Knowledge (XXG)

Baghdaddy

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Martin are on the way to speak with Curveball face-to-face in Germany, their car is ambushed and Jerry is shot and killed. Martin, Berry, and Richart realize Curveball's plan to memorize Martin's compendium and present it as fact ("Speak to Me Tomorrow"). The show ends where it began, with the support group members reciting the pledge ("The Pledge Reprise"). Martin walks into the meeting late, and when asked if he blames himself for these events, the lights dim.
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Reports Reprise"). Berry, impatient with Nelson's system, goes behind his back and shares the case with the State Department. In an effort to stop the case from going off the rails, Nelson pleads to the Second-In-Command to shut it down ("The Second In Command"). When he is rejected, Nelson threatens to leak the inconsistencies of the case to the press, but hesitantly agrees to keep silent when offered the position of Second-In-Command.
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Another Reprise"). As the operatives celebrate their success, Richart begins to have doubts about how honest Curveball's story ("Hydrangea Supplemental Report"). Jerry reevaluates what Berry means to him ("Music to Me"). Curveball and Richart have a night out in Berlin ("Who's Your Baghdaddy"), while the CIA agents receive word of a plane highjacking.
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approve ("Rules"). He directs them to Martin, who, although wary of Nelson's involvement, joins the group in hopes of gaining credit for his compendium ("Berry's Dilemma"). Over the next month, Curveball slowly reveals his history with the mobile germ weapons, all of which line up with Martin's theories ("Hydrangea Reports").
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Several weeks later, an Iraqi man shows up at a Germany customs booth claiming to have important information for the CIA ("Stay Preprise"). At the BND, Richart begins another day as a Junior detective ("Das Man"), but gets assigned to interrogate the informant, codenamed Curveball, as he is the only
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At the CIA headquarters, outcast analysts Berry and Jerry lament being overlooked in their field. They receive a fax from Richart with Curveball's information ("Berry and the Bad Boy"). Thrilled at the opportunity for action, they bring the case to Nelson, but he asks for more proof before he can
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Berry, Jerry, and Martin travel to Iraq to search warehouses for the weapons factory Curveball claimed to have built, but fail to find any weapons. In Germany, Richart searches for Curveball, who has fled the BND and is eventually found in a holding cell ("Martin's Search"). As Berry, Jerry, and
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The people of America are outraged after the events of 9/11, vowing to have revenge on 'all terrorists' ("Change of Tone"). Nelson begins finding holes in Curveball's story and contacts Richart, who, although holding onto hope, is conflicted as the interrogations grow more aggressive ("Hydrangea
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While the team is optimistic, Jerry intentionally flubs a translation of a message from Richart to make Curveball seem like a reliable source. This leads to the CIA confirming the story and taking the case live. Jerry professes he lied to give Berry the big break she's always wanted ("We Deserve
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The show begins in a support group where Berry, Richart, and Nelson introduce themselves and recite the pledge ("The Pledge"). Martin walks into the meeting late, and after introducing himself, flashes back to the summer of 2001. A recently demoted Martin tries to convince Nelson to publish his
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In 2020, Curveball Creative produced a first of live musical theatre during the COVID-19 pandemic by isolating performers in a large house and having them perform to camera. After being performed between 24 and 28 June 2020, it remained available to stream online. The production was critically
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operative that speaks Arabic. Richart interrogates Curveball, who warns him of mobile weapons labs and agrees to tell everything in exchange for asylum ("Stay"). Realizing how important this intel could be on a global scale, Richart contacts the CIA. ("I Deserve a Reprise")
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compendium based on rumors of Saddam Hussein possessing germ weapons ("Marty's Dilemma"). Nelson, noting the lack of proof, tries to dissuade him from publishing the compendium on the internet. Martin publishes it anyway, justifying his actions ("We Deserve Better").
