Knowledge (XXG)

Much Ado About Nothing

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Ironically, the play's popularity suggests that this only increased interest in such behavior. Benedick wittily gives voice to male anxieties about women's "sharp tongues and proneness to sexual lightness". In the play's patriarchal society, the men's loyalties are governed by conventional codes of honour, camaraderie, and a sense of superiority over women. Assumptions that women are by nature prone to inconstancy are shown in the repeated jokes about
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prospect of waiting a week for the wedding, concoct a plan to match-make between Benedick and Beatrice. They arrange for Benedick to overhear a conversation in which they declare that Beatrice is madly in love with him but too afraid to tell him. Hero and Ursula likewise ensure that Beatrice overhears a conversation in which they discuss Benedick's undying love for her. Both Benedick and Beatrice are delighted to think that they are the object of
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Don Pedro wants Hero for himself, and Borachio meets 'Hero' (actually Margaret) in Hero's bedroom window. These modes of deceit play into a complementary theme of emotional manipulation, the ease with which the characters' sentiments are redirected and their propensities exploited as a means to an end. The characters' feelings for each other are played as vehicles to reach the goal of engagement rather than as an end in themselves.
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with remorse. Prompted by the stressful events, Benedick and Beatrice confess their love for each other. Beatrice then asks Benedick to kill Claudio as proof of his devotion. Benedick hesitates but is swayed. Leonato and Antonio blame Claudio for Hero's supposed death and threaten him, to little effect. Benedick arrives and challenges him to a duel.
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Characters are constantly pretending to be others or mistaken for others. Margaret is mistaken for Hero, leading to Hero's disgrace. During a masked ball (in which everyone must wear a mask), Beatrice rants about Benedick to a masked man who is actually Benedick, but she acts unaware of this. During
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After Claudio swears to marry this other bride, she is revealed to be Hero. Claudio is overjoyed. Beatrice and Benedick publicly confess their love for each other. Don Pedro taunts "Benedick the married man", and Benedick counters that he finds the Prince sad, advising him: "Get thee a wife". As the
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and revolves around two romantic pairings that emerge when a group of soldiers arrive in the town. The first, between Claudio and Hero, is nearly scuppered by the accusations of the villain, Don John. The second, between Claudio's friend Benedick and Hero's cousin Beatrice, takes centre stage as the
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The play has many examples of deception and self-deception. The games and tricks played on people often have the best intentions: to make people fall in love, to help someone get what they want, or to lead someone to realize their mistake. But not all are well-meant: Don John convinces Claudio that
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Several characters seem obsessed with the idea that a man cannot know whether his wife is faithful and that women can take full advantage of this. Don John plays upon Claudio's pride and fear of cuckoldry, leading to the disastrous first wedding. Many of the men readily believe that Hero is impure;
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context. This was reflected and emphasized in certain plays of the period but was also challenged. Amussen notes that the undoing of traditional gender clichés seems to have inflamed anxieties about the erosion of social order. It seems that comic drama could be a means of calming such anxieties.
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The next day, at the wedding, Claudio denounces Hero before the stunned guests and storms off with Don Pedro. Hero faints. A humiliated Leonato expresses his wish for her to die. The presiding friar intervenes, believing Hero innocent. He suggests that the family fake Hero's death to fill Claudio
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On the soldiers' arrival, Don Pedro tells Leonato that they will stay a month at least, and Benedick and Beatrice resume their "merry war". Pedro's illegitimate brother, Don John, is also introduced. Claudio's feelings for Hero are rekindled, and he informs Benedick of his intention to court her.
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Meanwhile, Benedick and Beatrice have danced together, trading disparaging remarks under the cover of their masks. Benedick is stung at hearing himself described as "the prince's jester, a very dull fool", and yearns to be spared the company of "Lady Tongue". Don Pedro and his men, bored at the
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Meanwhile, Don John plots to stop the wedding, embarrass his brother, and wreak misery on Leonato and Claudio. He tells Don Pedro and Claudio that Hero is "disloyal", and arranges for them to see his associate, Borachio, enter her bedchamber and engage amorously with her (it is actually Hero's
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In contrast, Balthasar's song "Sigh No More" tells women to accept men's infidelity and continue to live joyfully. Some interpretations say that Balthasar sings poorly, undercutting the message. This is supported by Benedick's cynical comments about the song, comparing it to a howling dog. In
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Hero on Claudio's behalf. Don John uses this situation to sow chaos by telling Claudio that Don Pedro is wooing Hero for himself. Claudio rails against the entrapments of beauty. But the misunderstanding is later resolved, and Claudio is promised Hero's hand in marriage.
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On the night of Don John's treachery, the local Watch overheard Borachio and Conrade discussing their "treason" and "most dangerous piece of lechery that ever was known in the commonwealth", and arrested them therefore. Despite their ineptitude (headed by constable
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play draws to a close, a messenger arrives with news of Don John's capture, but Benedick proposes to postpone deciding Don John's punishment until tomorrow so that the couples can enjoy their newfound happiness. The couples dance and celebrate as the play ends.
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are tricked into confessing their love for each other, and Claudio is tricked into believing that Hero is not a maiden (virgin). The title's play on words references the secrets and trickery that form the backbone of the play's comedy, intrigue, and action.
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In 2012 a filmed version of the live 2011 performance at The Globe was released to cinemas and on DVD. The same year, a filmed version of the 2011 performance at Wyndham's Theatre was made available for download or streaming on the Digital Theatre website.
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will return that night from a successful battle, along with Claudio and Benedick. Beatrice asks the messenger about Benedick and mocks Benedick's ineptitude as a soldier. Leonato explains, "There is a kind of merry war betwixt Signor Benedick and her."
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in Shakespeare's day. Taken literally, the title implies that a great fuss ('much ado') is made of something insignificant ('nothing'), such as the unfounded claims of Hero's infidelity and that Benedick and Beatrice are in love with each other.
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I am trusted with a muzzle and enfranchised with a clog; therefore I have decreed not to sing in my cage. If I had my mouth, I would bite; if I had my liberty, I would do my liking: in the meantime let me be that I am and seek not to alter me.
776:: much of the action centres on interest in others and critique of others, written messages, spying, and eavesdropping. This attention is mentioned several times directly, particularly concerning 'seeming', 'fashion', and outward impressions. 673:, and partly explain Claudio's readiness to believe the slander against Hero. This stereotype is turned on its head in Balthasar's song "Sigh No More", which presents men as the deceitful and inconstant sex that women must abide. 3255: 3079: 655:
Benedick and Beatrice quickly became the main interest of the play. They are considered the leading roles even though their relationship is given equal or lesser weight in the script than Claudio's and Hero's situation.
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was "sundry times publicly acted" before 1600. The play likely debuted in the autumn or winter of 1598–99. The earliest recorded performances are two at Court in the winter of 1612–13, during festivities preceding the
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Benedick, who openly despises marriage, tries to dissuade him. Don Pedro encourages the marriage. Benedick swears that he will never marry. Don Pedro laughs at him and tells him he will when he finds the right person.
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the same celebration, Don Pedro pretends to be Claudio and courts Hero for him. After Hero is proclaimed dead, Leonato orders Claudio to marry his 'niece', who is actually Hero.
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Don Pedro's last line can be understood to mean 'Pay attention to your music and nothing else!' The complex layers of meaning include a pun on 'crotchets', which can mean both '
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even her father condemns her with very little evidence. This motif runs through the play, often referring to horns (a symbol of cuckoldry).
533:. Another version, featuring lovers Ariodante and Ginevra, with the servant Dalinda impersonating Ginevra on the balcony, appears in Book V 3827: 5209: 4520: 5097: 4600: 4459: 3272: 2858: 5240: 3929: 3918: 3870: 1811: 1751: 1732: 702: 691: 236: 98: 694:, Balthasar sings it beautifully: it is given a prominent role in the opening and finale, and the women seem to embrace its message. 4963: 4085: 3865: 3215: 3128: 2843: 2822: 2543: 2508: 2483: 2198: 2144: 405: 227: 203: 80: 4933: 1567: 2572: 1699:
commissioned an operatic adaptation of the play with music by James Garner and libretto adapted by Patrick Hansen, to premiere in
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adapted the story by setting it in the modern-day studios of Wessex Tonight, a fictional regional news programme, as part of the
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almost all of them made for television. An adaptation is the 1973 New York Shakespeare Festival production by
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A triple play on words in which noting signifies noticing, musical notes, and nothing, occurs at (2.3.47–52):
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Deleyto, Celestino (1997). "Men in Leather: Kenneth Branagh's Much Ado about Nothing and Romantic Comedy".
