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528:, and it is notated an octave higher than it sounds, when cellos and basses play the same bassline, the line is performed in octaves, with the basses an octave below the cellos. By the end of the Classical period, with Beethoven's symphonies, cellos and double basses were often given separate parts. In general, the more complex passages and rapid note sequences are given to the cellos, while the basses play a simpler bassline. The
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177:", which are usually simple, appealing musical motifs or phrases that are repeated, with variation, throughout the song. "The bass differs from other voices because of the particular role it plays in supporting and defining harmonic motion. It does so at levels ranging from immediate, chord-by-chord events to the larger harmonic organization of a [
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of a song or tune, often with a melodic shape that alternately rises and falls in pitch over several bars. To add variety to a walking bassline, bassists periodically interpolate various fills, such as playing scale or arpeggio fragments in swung eighth notes, plucking muted percussive grace notes
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In this example, the last two quarter notes of the second measure, D and E, "walk" up from the first quarter note in that measure, C, to the first note of the third measure, F (C and F are the roots of the chords in the first through second and third through fourth measures, respectively).
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tune in which the bassline consists of low-pitched quarter notes played on the double bass in a scalar walking bass style, a bass run may consist of a bar of swung eighth notes played using a percussive slap bass style, in which the right hand strikes the strings against the fingerboard.
1341:, a bass run may consist of a several bar unaccompanied passage composed for the tubas and sousaphones which displays either rapid passages of notes or higher-register techniques. In New Orleans jazz, the tuba may provide a walking bass line similar to that of the double bass.
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began to replace the double bass in most types of popular music, such as rock and roll, blues, and folk. The bass guitar was easier to transport and, given that it uses magnetic pickups, easier to amplify to loud stage volumes without the risk of
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In both cases, "walking" refers both to the steady duple rhythm (one step after the other) and to the strong directional motion created; in the examples above, from C to F and back in the second, and from root to seventh and back in the first.
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song in which the bassline already consists of percussive slapping and popping, a bass run may consist of a virtuosic display of rapid slapping and popping techniques combined with techniques such as glissando, note-bending, and harmonics.
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is provided in the middle or upper register. In solo music for piano and pipe organ, these instruments have an excellent lower register that can be used to play a deep bassline. On organs, the bass line is typically played using the
973:
543:, the bassline is played by the cello in string quartets and the bassoon in wind chamber music. In some larger chamber music works, both a cello and a double bass are used to play the bassline. In a Baroque era (
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532:(or kettledrums) also play a role in orchestral basslines, albeit confined in 17th and early 18th century works to a few notes, often the tonic and the dominant below it. In a small number of symphonies, the
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tune in which the bassline consists of low-pitched quarter notes played on the double bass in a scalar walking bass style, a bass run may consist of a descending chromatic scale played in a higher register.
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use the zhōng ruǎn (中阮) and dà ruǎn (大阮) for creating basslines. Other, less common bass instruments are the lā ruǎn (拉阮), dī yīn gé hú (低音革胡), and da dī hú (大低胡) developed during the 1930s. Russian
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played in a higher register. In some cases, the bassist will select a "brighter"-sounding pickup or increase the treble response of the instrument for a bass run, so that it will be easier to hear.
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or bass breaks, which are short solo sections. Rhythmic variations by the bass, such as the introduction of a syncopated figure can dramatically change the feel of a song, even for a simple groove.
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Bassline riffs usually (but not always) emphasize the chord tones of each chord (usually the root note, the third note, or the fifth note), which helps to define a song's key. Basslines align or
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song in which the bassline consists of low-pitched quarter notes played on the electric bass, a bass run may consist of a rapid sequence of sixteenth notes in a higher register, or of a melodic
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with the drums. Other rhythm instruments join in to create a more interesting rhythmic variations. The type of rhythmic pulse used in basslines varies widely in different types of music. In
582:. In 2000s-era performances of Baroque music, the basso continuo is typically performed by just two instruments: a chordal instrument and one bass instrument (often harpsichord and cello).