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in New York City. Previews began in April 2017, and the official opening was May 1, 2017. The production features much of the cast from the 2015 Off-Off-Broadway production (Brennan Caldwell, Jason Collins, Bob D'Haene, Brandon Espinoza, Claire Neumann, and
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Near the opening of the show, the cast explains to the audience that some of the characters are loosely based on actual figures, while others are composites of multiple figures. The story hews closely to historical accounts of the period, particularly
691: 861: 732: 484:(50's - 60's) - Used to be a bigwig intelligence guy, now has fallen down several rungs on the ladder. Intelligent, but sometimes shortsighted in his quest to reclaim past glory. Bari-tenor. 891: 921: 29:
is a satirical musical comedy stage play with music and book by Marshall Paillet, lyrics and book by A. D. Penedo, based on an unproduced screenplay by J. T. Allen, and produced by
168:, where it received the "Best Overall Production" award. It was directed by Marshall Pailet and arranged and music directed by Zak Sandler. It then played an extended run at the 683: 1033: 853: 716: 339: 235:
acclaimed and consisted of Neil Gooding directing the eight-person Australian cast, choreographed by Leah Howard and musically directed by Steven Kreamer. Including:
496:(30's) - An Iraqi defector, and the only source on the biological Weapons of Mass Destruction. Enchanting, manipulative, unpredictable with a wild side. Tenor. 318:
The story focuses on the recruitment and eventual disgrace of an Iraqi defector, codenamed "Curveball," and the use and misuse of his testimony by the CIA,
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cryptonym "Curveball." The fictional character "Tyler Nelson" shares a first name and some biographical details with the late, retired CIA official
799: 883: 46: 913: 831: 514:(late 20's) - CIA analyst and super geek. Socially awkward with a strong moral code for the most part. Secretly in love with Berry. Tenor. 1068: 1053: 319: 972: 1063: 169: 1058: 323: 50: 135:, while the character "Martin Bouchard" shares several biographical details with former UN Chief Weapons Inspector and 128: 42: 331: 1073: 490:(20's) - A German junior interrogator. Young, ambitious, not as cool as he thinks. Looking for a friend. Tenor. 195:
The production was critically acclaimed, with positive reviews from publications including Broadway World, the
161: 30: 684:"How the Creators of Baghdaddy Turned the Crazy True-Life Story of the Iraq War Instigators Into a Musical" 502:(40's) - CIA operative, bureaucrat and consummate company man. Doesn't like to ruffle feathers. Bari-tenor. 1048: 950: 791: 203:"An important, cunning, rock-solid musical comedy with a terrible title," and named it a Critic's Pick. 124: 34: 334:. This intelligence, which is later discovered to have been fabricated, was used by Secretary of State 212: 188: 82: 68: 308: 823: 73: 508:(late 20's) - CIA analyst. Smart, abrasive, with minimal people skills. Mezzo-Soprano with belt. 717:"Review: 'Who's Your Baghdaddy?', on the Difference Between Credible and Reliable Intelligence" 724: 136: 92: 330:, as in reality, Curveball provides Western intelligence agencies with false intelligence on 196: 165: 132: 64: 996: 445:"Who's Your Baghdaddy" - Richart, Curveball, Music Video Girls, Male Voice, & Ensemble 774: 602: 343: 217: 1042: 755: 38: 71:
in 2015. The production was critically acclaimed, and was dubbed a Critic's Pick by
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The character "Curveball" is based on an actual Iraqi defector and BND informant,
854:"BWW Review: WHO'S YOUR BAGHDADDY? is Exceptionally Executed Intellectual Comedy" 304: 113: 105: 776:
The Greatest Story Ever Sold: The Decline and Fall of Truth in Bush's America
728: 409:"We Deserve Better" - Bouchard, Richart, Berry, Jerry, Nelson, & Ensemble 315:. The cast includes CIA operatives, an Iraqi informant, and a BND operative. 118:
The Greatest Story Ever Sold: The Decline and Fall of Truth in Bush's America
824:"Capital Fringe Review: Who's Your Baghdaddy? or How I Started the Iraq War" 452:"Change of Tone" - Company, Dramatic News Reporter, Bouchard, & Ensemble 140: 467:"The Pledge Reprise" - Nelson, Richart, Berry, & Support Group Members 312: 91:, was produced in Australia in 2020 and streamed live online during the 914:"Theater Review: WHO'S YOUR BAGHDADDY? OR HOW I STARTED THE IRAQ WAR" 436:"We Deserve Another Reprise" - Bouchard, Richart, Berry, & Jerry 973:"Australian Production of Who's Your Baghdaddy Available to Stream" 458:"The Second In Command" - Nelson, Second In Command, & Servants 997:"Who's Your Baghdaddy Musical AU | Curveball Creative | Australia" 884:"Who's Your Baghdaddy - New Musical Pokes Serious Fun at Iraq War" 54: 1023: 942: 1028: 424:"Berry and the Bad Boy" - Berry, Jerry, Ensemble & Richart 33:. The musical is based on historical events leading up to the 757:
Curveball: Spies, Lies, and the Con Man Who Caused a War
433:"Hydrangea Reports" - Curveball, Richart, & Ensemble 110:
Curveball: Spies, Lies, and the Con Man Who Caused a War
421:"I Deserve a Reprise" - Richart & Herr Gimmlevogut 455:"Hydrangea Reports Reprise" - Richart & Curveball 403:"The Pledge" - Nelson, Richart, Berry, & Company 89:
Who's Your Baghdaddy, or How I Started the Iraq War
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Who's Your Baghdaddy, or How I Started the Iraq War
773: 754: 199:, and Manhattan Digest. The New York Times dubbed 342:to justify the invasion of Iraq and overthrow of 211:In 2017, a production opened Off-Broadway at the 943:"BAGHDADDY - A Musical Support Group - Join Us!" 311:-style support group for people who started the 229:Australian Premiere - LIVE streamed production 8: 406:"Marty's Dilemma" - Bouchard & Ensemble 220:), and adds two new actors: Joe Joseph and 49:(German intelligence service) provided the 461:"Martin's Search" - Bouchard & Richart 430:"Berry's Dilemma" - Bouchard & Company 1034:BroadwayWorld video of song "Music to Me" 644:Leader of the Support Group/Male Ensemble 439:"Hydrangea Supplemental Report" - Richart 307:in which the cast and audience attend an 522: 387: 172:. The show was produced under the title 670: 340:2003 speech to the UN Security Council 191:in New York City, also with the title 647: 187:was produced Off-Off-Broadway at the 7: 818: 816: 710: 708: 678: 676: 674: 442:"Music to Me" - Jerry & Ensemble 792:"2011 Capital Fringe - it's a wrap" 573:Nehal Joshi, Pomme Koch (standby) 464:"Speak to Me Tomorrow" - Curveball 53:with a justification for invading 14: 415:"Das Man" - Richart & Backups 332:Iraqi mobile weapons laboratories 953:from the original on 2017-04-28 924:from the original on 2017-04-28 894:from the original on 2017-04-28 864:from the original on 2016-01-05 834:from the original on 2013-12-06 802:from the original on 2017-04-28 735:from the original on 2017-01-07 694:from the original on 2017-04-27 531:Original off-off-Broadway cast 427:"Rules" - Nelson & Backups 1: 303:The musical takes place in a 971:McPhee, Ryan (2020-10-06). 