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as a sheet of paper (on which Beatrice's love note to Benedick is to have been written), and a bedsheet.
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as analogues of Beatrice and Benedick, is a loose adaptation principally set in contemporary Australia.
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The play is predominantly written in prose. The substantial verse sections achieve a sense of decorum.
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produced the play on a stage-length mirror against an unchanging backdrop of painted trees. In 2013,
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Ho, now you strike like the blind man – 'twas the boy that stole your meat, and you'll beat the post.
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1985: A Tony Award Nomination for "Best Performance by a Leading Actress in a Play" was received by
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O, when she had writ it and was reading it over, she found Benedick and Beatrice between the sheet?
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uses quotes from this play in the song. The title of the album is also a quotation from the play.
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Through "noting" (sounding like "nothing" and meaning gossip, rumour, overhearing), Benedick and
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1973: A Tony Award Nomination for "Best Performance by a Leading Actress in a Play" went to
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chambermaid). Claudio and Don Pedro are duped, and Claudio vows to humiliate Hero publicly.
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as the sexton. Whedon's adaptation is a contemporary revision with an Italian-mafia theme.
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At (3.3.102–104), Borachio indicates that a man's clothing doesn't reveal his character:
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as a pole and as mail delivery in a joke reminiscent of Shakespeare's earlier advice '
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The Italian world of English Renaissance drama: cultural exchange and intertextuality
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Jensen later explained that this was a reference to the censorship imposed after the
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Thou knowest that the fashion of a doublet, or a hat, or a cloak is nothing to a man.
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whose main characters, Trixie Watson and Ben West, attend a "school for geniuses".
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play continues, with both characters' wit and banter providing much of the humour.
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made Benedick one of his signature roles between 1931 and 1959, playing opposite
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Dusinberre, Juliet (1998). "Much Ado About Lying". In Marrapodi, Michele (ed.).
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The first sound version in English released to cinemas was the highly acclaimed
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Examples of noting as noticing occur in the following instances: (1.1.131–132)
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wrote, 'Benedick and Beatrice' beside the title of the play in his copy of the
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as Benedick in his farewell performances. The great 19th-century stage team
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thought to have been written in 1598 and 1599. The play was included in the
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Tony Award Nomination for "Best Performance by a Leading Actress in a Play"
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Wedding festivities of Princess Elizabeth and Frederick V of the Palatinate
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for playing Benedick in 1984. Jacobi had also played Benedick in the
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2006: The Laurence Olivier Award for "Best Actress" was received by
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first played Benedick in 1748 and continued to play him until 1776.
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as Benedick with an all-Black cast set in contemporary Georgia, at
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composed music for a 1917 production at the Vienna Burgtheater by
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as Beatrice in a 1905 production. Act IV, Scene I: "Kill Claudio".
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Soul of the Age: the Life, Mind and World of William Shakespeare
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In 2015, Owen Drake created a modern movie version of the play,
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Wedding of Princess Elizabeth and Frederick V of the Palatinate
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The first cinematic version in English may have been the 1913
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Tony Award for "Best Performance by a Leading Actor in a Play"
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1989: The Evening Standard Award for "Best Actress" went to
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The following are puns on notes as messages: (2.1.174–176),
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The Duke of Lennox, 1574–1624: A Jacobean Courtier's Life
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Tony Award Nomination for "Best Featured Actor in a Play"
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counted Benedick and Beatrice as their greatest triumph.
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Benedick, didst thou note the daughter of Signor Leonato?
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played Beatrice at the very beginning of her career at
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in a Royal Shakespeare Company production directed by
3299:"Much Ado Opera Workshop | Repercussion Theatre" 3235:^Jeremy Nicholas. Booklet notes to Hyperion CDA67165 3150:"'Much Ado About Nothing' gets a modern take at DCPA" 3046:"Much Ado About Nothing, Shakespeare's Globe, review" 2503:. Newark: University of Delaware Press. p. 244. 1384:
The official poster for the 2011 production starring
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in which Leonato makes a sexual innuendo, concerning
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as Don John. An earlier BBC television version with
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Grammy Award for Best Spoken Word or Drama Recording
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Shakespeare's immediate source may have been one of
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Theatre, and it stayed in his repertory until 1959.
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There's not a note of mine that's worth the noting.
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"Introduction". 2136: 2018:In 2019, PBS recorded a live production of the 1404:as Beatrice in a production of the play at the 898:Now you talk of a sheet of paper, I remember a 893: 869: 829: 818: 797: 781: 3208:: A history of the Wexford Festival, 1951–2004 1906:There have been several screen adaptations of 1890:and co-written by Ilana Wolpert, and starring 1621:'s portrayal of Beatrice in this play for the 1427:as Benedick in an Indian setting, directed by 1064:as Benedick in an 1887 performance of the play 852:Why, these are very crotchets that he speaks – 551:tells one version of the Claudio–Hero plot in 4086: 3828: 996:. The longest-running Broadway production is 574:(14 February 1613). In 1600, the stationers 395:The Graphic Gallery of Shakespeare's Heroines 8: 3495:"Nothing Much to Do (TV Series 2014) – IMDB" 2937:Gertrude Carr-Davison, "Beatrice and Hero", 2761:, Columbia University Press (15 April 1994). 2740: 2738: 2736: 1653:a musical adaptation by Berni Stapleton and 2836:A Glossary of Shakespeare's Sexual Language 1814:, released in June 2013. The cast includes 5030: 4616: 4114: 4093: 4079: 4071: 3902: 3835: 3821: 3813: 3275:. Atlantic Theater Company. Archived from 2905:Kathryn Prince, "Performance History", in 2901: 2899: 2897: 2011:is a modern retelling of the play, set in 1953:as Claudio, Gordon Whiting as Antonio and 1138:played Benedick for the first time at the 420:is planned. Therein a disguised Don Pedro 47: 38: 2925:Baltimore, Penguin, 1964, pp. 326 f. 2907:Much Ado About Nothing: A Critical Reader 2895: 2893: 2891: 2889: 2887: 2885: 2883: 2881: 2879: 2877: 2805:See Stephen Greenblatt's introduction to 2478:. Boston: Houghton Mifflin. p. 361. 808:And given way unto this course of fortune 586:. This was the only edition prior to the 2933: 2931: 2779:(3). University of Texas Press: 91–105. 2281:"Much Ado About Nothing: Act 1, Scene 1" 1922:, Kathleen Widdoes, and Barnard Hughes. 1661:in America during the Second World War. 1529:as Hero and Gerrard James as Claudio at 1024:'s highly praised 1982 production, with 565:According to the earliest printed text, 444:Swooning of Hero in the Church scene by 2859:"Title Deed: How the Book Got its Name" 2573:"Much Ado About Nothing, first edition" 2354:The RSC Shakespeare: the complete works 2313: 2311: 2309: 2307: 2305: 2303: 2301: 2219:, Third Series (2nd revised ed.). 2171: 2088:In 2018, Molly Booth released a summer 747:Another motif is the play on the words 32:Much Ado About Nothing (disambiguation) 2716:, Houghton Mifflin, 1974; p. 327. 2177: 2175: 2042:as Beatrice and Benedick, directed by 1476:2017: Beatriz Romilly as Beatrice and 4845:Complete Works of William Shakespeare 3546:"The Only Thing Worse Than Me Is You" 3057:from the original on 11 January 2022. 2951:Genzlinger, Neil (10 February 2020). 2870:from the original on 11 January 2022. 2624:"Much Ado About Nothing: Entire Play" 2527:"Much Ado About Nothing introduction" 2319:"Much Ado About Nothing: Entire Play" 1531:Denver Center for the Performing Arts 1480:as Benedick in a Mexican setting, at 838:Or if thou wilt hold longer argument, 791:I noted her not, but I looked on her. 743:: Beatrice overhears Hero and Ursula. 332:waiting-gentlewoman attendant on Hero 326:waiting-gentlewoman attendant on Hero 311:' in early editions as Leonato's wife 7: 3249:"Cast Set for Gary Griffin-Directed 3148:Thomas, Dillon (14 September 2022). 3082:from the original on 11 January 2022 2356:. New York: Macmillan. p. 257. 2030:in New York City’s Central Park for 1518:. This version was broadcast on PBS 1461:2013: A German-language production ( 1203:nomination went to a recording of a 1127:played Benedick and Beatrice at the 1075:: In the original production by the 883:in which Benedick plays on the word 864:' (in music) and whimsical notions. 5205: 2077:In 2017, Mckelle George released a 2068:The Only Thing Worse Than Me Is You 1803:is a loose adaptation of the play. 1540:as Benedick in a production at the 1287:as Benedick in a production at the 1283:1987: Tandy Cronyn as Beatrice and 1101:played Benedick for the first time. 806:For I have only been silent so long 347:the Headborough, Dogberry's partner 5020:Shakespeare's influence on Tolkien 3395:. 17 August 2015 – via IMDb. 3176:Nestruk, J. Kelly (17 June 2023). 3127:Mackenzie Nichols (11 June 2019). 3068:Cavendish, Dominic (10 May 2011). 2923:A Shakespeare Companion 1564–1964. 2474:(1997). "Much Ado about Nothing". 2352:(2007). "Much Ado About Nothing". 949:had revived Shakespeare's text at 856:Note notes, forsooth, and nothing! 359:the judge of the trial of Borachio 27:Comedy play by William Shakespeare 25: 2990:Somerset, Alan (3 January 2019). 2856:Dexter, Gary (13 February 2011). 1731:was based on the play. In 1973 a 1536:2023: Maev Beaty as Beatrice and 5251:British plays adapted into films 5204: 5195: 5194: 4548: 3889: 3715: 3344:Ramesh, Randeep (29 July 2006). 3043:Spencer, Charles (30 May 2011). 2244:Zitner, Sheldon P., ed. (2008). 1610:(1901) are based upon the play. 289:attendant on Don Pedro, a singer 168:as Benedick in a 1959 production 3857: 2667:. London: Viking. p. 305. 2532:Shakespeare: the Complete Works 2066:released the young adult novel 1450:as Benedick in a production at 1340:, directed by Marianne Elliott. 618:, a port city on the island of 404:, a messenger brings news that 5025:Works titled after Shakespeare 3805:New International Encyclopedia 3791:Stratford Shakespeare Festival 2114:In 2022, Chloe Liese released 2034:. The all-Black cast features 1644:American Music Theatre Project 1484:, directed by Matthew Dunster. 