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1077:, also referred to as the English style of ballet, was established in 1920 by Genee, Karsavina, Bedells, E Espinosa, and Richardson. The goal of this method is to promote academic training in classical ballet throughout Great Britain. This style also spread to the United States, and is widely utilized still today. There are specific grade levels which a student must move through in order to complete training in this method. The key principle behind this method of instruction is that basic ballet technique must be taught at a slow pace, with difficulty progression often much slower than the rest of the methods. The idea behind this is if a student is to put in a large amount of effort into perfecting the basic steps, the technique learned in these steps allow a student to utilize harder ones at a much easier rate.
957:, in the 1980s. His influence revitalized and renewed appreciation for this style, and has drastically shaped ballet as a whole. In fact, the French school is now sometimes referred to as Nureyev school. The French method is often characterized by technical precision, fluidity and gracefulness, and elegant, clean lines. For this style, fast footwork is often utilized in order to give the impression that the performers are drifting lightly across the stage. Two important trademarks of this technique are the specific way in which the port de bras and the Ă©paulement are performed, more rounded than when dancing in a Russian style, but not as rounded as the Danish style.
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1108:. His method draws heavily on his own training as a dancer in Russia. The technique is known for extreme speed throughout routines, emphasis on lines, and deep pliés. Perhaps one of the most well known differences of this style is the unorthodox positioning of the body. Dancers of this style often have flexed hands and even feet, and are placed in off-balance positions. Important ballet studios teaching this method are the
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1017:(1850–1928), this method is one known internationally for its intense reliance of the understanding of anatomy as it relates to classical ballet. The goal of this method is to instill important characteristics for the performance of ballet into students so that they do not need to rely on imitations of teachers. Important components for this method is the emphasis of balance, elevations,
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and other important French ballet masters. This method has many style differences that differentiate it from other ballet methods taught today. A key component is the use of diagonal Ă©paulements, with the upper body turning towards the working foot typically. This method also incorporates very basic
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This method espouses the importance of recognizing that all parts of the body move together to create beautiful, graceful lines, and as such cautions against thinking of ballet in terms of the arms, legs, and neck and torso as separate parts. This method is well known for eight port de bras that are
989:(1934), is a classic reference. This method is marked by the fusion of the classical French style, specifically elements from the Romantic era, with the athleticism of the Italian method, and the soulful passion of Russian ballet. She developed an extremely precise method of instruction in her book
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is a ballet technique and training system that was founded by a diverse group of ballet dancers. They merged their respective dance methods (Italian, French, Danish and
Russian) to create a new style of ballet that is unique to the organization and is recognized internationally as the English style
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During the 20th century, ballet costumes transitioned back to the influence of
Russian ballet. Ballerina skirts became knee-length tutus, later on in order to show off their precise pointe work. Colors used on stage costumes also became much more vibrant. Designers used colors such as red, orange,
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The method emphasizes development of strength, flexibility, and endurance for the proper performance of ballet. She espoused the belief that equal importance should be placed on the arms and legs while performing ballet, as this will bring harmony and greater expression to the body as a whole.
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During the 17th century, different types of fabrics and designs were used to make costumes more spectacular and eye catching. Court dress still remained for women during this century. Silks, satins and fabrics embroidered with real gold and precious stones increased the level of spectacular
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The roots of ballet go back to the
Renaissance in France and Italy when court wear was the beginning of ballet costumes. Ballet costumes have been around since the early 15th century. Cotton and silk were mixed with flax, woven into semitransparent gauze to create exquisite ballet costumes.
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Although preschool-age children are a lucrative source of income for a ballet studio, ballet instruction is generally not appropriate for young children. Initial instruction requires standing still and concentrating on posture, rather than dancing. Because of this, many ballet programs have
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has evolved to include all forms associated with it. Someone training as a ballet dancer will now be expected to perform neoclassical, modern and contemporary work. A ballet dancer is expected to be able to be stately and regal for classical work, free and lyrical in neoclassical work, and
993:(1948). This includes outlining when to teach technical components to students in their ballet careers, for how long to focus on it, and the right amount of focus at each stage of the student's career. These textbooks continue to be extremely important to the instruction of ballet today.
784:. While difficult to parse modern ballet from neoclassicism, the work of these choreographers favored a greater athleticism that departed from the delicacy of ballet. The physicality was more daring, with mood, subject matter and music more intense. An example of this would be Joffrey's
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are thought to be common, and a 2014 meta-analysis suggests that studies do indicate that ballet dancers are at higher risk than the general population for several kinds of eating disorders. In addition, some researchers have noted that intensive training in ballet results in lower
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Most ballet choreography is written so that it can only be performed by a relatively young dancer. The structure of ballet – in which a (usually) male choreographer or director uses (mostly) women's bodies to express his artistic vision, has been criticized as harming women.
404:. Together their partnership would drastically influence the development of ballet, as evidenced by the credit given to them for the creation of the five major positions of the feet. By 1681, the first "ballerinas" took the stage following years of training at the Académie.
