755:, which had become a great success on both sides of the Atlantic, after its release in January 1969. They felt that Rod Evans, with his tender, smooth voice, would not be able to cope with louder, more aggressive material. Evans had also expressed reservations about his permanence in the band and voiced his wish to permanently move to the US. Tensions were also high with bassist Nick Simper, whose playing style was considered, in Paice's words, "stuck in the late '50s and early '60s" by the other band members and unfit for the new musical direction they wanted to pursue. On the other hand, Simper sided with Blackmore against Lord's excessive influence in the band's songwriting and was critical of classical music getting in the way of harder rock. As a result of those tensions, communication between band members was at a minimum during the tour. It was in May that Lord and Blackmore agreed on changing the line-up, shifting out Evans. They talked their ideas over with drummer Paice, gaining his agreement to the line-up change. Coletta was surprised when he heard the trio's news, advising them to keep quiet about it until the tour was completed and they had returned home.
783:, with whom he formed a songwriting duo. According to Simper, his replacement by Glover was initially not planned and was due to the creative togetherness of the two Episode Six members. Gillan convinced the reluctant Glover to audition for Deep Purple and the two soon found themselves torn between the new band, which gladly welcomed both of them, and obligations with Episode Six for the completion of a UK tour. Evans, Simper and Episode Six's management were kept unaware of these events and of the fact that the new line-up was already active in writing and rehearsing new songs. In between gigs all over the country, Deep Purple had rehearsed the song "Hallelujah" with Evans and Simper to be released as a new single, but it was recorded in secret on 7 June by the fresh Mark II line-up at De Lane Studios instead, with Glover still acting as a session musician. The final show of the Mark I lineup was in Cardiff on 4 July 1969, and the Mark II lineup debuted live at
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started making money, the friendships went out the window." He further noted that
Blackmore was particularly peeved that Lord and Evans were earning royalties above and beyond the other band members because they had composed the B-side of the "Hush" single ("One More Rainy Day"). Meanwhile, Lord and Blackmore were tired of being identified as a "clone of
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556:. Lord's dominance waned some in this release as more writing and performing space was given to Blackmore, who delivered his longest and, for some critics, best guitar solos to date. Critics also remark Paice's progress as performer, especially on the "tribal" opening track "Chasing Shadows" where he had his first chance at songwriting. Bass player
351:, and returned home on 3 January 1969. The band was considered an underground act in the United Kingdom, but word of their success in America had influenced their reputation at home, as they gradually rose in popularity and request. However, their releases had yet to make an impact in the UK, where their second single, a cover of
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previous album was the B-side of the
British edition of "Emmaretta", which was issued in February 1969 and promoted by Deep Purple in their first full UK tour. This was the first time that a Deep Purple release appeared in the UK before the US. The tour started in Birmingham on 6 February with a concert broadcast by
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we never had the luxury like most bands do now of saying, 'hang on fellas, we need a little bit of down time to just think about stuff and try and be creative.'" Added
Blackmore: "That really bugs me...going to the studio, 'right, you gotta turn out an LP, boys.' You know, 'here we go, you gotta write a song...
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promotion and people who saw the band on the road could find stacks of LPs and singles for sale at every concert, this time the single "Emmaretta" and the band's back-catalogue remained sitting on store shelves. In fact, the band experienced some economic limitations during the tour and asked their manager
405:, and went on as a series of one-nighters in clubs and colleges across the country during February and March. Deep Purple's greater visibility and their declared interest in the British public induced local music magazines to print a few articles on them. However, after keyboard player and spokesperson
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appreciates in his review the heavier sound of the songs and notices how "Evans sounds more and more out of place in a band that was increasingly more comfortable with stretching itself beyond the confines of pure pop pieces", like in the track "April", which he considers not only "the most ambitious
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Despite having turned into a highly proficient band on stage, things were starting to heat up internally, with band members getting more vocal about the direction they wanted the music to go, as well as being dissatisfied with their treatment financially. Simper remarked in later interviews, "Once we
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was reissued very few times and only in Europe, often in a set with the two other albums recorded by the Mark I line-up. The only other international reissue of the album is the
Remastered 2000 CD edition by EMI, which contains versions of "The Bird Has Flown", "Emmaretta" and live performances taken
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Psychedelic rock had been another main influence in the first two Deep Purple albums, but it was rapidly going out of fashion; the musicians ceased their exploration of the genre in this album with songs such as "The
Painter" and "Bird Has Flown", dedicating themselves completely to the trendier hard
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Although most recording dates are lost, it is known that the band recorded two songs on 17 February. "Lalena" and most of "April" were recorded on 28 February, while a new version of "The Bird Has Flown", retitled "Bird Has Flown", was put on tape on 28 March. The orchestral part of "April" played by
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had met in the US) was composed for that purpose and recorded on 7 January 1969, after four takes. The heavier and more experimental song "The Bird Has Flown" was arranged and recorded later on the same day and was chosen as the B-side for the US release. The instrumental "Wring That Neck" from their
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chart for a few weeks, peaking at No. 162 and not coming close to the success of its two predecessors. Tetragrammaton's financial problems were partially to blame, for promotion was lackluster, but the lack of a hit single to be aired on FM radio or a tour in support of the album were also important
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The musicians were now starting to fully endeavour to write original material and found ideas for seven songs, more than on either of their first two albums. Musical and lyrical inspiration came from very disparate sources. The opener "Chasing
Shadows" was based on African rhythms created by drummer