1465:), translated and directed by 902:jest your daughter told us of. 1: 5256:Frederick V of the Palatinate 5185:Shakespeare and other authors 2996:Internet Shakespeare Editions 2645:A. R. Humphreys, ed. (1981). 2562:(Edinburgh, 2022), pp. 108–9. 2099:In 2019, Laura Wood released 1499:, directed by Simon Dormandy. 1258:for the "Best Actor" went to 1227:New York Shakespeare Festival 1069: 494: 254:Prince", brother of Don Pedro 5067:Shakespeare Birthplace Trust 1969:'s stage production for the 1664:The title track of the 2009 1471:SchaubĂŒhne am Lehniner Platz 1048:Actors, theatres, and awards 4873:English Renaissance theatre 4716:The Second Maiden's Tragedy 4695:The Merry Devil of Edmonton 4227:The Two Gentlemen of Verona 3725:public domain audiobook at 2748:, Arden; 3rd edition, 2005. 1927:1984 BBC Television version 1790:in her film debut as Hero. 1586:Beaucoup de bruit pour rien 1028:playing Beatrice. Director 722:Masks and mistaken identity 5272: 5041:Folger Shakespeare Library 4587:The Phoenix and the Turtle 4177:The Merry Wives of Windsor 3772:Lesson plans for teaching 3220:Workpage for Puget's opera 2980:(1 November 1882), p. 294. 2976:"Much Ado About Nothing", 2941:(1 December 1881), p. 331. 2815:W. W. Norton & Company 2524:Harrison, GB, ed. (1968). 2285:shakespeare-navigators.com 2191:W. W. Norton & Company 2145:German invasion of Denmark 2107:modernized version set in 1437:World Shakespeare Festival 1112:as Beatrice and Benedick, 1000:'s 1972 staging, starring 845:Note this before my notes: 389:A painting of Beatrice by 29: 5241:English Renaissance plays 5179: 5060:Royal Shakespeare Theatre 5055:Royal Shakespeare Company 4546: 4184:A Midsummer Night's Dream 4128:All's Well That Ends Well 3887: 3680:(in Danish), Copenhagen: 3469:"BBC updates Shakespeare" 2714:The Riverside Shakespeare 2476:The Riverside Shakespeare 2070:, a modern adaptation of 1902:Television and web series 1880:The 2023 romantic comedy 1725:'s 1964 East German film 1608:Charles Villiers Stanford 1433:Royal Shakespeare Company 1366:appeared as Beatrice and 1347:appeared as Beatrice and 1338:Royal Shakespeare Theatre 1334:Royal Shakespeare Company 1313:for "Best Actor" went to 1022:Royal Shakespeare Company 889:Don't shoot the messenger 707:Beatrice, Hero and Ursula 375:Attendants and Messengers 46: 4198:Pericles, Prince of Tyre 4054:Curiosity killed the cat 3983:The Boys Are Coming Home 3572:"Speak Easy, Speak Love" 3372:"Much Ado About Nothing" 3327:"Much Ado About Nothing" 3251:The Boys Are Coming Home 2998:. University of Victoria 1971:National Theatre Company 1877:, starring Faye Reagan. 1685:adaptation of the play, 1649:The Boys Are Coming Home 1617:said he was inspired by 1568:Jean-Élie BĂ©dĂ©no Dejaure 223:; companion of Don Pedro 219:a lord and soldier from 4206:The Taming of the Shrew 3789:format provided by the 3785:A modern re-telling in 3677:Swift og OehlenschlĂ€ger 2254:Oxford University Press 2250:Oxford World's Classics 2116:Two Wrongs Make a Right 2046:, with choreography by 2024:Shakespeare in the Park 1908:Much Ado About Nothing, 1703:in the 2023/24 season. 1689:, which was written by 1633:Erich Wolfgang Korngold 1355:production directed by 1164:production directed by 1153:for her role played in 523:François de Belleforest 55:Much Adoe About Nothing 5236:Shakespearean comedies 4888:Lord Chamberlain's Men 4799:The Passionate Pilgrim 4572:comparison to Petrarch 4191:Much Ado About Nothing 4170:The Merchant of Venice 4006:The Law Against Lovers 3955:Much Ado About Nothing 3849:Much Ado About Nothing 3782:Much Ado About Nothing 3777:at Web English Teacher 3774:Much Ado About Nothing 3768:at the British Library 3765:Much Ado About Nothing 3748:Much Ado About Nothing 3736:Much Ado About Nothing 3722:Much Ado About Nothing 3706:Much Ado About Nothing 3651:PenguinRandomhouse.com 3622:"Under a Dancing Star" 2811:The Norton Shakespeare 2807:Much Ado about Nothing 2746:Much Ado About Nothing 2647:Much Ado About Nothing 2577:Shakespeare Documented 2377:Gordon, D. J. (1942). 2246:Much Ado About Nothing 2213:Much Ado About Nothing 2187:The Norton Shakespeare 2183:Much Ado About Nothing 2161:Much Ado About Nothing 2141: 2134:cited Don John's line 2083:Speak Easy, Speak Love 2072:Much Ado About Nothing 1733:Soviet film adaptation 1681:wrote the music for a 1659:Much Ado About Nothing 1603:Much Ado About Nothing 1497:Rose Theatre, Kingston 1400:as Benedick alongside 1392: 1311:Laurence Olivier Award 1291:directed by Peter Moss 1256:Evening Standard Award 1077:Lord Chamberlain's Men 1065: 933:. Another adaptation, 924:The Law Against Lovers 909: 881: 858: 825: 814: 812:By noting of the lady. 793: 744: 714: 652: 612:Much Ado About Nothing 594:Analysis and criticism 582:published the play in 567:Much Ado About Nothing 501: 467: 448: 397: 174:Much Ado About Nothing 169: 42:Much Ado About Nothing 5078:Shakespeare Institute 5047:Shakespeare Quarterly 4566:Shakespeare's sonnets 4234:The Two Noble Kinsmen 3449:. BBC. September 2016 3210:, Four Courts, 2004. 2838:(Athlone Press, 1997 2626:. Shakespeare.mit.edu 2416:Gaw, Allison (1935). 2221:Bloomsbury Publishing 2217:The Arden Shakespeare 2181:See textual notes to 1383: 1336:'s production in the 1302:'s production at the 1055: 935:The Universal Passion 891:'; and (2.3.138–142) 774:Much Ado About Noting 738: 705: 645:Herbert Beerbohm Tree 642: 557:(Book II, Canto iv). 485: 458: 443: 388: 191:, published in 1623. 164: 4934:Spelling of his name 4774:Vortigern and Rowena 4752:Thomas Lord Cromwell 4332:Troilus and Cressida 4262:Antony and Cleopatra 4156:Love's Labour's Lost 4142:The Comedy of Errors 3947:BĂ©atrice et BĂ©nĂ©dict 2834:See Gordon Williams 2712:G. Blakemore Evans, 2383:Studies in Philology 2256:. pp. 131–132. 2101:Under a Dancing Star 1679:Billie Joe Armstrong 1627:Piano Concerto No. 2 1577:BĂ©atrice et BĂ©nĂ©dict 1564:Montano et StĂ©phanie 1522:on 22 November 2019. 1467:Marius von Mayenburg 1321:' production at the 1083:played Dogberry and 951:Lincoln's Inn Fields 874:I pray you leave me. 834:Nay pray thee, come; 709:, John Jones, after 301:follower of Don John 295:follower of Don John 133:Early Modern English 30:For other uses, see 5246:Plays set in Sicily 5158:Richard Shakespeare 5140:Gilbert Shakespeare 5072:Shakespeare's Globe 4977:Authorship question 4972:Attribution studies 4939:Stratford-upon-Avon 4781:A Yorkshire Tragedy 4759:Thomas of Woodstock 4745:The Spanish Tragedy 4686:Love's Labour's Won 4678:The London Prodigal 4635:The Birth of Merlin 4594:The Rape of Lucrece 4580:A Lover's Complaint 4460:Quarto publications 4163:Measure for Measure 4102:William Shakespeare 4022:Imogen Says Nothing 3844:William Shakespeare 3409:. 