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Professional dancers are generally not well paid, and earn less money than a typical worker. As of 2020, American dancers (including ballet and other dance forms) were paid an average of US$ 19 per hour, with pay somewhat better for teachers than for performers.
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because many contemporary ballet concepts come from the ideas and innovations of twentieth-century modern dance, including floor work and turn-in of the legs. The main distinction is that ballet technique is essential to perform a contemporary ballet.
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516:. Later variations, such as contemporary ballet and neoclassical ballet, incorporate both classical ballet and non-traditional technique and movement. Perhaps the most widely known and performed ballet style is late
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in 1661, he helped to create the codified technique still used today by those in the profession, regardless of what method of training they adhere to. The French school was particularly revitalized under
818:, and are usually set to music (typically orchestral but occasionally vocal). It can be difficult to differentiate this form from neoclassical or modern ballet. Contemporary ballet is also close to
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1173:. During this era, skirts were raised a few inches off the ground. Flowers, flounces, ribbons, and lace emphasized this opulent feminine style, as soft pastel tones in citron, peach, pink, and
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unassuming, harsh or pedestrian for modern and contemporary work. In addition, there are several modern varieties of dance that fuse classical ballet technique with contemporary dance, such as
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are paid better than dancers. Musicians and singers are paid better per hour than either dancers or choreographers, about US$ 30 per hour; however, full-time work is unusual for musicians.
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The job outlook is not strong, and the competition to get a job is intense, with the number of applicants vastly exceeding the number of job openings. Most jobs involve teaching in private
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work, the dominance of female dancers, and longer, flowy tutus that attempt to exemplify softness and a delicate aura. This movement occurred during the early to mid-nineteenth century (the
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decoration associated with ballet costumes. Women's costumes also consisted of heavy garments and knee-long skirts which made it difficult for them to create much movement and gesture.
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In the twentieth century, ballet had a wide influence on other dance genres, Also in the twentieth century, ballet took a turn dividing it from classical ballet to the introduction of
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985:. After retiring from dance in 1916, Vaganova turned to teaching at the Leningrad Choreographic School in 1921. Her training method is now internationally recognized and her book,
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for her own company. Both of these pieces were considered innovative for their melding of distinctly modern movements with the use of pointe shoes and classically trained dancers.
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which are used in many other dance genres and cultures. Various schools around the world have incorporated their own cultures. As a result, ballet has evolved in distinct ways.
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Romantic ballet was an artistic movement of classical ballet and several productions remain in the classical repertoire today. The
Romantic era was marked by the emergence of
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arch from 1618 on distanced performers from audience members, who could then better view and appreciate the technical feats of the professional dancers in the productions.
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During the early 19th century, close-fitting body costumes, floral crowns, corsages, and jewels were used. Ideals of
Romanticism were reflected through female movements.
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experience. The plots of many romantic ballets revolved around spirit women (sylphs, wilis, and ghosts) who enslaved the hearts and senses of mortal men. The 1827 ballet
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Ballet costumes play an important role in the ballet community. They are often the only survival of a production, representing a living imaginary picture of the scene.
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historically not accepted students until approximately age 8. Creative movement and non-demanding pre-ballet classes are recommended as alternatives for children.
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Costumes became much tighter as corsets started to come into use, to show off the curves on a ballerina. Jewels and bedazzled costumes became much more popular.
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Stylistic variations and subgenres have evolved over time. Early, classical variations are primarily associated with geographic origin. Examples of this are
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Wewege, Michael A.; Ward, Rachel E. (August 2018). "Bone mineral density in pre-professional female ballet dancers: A systematic review and meta-analysis".
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accompaniment and use elaborate costumes and staging, whereas modern ballets are often performed in simple costumes and without elaborate sets or scenery.
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During the 18th century, stage costumes were still very similar to court wear but progressed over time, mostly due to the French dancer and ballet-master
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885:. Traditionally "classical" companies, such as the Mariinsky (Kirov) Ballet and the Paris Opera Ballet, also regularly perform contemporary works.
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use of arms, pirouettes from a low développé position into seconde, and use of fifth position bras en bas for the beginning and end of movements.
1166:(1760). Noverre's book altered the emphasis in a production away from the costumes towards the physical movements and emotions of the dancers.
573:. Several of the classical ballet styles are associated with specific training methods, typically named after their creators (see below). The
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Ballet started to decline in France after 1830, but it continued to develop in
Denmark, Italy, and Russia. The arrival in Europe of the
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Neoclassical ballet is usually abstract, with no clear plot, costumes or scenery. Music choice can be diverse and will often include
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were mostly noble amateurs. Ornamented costumes were meant to impress viewers, but they restricted performers' freedom of movement.
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In French, the word refers to a ballet performance, a ballet work, and possibly to the dance genre itself, although the expression
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George
Balanchine is considered to have been a pioneer of contemporary ballet. Another early contemporary ballet choreographer,
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also exists for the latter meaning, is less equivocal and is more commonly used when referring to the learning of this dance.
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While
Balanchine is widely considered the face of neoclassical ballet, there were others who made significant contributions.