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was the band's third album to be recorded, even though they had been together for less than one year. According to Nick Simper: "Recording was always a problem. We were always short of material, purely because of our schedule. The fact that we were always being chased by
Tetragrammaton for material,
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The band's management organized the spare time from the UK tour to record new songs for a third album over the course of
February and March 1969 at De Lane Lea Studios, with Lawrence as producer and Barry Ainsworth as sound engineer. The pressure of the multiple engagements left the band very little
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column, reviews the album as "the least satisfying of their three early career releases, although it can also be considered their most adventurous" for its "meandering through a number of different styles and sounds." However, considering the growth shown by
Blackmore and Lord as performers in this
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in London on 10 July. The final show played by Gillan and Glover with
Episode Six was in Little Bardfield on 26 July 1969. The single "Hallelujah" was released in late July in the US and the UK and featured an edited version of "April" as B-side, the final original appearance on vinyl of the Mark I
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Tetragrammaton Records had been active only for a year, but was on the brink of bankruptcy in the US. Its initial solid financial foundation had been quickly eroded by expensive promotional campaigns and by failed commercial strategies. Deep Purple were the label's most successful artist, but the
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The band started their second US tour in April 1969 with little support from their almost-bankrupt American label and without an album to promote, because of a delay in the manufacturing of the new LP. During the tour, Deep Purple showed a remarkable progress as performers and a musical direction
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Even though their most recent single was doing poorly, Deep Purple maintained a reputation as a fine live act in the US. The band had now begun to develop their stage presence into something grander, going in a louder and heavier direction and focusing more and more on the instrumental interplay
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Upon arrival on US soil, Deep Purple found out that Tetragrammaton had not yet found the resources to manufacture their now finished album and could offer very little financial support to the tour. Contrary to what happened in the past, when the American label had spent much money in advance for
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and postponed their tour. Thus, in early April 1969 Deep Purple were on their way back to the US to start off a two-month coast-to-coast tour as headliners which, similarly to what had happened in Britain, brought them mainly to small clubs and colleges. This time their trek also touched Canada,
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with lyrics inspired by one of Jon Lord's nightmares. The baroque "Blind" was written by Lord and largely performed on harpsichord. The short instrumental "Fault Line" was inspired by an earthquake that the band had experienced while in Los Angeles and featured Paice's drum patterns reversed and
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band had not been able to produce another hit single like "Hush" and their latest release "Emmaretta", out just in time for their second US tour in April 1969, was also largely unsuccessful and failed to affect the US charts. The label's financial distress caused a delay in the printing of
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about his birthday month before the recording sessions had begun; it was later augmented with a long middle section of classical music written by Lord, becoming the album's 12-minute-plus final track and Deep Purple's longest ever studio recording. The only cover song on the album is the
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This was the least commercially successful of the three albums released by the band's Mark I line-up, and was ignored by critics upon its release. Modern reviews are generally positive, and remark on the variety of styles within the album and the boldness of the song arrangements.
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praised the album for being "stronger, more aggressive and much better recorded" than "either of the first two records", showing the original work of "a strangely soulful psych band distinguished", with the exception of singer Evans, "by its hard-hitting players".
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Lord still had a great influence, which found maximum expression in the harpsichord-flavoured "Blind" and in the orchestral section of "April", an original piece for choir and string quartet that he composed despite being hard at work in writing and arranging his
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publicly stated that they would play large arenas for £2500 per show in America then come home and only be able to book small venues paying £150 a night, typical headlines were "Purple won't starve for an ideal" and "They lose £2350 a night working in Britain".
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in a New York studio in December 1968, without worthwhile results. The musicians had come up with much more complex original material for their second album, and making a song that would easily fit the three-minute range was apparently becoming difficult.
607:-owned painting, which was incorrectly perceived in the US as being anti-religious, featuring immoral scenes, and was thus rejected or poorly stocked by many record shops. The original painting is in colour, although it appeared on the LP in
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upbringing and interest in fusing classical and rock had profoundly influenced the direction taken by the band. Blackmore compared the organ-heavy mix of those releases to the works of British progressive rock band
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was played only during the tours of 1969 and never performed again by other line-ups, though Simper played songs from the first three Deep Purple albums with the tribute band Nasty Habits in Europe in 2010.
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due to a printing error for the original layout, and the band opted to keep it that way. Another section of the same Bosch painting (in colour) had been used as an album cover two years earlier, by
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song written to be a commercial single, but the sound of the album is heavier and more guitar-oriented than previous works, similar to how the band sounded live during this period.
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in the United Kingdom. Its release was preceded by the single "Emmaretta" and by a long tour in the UK, whose dates were interspersed between the album's recording sessions.
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in their upcoming US tour during Spring 1969, the first in three years and a certain sold-out event. Unfortunately, the Rolling Stones decided to spend more time at
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later stated that "there was a lot of pressure from Jon Lord to do this kind of semi-classical stuff we didn't actually rebel against it until the third album."