16 November 2023. 3258:5 June 2011 at the 3076:The Daily Telegraph 3051:The Daily Telegraph 2864:The Daily Telegraph 2558:David M. Bergeron, 2472:Evans, G. Blakemore 2323:shakespeare.mit.edu 1848:Spencer Treat Clark 1780:Robert Sean Leonard 1728:Viel LĂ€rm um nichts 1687:These Paper Bullets 1594:Viel LĂ€rm um Nichts 1572:Henri-Montan Berton 1482:Shakespeare's Globe 1463:Viel LĂ€rm um Nichts 1372:Shakespeare's Globe 1349:Simon Russell Beale 1332:as Beatrice in the 1225:as Dogberry in the 930:Measure for Measure 795:and (4.1.154–157). 527:Peter III of Aragon 491:John William Wright 371:watchmen of Messina 320:daughter of Leonato 194:The play is set in 183:William Shakespeare 67:William Shakespeare 5152:Edmund Shakespeare 5110:Hamnet Shakespeare 5007:Screen adaptations 4730:Sir John Oldcastle 4628:Arden of Faversham 3672:Johannes V. Jensen 3601:Molly Horton Booth 3526:. 17 November 2019 3426:www.rogerebert.com 3407:"Glen Powell on X" 3279:on 16 January 2016 3183:The Globe and Mail 3024:. 19 December 2007 2460:– via JSTOR. 2405:– via JSTOR. 2132:Johannes V. Jensen 2092:novel adaptation, 2032:Great Performances 2026:production at the 2009:Nothing Much to Do 1810:completed filming 1666:Mumford & Sons 1542:Stratford Festival 1520:Great Performances 1512:The Public Theater 1425:Paul Bhattacharjee 1393: 1289:Stratford Festival 1066: 755:. These were near- 745: 715: 653: 502: 468: 449: 398: 283:brother of Leonato 170: 5218: 5217: 5122:Elizabeth Barnard 5086: 5085: 4815: 4814: 4544: 4543: 4242:The Winter's Tale 4068: 4067: 3993: 3992: 3741:Project Gutenberg 3206:Tom Walsh's Opera 2689:"British Library" 2674:978-0-670-91482-1 2363:978-0-230-00350-7 2348:Rasmussen, Eric; 2263:978-0-19-953611-5 2230:978-1-903436-83-7 2028:Delacorte Theater 1967:Franco Zeffirelli 1786:as Margaret, and 1764:Denzel Washington 1745:Konstantin Raikin 1406:Wyndham's Theatre 1351:as Benedick in a 1166:Franco Zeffirelli 1151:Margaret Leighton 994:Margaret Leighton 802:Hear me a little, 630:Themes and motifs 622:, when Sicily is 554:The Faerie Queene 159: 158: 129:Original language 57:, printed in 1600 16:(Redirected from 5263: 5208: 5207: 5198: 5197: 5146:Joan Shakespeare 5128:John Shakespeare 5031: 5012:Shakespeare and 4723:Sejanus His Fall 4690: 4650:Double Falsehood 4617: 4601:Venus and Adonis 4552: 4325:Titus Andronicus 4311:Romeo and Juliet 4115: 4095: 4088: 4081: 4072: 3903: 3893: 3837: 3830: 3823: 3814: 3809: 3801: 3758:Text of the play 3743: 3719: 3718: 3693: 3692: 3668: 3662: 3661: 3659: 3657: 3643: 3637: 3636: 3634: 3632: 3618: 3612: 3611: 3609: 3607: 3593: 3587: 3586: 3584: 3582: 3568: 3562: 3561: 3559: 3557: 3542: 3536: 3535: 3533: 3531: 3516: 3510: 3509: 3507: 3505: 3491: 3485: 3484: 3482: 3480: 3465: 3459: 3458: 3456: 3454: 3443: 3437: 3436: 3434: 3432: 3420:Gates, Marya E. 3417: 3411: 3410: 3403: 3397: 3396: 3389: 3383: 3382: 3380: 3378: 3368: 3362: 3361: 3359: 3357: 3341: 3335: 3334: 3323: 3317: 3316: 3309: 3303: 3302: 3295: 3289: 3288: 3286: 3284: 3269: 3263: 3245:Simonson, Robert 3242: 3236: 3233: 3227: 3201: 3195: 3194: 3192: 3190: 3173: 3167: 3166: 3164: 3162: 3145: 3139: 3138: 3124: 3118: 3117: 3115: 3113: 3098: 3092: 3091: 3089: 3087: 3073: 3065: 3059: 3058: 3048: 3040: 3034: 3033: 3031: 3029: 3014: 3008: 3007: 3005: 3003: 2987: 2981: 2974: 2968: 2967: 2965: 2963: 2948: 2942: 2935: 2926: 2916: 2910: 2903: 2872: 2871: 2861: 2853: 2847: 2832: 2826: 2825:), p. 1383. 2803: 2797: 2796: 2768: 2762: 2755: 2749: 2742: 2731: 2730: 2723: 2717: 2710: 2704: 2703: 2701: 2699: 2685: 2679: 2678: 2657: 2651: 2650: 2649:. Arden Edition. 2642: 2636: 2635: 2633: 2631: 2620: 2614: 2613: 2611: 2609: 2594: 2588: 2587: 2585: 2583: 2569: 2563: 2556: 2550: 2549: 2529: 2521: 2515: 2514: 2496: 2490: 2489: 2468: 2462: 2461: 2413: 2407: 2406: 2374: 2368: 2367: 2345: 2334: 2333: 2331: 2329: 2315: 2296: 2295: 2293: 2291: 2277: 2268: 2267: 2241: 2235: 2234: 2208: 2202: 2179: 2094:Nothing Happened 2048:Camille A. Brown 2040:Grantham Coleman 1983:ShakespeaRe-Told 1955:Vernon Dobtcheff 1735:was directed by 1717:Phillips Smalley 1615:Edward MacDowell 1527:Jennifer Paredes 1508:Grantham Coleman 1506:as Beatrice and 1491:as Beatrice and 1448:James Earl Jones 1446:as Beatrice and 1444:Vanessa Redgrave 1423:as Beatrice and 1353:National Theatre 1300:Elijah Moshinsky 1234:Kathleen Widdoes 1207:production with 1205:National Theatre 1162:National Theatre 1074: 1071: 1060:as Beatrice and 1038:James Earl Jones 1034:Vanessa Redgrave 1006:Kathleen Widdoes 919:William Davenant 739:A watercolor by 647:as Benedick and 535:Ludovico Ariosto 531:Charles of Anjou 499: 496: 365:serving Benedick 232:niece of Leonato 51: 39: 21: 5271: 5270: 5266: 5265: 5264: 5262: 5261: 5260: 5221: 5220: 5219: 5214: 5175: 5124:(granddaughter) 5082: 5029: 4958: 4924:Religious views 4902:Curtain Theatre 4823: 4811: 4786: 4737:Sir Thomas More 4683: 4657:Edmund Ironside 4606: 4553: 4540: 4514:Ghost character 4474: 4446: 4337: 4318:Timon of Athens 4247: 4104: 4099: 4069: 4064: 4036: 3989: 3962: 3934: 3894: 3885: 3852: 3841: 3796: 3753:Standard Ebooks 3733: 3716: 3711:Standard Ebooks 3701: 3696: 3670: 3669: 3665: 3655: 3653: 3645: 3644: 3640: 3630: 3628: 3620: 3619: 3615: 3605: 3603: 3595: 3594: 3590: 3580: 3578: 3570: 3569: 3565: 3555: 3553: 3552:. 16 March 2016 3544: 3543: 3539: 3529: 3527: 3518: 3517: 3513: 3503: 3501: 3493: 3492: 3488: 3478: 3476: 3475:. 15 March 2005 3467: 3466: 3462: 3452: 3450: 3445: 3444: 3440: 3430: 3428: 3419: 3418: 3414: 3405: 3404: 3400: 3391: 3390: 3386: 3376: 3374: 3370: 3369: 3365: 3355: 3353: 3343: 3342: 3338: 3325: 3324: 3320: 3311: 3310: 3306: 3297: 3296: 3292: 3282: 3280: 3271: 3270: 3266: 3260:Wayback Machine 3243: 3239: 3234: 3230: 3202: 3198: 3188: 3186: 3175: 3174: 3170: 3160: 3158: 3147: 3146: 3142: 3126: 3125: 3121: 3111: 3109: 3108:. 