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or other instruments. They can also be sung, as is done by some a capella vocal groups. While walking bass lines are most commonly associated with jazz and blues, they are also used in
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and a variety of other low brass instruments. In symphonies from the
Classical period, a single bassline was often written for the cellos and basses; however, since the bass is a
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such as string quartets and symphonies, basslines play the same harmonic and rhythmic role; however, they are usually referred to as the "bass voice" or the "bass part".
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1126:) or instruments (in the case of a marching band) and the bassline are given the forefront. The bass part for a bass run often differs from the usual bass
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jazz, the walking bass has a stabilising effect, offsetting and providing a foil to the complexity of the improvised melodic lines, for example in
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band, a bass solo will often consist of a virtuosic display of triple and quadruple slaps, creating a percussive, drum solo-like sound.
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song in which the bassline consists of notes plucked on the electric bass, a bass run may consist of several bars of percussive
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is the same: to keep time and to outline the tonality. When developing bass lines, these two things should always be your goal"
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groups. The double bass was still used in some types of popular music that recreated styles from the 1940s and 1950s such as
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tune in which the bassline consists of low-pitched quarter notes played on the double bass on the root and fifth of each
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song where the bassist was ordinarily playing low notes without overdrive to accompany, for a solo, they may turn on a
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to blues) and popular music (ranging from rock and pop to reggae to funk), the bassline is generally played by an
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player. The bassline uses low notes that provide a rhythm while simultaneously setting out the foundation of the
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and/or keyboard player. In most traditional and popular music styles, the bass player is expected to be able to
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on beats one and three (of a 4/4 tune), a bass run may consist of a walking bass line played for several bars.
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The opening of
Beethoven's Symphony No. 5, third movement is often used as an orchestral excerpt during bass
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popularized the technique of creating basslines by lengthening the bass drum decay of the
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techniques such as rapid passages or high notes. During a bass run, the main vocal or
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In some popular music bands, keyboard instruments are used to play the bass line. In
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A German double bass section in 1952. The player to the left is using a German bow.
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the groundwork or foundation upon which all musical composition is to be erected.
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was often used. From the 1920s to the 1940s, most popular music groups used the
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Origins of the
Popular Style: The Antecedents of Twentieth-Century Popular Music
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playing in a music studio is expected to be able to read a bassline written in
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the base and foundation of the other parts, since one builds them upon it.
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in between the phrases of the vocal melody, and they may also perform
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Unplayed
Melodies: Javanese Gamelan and the Genesis of Music Theory
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Walking bass often moves in stepwise (scalar) motion to successive
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Other walking bass lines can be heard in the opening movements of
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onstage by the performer using scales, arpeggios, and standard
51:"Bass line" redirects here. For the marching band section, see
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may view in it all the other parts in their original essence.
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or line played (in jazz and some forms of popular music) by a
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Though basslines may be played by many different types of
1153:. In some cases, a bass run may incorporate a display of
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orchestra use bass balalaika and contrabass balalaika.
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to create a more pronounced tone (an approach used by
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A bass run may be composed by the performer or by an
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is a style of bass accompaniment or line, common in
26:"Bass part" redirects here. For the vocal part, see
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289:as the bass instrument. Starting in the 1950s, the
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428:drum machine and tuning it to different pitches.
230:, basslines may be very rhythmically complex and
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337:player performs the basslines using the organ's
1596:Analysis of Tonal Music: A Schenkerian Approach
1407:"8 ways the 808 drum machine changed pop music"
1385:Analysis of Tonal Music: A Schenkerian Approach
788:Walking basslines are usually performed on the
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970:Walking bass often alternates quarter notes:
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492:repertoire, the basslines are played by the
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848:part of Baroque organ music (J.S. Bach's
753:. Walking basslines generally consist of
364:Basslines are important in many forms of
1668:Walking Bass Lines and Comping on Guitar
1537:, Indiana University Press, p. 40,
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677:of a song. When a bassist is playing a
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701:"In any style, the bass's role in the
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257:and in the range roughly at least an
69:) is the term used in many styles of
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1417:from the original on 7 December 2016
665:and the chordal parts played by the
157:and massive 16' and 32' bass pipes.
1177:school", though its resemblance to
47:soloing on the electric bass guitar
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14:
1405:Leight, Elias (6 December 2016).