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By the third album, certain people were hiding themselves away creating stuff in secret, purely because they didn't want anybody to share in the finances.
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795:. Simper sued Deep Purple's management for breaking his contract, and the dispute was settled economically out of court. He later formed the rock band
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While the band was recording the new album and touring in the UK, their managers at HEC Enterprises had found an agreement for Deep Purple to support
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radio show on 14 January 1969. It was broadcast again on 11 February before being reworked and becoming the psychedelic blues song "The Painter".
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was completed. Meanwhile, the search for a new singer to replace Evans began and Blackmore asked for help in this task from his old acquaintance
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with the hard rock music that other band members wanted to pursue brought about the decision to search for a substitute, which was found in
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to fly back home, so the hotel bills would be reduced. Coletta later commented on how 1969 was a wasted year for Deep Purple in America.
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than on an album by an extinct line-up. The album was a slow seller in Europe, but eventually was certified Gold in Germany in 1990.
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After his dismissal, Evans left for the US with his wife and resurfaced in 1971 as lead singer in the American progressive rock band
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in London. At that time Deep Purple's line-up had already changed. The album was distributed in Canada and Japan in October 1969 by
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Back in England in early June, the decision taken had to be kept secret until the promotional tour for the British release of
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370:", and the band had tried to satisfy that request while still in the US for the last dates of their tour; they recorded some
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In the UK, the single "Emmaretta" did not convince critics and buying public and failed to chart. At the time of release,
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sessions, to compose and record new songs and solve the new single problem. The song "Emmaretta" (named after the musical
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hired musicians was the last recording for the yet-unnamed album, which was mixed and delivered by the end of March.
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was practically ignored by the music press in the US upon its release in June 1969 and bounced up and down on the
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Tetragrammaton issued the album in a stark gatefold sleeve, wrapped around with a segmented illustration from
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more oriented towards a heavier and louder sound than before. Doubts about the compatibility of vocalist
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between Blackmore and Lord. In particular the latter had found a way to short-circuit the original
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In late 1968, Deep Purple had embarked on a successful first US tour to promote their second album
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Jon Lord was Deep Purple's spokesperson and the only band member with whom their managers talked.
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The first new song to be publicly performed was titled "Hey Bop a Re Bop", which aired on the
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333:. The band's new line-up, identified as Mark II, debuted live in London on 10 July 1969.
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release, he concludes that it is "a fitting conclusion to the band's formative years."
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time for composition and most of the tracks were written and rehearsed in the studio.
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from BBC Radio sessions as bonus tracks. All the songs were digitally remastered by
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As is the case with most of the material on their previous two albums, the songs of
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460:", which had been a Top 40 single for its author in the US in the autumn of 1968.
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structure on the songs "The Painter" and "Why Didn't Rosemary?" "Emmaretta" is a
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A few days after their US tour, Deep Purple settled in with their usual producer
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2070:"25 Years of Deep Purple The Battle Rages On ... – Interview with Jon Lord"
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thing on the entire record, but also arguably the best." David Bowling, in his
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was generally ignored by the British music press, more focused on the eventful
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In the UK, "Lalena" and "The Painter" were performed live on 24 June 1969 at a
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Gombrich, E. H. "Bosch's 'Garden of Earthly Delights': A Progress Report".
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1949:"Deep Purple: Shades of Deep Purple / The Book of Taliesyn / Deep Purple"
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as a songwriter and to the conflicts within the band over the fusion of
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pressured the band to make a single to match the success of their hit "
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All Music Guide to Rock: The Definitive Guide to Rock, Pop, and Soul
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It wasn't until Led Zeppelin came along that we had a direction.
727:, obtaining a roaring sound and matching the guitar in loudness.
325:. Gillan had formed a songwriting duo with Episode Six's bassist
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The music of this album is mostly original and a combination of
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Knocking at Your Back Door: The Best of Deep Purple in the 80's
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session. The album was released in the UK in September 1969 on
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Lord had been the main writer on the first two albums and his
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The Collector's Guide to Heavy Metal: Volume 1: The Seventies
1885:"Nick Simper Interview from "Darker than Blue", July 1983"
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King Biscuit Flower Hour Presents: Deep Purple in Concert
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The Beatles, Popular Music and Society: A Thousand Voices
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Classic Albums: Deep Purple – The Making of Machine Head
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and connect the instrument directly into the stacks of
329:, who was also invited to join Deep Purple and replace
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and amply implemented in the band's previous releases.
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Live at Montreux 2006: They All Came Down to Montreux
2195:"Pearls Before Swine – One Nation Underground review"
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Re-Machined: A Tribute to Deep Purple's Machine Head
1651:"Deep Purple - A Critical Retrospective/Rock Review"
603:. The label ran into difficulty over the use of the
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2557:"Ritchie Blackmore – Recalls Life with Deep Purple"
1542:"Top Singles – Volume 10, No. 16, December 16 1968"
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278:in the United States and only in September 1969 on
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1594:"Deep Purple Live Index – search for Mk I (68/69)"
585:painted in the late 15th century by Dutch master
3605:When We Rock, We Rock, and When We Roll, We Roll
996:All credits adapted from the original releases.