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2355:"Ballet Training Techniques - The Royal Academy of Dance (RAD) - DANCE VILLAGE - dance portal and online community"
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Anna
Pavlova (prima ballerina). Early materials for ballet costumes were heavy, hindering the dancer's movements.
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There are six widely used, internationally recognized methods to teach or study ballet. These methods are the
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1045:. Bournonville was heavily influenced by the early French ballet method due to his training with his father,
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2014:
Getting
Started in Ballet : A Parent's Guide to Dance Education: A Parent's Guide to Dance Education
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Young girls competing at the Royal Academy of Dancing (London) exams held in Brisbane and Toowoomba, 1938
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358:'s influence as Queen, it spread to France, where it developed even further. The dancers in these early
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The ballets were performed in large chambers with viewers on three sides. The implementation of the
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It is from this institution that French ballet has evolved rather than the Académie Royale de Danse.
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form in France and Russia. It has since become a widespread and highly technical form of dance with
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1258:. Posterior ankle impingement syndrome (PAIS) most commonly affects people who perform repetitive
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308:), "to dance, to jump about". The word came into English usage from the French around 1630.
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772:, also emerged as an offshoot of neoclassicism. Among the innovators in this form were
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2625:"Prevalence of Eating Disorders amongst Dancers: A Systemic Review and Meta-Analysis"
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Today there are many contemporary ballet companies and choreographers. These include
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1162:(1727–1810) whose proposals to modernize ballet are contained in his revolutionary
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The French method is the basis of all ballet training. When Louis XIV created the
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This ballet style is often performed barefoot. Contemporary ballets may include
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A ballet jump performed with modern, non-classical form in a contemporary ballet
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is considered to be the last. Famous ballet dancers of the Romantic era include
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1666:"Ballet And Modern Dance: Using Ballet As The Basis For Other Dance Techniques"
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yellow, etc. to create visual expression when ballet dancers perform on stage.
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788:(1967), which featured a rock score and sexual overtones in the choreography.
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1981:"Parents, you're enrolling your little ones in the wrong kind of dance class"
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929:(American style). Many more schools of technique exist in various countries.
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From Petipa to Balanchine: Classical Revival and the Modernization of Ballet
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765:'s score of the same title, it is a pure-dance interpretation of the score.
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for a ballet production. Ballets are choreographed and performed by trained
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Yasui, Youichi; Hannon, Charles P; Hurley, Eoghan; Kennedy, John G (2016).
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2566:"Posterior ankle impingement syndrome: A systematic four-stage approach"
2330:
Ballet class : An illustrated guide to the official ballet syllabus
538:
234:. Ballet has been influential globally and has defined the foundational
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2943:(1st ed.). Cambridge, UK: Cambridge University Press, Publishers.
734:'s abstract ballets. Balanchine worked with modern dance choreographer
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2768:"Tulle as Tool: Embracing the Conflict of the Ballerina as Powerhouse"
661:. Jules Perrot is also known for his choreography, especially that of
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667:, often considered to be the most widely celebrated romantic ballet.
633:) and featured themes that emphasized intense emotion as a source of
39:
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The Cecchetti method of classical ballet : Theory and technique
897:, that require dancers to be practised in non-Western dance styles.
2827:(2nd ed.). Princeton, NJ: Princeton Book Company, Publishers.
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Ballet In Western Culture: A History of its Origins and Evolution
1700:
Ballet Across Borders: Career and Culture in the World of Dancers
557:. Different styles have emerged in different countries, such as
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1096:
dancing in a segment of "Don Quixote" at New York State Theater
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French court ballet reached its height under the reign of King
2187:
Basic principles of classical ballet; Russian ballet technique
1638:
Ballet 101: A Complete Guide to Learning and Loving the Ballet
1570:"The Art of Power: How Louis XIV Ruled France ... With Ballet"
578:
of ballet. Some examples of classical ballet productions are:
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The Bournonville method produces dancers who have beautiful
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The Bournonville method is a Danish method first devised by
2467:"Dancers and Choreographers: Occupational Outlook Handbook"
2299:"Bournonville: The Danish Way of Dancing - Ballet Position"
419:
revived interest in the ballet and started the modern era.
2735:"Is There Such A Thing As Ballet That Doesn't Hurt Women?"
1728:"The ten greatest ballet dancers of the twentieth century"
643:
is widely considered to be the first, and the 1870 ballet
31:
This article is about the dance form. For other uses, see
3027:
3623:
2623:
Arcelus, Jon; Witcomb, Gemma L.; Mitchell, Alex (2014).
277:
Ballet is a French word which had its origin in Italian
1862:"Hiplet: An Implausible Hybrid Plants Itself on Pointe"
761:(1946) is a seminal work for the choreographer. Set to
426:, leading to modernist movements in several countries.
354:
courts of the fifteenth and sixteenth centuries. Under
2497:"Musicians and Singers: Occupational Outlook Handbook"
738:, and brought modern dancers into his company such as
4495:
1491:
Brockett, Oscar G.; Ball, Robert J. (28 March 2013).
