09
1322:John Cage
1297:Nocturnal
1262:Tuning Up
1195:Amériques
1134:Amériques
1024:Citations
903:Castanets
894:Bass drum
847:Xylophone
811:Bass tuba
744:Clarinets
692:Woodwinds
619:, 2 in D)
562:Castanets
506:Xylophone
408:Clarinets
357:Woodwinds
345:Amériques
328:Amériques
312:Amériques
244:modernist
220:Amériques
204:Amériques
179:Amériques
151:Amériques
107:Conductor
81:orchestra
34:Amériques
18:Ameriques
1412:Category
1399:Category
1217:Octandre
1067:"Roster"
1040:Archived
855:Triangle
789:Trumpets
761:Bassoons
749:♭
736:♭
700:Piccolos
616:♭
510:Triangle
458:Trumpets
430:Bassoons
413:♭
400:♭
365:Piccolos
339:Original
188:romantic
87:Premiere
68:Duration
60:Composed
1351:Related
1281:Déserts
1005:Ratchet
999:tam-tam
941:Violins
928:Strings
915:Cymbals
890:Celesta
832:Timpani
641:Violins
628:Strings
608:Fanfare
582:Cymbals
573:whistle
571:, Boat
545:Celesta
514:Ratchet
491:Timpani
322:beyond
301:texture
272:Debussy
97: (
76:Scoring
1300:(1961)
1276:(1949)
1270:(1947)
1264:(1946)
1258:(1936)
1250:(1936)
1233:Arcana
1220:(1923)
1204:(1921)
1190:(1906)
967:
947:Violas
851:Chimes
706:Flutes
669:
647:Violas
584:, Gong
371:Flutes
305:timbre
294:motifs
226:under
196:sirens
79:Large
1274:Dance
981:Notes
943:I, II
934:Harps
909:Siren
782:Horns
774:Brass
718:Oboes
634:Harps
569:Siren
451:Horns
443:Brass
382:Oboes
320:pitch
266:Music
885:Whip
881:Gong
872:Whip
791:in C
784:in F
746:in B
655:(10)
649:(14)
547:, 2
540:Gong
531:Whip
453:in F
410:in B
303:and
258:and
238:and
208:opus
206:his
163:help
158:file
92:Date
282:'s
40:by
1414::
1007:".
932:2
892:,
883:,
879:,
866:,
853:,
849:,
794:3
787:6
780:8
765:2
759:3
742:3
716:3
704:2
698:2
632:2
575:,
551:,
538:,
525:,
516:,
512:,
508:,
473:2
462:4
456:6
449:8
434:2
428:4
406:4
380:4
369:4
363:3
254:,
250:,
1166:e
1159:t
1152:v
1069:.
963:)
665:)
610:"
101:)
20:)
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