2854:"Gold-/Platin-Datenbank search for Deep Purple"
2169:Journal of the Warburg and Courtauld Institutes
1351:, backing vocals, string arrangement on "April"
1281:"The Painter" (BBC radio session; 24 June 1969)
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649:, around the same time as the much-hyped event
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3981:In Concert with The London Symphony Orchestra
3696:Winning Combinations: Deep Purple and Rainbow
3461:In Concert with The London Symphony Orchestra
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564:rock genre in the following studio releases.
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3619:Deepest Purple: The Very Best of Deep Purple
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2438:"Stay Tuned By Stan Cornyn: Loudest Purple"
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775:. Underwood recommended Episode Six singer
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2834:. Deep Purple Appreciation Society website
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2099:AA.VV. (17 June 2000). Inglis, Ian (ed.).
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2980:Smoke on the Water: The Deep Purple Story
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1986:"Music Review: Deep Purple – Deep Purple"
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396:cast member Emmaretta Marks, whom singer
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1512:"The Book of Taliesyn Billboard Singles"
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2832:New Musical Express, February 22nd 1969
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969:Modern reviews are generally positive.
699:where their albums were distributed by
4016:History, Hits & Highlights '68–'76
2942:. Toronto, Canada: Power Chord Press.
2940:Gettin' Tighter: Deep Purple '68 – '76
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2147:. Backbeat Books. pp. 1322–1323.
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386:in Kingsway, London, already used for
3405:In the Absence of Pink: Knebworth '85
2799:from the original on 16 February 2013
1663:from the original on 13 December 2021
1471:
1469:
1467:
1465:
1463:
1453:
1451:
1435:
1433:
1431:
1429:
1427:
1425:
1423:
1421:
1419:
1417:
1284:Blackmore, Evans, Lord, Simper, Paice
1146:Blackmore, Evans, Lord, Simper, Paice
820:
305:and rock proposed by keyboard player
7:
2469:Pop Cult: Religion and Popular Music
1802:"Donovan Chart History: The Hot 100"
39:1969 studio album by Deep Purple
3675:Smoke on the Water & Other Hits
3598:The Deep Purple Singles A's and B's
2614:from the original on 26 August 2012
1984:Bowling, David (16 November 2011).
841:
576:A detail of the right panel of the
2544:On The Roundabout With Deep Purple
1947:Beaudoin, Jedd (20 October 2011).
1919:"Deep Purple – Deep Purple review"
1186:Remastered CD edition bonus tracks
877:
25:
4318:Albums produced by Derek Lawrence
811:Commercial and critical reception
4282:
4281:
3939:Concerto for Group and Orchestra
3349:Concerto for Group and Orchestra
2906:Black Knight – Ritchie Blackmore
1210:"The Bird Has Flown" (Alternate
964:Concerto for Group and Orchestra
933:Collector's Guide to Heavy Metal
921:
916:
911:
906:
901:
896:
891:
886:
881:
876:
860:
855:
850:
845:
840:
692:in London to record their album
651:Concerto for Group and Orchestra
553:Concerto for Group and Orchestra
207:Concerto for Group and Orchestra
3840:Sometimes I Feel Like Screaming
3640:Smoke on the Water: The Best Of
3475:This Time Around: Live in Tokyo
2828:"Record reviews 1968–1976: mk1"
2767:. Burlington, Ontario, Canada:
2608:"Led Zeppelin Billboard Albums"
2303:. 20 September 1969. p. 21
1857:The Book of Taliesyn Remastered
1490:The Book of Taliesyn Remastered
509:, the band also incorporated a
4064:The Songs That Built Rock Tour
2793:"Deep Purple Billboard Albums"
2583:"Led Zeppelin Official Charts"
2520:. Rockpages.gr. Archived from
2076:. January 1994. Archived from
1891:. Nick Simper official website
1867:. p. 10. 7243 5 21608 22.
1191:
1124:
1006:
600:The Garden of Earthly Delights
582:The Garden of Earthly Delights
1:
4323:Tetragrammaton Records albums
3668:Days May Come and Days May Go
3489:Inglewood: Live in California
1883:Robinson, Simon (July 1983).
1500:. p. 8. 7243 5 21608 22.
362:Deep Purple's American label
3974:Total Abandon: Australia '99
3953:Deep Purple Rises Over Japan
3661:The Very Best of Deep Purple
3647:30: Very Best of Deep Purple
3454:Total Abandon: Australia '99
2858:Bundesverband Musikindustrie
2769:Collector's Guide Publishing
2559:. Guitar.com. Archived from
2341:. p. 9. 7243 8 3401925.
1596:. Deep Purple Live Index.com
2516:Anasontzis, George (2010).
1750:. Deep-Purple.net. May 2003
1546:Library and Archives Canada
1079:"Fault Line" (instrumental)
759:End of the Mark I formation
274:, released in June 1969 on
4349:
3826:Knocking at Your Back Door
3749:River Deep – Mountain High
3612:The Mark II Purple Singles
3468:Live at the Rotterdam Ahoy
3440:Mk III: The Final Concerts
2713:"Captain Beyond Biography"
2472:. Continuum. p. 122.
2171:, Volume 32, 1969: 162–170
1748:"Derek Lawrence Interview"
428:.' It’s just ridiculous."