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Olga Spessiva; Swan Lake Costume in the 20th century
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in the fifteenth century and later developed into a
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1787:
Technical Manual and Dictionary of Classical Ballet
300:, meaning "to dance", which in turn comes from the
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2872:A History of Ballet and Dance in the Western World
2869:
2385:"History of Ballet Dance - Dance History Articles"
2241:Beaumont, Cyril W.; Idzikowski, Stanislas (2003).
2011:
1417:
2420:
2418:
2416:
2414:
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2410:
1341:The Oxford Essential Dictionary of Word Histories
2049:. Sterling Publishing Company, Inc. p. 11.
977:is a style of ballet training that emerged from
553:Classical ballet is based on traditional ballet
429:Famous dancers of the twentieth century include
384:the director of the Académie Royale de Musique (
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3043:
1979:Kaufman, Sarah L. Kaufman (10 October 2019).
1536:. Johns Hopkins University Press. p. 9.
726:in 1928 to be the first neoclassical ballet.
187:
8:
3577:Western stereotype of the male ballet dancer
3023:(11th ed.). Cambridge University Press.
2824:Ballet & Modern Dance: A Concise History
2733:O'Connell Whittet, Ellen (11 October 2018).
1320:Western stereotype of the male ballet dancer
1057:("the illusion of imponderable lightness").
730:represented a return to form in response to
546:from Act II of the Ivanov/Petipa edition of
1533:Baroque Modernity, An Aesthetics of Theater
991:Basic Principles of Russian Classical dance
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2083:"Ballet Methods: What Are They? | TutuTix"
1599:Craine, Deborah; MacKrell, Judith (2000).
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2599:
2581:
2018:. Oxford University Press, USA. pp.
1366:
1364:
1250:Teenage girl ballet dancers are prone to
1112:, Ballet Chicago Studio company, and the
2683:Journal of Science and Medicine in Sport
742:, who in 1959 performed in Balanchine's
4502:
1907:. Oxford University Press. p. 70.
1331:
1061:The Royal Academy of Dance method (RAD)
901:Technical methods of ballet instruction
77:
2309:from the original on 10 September 2018
2190:. New York, Dover Publications. 1969.
1530:Cermatori, Joseph (16 November 2021).
1371:Liddell, Henry George; Scott, Robert.
2914:Off Balance: The Real World of Ballet
2546:from the original on 12 November 2020
2526:Kiel, John; Kaiser, Kimberly (2018),
2461:
2459:
2457:
2455:
2453:
2438:from the original on 14 November 2016
2395:from the original on 22 February 2017
2222:from the original on 11 November 2017
2166:from the original on 11 November 2017
2118:
2116:
2114:
2112:
2110:
2095:from the original on 11 November 2017
1882:from the original on 21 December 2016
1631:
1629:
1627:
1462:Clarke, Mary; Crisp, Clement (1992).
213:
7:
2747:from the original on 5 November 2018
2507:from the original on 21 January 2022
2279:from the original on 27 October 2017
2216:International Ballet Theater Academy
1991:from the original on 7 February 2020
1457:
1455:
1453:
1451:
1449:
1420:Apollo's Angels: A History of Ballet
1411:
1409:
1169:European ballet was centered in the
969:Agrippina Vaganova, "Esmeralda" 1910
388:) from which the first professional
2010:Paskevska, Anna (20 October 1997).
1738:from the original on 2 October 2017
1676:from the original on 2 October 2017
1580:from the original on 2 October 2017
1402:from the original on 13 April 2014.
1164:Lettres sur la danse et les ballets
987:The Fundamentals of Classical Dance
1383:from the original on 29 June 2011.
1211:(in the middle) performing at the
1009:Enrico Cecchetti with Anna Pavlova
25:
2477:from the original on 3 April 2012
2134:from the original on 11 July 2017
1960:from the original on 19 July 2023
1921:from the original on 19 July 2023
1904:Ballet Class, An American History
1860:Kourlas, Gia (2 September 2016).
1497:. Cengage Learning. p. 115.
621:, 1841, wearing the romantic tutu
4529:
4517:
4505:
2901:. Helsinki: Harlequinade Books.
2661:from the original on 5 July 2024
2632:European Eating Disorders Review
2063:from the original on 5 July 2024
1550:from the original on 5 July 2024
1511:from the original on 5 July 2024
4440:Dance in mythology and religion
2528:"Stress Reaction and Fractures"
2501:U.S. Bureau of Labor Statistics
2471:U.S. Bureau of Labor Statistics
2154:"The Paris Opéra Ballet School"
1946:. Human Kinetics. p. 150.
1494:The Essential Theatre, Enhanced
863:Complexions Contemporary Ballet
702:music that is also neoclassical
1940:Kassing, Gayle (23 May 2014).
1601:The Oxford Dictionary of Dance
1464:Ballet: An Illustrated History
1:
2941:Cambridge Companions to Music
2937:Cambridge Companion to Ballet
1757:Hammond, Sandra Noll (2004).