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938:Bruckner Symphony No. 5, opening
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891:(nicknamed "The Philosopher"),
856:Great Eighteen Chorale Preludes
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1659:- 244 million bass lines in F
1454:. "fondamento dell'harmonica"
1185:indicates an earlier origin.
1106:(or "bass break") is a short
737:(1600–1750) and 20th century
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16:Low-pitched instrumental part
851:Nun komm, der Heiden Heiland
689:. Bass players also perform
550:–1750) piece accompanied by
1594:Cadwallader, Allen (1998),
1580:, Oxford University Press,
1553:Building Walking Bass Lines
1383:Cadwallader, Allen (1998).
966:Elgar Symphony No 1 opening
958:Elgar Symphony No 1 opening
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2017:
1535:A history of baroque music
1533:Buelow, George J. (2004),
1228:during a bass solo (e.g.,
1183:African American musicians
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611:the foundation of harmony.
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926:Haydn Symphony 22 opening
918:Haydn Symphony 22 opening
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629:In many genres of modern
21:Bassline (disambiguation)
998:are walking bass lines:
760:of equal value, usually
649:, traditional blues and
516:in the woodwinds and by
144:of any instrument while
1181:techniques familiar to
996:boogie-woogie basslines
249:and in a broad musical
109:instrument such as the
33:For the EDM style, see
1612:Santerre, Joe (2001),
1551:Friedland, Ed (1995),
1442:Perlman, Marc (2004).
1366:Bassline (music genre)
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854:, BWV 659, from the
844:Walking bass in the
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53:Bass line (drumline)
19:For other uses, see
2001:Musical composition
1773:Contrabass trombone
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155:pedal keyboard
107:rhythm section
15:
13:
10:
9:
6:
4:
3:
2:
2013:
2002:
1999:
1997:
1996:Accompaniment
1994:
1992:
1989:
1987:
1984:
1983:
1981:
1966:
1963:
1961:
1958:
1956:
1953:
1951:
1948:
1946:
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1928:
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1829:
1824:
1814:
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1809:
1806:
1804:
1801:
1799:
1796:
1794:
1793:Keyboard bass
1791:
1789:
1786:
1784:
1781:
1779:
1776:
1774:
1771:
1769:
1768:Contrabassoon
1766:
1764:
1761:
1759:
1758:Bass trombone
1756:
1754:
1751:
1749:
1746:
1744:
1741:
1739:
1736:
1734:
1731:
1729:
1728:Bass clarinet
1726:
1724:
1721:
1719:
1716:
1715:
1713:
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1698:
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1679:
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1669:
1666:
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1649:
1642:
1638:
1637:
1633:
1631:
1625:
1623:0-634-02144-3
1619:
1615:
1610:
1607:
1605:0-19-510232-0
1601:
1597:
1592:
1589:
1587:0-19-316121-4
1583:
1578:
1577:
1571:
1567:
1564:
1562:0-7935-4204-9
1558:
1554:
1549:
1546:
1544:0-253-34365-8
1540:
1536:
1531:
1530:
1526:
1520:, p. 283
1519:
1514:
1512:
1508:
1504:
1499:
1497:
1493:
1489:
1484:
1481:
1477:
1472:
1469:
1465:
1464:Santerre 2001
1460:
1457:
1453:
1452:9780520239562
1449:
1445:
1439:
1437:
1435:
1433:
1429:
1416:
1412:
1411:Rolling Stone
1408:
1401:
1398:
1394:
1390:
1386:
1380:
1377:
1371:
1367:
1364:
1362:
1361:Drum and bass
1359:
1357:
1354:
1352:
1349:
1348:
1344:
1342:
1340:
1339:marching band
1332:
1330:
1328:
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1293:
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1246:
1242:
1238:
1233:
1231:
1230:Billy Sheehan
1227:
1223:
1219:
1215:
1211:
1207:
1202:
1200:
1196:
1189:Electric bass
1188:
1186:
1184:
1180:
1176:
1172:
1168:
1164:
1160:
1156:
1152:
1148:
1144:
1140:
1135:
1133:
1129:
1128:accompaniment
1125:
1121:
1120:electric bass
1117:
1114:in which the
1113:
1109:
1105:
1099:
1091:
1089:
1087:
1083:
1082:Sonny Rollins
1079:
1074:
1070:
1061:
1053:
1052:
1051:
1049:
1044:
1042:
1041:country music
1038:
1028:
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1008:
1007:
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1004:
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992:
984:
976:
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847:
839:
837:
835:
831:
827:
823:
819:
815:
811:
807:
803:
802:Hammond organ
799:
795:
794:electric bass
791:
786:
784:
779:
775:
774:passing tones
771:
767:
763:
762:quarter notes
759:
756:
752:
748:
744:
740:
736:
735:Baroque music
732:
726:
725:Blues shuffle
718:
715:
713:
706:
704:
698:
696:
692:
688:
684:
680:
676:
672:
668:
664:
660:
656:
652:
648:
644:
640:
639:electric bass
636:
632:
625:Popular music
624:
618:
612:
601:
593:
587:
583:
581:
577:
573:
569:
565:
561:
557:
553:
542:
541:chamber music
537:
535:
531:
527:
523:
519:
515:
511:
507:
503:
499:
495:
494:double basses
491:
487:
483:
473:
464:
459:
452:
450:
448:
444:
439:
437:
433:
429:
427:
423:
419:
415:
411:
407:
403:
402:Roland TB-303
399:
395:
391:
387:
383:
379:
378:drum and bass
375:
371:
367:
358:
354:
352:
348:
344:
340:
336:
335:Hammond organ
332:
327:
325:
321:
317:
313:
309:
305:
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297:
292:
288:
284:
276:
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217:
213:
209:
205:
201:
197:
193:
189:
184:
182:
181:
176:
172:
168:
167:popular music
165:Basslines in
160:
158:
156:
151:
150:accompaniment
147:
143:
138:
136:
132:
131:Hammond organ
128:
125:or keyboard (
124:
120:
116:
112:
111:electric bass
108:
104:
100:
96:
92:
88:
84:
80:
76:
72:
68:
64:
60:
54:
46:
45:Victor Wooten
42:
36:
29:
22:
1986:Bass (sound)
1938:reproduction
1927:Walking bass
1887:Figured bass
1871:
1850:Bass effects
1831:Performance/
1813:Washtub bass
1704:Bass (sound)
1648:the original
1641:"Bass Lines"
1629:
1613:
1595:
1575:
1552:
1534:
1490:, p. 44
1483:
1478:, p. 40
1471:
1466:, p. iv
1459:
1443:
1419:. Retrieved
1410:
1400:
1384:
1379:
1336:
1324:
1313:
1305:
1297:
1284:
1253:
1234:
1222:shred guitar
1218:Cliff Burton
1203:
1192:
1136:
1118:(such as an
1103:
1101:
1098:Fill (music)
1086:“Blue Seven”
1075:
1071:
1067:
1045:
1034:
1000:
993:
990:
969:
901:Edward Elgar
885:Joseph Haydn
882:
860:
849:
843:
787:
755:unsyncopated
731:walking bass
730:
728:
719:Walking bass
709:
700:
628:
610:
599:
585:
538:
479:
440:
430:
394:synthesizers
363:
328:
280:
244:
200:walking bass
185:
178:
164:
139:
66:
62:
58:
57:
1907:Lament bass
1855:Bass chorus
1778:Double bass
1743:Bass pedals
1738:Bass guitar
1711:Instruments
1505:, p. 4
1476:Buelow 2004
1356:Lament bass
1351:Ground bass
1327:psychobilly
1294:Double bass
1245:synthesizer
1206:heavy metal
1124:double bass
1037:chord roots
790:double bass
783:pedal point
655:double bass
647:psychobilly
641:player. In
556:harpsichord
548: 1600
443:World music
420:, producer
414:ZynAddSubFX
347:house music
331:organ trios
300:jazz fusion
291:bass guitar
287:double bass
277:Instruments
247:instruments
220:electronica
212:jazz fusion
208:salsa music
135:synthesizer
115:double bass
95:traditional
1980:Categories
1897:Partimento
1527:References
1446:, p. 188.