27:For the Sun Ra album, see
26:
4277:
4054:Deep Purple European Tour
3073:
2885:(LP Sleeve). London, UK:
1780:"Donovan – Lalena review"
1732:(CD Sleeve). London, UK:
1277:
1263:
1253:session, 14 January 1969)
1242:
1224:
1206:
1198:
1195:
1167:
1153:
1139:
1131:
1128:
1096:
1075:
1055:
1041:
1021:
1013:
1010:
828:
825:
414:Composition and recording
245:
241:
232:
228:
224:Remastered re-issue cover
219:
182:
49:
4059:Rapture of the Deep tour
3921:Vavoom: Ted the Mechanic
2957:Robinson, Simon (2000).
2546:Retrieved 31 August 2020
2327:Robinson, Simon (1995).
2139:Erlewine, Stephen Thomas
1855:Robinson, Simon (2000).
1488:Robinson, Simon (2000).
4200:Black Country Communion
3960:Come Hell or High Water
3710:The Platinum Collection
3447:Live at The Olympia '96
3419:Come Hell or High Water
3254:The House of Blue Light
2587:Official Charts Company
2384:"Shades of Deep Purple"
802:The music of the album
4333:Polydor Records albums
4328:Harvest Records albums
3900:When a Blind Man Cries
3717:BBC Sessions 1968–1970
3689:Listen, Learn, Read On
3377:Deep Purple in Concert
3268:The Battle Rages On...
3219:Who Do We Think We Are
2959:Deep Purple Remastered
2355:. The Highway Star.com
1830:"Radio & TV Shows"
1730:Deep Purple Remastered
1256:Lord, Evans, Blackmore
1235:Lord, Evans, Blackmore
1217:Lord, Evans, Blackmore
1160:Lord, Evans, Blackmore
1143:"Why Didn't Rosemary?"
734:
618:One Nation Underground
590:
524:
486:
364:Tetragrammaton Records
276:Tetragrammaton Records
262:, is the third studio
256:, also referred to as
4185:Hughes Turner Project
4069:The Long Goodbye Tour
4030:Live at Montreux 2011
4009:Around the World Live
4002:Live at Montreux 2006
3995:Live in Concert 72/73
3967:Live at Montreux 1996
3946:Live in California 74
3770:Strange Kind of Woman
3682:The Soundboard Series
3538:Live at Montreux 2011
3510:Live at Montreux 1996
3370:Last Concert in Japan
3177:Shades of Deep Purple
2903:Bloom, Jerry (2006).
2734:Unterberger, Richie.
2466:Till, Rupert (2010).
1834:Deep Purple Tour Page
1107:, Lord, Simper, Paice
625:Release and promotion
575:
484:
3524:Live in Denmark 1972
3184:The Book of Taliesyn
2736:"Warhorse Biography"
1778:Greenwald, Matthew.
1228:"Emmaretta" (Studio
816:Professional ratings
765:The Book of Taliesyn
388:The Book of Taliesyn
348:The Book of Taliesyn
189:The Book of Taliesyn
4237:Deep Purple Tribute
3517:Live in Montreux 69
3503:Live in Europe 1993
3398:Scandinavian Nights
3296:Rapture of the Deep
3240:Come Taste the Band
3198:Deep Purple in Rock
2983:. Toronto, Canada:
2711:Ruhlmann, William.
2701:Thompson: pp. 69–70
2330:Deep Purple in Rock
2137:; Woodstra, Chris;
1187:
1120:
1002:
817:
737:– Ritchie Blackmore
613:Pearls Before Swine
384:De Lane Lea Studios
94:De Lane Lea Studios
77:September 1969 (UK)
4308:Deep Purple albums
4095:The Flower Pot Men
3914:Soldier of Fortune
3798:Smoke on the Water
3562:Compilation albums
3482:Live in Paris 1975
3433:California Jamming
3261:Slaves and Masters
3032:(list of releases)
2969:. 7243 5 21597 27.
2563:on 10 October 2014
2135:Bogdanov, Vladimir
2107:Palgrave Macmillan
1736:. 7243 5 21597 27.
1548:. 16 December 1968
1402:Abbey Road Studios
1387:Barry Ainsworth –
1185:
1118:
1000:
815:
785:The Speakeasy Club
686:the Rolling Stones
674:Abbey Road Studios
591:
487:
96:, Kingsway, London
85:January–March 1969
4295:
4294:
4269:Bogus Deep Purple
4165:Paice Ashton Lord
4150:Blackmore's Night
3819:Perfect Strangers
3412:Gemini Suite Live
3247:Perfect Strangers
3120:Ritchie Blackmore
2994:978-1-55022-618-8
2949:978-0-9811057-1-0
2920:978-1-84609-266-4
2911:Music Sales Group
2524:on 30 August 2010
2479:978-0-8264-3236-0
2386:. Deep-Purple.net
2154:978-0-87930-653-3
2120:978-0-312-22236-9
1315:Ritchie Blackmore
1291:
1290:
1181:
1180:
1114:
1113:
1083:Ritchie Blackmore
1063:" (Donovan cover)
1025:"Chasing Shadows"
942:
941:
721:Hammond C-3 organ
655:Royal Albert Hall
545:on keyboards. On
449:Ritchie Blackmore
299:Ritchie Blackmore
249:
248:
215:
214:
16:(Redirected from
4340:
4285:
4284:
4257:Rock Aid Armenia
4251:The Purple Album
4209:Related articles
4180:Yngwie Malmsteen
3833:Call of the Wild
3805:Woman from Tokyo
3654:Shades 1968–1998
3391:Nobody's Perfect
3324:Turning to Crime
3060:
3053:
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2782:
2763:(October 2003).