715:Gates, Anita (2015-10-13). 534:Original off-Broadway cast 412:"Stay Preprise" - Curveball 179:Off-Off-Broadway production 129:Defense Intelligence Agency 125:Rafid Ahmed Alwan al-Janabi 1090: 912:Leeds, Ryan (2015-11-10). 77:. A new production opened 1069:Musicals set in the 2000s 1054:American political satire 637: 634: 601: 588: 559: 546: 152:Washington, DC production 41:, and focuses on how the 207:Off-Broadway production 162:Capital Fringe Festival 127:, who was known by the 631:Female Ensemble Member 170:Woolly Mammoth Theatre 1064:Off-Broadway musicals 277:The Rocky Horror Show 193:Who's Your Baghdaddy? 174:Who's Your Baghdaddy? 35:2003 invasion of Iraq 1001:Who's Your Baghdaddy 947:baghdaddymusical.com 772:Rich, Frank (2006). 753:Drogin, Bob (2007). 654:Male Ensemble Member 537:Australian premiere 1059:Iraq War in fiction 524: 389: 324:Bush administration 51:Bush administration 1029:St. Luke's Theatre 721:The New York Times 638:Katrina Retallick 523: 418:"Stay" - Curveball 388: 213:St. Luke's Theatre 99:Historical context 83:St. Luke's Theatre 74:The New York Times 69:The Actors' Temple 858:BroadwayWorld.com 662: 661: 648:Brandon Espinoza 560:Brennan Caldwell 473: 472: 281:Katrina Retallick 241:Shrek The Musical 160:premiered at the 137:Iraq Survey Group 93:COVID-19 pandemic 1081: 1011: 1010: 1008: 1007: 993: 987: 986: 984: 983: 968: 962: 961: 959: 958: 939: 933: 932: 930: 929: 918:Manhattan Digest 909: 903: 902: 900: 899: 879: 873: 872: 870: 869: 849: 843: 842: 840: 839: 820: 811: 810: 808: 807: 796:DC Theatre Scene 788: 782: 781: 780:. 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Random House. 752: 751: 747: 738: 736: 714: 713: 706: 697: 695: 682: 681: 672: 667: 658:Blake Erickson 635:Claire Neumann 543:Martin Bouchard 521: 482:Martin Bouchard 478: 386: 373: 352: 305:narrative frame 301: 230: 209: 181: 154: 149: 101: 12: 11: 5: 1087: 1085: 1077: 1076: 1071: 1066: 1061: 1056: 1051: 1041: 1040: 1037: 1036: 1031: 1026: 1019: 1018:External links 1016: 1013: 1012: 988: 963: 934: 904: 874: 844: 812: 798:. 2011-07-25. 783: 764: 745: 704: 669: 668: 666: 663: 660: 659: 656: 650: 649: 646: 640: 639: 636: 633: 627: 626: 623: 618: 617:Olli Haaskivi 615: 609: 608: 605: 603:Larisa Oleynik 600: 594: 593: 590: 589:Jason Collins 587: 581: 580: 577: 574: 571: 565: 564: 561: 558: 556:Richart Becker 552: 551: 548: 545: 539: 538: 535: 532: 529: 520: 517: 516: 515: 509: 503: 497: 491: 488:Richart Becker 485: 477: 474: 471: 470: 469: 468: 465: 462: 459: 456: 453: 448: 447: 446: 443: 440: 437: 434: 431: 428: 425: 422: 419: 416: 413: 410: 407: 404: 398: 397: 394: 385: 382: 372: 369: 351: 348: 344:Saddam Hussein 300: 297: 285:Come From Away 265:Matthew Predny 249:Come From Away 237:Blake Erickson 228: 218:Larisa Oleynik 208: 205: 189:Actors' Temple 180: 177: 166:Washington, DC 153: 150: 148: 145: 100: 97: 13: 10: 9: 6: 4: 3: 2: 1086: 1075: 1072: 1070: 1067: 1065: 1062: 1060: 1057: 1055: 1052: 1050: 1049:2017 musicals 1047: 1046: 1044: 1035: 1032: 1030: 1027: 1025: 1024:Official site 1022: 1021: 1017: 1002: 998: 992: 989: 978: 974: 967: 964: 952: 948: 944: 938: 935: 923: 919: 915: 908: 905: 893: 889: 885: 882:Byrd, David. 