1396:"Online Etymology Dictionary"
1075:Royal Academy of Dance method
923:Royal Academy of Dance method
838:in 1976, and in 1986 created
575:Royal Academy of Dance method
3483:Telstra Ballet Dancer Awards
2570:World Journal of Orthopedics
2043:Medova, Marie-Laure (2004).
1901:Klapper, Melissa R. (2020).
2696:10.1016/j.jsams.2018.02.006
1339:Chantrell, Glynnis (2002).
1177:dominated the color range.
265:are usually performed with
222:that originated during the
4573:
2128:www.ottawaballetschool.com
2124:"Different Ballet Methods"
1817:Classical ballet technique
1636:Greskovic, Robert (1998).
1262:, such as ballet dancers.
871:Compañia Nacional de Danza
795:
674:
603:
531:
322:
29:
3661:
3585:
2844:Ballet & Modern Dance
2787:10.1017/S0149767700000048
2766:Fisher, Jennifer (2007).
2534:, StatPearls Publishing,
1763:. McGraw-Hill Education.
1416:Homans, Jennifer (2010).
1373:"A Greek-English Lexicon"
1114:School of American Ballet
925:(English style), and the
714:From Petipa to Balanchine
712:). Tim Scholl, author of
500:, classical ballet dancer
350:Ballet originated in the
289:(dance) which comes from
27:Form of performance dance
3396:Prima ballerina assoluta
2912:Gordon, Suzanne (1984).
2846:(2nd ed.). London:
2426:"Ballet Costume History"
1315:List of ballets by title
1213:Finnish National Theatre
950:Académie Royale de Danse
555:technique and vocabulary
378:Académie Royale de Danse
52:Classical bell tutus in
38:Not to be confused with
3473:Prix Benois de la Danse
3020:Encyclopædia Britannica
2986:. New York: Routledge.
2899:Arabesques Through Time
2821:Anderson, Jack (1992).
2247:. Courier Corporation.
1605:Oxford University Press
1377:Perseus Digital Library
1136:Renaissance and Baroque
1021:, poise, and strength.
883:Nederlands Dans Theater
873:; William Forsythe and
836:American Ballet Theatre
343:Ballet Royal de la Nuit
33:Ballet (disambiguation)
3572:Royal Academy of Dance
2773:Dance Research Journal
2583:10.5312/wjo.v7.i10.657
1640:. New York, New York:
1216:
1190:
1129:
1097:
1070:
1038:
1010:
970:
945:
807:
697:
622:
550:
501:
347:
138:Professional wrestling
63:
3350:Occupations and ranks
2935:Kant, Marion (2007).
2333:. Ebury Press. 1998.
1207:
1188:
1127:
1088:
1068:
1036:
1008:
968:
944:
805:
684:
613:
541:
496:
336:
51:
4405:Dance and disability
2503:. 8 September 2021.
2473:. 8 September 2021.
2359:www.dancevillage.com
2273:www.bournonville.com
2046:Ballet for Beginners
1831:Scholl, Tim (1994).
1784:Grant, Gail (1982).
1305:Ballet-related lists
1269:bone mineral density
1160:Jean-Georges Noverre
1106:New York City Ballet
1047:Antoine Bournonville
875:The Forsythe Company
758:Symphonic Variations
376:. Louis founded the
356:Catherine de' Medici
4450:Dance on television
3530:Dance International
3066:General information
2982:Lee, Carol (2002).
2848:Thames & Hudson
2365:on 27 February 2016
1985:The Washington Post
1043:August Bournonville
1037:August Bournonville
1029:Bournonville method
919:Bournonville method
832:Push Comes To Shove
798:Contemporary ballet
792:Contemporary ballet
677:Neoclassical ballet
671:Neoclassical ballet
587:The Sleeping Beauty
463:Mikhail Baryshnikov
382:Jean-Baptiste Lully
352:Italian Renaissance
224:Italian Renaissance
3562:Ballet and fashion
3557:(documentary film)
2969:The Classic Ballet
2878:Praeger Publishers
2842:Au, Susan (2002).
2269:"Bournonville.com"
2162:. 1 January 2010.
1867:The New York Times
1792:Dover Publications
1644:. pp. 46–57.
1470:. pp. 17–19.
1300:Ballet pointe shoe
1224:Ballet as a career
1217:
1191:
1130:
1098:
1071:
1039:
1011:
983:Agrippina Vaganova
971:
946:
820:contemporary dance
808:
698:
686:Alexandra Danilova
623:
551:
502:
415:on the eve of the
400:served as Lully's
394:Paris Opera Ballet
348:
329:Timeline of ballet
232:its own vocabulary
158:Street performance
64:
4557:History of ballet
4493:
4492:
4445:Dance occupations
4382:Wallis and Futuna
3621:
3620:
3523:Dance and Dancers
3478:Prix de Lausanne‎
3362:Character dancers
2993:978-0-415-94256-0
2959:Kirstein, Lincoln
2950:978-0-521-53986-9
2927:978-0-07-023770-4
2887:978-0-275-53740-1
2857:978-0-500-20352-1
2834:978-0-87127-172-3
2340:978-0-09-186531-3
2254:978-0-486-43177-2
2212:"Vaganova Method"
2197:978-0-486-22036-9
2056:978-1-4027-1715-4
2029:978-0-19-802773-7
1943:Discovering Dance
1801:978-0-486-21843-4
1770:978-0-07-255714-5
1713:978-1-85973-998-3
1672:. 5 August 2014.