2757:
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1981:
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1963:
1961:
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1900:
1898:
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1889:Darker than Blue
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1557:
1555:
1553:
1538:
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1529:
1527:
1522:on 14 March 2016
1518:. Archived from
1508:
1502:
1501:
1485:
1476:
1473:
1458:
1455:
1446:
1443:
1396:– restoring and
1193:
1188:
1157:"Bird Has Flown"
1126:
1121:
1008:
1003:
926:
925:
924:
920:
919:
915:
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910:
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853:
849:
848:
844:
843:
818:
738:
595:Hieronymus Bosch
587:Hieronymus Bosch
528:
507:blues-based rock
503:psychedelic rock
495:progressive rock
493:mix elements of
456:-penned ballad "
437:double tracked.
295:psychedelic rock
287:progressive rock
237:
184:
183:
140:
139:
135:
120:progressive rock
115:psychedelic rock
54:
42:
21:
4348:
4347:
4343:
4342:
4341:
4339:
4338:
4337:
4298:
4297:
4296:
4291:
4273:
4204:
4135:Ian Gillan Band
4073:
4042:
3926:
3893:Maybe I'm a Leo
3852:
3722:
3703:The Early Years
3584:24 Carat Purple
3577:Mark I & II
3570:Purple Passages
3557:
3336:
3164:
3150:Joe Lynn Turner
3135:David Coverdale
3069:
3064:
3012:
2999:
2997:
2995:
2977:(August 2004).
2973:
2956:
2950:
2934:
2925:
2923:
2921:
2902:
2899:
2894:
2887:Harvest Records
2877:
2876:
2872:
2862:
2860:
2852:
2851:
2847:
2837:
2835:
2826:
2825:
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2710:
2709:
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2700:
2696:
2691:
2687:
2683:Thompson: p. 69
2682:
2675:
2671:Thompson: p. 62
2670:
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2503:
2499:Thompson: p. 61
2498:
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2432:
2431:
2424:
2420:Thompson: p. 60
2419:
2408:
2403:
2399:
2389:
2387:
2382:
2381:
2377:
2373:Robinson: p. 11
2372:
2368:
2358:
2356:
2351:
2350:
2346:
2326:
2325:
2316:
2306:
2304:
2296:
2294:"Album Reviews"
2292:
2291:
2287:
2283:Robinson: p. 10
2282:
2261:
2256:
2235:
2231:Thompson: p. 59
2230:
2219:
2215:Thompson: p. 31
2214:
2210:
2200:
2198:
2192:
2191:
2187:
2182:
2175:
2166:
2162:
2155:
2141:, eds. (2002).
2133:
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1684:Thompson: p. 57
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1578:Thompson: p. 56
1577:
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1457:Thompson: p. 58
1456:
1449:
1444:
1415:
1411:
1404:, London (2000)
1371:
1302:
1297:
1292:
1182:
1174:Blackmore, Lord
1115:
994:
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907:
902:
897:
892:
887:
882:
861:
856:
851:
846:
813:
761:
740:
736:
717:Leslie speakers
701:Polydor Records
690:Olympic Studios
682:
659:Polydor Records
647:Harvest Records
627:
615:on their debut
605:Museo del Prado
570:
541:, who featured
534:classical music
530:
526:
479:
444:Rosemary's Baby
416:
343:
303:classical music
280:Harvest Records
266:by the English
259:Deep Purple III
210:
201:
192:
154:
137:
133:
132:
124:
76:
67:
40:
35:
23:
22:
15:
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4266:
4263:Green Bullfrog
4259:
4254:
4247:
4240:
4233:
4231:Funky Junction
4228:
4226:Purple Records
4223:
4218:
4212:
4210:
4206:
4205:
4203:
4202:
4197:
4192:
4187:
4182:
4177:
4172:
4167:
4162:
4160:Coverdale–Page
4157:
4152:
4147:
4142:
4137:
4132:
4127:
4125:Captain Beyond
4122:
4117:
4112:
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4072:
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4056:
4050:
4048:
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4043:
4041:
4040:
4037:Live in Verona
4033:
4026:
4023:Phoenix Rising
4019:
4012:
4005:
3998:
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3896:
3889:
3886:Space Truckin'
3882:
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3745:
3742:Kentucky Woman
3738:
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3594:
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3565:
3563:
3559:
3558:
3556:
3555:
3552:Live in Verona
3548:
3545:Phoenix Rising
3541:
3534:
3527:
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3478:
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3464:
3457:
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3429:
3422:
3415:
3408:
3401:
3394:
3387:
3384:Live in London
3380:
3373:
3366:
3363:Made in Europe
3359:
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3048:
3040:
3034:
3033:
3021:
3011:
3010:External links
3008:
3007:
3006:
2993:
2975:Thompson, Dave
2971:
2965:. London, UK:
2961:(CD Booklet).