19 April 2018 3100: 3099: 3095: 3085: 3083: 3067: 3066: 3062: 3042: 3041: 3037: 3027: 3025: 3016: 3015: 3011: 3001: 2999: 2989: 2988: 2984: 2975: 2971: 2961: 2959: 2950: 2949: 2945: 2936: 2929: 2917: 2913: 2904: 2875: 2855: 2854: 2850: 2833: 2829: 2804: 2800: 2785:10.2307/1225677 2770: 2769: 2765: 2759:Ordered Society 2756: 2752: 2743: 2734: 2725: 2724: 2720: 2711: 2707: 2697: 2695: 2687: 2686: 2682: 2675: 2659: 2658: 2654: 2644: 2643: 2639: 2629: 2627: 2622: 2621: 2617: 2607: 2605: 2596: 2595: 2591: 2581: 2579: 2571: 2570: 2566: 2557: 2553: 2546: 2523: 2522: 2518: 2511: 2498: 2497: 2493: 2486: 2470: 2469: 2465: 2415: 2414: 2410: 2376: 2375: 2371: 2364: 2347: 2346: 2337: 2327: 2325: 2317: 2316: 2299: 2289: 2287: 2279: 2278: 2271: 2264: 2243: 2242: 2238: 2231: 2210: 2209: 2205: 2180: 2173: 2169: 2157:Margaret (moon) 2153: 2126:In his text on 2124: 2060: 2036:Danielle Brooks 1965:, adapted from 1963:Robert Stephens 1951:Robert Reynolds 1916:Papp production 1904: 1862:as Verges, and 1840:Jillian Morgese 1788:Kate Beckinsale 1784:Imelda Staunton 1756:Kenneth Branagh 1741:Galina Jovovich 1737:Samson Samsonov 1723:Martin Hellberg 1709: 1588:(pub. 1898) by 1560: 1555: 1504:Danielle Brooks 1478:Matthew Needham 1414:Digital Theatre 1370:as Benedick at 1368:Charles Edwards 1357:Nicholas Hytner 1323:Queen's Theatre 1319:Matthew Warchus 1317:as Benedick in 1298:as Beatrice in 1296:Felicity Kendal 1285:Richard Monette 1213:Robert Stephens 1174:Robert Stephens 1072: 1050: 941:with a play by 903: 875: 853: 848: 846: 841: 840:Do it in notes. 839: 835: 809: 807: 803: 787: 766:double entendre 733: 724: 700: 688:Kenneth Branagh 679: 637: 632: 624:ruled by Aragon 609: 601: 596: 563: 545:Orlando Furioso 540:Orlando Furioso 511:Matteo Bandello 507: 497: 431:unrequited love 418:masquerade ball 383: 378: 351:Friar Francis, 309:ghost character 277:; Hero's father 213: 115: 113: 111: 109: 107: 103: 101: 97: 95: 91: 89: 87: 85: 83: 79: 77: 58: 35: 28: 23: 22: 15: 12: 11: 5: 5269: 5267: 5259: 5258: 5253: 5248: 5243: 5238: 5233: 5223: 5222: 5216: 5215: 5213: 5212: 5202: 5191: 5190: 5187: 5180: 5177: 5176: 5174: 5173: 5167: 5161: 5155: 5149: 5143: 5137: 5131: 5125: 5119: 5113: 5107: 5101: 5094: 5092: 5088: 5087: 5084: 5083: 5081: 5080: 5075: 5069: 5064: 5063: 5062: 5052: 5051: 5050: 5037: 5035: 5028: 5027: 5022: 5017: 5009: 5004: 4999: 4994: 4989: 4984: 4979: 4974: 4968: 4966: 4960: 4959: 4957: 4956: 4951: 4946: 4941: 4936: 4931: 4926: 4921: 4916: 4911: 4906: 4905: 4904: 4899: 4885: 4880: 4875: 4870: 4865: 4863:Collaborations 4860: 4855: 4854: 4853: 4848: 4836: 4830: 4828: 4817: 4816: 4813: 4812: 4810: 4809: 4802: 4794: 4792: 4788: 4787: 4785: 4784: 4777: 4770: 4762: 4755: 4748: 4741: 4733: 4726: 4719: 4712: 4705: 4698: 4691: 4681: 4674: 4667: 4660: 4653: 4646: 4638: 4631: 4623: 4621: 4614: 4608: 4607: 4605: 4604: 4597: 4590: 4583: 4576: 4575: 4574: 4561: 4559: 4555: 4554: 4547: 4545: 4542: 4541: 4539: 4538: 4533: 4528: 4523: 4518: 4517: 4516: 4511: 4506: 4498: 4493: 4488: 4482: 4480: 4476: 4475: 4473: 4472: 4467: 4462: 4456: 4454: 4452:Early editions 4448: 4447: 4445: 4444: 4436: 4429: 4428: 4427: 4420: 4413: 4398: 4391: 4390: 4389: 4382: 4370: 4363: 4355: 4347: 4345: 4339: 4338: 4336: 4335: 4328: 4321: 4314: 4307: 4300: 4293: 4286: 4279: 4272: 4265: 4257: 4255: 4249: 4248: 4246: 4245: 4238: 4230: 4223: 4216: 4209: 4202: 4194: 4187: 4180: 4173: 4166: 4159: 4152: 4145: 4138: 4135:As You Like It 4131: 4123: 4121: 4112: 4106: 4105: 4100: 4098: 4097: 4090: 4083: 4075: 4066: 4065: 4063: 4062: 4057: 4050: 4044: 4042: 4038: 4037: 4035: 4034: 4030:Anyone but You 4026: 4018: 4014:Dil Chahta Hai 4010: 4001: 3999: 3995: 3994: 3991: 3990: 3988: 3987: 3979: 3970: 3968: 3964: 3963: 3961: 3960: 3951: 3942: 3940: 3936: 3935: 3933: 3932: 3927: 3921: 3916: 3909: 3907: 3900: 3896: 3895: 3888: 3886: 3884: 3883: 3878: 3873: 3868: 3862: 3860: 3854: 3853: 3842: 3840: 3839: 3832: 3825: 3817: 3811: 3810: 3794: 3778: 3769: 3761: 3755: 3744: 3731: 3729: 3713: 3700: 3699:External links 3697: 3695: 3694: 3663: 3638: 3613: 3588: 3576:Harper Collins 3563: 3550:Kirkus Reviews 3537: 3511: 3486: 3460: 3438: 3412: 3398: 3393:"Messina High" 3384: 3363: 3336: 3318: 3304: 3290: 3264: 3262:. 28 May 2008. 3237: 3228: 3203:Daly, Karina, 3196: 3168: 3140: 3119: 3093: 3060: 3035: 3009: 2982: 2969: 2957:New York Times 2943: 2927: 2919:F. E. Halliday 2911: 2873: 2848: 2827: 2798: 2773:Cinema Journal 2763: 2750: 2732: 2718: 2705: 2680: 2673: 2661:Bate, Jonathan 2652: 2637: 2615: 2589: 2564: 2551: 2544: 2516: 2509: 2491: 2484: 2463: 2434:10.2307/458213 2428:(3): 715–738. 2408: 2389:(2): 279–290. 2369: 2362: 2350:Bate, Jonathan 2335: 2297: 2269: 2262: 2236: 2229: 2203: 2201:) p. 1387 2170: 2168: 2165: 2164: 2163: 2152: 2149: 2128:Jonathan Swift 2123: 2120: 2059: 2056: 2020:Public Theater 1947:Robert Lindsay 1945:as Don Pedro, 1939:Katharine Levy 1903: 1900: 1892:Sydney Sweeney 1883:Anyone But You 1856:Ashley Johnson 1834:as Don Pedro, 1824:Nathan Fillion 1820:Alexis Denisof 1800:Dil Chahta Hai 1776:Michael Keaton 1772:Richard Briers 1766:as Don Pedro, 1708: 1705: 1582:Hector Berlioz 1559: 1556: 1554: 1551: 1550: 1549: 1534: 1523: 1514:, directed by 1500: 1485: 1474: 1459: 1440: 1435:, part of the 1417: 1408:, directed by 1402:Catherine Tate 1394: 1390:Catherine Tate 1374:, directed by 1360: 1341: 1326: 1307: 1304:Strand Theatre 1292: 1281: 1270: 1263: 1252: 1237: 1230: 1223:Barnard Hughes 1215: 1197: 1158: 1143: 1132: 1129:Lyceum Theatre 1117: 1110:Charles Kemble 1102: 1095: 1088: 1087:played Verges. 1085:Richard Cowley 1049: 1046: 1010:Barnard Hughes 990:Peggy Ashcroft 970:Charles Kemble 741:John Sutcliffe 732: 729: 723: 720: 699: 696: 678: 675: 649:Winifred Emery 636: 633: 631: 628: 608: 605: 600: 597: 595: 592: 580:William Aspley 562: 559: 549:Edmund Spenser 506: 503: 382: 379: 377: 376: 373: 367: 361: 355: 349: 343: 334: 328: 322: 313: 303: 297: 291: 285: 279: 269: 256: 246: 234: 225: 214: 212: 209: 157: 156: 150: 146: 145: 140: 136: 135: 130: 126: 125: 122: 121:Date premiered 118: 117: 74: 70: 69: 64: 60: 59: 52: 44: 43: 26: 24: 14: 13: 10: 9: 6: 4: 3: 2: 5268: 5257: 5254: 5252: 5249: 5247: 5244: 5242: 5239: 5237: 5234: 5232: 5229: 5228: 5226: 5211: 5203: 5201: 5193: 5192: 5188: 5186: 5182: 5181: 5178: 5171: 5170:Thomas Quiney 5168: 5165: 5162: 5160:(grandfather) 5159: 5156: 5153: 5150: 5147: 5144: 5141: 5138: 5135: 5132: 5129: 5126: 5123: 5120: 5117: 5116:Judith Quiney 5114: 5111: 5108: 5105: 5102: 5099: 5098:Anne Hathaway 5096: 5095: 5093: 5089: 5079: 5076: 5073: 5070: 5068: 5065: 5061: 5058: 5057: 5056: 5053: 5049: 5048: 5044: 5043: 5042: 5039: 5038: 5036: 5032: 5026: 5023: 5021: 5018: 5016: 5015: 5010: 5008: 5005: 5003: 5000: 4998: 4995: 4993: 4990: 4988: 4985: 4983: 4980: 4978: 4975: 4973: 4970: 4969: 4967: 4965: 4961: 4955: 4952: 4950: 4947: 4945: 