1670:Student Resources
1651:978-0-7868-8155-0
1614:978-0-19-860106-7
1576:. 15 March 2017.
1477:978-0-241-13068-1
1466:. Great Britain:
1439:978-1-4000-6060-3
1394:Harper, Douglas.
1354:978-0-425-19098-2
1209:Maggie Gripenberg
1110:Miami City Ballet
1102:George Balanchine
1094:George Balanchine
1081:Balanchine method
927:Balanchine method
840:In The Upper Room
718:George Balanchine
451:Rosella Hightower
340:as Apollo in the
325:History of ballet
263:classical ballets
220:performance dance
204:
203:
16:(Redirected from
4564:
4534:
4533:
4522:
4521:
4510:
4509:
4508:
4501:
4480:History of dance
4465:Dance technology
4410:Dance and health
4360:African-American
3648:
3641:
3634:
3625:
3547:Related articles
3382:Principal dancer
3324:Pointe technique
3264:Ballet by region
3240:Narrative ballet
3164:Pièce d'occasion
3139:Entrée de ballet
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2305:. 17 June 2016.
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1790:. New York, US:
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1310:Dance and health
1264:Eating disorders
1252:stress fractures
1015:Enrico Cecchetti
1001:Cecchetti method
915:Cecchetti Method
857:and his company
849:and his company
830:, choreographed
753:Frederick Ashton
732:Sergei Diaghilev
694:Apollon Musagète
544:Valse des cygnes
534:Classical ballet
528:Classical ballet
483:Jeanne Devereaux
475:Natalia Makarova
455:Maria Tall Chief
443:Maya Plisetskaya
413:Sergei Diaghilev
398:Pierre Beauchamp
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55:The Ballet Class
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4425:Dance etiquette
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4150:Burma (Myanmar)
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4027:Lead and follow
3988:
3924:Country–western
3863:
3844:Novelty and fad
3802:Hoochie coochie
3753:
3712:closed position
3685:
3681:List of dancers
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3367:Corps de ballet
3345:
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3255:Romantic ballet
3235:Grotesque dance
3205:Ballets de cour
3195:Ballet d'action
3188:Ballet by genre
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2815:Further reading
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1295:Ballet glossary
1286:
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1260:plantar flexion
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1090:Suzanne Farrell
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975:Vaganova method
963:
961:Vaganova method
939:
911:Vaganova Method
903:
800:
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679:
673:
617:, the original
608:
606:Romantic ballet
602:
600:Romantic ballet
536:
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518:Romantic ballet
491:
479:Arthur Mitchell
471:Gelsey Kirkland
467:Suzanne Farrell
417:First World War
331:
323:Main articles:
321:
313:danse classique
275:
267:classical music
218:) is a type of
210:
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153:Stand-up comedy
79:Performing arts
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4455:Dance research
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3676:List of dances
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3210:Chamber ballet
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3134:Divertissement
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3014:"Ballet"
3011:, ed. (1911).
3009:Chisholm, Hugh
3003:
3002:External links
3000:
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2975:Alfred A Knopf
2963:Stuart, Muriel
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859:New Adventures
855:Matthew Bourne
796:Main article:
793:
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778:Robert Joffrey
768:Another form,
675:Main article:
672:
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651:Marie Taglioni
615:Carlotta Grisi
604:Main article:
601:
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593:The Nutcracker
571:Russian ballet
567:English ballet
563:Italian ballet
532:Main article:
529:
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514:Italian ballet
506:Russian ballet
490:
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447:Margot Fonteyn
439:Rudolf Nureyev
435:Galina Ulanova
409:Ballets Russes
390:ballet company
320:
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261:. Traditional
259:ballet dancers
249:comprises the
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3516:Ballet Review
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3492:Organisations
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3154:Pas de quatre
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2740:BuzzFeed News
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2638:(2): 92–101.
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2199:
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2146:
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2058:
2052:
2048:
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2036:
2031:
2025:
2021:
2016:
2015:
2006:
2003:
1990:
1986:
1982:
1975:
1972:
1959:
1955:
1953:9781492584544
1949:
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1936:
1933:
1920:
1916:
1914:9780190908683
1910:
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1797:
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1760:Ballet basics
1753:
1750:
1737:
1733:
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1723:
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1715:
1709:
1705:
1701:
1697:
1696:Wulff, Helena
1691:
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1607:. p. 2.
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1345:Berkley Books
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1290:Ballet dancer
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1271:in the arms.