878: 875: 863: 859: 855: 848: 845: 833: 829: 825: 819: 817: 813: 801: 797: 793: 787: 784: 778: 777: 768: 765: 759: 758: 749: 746: 734: 730: 726: 722: 718: 711: 709: 705: 693: 689: 685: 679: 677: 675: 671: 664: 657: 655: 652: 651: 645: 642: 641: 632: 629: 628: 624: 622: 619: 616: 614: 611: 610: 607:Laura Murphy 606: 604: 599: 598:Berry Stanton 596: 595: 592:Phillip Lowe 591: 586: 583: 582: 579:Troy Sussman 578: 575: 572: 570: 567: 566: 562: 557: 554: 553: 550:Doug Hansell 549: 544: 541: 540: 536: 533: 530: 527: 526: 518: 513: 510: 507: 506:Berry Stanton 504: 501: 498: 495: 492: 489: 486: 483: 480: 479: 475: 466: 463: 460: 457: 454: 451: 450: 449: 444: 441: 438: 435: 432: 429: 426: 423: 420: 417: 414: 411: 408: 405: 402: 401: 400: 399: 395: 392: 391: 383: 381: 377: 370: 368: 364: 360: 356: 349: 347: 345: 341: 337: 333: 329: 325: 321: 316: 314: 310: 306: 298: 296: 294: 290: 286: 282: 278: 274: 270: 266: 262: 258: 255:(Mamma Mia), 254: 250: 246: 242: 238: 232: 231: 225: 223: 219: 214: 206: 204: 202: 198: 194: 190: 186: 178: 176: 175: 171: 167: 163: 159: 151: 146: 144: 142: 138: 134: 130: 126: 121: 119: 115: 111: 107: 98: 96: 94: 90: 86: 84: 80: 76: 75: 70: 66: 63:was produced 62: 58: 56: 52: 48: 44: 40: 39:United States 36: 32: 28: 26: 21: 19: 1004:. 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Retrieved 687: 653: 643: 630: 625:Adam Rennie 621:Ethan Slater 613:Jerry Samuel 612: 597: 585:Tyler Nelson 584: 568: 563:Matt Predny 555: 547:Bob D'Haene 542: 512:Jerry Samuel 511: 505: 500:Tyler Nelson 499: 493: 487: 481: 378: 374: 365: 361: 357: 353: 336:Colin Powell 327: 317: 302: 292: 289:Troy Sussman 288: 284: 280: 276: 272: 268: 264: 260: 257:Laura Murphy 256: 253:Phillip Lowe 252: 248: 245:Doug Hansell 244: 240: 236: 233: 227: 226: 222:Ethan Slater 210: 200: 192: 184: 182: 173: 157: 155: 122: 117: 114:Frank Rich's 109: 102: 88: 87: 79:off-Broadway 72: 60: 59: 31:Charlie Fink 24: 23: 17: 16: 15: 576:Joe Joseph 273:Adam Rennie 269:Kinky Boots 147:Productions 112:(2007) and 22:now titled 1043:Categories 1006:2020-10-08 982:2020-10-08 957:2017-04-27 928:2017-04-27 898:2017-04-27 868:2017-04-27 838:2017-04-27 806:2017-04-27 739:2017-04-27 698:2017-04-27 665:References 528:Character 476:Characters 106:Bob Drogin 729:0362-4331 569:Curveball 494:Curveball 328:Baghdaddy 201:Baghdaddy 185:Baghdaddy 183:In 2015, 158:Baghdaddy 156:In 2011, 141:David Kay 61:Baghdaddy 18:Baghdaddy 977:Playbill 951:Archived 922:Archived 892:Archived 862:Archived 832:Archived 800:Archived 733:Archived 692:Archived 688:Playbill 396:Act Two 393:Act One 313:Iraq War 120:(2006). 108:'s book 338:in his 293:Aladdin 287:), and 139:leader 81:at the 37:by the 727:  371:Act II 322:, and 828:DCist 384:Songs 350:Act I 326:. In 116:book 725:ISSN 519:Cast 299:Plot 55:Iraq 45:and 888:VOA 295:). 279:), 271:), 263:), 251:), 243:), 164:in 67:at 47:BND 43:CIA 1045:: 999:. 975:. 949:. 945:. 920:. 916:. 890:. 886:. 860:. 856:. 830:. 826:. 815:^ 794:. 731:. 723:. 719:. 707:^ 690:. 686:. 673:^ 346:. 309:AA 224:. 143:. 95:. 57:. 1009:. 985:. 960:. 931:. 901:. 871:. 841:. 809:. 742:. 701:. 291:( 283:( 275:( 267:( 259:( 247:( 239:( 27:, 20:,

Index

Charlie Fink
2003 invasion of Iraq
United States
CIA
BND
Bush administration
Iraq
off-off-Broadway
The Actors' Temple
The New York Times
off-Broadway
St. Luke's Theatre
COVID-19 pandemic
Bob Drogin
Frank Rich's
Rafid Ahmed Alwan al-Janabi
Defense Intelligence Agency
Tyler Drumheller
Iraq Survey Group
David Kay
Capital Fringe Festival
Washington, DC
Woolly Mammoth Theatre
Actors' Temple
Voice of America
St. Luke's Theatre
Larisa Oleynik
Ethan Slater
narrative frame
AA

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