4942: 4940: 4937: 4935: 4932: 4930: 4927: 4925: 4922: 4920: 4917: 4915: 4912: 4910: 4907: 4903: 4900: 4898: 4895: 4894: 4893: 4889: 4886: 4884: 4881: 4879: 4878:Globe Theatre 4876: 4874: 4871: 4869: 4866: 4864: 4861: 4859: 4856: 4852: 4849: 4847: 4846: 4842: 4841: 4840: 4837: 4835: 4832: 4831: 4829: 4827: 4822: 4818: 4808: 4807: 4803: 4801: 4800: 4796: 4795: 4793: 4789: 4783: 4782: 4778: 4776: 4775: 4771: 4768: 4767: 4763: 4761: 4760: 4756: 4754: 4753: 4749: 4747: 4746: 4742: 4739: 4738: 4734: 4732: 4731: 4727: 4725: 4724: 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4305: 4301: 4299: 4298: 4294: 4292: 4291: 4287: 4285: 4284: 4283:Julius Caesar 4280: 4278: 4277: 4273: 4271: 4270: 4266: 4264: 4263: 4259: 4258: 4256: 4254: 4250: 4244: 4243: 4239: 4236: 4235: 4231: 4229: 4228: 4224: 4222: 4221: 4220:Twelfth Night 4217: 4215: 4214: 4210: 4208: 4207: 4203: 4200: 4199: 4195: 4193: 4192: 4188: 4186: 4185: 4181: 4179: 4178: 4174: 4172: 4171: 4167: 4165: 4164: 4160: 4158: 4157: 4153: 4151: 4150: 4146: 4144: 4143: 4139: 4137: 4136: 4132: 4130: 4129: 4125: 4124: 4122: 4120: 4116: 4113: 4111: 4107: 4103: 4096: 4091: 4089: 4084: 4082: 4077: 4076: 4073: 4061: 4058: 4055: 4051: 4049: 4046: 4045: 4043: 4039: 4032: 4031: 4027: 4024: 4023: 4019: 4016: 4015: 4011: 4008: 4007: 4003: 4002: 4000: 3996: 3985: 3984: 3980: 3977: 3976: 3972: 3971: 3969: 3965: 3958: 3956: 3952: 3949: 3948: 3944: 3943: 3941: 3937: 3931: 3928: 3925: 3922: 3920: 3917: 3914: 3911: 3910: 3908: 3904: 3901: 3897: 3892: 3882: 3879: 3877: 3874: 3872: 3869: 3867: 3864: 3863: 3861: 3859: 3855: 3851: 3850: 3845: 3838: 3833: 3831: 3826: 3824: 3819: 3818: 3815: 3807: 3806: 3800: 3795: 3792: 3788: 3784: 3783: 3779: 3776: 3775: 3770: 3767: 3766: 3762: 3759: 3756: 3754: 3750: 3749: 3745: 3742: 3738: 3737: 3732: 3730: 3728: 3724: 3723: 3714: 3712: 3708: 3707: 3703: 3702: 3698: 3691: 3687: 3684:, p. 7, 3683: 3679: 3678: 3673: 3667: 3664: 3652: 3648: 3642: 3639: 3627: 3623: 3617: 3614: 3602: 3598: 3592: 3589: 3577: 3573: 3567: 3564: 3551: 3547: 3541: 3538: 3525: 3524:Boston Herald 3521: 3515: 3512: 3500: 3496: 3490: 3487: 3474: 3470: 3464: 3461: 3448: 3442: 3439: 3427: 3423: 3416: 3413: 3408: 3402: 3399: 3394: 3388: 3385: 3373: 3367: 3364: 3351: 3347: 3340: 3337: 3332: 3328: 3322: 3319: 3314: 3308: 3305: 3300: 3294: 3291: 3278: 3274: 3268: 3265: 3261: 3257: 3254: 3252: 3246: 3241: 3238: 3232: 3229: 3225: 3221: 3217: 3216:1-85182-878-8 3213: 3209: 3207: 3200: 3197: 3185: 3184: 3179: 3172: 3169: 3157: 3156: 3151: 3144: 3141: 3136: 3135: 3130: 3123: 3120: 3107: 3103: 3097: 3094: 3081: 3077: 3072: 3064: 3061: 3056: 3052: 3047: 3039: 3036: 3023: 3019: 3013: 3010: 2997: 2993: 2986: 2983: 2979: 2973: 2970: 2958: 2954: 2947: 2944: 2940: 2934: 2932: 2928: 2924: 2920: 2915: 2912: 2908: 2902: 2900: 2898: 2896: 2894: 2892: 2890: 2888: 2886: 2884: 2882: 2880: 2878: 2874: 2869: 2865: 2860: 2852: 2849: 2845: 2844:0-485-12130-1 2841: 2837: 2831: 2828: 2824: 2823:0-393-97087-6 2820: 2816: 2812: 2808: 2802: 2799: 2794: 2790: 2786: 2782: 2778: 2774: 2767: 2764: 2760: 2754: 2751: 2747: 2741: 2739: 2737: 2733: 2728: 2722: 2719: 2715: 2709: 2706: 2694: 2690: 2684: 2681: 2676: 2670: 2666: 2662: 2656: 2653: 2648: 2641: 2638: 2625: 2619: 2616: 2604: 2600: 2597:Goff, Moira. 2593: 2590: 2578: 2574: 2568: 2565: 2561: 2555: 2552: 2547: 2545:0-15-580530-4 2541: 2537: 2533: 2528: 2520: 2517: 2512: 2510:0-87413-638-5 2506: 2502: 2495: 2492: 2487: 2485:0-395-85822-4 2481: 2477: 2473: 2467: 2464: 2459: 2455: 2451: 2447: 2443: 2439: 2435: 2431: 2427: 2423: 2419: 2412: 2409: 2404: 2400: 2396: 2392: 2388: 2384: 2380: 2373: 2370: 2365: 2359: 2355: 2351: 2344: 2342: 2340: 2336: 2324: 2320: 2314: 2312: 2310: 2308: 2306: 2304: 2302: 2298: 2286: 2282: 2276: 2274: 2270: 2265: 2259: 2255: 2251: 2247: 2240: 2237: 2232: 2226: 2223:. p. 2. 2222: 2218: 2214: 2207: 2204: 2200: 2199:0-393-97087-6 2196: 2192: 2188: 2184: 2178: 2176: 2172: 2166: 2162: 2158: 2155: 2154: 2150: 2148: 2146: 2140: 2135: 2133: 2129: 2121: 2119: 2117: 2112: 2110: 2106: 2102: 2097: 2095: 2091: 2086: 2084: 2080: 2075: 2073: 2069: 2065: 2064:Lily Anderson 2057: 2055: 2053: 2049: 2045: 2041: 2037: 2033: 2029: 2025: 2021: 2016: 2014: 2010: 2007: 2004: 1999: 1997: 1993: 1989: 1986:season, with 1985: 1984: 1979: 1976:In 2005, the 1974: 1972: 1968: 1964: 1960: 1956: 1952: 1949:as Benedick, 1948: 1944: 1940: 1937:as Beatrice, 1936: 1935:Cherie Lunghi 1932: 1928: 1923: 1921: 1920:Sam Waterston 1917: 1913: 1909: 1901: 1899: 1897: 1893: 1889: 1885: 1884: 1878: 1876: 1871: 1867: 1865: 1864:Romy Rosemont 1861: 1858:as Margaret, 1857: 1853: 1852:Riki Lindhome 1850:as Borachio, 1849: 1846:as Don John, 1845: 1841: 1837: 1833: 1829: 1826:as Dogberry, 1825: 1822:as Benedick, 1821: 1818:as Beatrice, 1817: 1813: 1812:an adaptation 1809: 1804: 1802: 1801: 1796: 1791: 1789: 1785: 1781: 1778:as Dogberry, 1777: 1773: 1770:as Don John, 1769: 1765: 1762:as Beatrice, 1761: 1760:Emma Thompson 1757: 1753: 1748: 1746: 1742: 1738: 1734: 1730: 1729: 1724: 1720: 1718: 1714: 1706: 1704: 1702: 1698: 1694: 1692: 1688: 1684: 1680: 1675: 1673: 1672: 1667: 1662: 1660: 1656: 1652: 1650: 1645: 1640: 1638: 1637:Max Reinhardt 1634: 1630: 1628: 1624: 1620: 1616: 1613:The composer 1611: 1609: 1605: 1604: 1599: 1598:ÁrpĂĄd Doppler 1595: 1591: 1587: 1583: 1579: 1578: 1573: 1569: 1565: 1557: 1552: 1547: 1546:Chris Abraham 1543: 1539: 1535: 1532: 1528: 1524: 1521: 1517: 1513: 1509: 1505: 1501: 1498: 1494: 1490: 1486: 1483: 1479: 1475: 1472: 1468: 1464: 1460: 1457: 1453: 1449: 1445: 1441: 1438: 1434: 1430: 1426: 1422: 1418: 1415: 1411: 1407: 1403: 1399: 1398:David Tennant 1395: 1391: 1387: 1386:David Tennant 1382: 1377: 1376:Jeremy Herrin 1373: 1369: 1365: 1361: 1358: 1354: 1350: 1346: 1345:ZoĂ« Wanamaker 1342: 1339: 1335: 1331: 1327: 1324: 1320: 1316: 1312: 1308: 1305: 1301: 1297: 1293: 1290: 1286: 1282: 1279: 1275: 1271: 1268: 1267:SinĂ©ad Cusack 1264: 1261: 1257: 1253: 1250: 1246: 1242: 1241:SinĂ©ad Cusack 1238: 1235: 1231: 1228: 1224: 1220: 1216: 1214: 1210: 1206: 1202: 1198: 1195: 1191: 1187: 1186:Albert Finney 1183: 1182:Lynn Redgrave 1179: 1175: 1171: 1167: 1163: 1159: 1156: 1152: 1148: 1144: 1141: 1137: 1133: 1130: 1126: 1122: 1118: 1115: 1114:Covent Garden 1111: 1107: 1106:Helena Faucit 1103: 1100: 1099:David Garrick 1096: 1093: 1089: 1086: 1082: 1081:William Kempe 1078: 1068: 1067: 1063: 1059: 1054: 1047: 1045: 1043: 1039: 1035: 1031: 1027: 1026:SinĂ©ad Cusack 