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1013:Developed by
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984:
981:, created by
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804:
799:
791:
789:
787:
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782:Gerald Arpino
779:
775:
771:
770:Modern Ballet
766:
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749:
747:
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736:Martha Graham
733:
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711:
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655:Fanny Elssler
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559:French ballet
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510:French ballet
507:
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402:ballet-master
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357:
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4470:Dance troupe
4415:Dance awards
4310:Pontic Greek
4017:Dance theory
4007:Choreography
3919:Contemporary
3881:
3567:Choreography
3554:
3535:
3528:
3521:
3514:
3508:Publications
3372:Demi-soloist
3314:Bournonville
3250:Opéra-ballet
3245:Neoclassical
3230:Comic ballet
3225:Contemporary
3200:Ballet blanc
3159:Pas de trois
3058:
3018:
2983:
2973:. New York:
2968:
2936:
2913:
2898:
2895:Darius, Adam
2876:. New York:
2871:
2843:
2823:
2777:
2771:
2761:
2749:. Retrieved
2738:
2728:
2687:
2681:
2675:
2663:. Retrieved
2635:
2631:
2618:
2573:
2569:
2559:
2548:, retrieved
2531:
2521:
2509:. Retrieved
2500:
2491:
2479:. Retrieved
2440:. Retrieved
2429:
2397:. Retrieved
2388:
2379:
2367:. Retrieved
2363:the original
2358:
2349:
2329:
2323:
2313:11 September
2311:. Retrieved
2302:
2293:
2281:. Retrieved
2272:
2263:
2243:
2236:
2224:. Retrieved
2206:
2186:
2180:
2168:. Retrieved
2159:Dance Spirit
2157:
2148:
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1574:Mental floss
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1426:Random House
1424:. New York:
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851:LINES Ballet
844:
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785:
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763:CĂ©sar Franck
756:
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743:
727:
721:
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662:
659:Jules Perrot
644:
638:
631:Romantic era
624:
591:
585:
579:
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547:
543:
522:Ballet blanc
503:
431:Anna Pavlova
428:
424:modern dance
421:
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297:
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251:choreography
242:
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206:
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92:
53:
45:
4524:Visual arts
4300:Philippines
4285:Netherlands
4275:Middle East
3827:Table dance
3792:Go go dance
3772:Competitive
3442:Pointe shoe
3422:Ballet shoe
3271:Azerbaijani
3149:Pas de deux
3102:Terminology
2918:McGraw-Hill
2780:(1): 2–24.
2442:18 November
2431:Tutu Étoile
1428:. pp.
1171:Paris Opera
879:Jiřà Kylián
867:Nacho Duato
847:Alonzo King
828:Twyla Tharp
774:Glen Tetley
740:Paul Taylor
690:Serge Lifar
640:La Sylphide
498:Marie Sallé
386:Paris Opera
304:"βαλλίζω" (
4546:Categories
4367:Uzbekistan
4135:Azerbaijan
4044:Musicality
4012:Connection
3969:Postmodern
3939:Historical
3822:Striptease
3817:Pole dance
3767:Ceremonial
3722:slow dance
3598:Characters
3432:Leg warmer
3427:Dance belt
3405:Répétiteur
3309:Balanchine
2751:5 November
2550:5 November
2532:StatPearls
2511:20 January
2481:20 January
2067:8 February
1995:8 February
1886:3 December
1835:. London:
1732:Classic FM
1702:. Oxford:
1326:References
1025:utilized.
706:Stravinsky
459:Erik Bruhn
367:proscenium
283:diminutive
236:techniques
113:Gymnastics
88:Acrobatics
4372:Venezuela
4335:Sri Lanka
4330:Singapore
4290:Nicaragua
4220:Indonesia
4125:Australia
3994:Technique
3892:formation
3807:Lap dance
3603:Companies
3335:Positions
3329:Positions
3319:Cecchetti
3301:Technique
3215:Classical
3179:Variation
3144:Grand pas
3129:Battement
3114:Arabesque
2804:194065932
2704:1878-1861
2592:2218-5836
1876:0362-4331
1837:Routledge
1742:2 October
1584:2 October
1275:Criticism
1256:first rib
1175:pistachio
888:The term
635:aesthetic
581:Swan Lake
548:Swan Lake
396:, arose.
374:Louis XIV
338:Louis XIV
273:Etymology
4387:Zimbabwe
4340:Thailand
4265:Malaysia
4250:Kiribati
4160:Cameroon
4155:Cambodia
4145:Bulgaria
4120:Assyrian
4089:national
4084:Regional
4064:Spotting
4059:Sequence
4037:glossary
3984:Two-step
3929:Flamenco
3914:Breaking
3909:Boogaloo
3887:Ballroom
3832:Twerking
3797:Grinding
3782:Ecstatic
3341:Vaganova
3093:Timeline
3078:Glossary
2965:(1952).
2897:(2007).
2868:(1976).
2796:20444681
2745:Archived
2712:29526411
2656:Archived
2652:24277724
2610:27795947
2544:archived
2540:29939612
2505:Archived
2475:Archived
2436:Archived
2393:Archived
2307:Archived
2277:Archived
2220:Archived
2164:Archived
2132:Archived
2093:Archived
2061:Archived
1989:Archived
1958:Archived
1919:Archived
1880:Archived
1736:Archived
1698:(1998).