1421:16 January
1393:0195102320
1300:jump blues
1163:percussion
1143:improvised
814:rockabilly
747:rockabilly
723:See also:
679:cover song
643:rockabilly
560:pipe organ
534:pipe organ
490:orchestral
447:didjeridus
422:Rick Rubin
408:, such as
372:, such as
324:rockabilly
316:jump blues
232:syncopated
202:line". In
196:jump blues
169:often use
91:electronic
73:, such as
1960:Subwoofer
1917:Slap bass
1902:Jazz bass
1867:Bass note
1860:Fuzz bass
1845:Bass clef
1788:Guitarrón
1783:Euphonium
1733:Bass drum
1387:, p. 45.
1333:Wind bass
1316:bluegrass
1280:kickdrums
1249:saxophone
1214:wah pedal
1210:fuzz bass
1014:Play in G
770:arpeggios
695:bass runs
671:improvise
635:folk rock
463:auditions
436:balalaika
267:bass clef
194:jazz and
188:syncopate
67:bass part
63:bass line
1955:Sub-bass
1922:Walkdown
1912:Ostinato
1872:Bassline
1833:notation
1798:Octobass
1572:(1989),
1415:Archived
1345:See also
1173:of the "
1155:virtuoso
1139:arranger
1104:bass run
1092:Bass run
840:Examples
714:1967:327
614:—
603:—
589:—
506:bassoons
400:and the
398:Minimoog
263:middle C
142:register
59:Bassline
1763:Bassoon
1264:dubstep
1226:tapping
1171:marches
834:country
822:R&B
792:or the
768:tones,
751:walking
594:1667:19
576:serpent
572:theorbo
530:timpani
500:in the
418:hip-hop
406:virtual
382:dubstep
374:electro
343:hip-hop
320:country
175:grooves
171:"riffs"
1965:Woofer
1882:Burden
1655:
1620:
1602:
1584:
1559:
1541:
1450:
1391:
1270:, and
1159:melody
1132:timbre
826:gospel
703:groove
512:, and
498:cellos
426:TR-808
410:Sytrus
390:trance
322:, and
269:). In
259:octave
216:reggae
146:melody
97:, and
1936:Sound
1651:(PDF)
1644:(PDF)
1372:Notes
1337:In a
1325:In a
1320:chord
1314:In a
1308:swing
1306:In a
1298:In a
1285:In a
1268:grime
1260:house
1254:In a
1235:In a
1204:In a
1193:In a
1175:Sousa
1167:drums
1151:riffs
1147:licks
1122:or a
1078:bebop
994:Many
830:Latin
798:piano
766:scale
758:notes
743:blues
691:fills
522:tubas
504:, by
488:. In
416:. In
404:, or
386:house
366:dance
312:blues
308:bebop
251:range
228:metal
204:Latin
192:swing
127:piano
119:cello
75:blues
71:music
1808:Tuba
1618:ISBN
1600:ISBN
1582:ISBN
1557:ISBN
1539:ISBN
1448:ISBN
1423:2016
1389:ISBN
1287:funk
1199:riff
1195:rock
1149:and
1112:fill
1059:Play
1026:in C
982:play
899:and
874:play
810:rock
806:tuba
745:and
739:jazz
568:viol
564:lute
496:and
471:Play
412:and
388:and
368:and
304:jazz
283:tuba
226:and
224:rock
173:or "
123:tuba
89:and
83:funk
79:jazz
28:SATB
1282:).
1256:EDM
1237:pop
1232:).
1165:or
1110:or
1076:In
1020:or
903:'s
895:'s
887:'s
858:):
818:ska
562:or
539:In
480:In
345:or
180:sic
137:).
87:dub
65:or
1982::
1616:,
1555:,
1510:^
1495:^
1431:^
1413:.
1409:.
1274:,
1266:,
1262:,
1258:,
1251:.
1102:A
1088:.
1084:’
1043::
832:,
828:,
824:,
820:,
816:,
812:,
804:,
800:,
741:,
729:A
645:,
574:,
558:,
545:c.
520:,
508:,
465:.
380:,
376:,
326:.
318:,
314:,
218:,
214:,
210:,
206:,
129:,
121:,
117:,
113:,
93:,
85:,
81:,
77:,
1696:e
1689:t
1682:v
1425:.
1395:.
907:.
55:.
37:.
30:.
23:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