1023: 1019: 1015: 1011: 1007: 1003: 1002:Sam Waterston 999: 995: 991: 987: 986:Diana Wynyard 983: 979: 975: 971: 967: 966:Covent Garden 963: 962:Helena Faucit 958: 956: 955:David Garrick 952: 948: 944: 940: 936: 932: 931: 926: 925: 920: 916: 914: 908: 906: 901: 897: 892: 890: 886: 880: 878: 873: 868: 865: 863: 862:quarter notes 857: 854: 851: 844: 836: 833: 828: 824: 822: 817: 813: 810: 804: 801: 796: 792: 790: 785: 780: 777: 775: 771: 767: 763: 758: 754: 750: 742: 737: 730: 728: 721: 719: 712: 708: 704: 697: 695: 693: 689: 683: 676: 674: 672: 667: 663: 659: 650: 646: 641: 634: 629: 627: 625: 621: 617: 613: 606: 604: 598: 593: 591: 589: 585: 581: 577: 573: 568: 561:Date and text 560: 558: 556: 555: 550: 546: 542: 541: 536: 532: 529:'s defeat of 528: 524: 520: 516: 512: 504: 492: 488: 484: 480: 476: 474: 465: 464:Robert Smirke 461: 457: 453: 447: 446:Alfred Elmore 442: 438: 434: 432: 426: 423: 419: 414: 410: 407: 403: 396: 392: 391:Frank Dicksee 387: 380: 374: 372: 368: 366: 362: 360: 356: 354: 350: 348: 344: 342: 338: 335: 333: 329: 327: 323: 321: 317: 314: 312: 310: 304: 302: 298: 296: 292: 290: 286: 284: 280: 278: 276: 270: 268: 266: 260: 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Retrieved 2284: 2245: 2239: 2212: 2206: 2186: 2182: 2160: 2142: 2137: 2125: 2115: 2113: 2100: 2098: 2093: 2087: 2082: 2081:adaptation, 2076: 2071: 2067: 2061: 2052:Chuck Cooper 2017: 2008: 2000: 1996:Billie Piper 1992:Sarah Parish 1988:Damian Lewis 1981: 1975: 1959:Maggie Smith 1933:as Leonato, 1931:Lee Montague 1924: 1907: 1905: 1886:directed by 1881: 1879: 1875:Messina High 1874: 1872: 1868: 1854:as Conrade, 1838:as Claudio, 1832:Reed Diamond 1830:as Leonato, 1805: 1798: 1792: 1782:as Claudio, 1774:as Leonato, 1768:Keanu Reeves 1749: 1726: 1721: 1715:directed by 1710: 1697:Opera McGill 1695: 1686: 1676: 1671:Sigh No More 1669: 1663: 1658: 1655:Leslie Arden 1647: 1642:In 2006 the 1641: 1631: 1612: 1601: 1593: 1585: 1575: 1563: 1561: 1544:directed by 1538:Graham Abbey 1493:John Hopkins 1489:Mel Giedroyc 1462: 1456:Mark Rylance 1454:directed by 1410:Josie Rourke 1330:Tamsin Greig 1315:Mark Rylance 1280:as Benedick. 1278:Derek Jacobi 1260:Derek Jacobi 1245:Derek Jacobi 1209:Maggie Smith 1196:among others 1194:Derek Jacobi 1190:Michael York 1178:Ian McKellen 1170:Maggie Smith 1154: 1136:John Gielgud 1121:Henry Irving 1062:Henry Irving 1014:Derek Jacobi 998:A. J. Antoon 982:John Gielgud 974:Henry Irving 959: 938: 934: 928: 922: 917: 912: 910: 904: 895: 894: 884: 882: 876: 871: 870: 866: 859: 855: 849: 842: 837: 831: 830: 826: 820: 819: 815: 811: 805: 799: 798: 794: 788: 783: 782: 778: 773: 761: 752: 748: 746: 725: 716: 711:Henry Fuseli 706: 684: 680: 662:Second Folio 654: 635:Gender roles 611: 610: 602: 566: 564: 552: 544: 538: 518: 508: 486: 477: 469: 459: 450: 435: 427: 415: 411: 399: 394: 370: 364: 358: 352: 346: 340: 331: 325: 319: 306: 300: 294: 288: 282: 273:governor of 272: 262: 249: 240: 231: 218: 201: 193: 186: 173: 172: 171: 166:John Gielgud 54: 36: 5210:WikiProject 4897:The Theatre 4883:Handwriting 4709:The Puritan 4500:Characters 4465:First Folio 4433:Richard III 4213:The Tempest 4048:Dogberryism 3998:Adaptations 3899:Adaptations 3787:flash comic 3656:26 February 3556:23 February 3431:22 December 2978:The Theatre 2939:The Theatre 2744:McEachern, 2698:25 February 2630:12 November 2608:25 February 2582:25 February 2130:from 1940, 2013:New Zealand 1912:Joseph Papp 1896:Glen Powell 1828:Clark Gregg 1808:Joss Whedon 1739:, starring 1713:silent film 1691:Rolin Jones 1619:Ellen Terry 1562:The operas 1553:Adaptations 1452:The Old Vic 1249:Terry Hands 1229:production. 1125:Ellen Terry 1073: 1598 1058:Ellen Terry 1042:The Old Vic 1030:Terry Hands 978:Ellen Terry 968:, opposite 937:, combined 666:Renaissance 643:Drawing of 588:First Folio 576:Andrew Wise 498: 1849 369:The Watch, 287:Balthasar, 188:First Folio 5231:1599 plays 5225:Categories 5134:Mary Arden 5118:(daughter) 5106:(daughter) 4982:Bardolatry 4892:King's Men 4834:Birthplace 4521:Chronology 4440:Henry VIII 4367:Richard II 4359:Edward III 4269:Coriolanus 3858:Characters 3690:Q108935398 3504:1 December 3479:26 January 3377:23 October 3112:26 January 3078:. London. 3053:. London. 3028:26 January 3002:18 January 2866:. London. 2252:. Oxford: 2167:References 2058:Literature 2044:Kenny Leon 2006:web series 1888:Will Gluck 1844:Sean Maher 1836:Fran Kranz 1683:rock opera 1657:that sets 1596:(1896) by 1590:Paul Puget 1580:(1862) by 1566:(1799) by 1516:Kenny Leon 1429:Iqbal Khan 1421:Meera Syal 1309:1994: The 1272:1985: The 1254:1983: The 1044:, London. 1018:Tony Award 850:Don Pedro: 843:Balthasar: 832:Don Pedro: 764:is also a 757:homophones 677:Infidelity 614:is set in 357:a Sexton, 324:Margaret, 293:Borachio, 248:Don John, 241:Prince of 217:Benedick, 211:Characters 73:Characters 63:Written by 5164:John Hall 5154:(brother) 5142:(brother) 5074:(replica) 5014:Star Trek 5002:Memorials 4997:Influence 4987:Festivals 4929:Sexuality 4919:Portraits 4914:New Place 4766:Ur-Hamlet 4702:Mucedorus 4612:Apocrypha 4352:King John 4343:Histories 4290:King Lear 4253:Tragedies 4149:Cymbeline 4060:Pleaching 3871:Don Pedro 3793:of Canada 3682:Gyldendal 3626:Goodreads 2757:Amussen, 2693:www.bl.uk 2603:www.bl.uk 2458:163471928 2442:0030-8129 2395:0039-3738 2147:in 1940. 2122:Citations 2062:In 2016, 2001:The 2014 1943:Jon Finch 1941:as Hero, 1842:as Hero, 1816:Amy Acker 1806:In 2011, 1793:The 2001 1752:1993 film 1677:In 2015, 1646:produced 1473:, Berlin. 1056:Print of 960:In 1836, 947:John Rich 877:Benedick: 821:Borachio: 789:Benedick: 713:(c. 1771) 698:Deception 692:1993 film 671:cuckoldry 658:Charles I 590:in 1623. 406:Don Pedro 305:Innogen, 299:Conrade, 281:Antonio, 271:Leonato, 237:Don Pedro 99:Don Pedro 78:Balthasar 5200:Category 5148:(sister) 5136:(mother) 5130:(father) 4642:Cardenio 4531:Settings 4479:See also 4402:Henry VI 4373:Henry IV 4119:Comedies 3975:Much Ado 3876:Dogberry 3866:Beatrice 3727:LibriVox 3686:Wikidata 3674:(1950), 3606:15 April 3581:15 April 3352:. 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Index

Conrade
Much Ado About Nothing (disambiguation)

William Shakespeare
Beatrice
Dogberry
Don Pedro
Hero
Early Modern English
Comedy
Messina

John Gielgud
comedy
William Shakespeare
First Folio
Messina
Beatrice
Padua
Beatrice
Don Pedro
Aragon
Bastard
Claudio
Florence
Messina
ghost character
Hero
Dogberry

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