1674:Archived
1578:Archived
1548:Archived
1509:Archived
1400:Archived
1381:Archived
1284:See also
1120:Costumes
869:and his
834:for the
745:Episodes
646:Coppélia
279:balletto
143:Puppetry
71:a series
69:Part of
18:Balletto
4536:Society
4498:Portals
4397:Related
4377:Vietnam
4350:Ukraine
4260:Kurdish
4230:Ireland
4210:Hungary
4200:Georgia
4185:Denmark
4175:Croatia
4140:Belarus
4130:Austria
4115:Armenia
4105:Albania
4069:Turnout
3954:Lyrical
3934:Hip-hop
3777:Concert
3702:Partner
3671:Outline
3613:Schools
3608:Dancers
3593:Ballets
3457:Unitard
3437:Leotard
3377:Soloist
3291:Russian
3286:Italian
3276:British
3174:Turnout
3083:History
3073:Company
2720:3884127
2665:29 June
2601:5065672
2399:26 July
2369:26 July
2283:26 July
2226:26 July
2170:26 July
2138:26 July
2099:26 July
2088:TutuTix
1820:. 1989.
1680:26 July
1254:in the
1215:in 1916
1104:at the
881:of the
786:Astarte
710:Roussel
664:Giselle
619:Giselle
411:led by
319:History
306:ballizo
298:ballare
211:French:
163:Theatre
4552:Ballet
4345:Turkey
4325:Serbia
4320:Russia
4315:Romani
4305:Poland
4270:Mexico
4235:Israel
4205:Greece
4190:Europe
4165:Canada
4100:Africa
4091:dances
4049:Pointe
4022:Graham
4002:Ballet
3959:Modern
3882:Ballet
3869:Styles
3854:Street
3849:Sacred
3787:Erotic
3759:Social
3747:square
3732:contra
3727:circle
3555:Ballet
3537:Pointe
3466:Awards
3447:Tights
3337:(feet)
3331:(arms)
3281:French
3169:Pointe
3119:Ballon
3109:Aplomb
3059:Ballet
2990:
2947:
2924:
2905:
2884:
2854:
2831:
2802:
2794:
2718:
2710:
2702:
2650:
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2337:
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2194:
2053:
2026:
1964:8 July
1950:
1925:8 July
1911:
1874:
1843:
1798:
1767:
1710:
1648:
1611:
1554:8 July
1540:
1515:8 July
1501:
1474:
1436:
1351:
1055:ballon
1019:ballon
921:, the
917:, the
913:, the
909:, the
895:Hiplet
890:ballet
877:; and
816:acting
728:Apollo
723:Apollo
704:(e.g.
696:, 1928
657:, and
627:pointe
569:, and
512:, and
489:Styles
481:, and
392:, the
346:(1653)
243:ballet
207:Ballet
148:Speech
93:Ballet
62:, 1874
40:Ballad
4512:Music
4280:Nepal
4255:Korea
4245:Japan
4240:Italy
4215:India
4170:China
4074:Turns
4032:Moves
3974:Swing
3964:Polka
3949:Latin
3904:Belly
3897:waltz
3742:round
3666:Index
3655:Dance
3589:Lists
3124:Barre
3088:Music
2800:S2CID
2792:JSTOR
2716:S2CID
2659:(PDF)
2628:(PDF)
302:Greek
294:ballo
291:Latin
287:ballo
255:music
133:Opera
128:Music
118:Magic
108:Dance
103:Clown
60:Degas
4295:Peru
4225:Iran
4180:Cuba
4110:Arab
4054:Pole
3944:Jazz
3877:Acro
3839:Folk
3737:line
3697:Solo
3452:Tutu
2988:ISBN
2945:ISBN
2922:ISBN
2903:ISBN
2882:ISBN
2852:ISBN
2829:ISBN
2753:2018
2708:PMID
2700:ISSN
2667:2022
2648:PMID
2606:PMID
2588:ISSN
2552:2018
2536:PMID
2513:2022
2483:2022
2444:2016
2401:2017
2371:2017
2335:ISBN
2315:2018
2285:2017
2249:ISBN
2228:2017
2192:ISBN
2172:2017
2140:2017
2101:2017
2069:2020
2051:ISBN
2024:ISBN
1997:2020
1966:2023
1948:ISBN
1927:2023
1909:ISBN
1888:2016
1872:ISSN
1841:ISBN
1796:ISBN
1765:ISBN
1744:2017
1708:ISBN
1682:2017
1646:ISBN
1609:ISBN
1586:2017
1556:2023
1538:ISBN
1517:2023
1499:ISBN
1472:ISBN
1434:ISBN
1432:–4.
1349:ISBN
1092:and
1073:The
973:The
814:and
812:mime
780:and
688:and
590:and
542:The
520:(or
327:and
281:, a
253:and
247:work
123:Mime
3979:Tap
3859:War
2782:doi
2692:doi
2640:doi
2596:PMC
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