2954:
2948:
2936:Popoff, Martin
2932:
2919:
2909:. London, UK:
2898:
2895:
2893:
2892:
2870:
2845:
2819:
2810:
2784:
2778:978-1894959025
2777:
2771:. p. 83.
2761:Popoff, Martin
2749:
2726:
2703:
2694:
2685:
2673:
2661:
2652:
2643:
2634:
2625:
2599:
2574:
2548:
2542:Tyler, Kieron
2535:
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2485:
2478:
2458:
2422:
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2397:
2375:
2366:
2344:
2333:(CD Booklet).
2314:
2285:
2259:
2257:Robinson: p. 6
2233:
2217:
2208:
2193:Kurtz, Peter.
2185:
2183:Robinson: p. 8
2173:
2160:
2153:
2126:
2119:
2091:
2080:on 17 May 2010
2061:
2052:
2040:
2026:
2024:Robinson: p. 7
2004:
1967:
1932:
1902:
1870:
1859:(CD Booklet).
1847:
1818:
1793:
1770:
1761:
1739:
1706:
1686:
1674:
1639:
1627:
1625:Robinson: p. 5
1607:
1580:
1571:
1559:
1533:
1503:
1492:(CD Booklet).
1477:
1459:
1447:
1445:Robinson: p. 4
1412:
1410:
1407:
1406:
1405:
1391:
1385:
1375:Derek Lawrence
1370:
1367:
1366:
1365:
1352:
1334:
1332:backing vocals
1321:
1312:
1301:
1298:
1296:
1293:
1289:
1288:
1285:
1282:
1279:
1275:
1274:
1271:
1268:
1265:
1261:
1260:
1257:
1254:
1244:
1240:
1239:
1236:
1233:
1226:
1222:
1221:
1218:
1215:
1208:
1204:
1203:
1200:
1197:
1194:
1183:
1179:
1178:
1175:
1172:
1169:
1165:
1164:
1161:
1158:
1155:
1151:
1150:
1147:
1144:
1141:
1137:
1136:
1133:
1130:
1127:
1116:
1112:
1111:
1108:
1101:
1098:
1094:
1093:
1090:
1080:
1077:
1073:
1072:
1069:
1067:Donovan Leitch
1064:
1057:
1053:
1052:
1049:
1046:
1043:
1039:
1038:
1035:
1026:
1023:
1019:
1018:
1015:
1012:
1009:
998:
993:
990:
940:
939:
936:
928:
927:
873:
867:
866:
837:
831:
830:
827:
823:
822:
812:
809:
793:Captain Beyond
769:Mick Underwood
760:
757:
729:
681:
678:
626:
623:
569:
566:
519:
478:
475:
439:Roman Polanski
415:
412:
380:Derek Lawrence
357:Kentucky Woman
342:
339:
247:
246:
243:
242:
239:
238:
230:
229:
226:
225:
221:
220:
217:
216:
213:
212:
203:
194:
180:
179:
172:
171:
169:Derek Lawrence
166:
160:
159:
151:Tetragrammaton
148:
142:
141:
130:
126:
125:
123:
122:
117:
112:
106:
104:
98:
97:
91:
87:
86:
83:
79:
78:
75:June 1969 (US)
73:
69:
68:
63:
56:
55:
47:
46:
38:
32:(Sun Ra album)
24:
14:
13:
10:
9:
6:
4:
3:
2:
4345:
4334:
4331:
4329:
4326:
4324:
4321:
4319:
4316:
4314:
4311:
4309:
4306:
4305:
4303:
4288:
4280:
4279:
4276:
4270:
4267:
4265:
4264:
4260:
4258:
4255:
4253:
4252:
4248:
4246:
4245:
4241:
4239:
4238:
4234:
4232:
4229:
4227:
4224:
4222:
4219:
4217:
4214:
4213:
4211:
4207:
4201:
4198:
4196:
4193:
4191:
4188:
4186:
4183:
4181:
4178:
4176:
4173:
4171:
4170:Black Sabbath
4168:
4166:
4163:
4161:
4158:
4156:
4153:
4151:
4148:
4146:
4143:
4141:
4138:
4136:
4133:
4131:
4128:
4126:
4123:
4121:
4118:
4116:
4113:
4111:
4108:
4106:
4103:
4101:
4098:
4096:
4093:
4091:
4088:
4086:
4083:
4082:
4080:
4078:Related bands
4076:
4070:
4067:
4065:
4062:
4060:
4057:
4055:
4052:
4051:
4049:
4047:Concert tours
4045:
4039:
4038:
4034:
4032:
4031:
4027:
4025:
4024:
4020:
4018:
4017:
4013:
4011:
4010:
4006:
4004:
4003:
3999:
3997:
3996:
3992:
3990:
3989:
3985:
3983:
3982:
3978:
3976:
3975:
3971:
3969:
3968:
3964:
3962:
3961:
3957:
3955:
3954:
3950:
3948:
3947:
3943:
3941:
3940:
3936:
3935:
3933:
3929:
3922:
3918:
3915:
3911:
3908:
3904:
3901:
3897:
3894:
3890:
3887:
3883:
3880:
3876:
3873:
3872:Child in Time
3869:
3866:
3865:Mandrake Root
3862:
3861:
3859:
3855:
3848:
3847:Vincent Price
3844:
3841:
3837:
3834:
3830:
3827:
3823:
3820:
3816:
3813:
3809:
3806:
3802:
3799:
3795:
3792:
3788:
3785:
3781:
3778:
3774:
3771:
3767:
3764:
3760:
3757:
3753:
3750:
3746:
3743:
3739:
3736:
3732:
3731:
3729:
3725:
3719:
3718:
3714:
3712:
3711:
3707:
3705:
3704:
3700:
3698:
3697:
3693:
3691:
3690:
3686:
3684:
3683:
3679:
3677:
3676:
3672:
3670:
3669:
3665:
3663:
3662:
3658:
3656:
3655:
3651:
3649:
3648:
3644:
3642:
3641:
3637:
3635:
3634:
3630:
3628:
3627:
3626:The Anthology
3623:
3621:
3620:
3616:
3614:
3613:
3609:
3607:
3606:
3602:
3600:
3599:
3595:
3593:
3592:
3588:
3586:
3585:
3581:
3579:
3578:
3574:
3572:
3571:
3567:
3566:
3564:
3560:
3554:
3553:
3549:
3547:
3546:
3542:
3540:
3539:
3535:
3533:
3532:
3528:
3526:
3525:
3521:
3519:
3518:
3514:
3512:
3511:
3507:
3505:
3504:
3500:
3498:
3497:
3496:Perks and Tit
3493:
3491:
3490:
3486:
3484:
3483:
3479:
3477:
3476:
3472:
3470:
3469:
3465:
3463:
3462:
3458:
3456:
3455:
3451:
3449:
3448:
3444:
3442:
3441:
3437:
3435:
3434:
3430:
3428:
3427:
3423:
3421:
3420:
3416:
3414:
3413:
3409:
3407:
3406:
3402:
3400:
3399:
3395:
3393:
3392:
3388:
3386:
3385:
3381:
3379:
3378:
3374:
3372:
3371:
3367:
3365:
3364:
3360:
3358:
3357:
3356:Made in Japan
3353:
3351:
3350:
3346:
3345:
3343:
3339:
3333:
3332:
3328:
3326:
3325:
3321:
3319:
3318:
3314:
3312:
3311:
3307:
3305:
3304:
3300:
3298:
3297:
3293:
3291:
3290:
3286:
3284:
3283:
3279:
3277:
3276:
3275:Purpendicular
3272:
3270:
3269:
3265:
3263:
3262:
3258:
3256:
3255:
3251:
3249:
3248:
3244:
3242:
3241:
3237:
3235:
3234:
3230:
3228:
3227:
3223:
3221:
3220:
3216:
3214:
3213:
3209:
3207:
3206:
3202:
3200:
3199:
3195:
3193:
3192:
3188:
3186:
3185:
3181:
3179:
3178:
3174:
3173:
3171:
3169:Studio albums
3167:
3161:
3158:
3156:
3153:
3151:
3148:
3146:
3143:
3141:
3138:
3136:
3133:
3131:
3128:
3126:
3123:
3121:
3118:
3116:
3113:
3112:
3109:
3108:
3107:Simon McBride
3104:
3102:
3101:
3097:
3095:
3094:
3090:
3088:
3087:
3083:
3081:
3080:
3076:
3075:
3072:
3068:
3061:
3056:
3054:
3049:
3047:
3042:
3041:
3038:
3031:
3027:
3026:
3022:
3020:
3018:
3014:
3013:
3009:
2996:
2990:
2986:
2982:
2981:
2976:
2972:
2968:
2964:
2960:
2955:
2951:
2945:
2941:
2937:
2933:
2922:
2916:
2912:
2908:
2907:
2901:
2900:
2896:
2888:
2884:
2880:
2874:
2871:
2859:
2855:
2849:
2846:
2833:
2829:
2823:
2820:
2817:Bloom: p. 127
2814:
2811:
2798:
2794:
2788:
2785:
2780:
2774:
2770:
2766:
2762:
2756:
2754:
2750:
2737:
2730:
2727:
2714:
2707:
2704:
2698:
2695:
2692:Bloom: p. 126
2689:
2686:
2680:
2678:
2674:
2668:
2666:
2662:
2659:Bloom: p. 125
2656:
2653:
2650:Popoff: p. 40
2647:
2644:
2641:Popoff: p. 48
2638:
2635:
2632:Popoff: p. 46
2629:
2626:
2613:
2609:
2603:
2600:
2588:
2584:
2578:
2575:
2562:
2558:
2552:
2549:
2545:
2539:
2536:
2523:
2519:
2518:"Nick Simper"
2512:
2510:
2508:
2506:
2502:
2496:
2494:
2492:
2490:
2486:
2481:
2475:
2471:
2470:
2462:
2459:
2447:
2446:Rhino Records
2443:
2439:
2435:
2429:
2427:
2423:
2417:
2415:
2413:
2411:
2407:
2404:Popoff: p. 39
2401:
2398:
2385:
2379:
2376:
2370:
2367:
2354:
2353:"Deep Purple"
2348:
2345:
2340:
2336:
2332:
2331:
2323:
2321:
2319:
2315:
2302:
2295:
2289:
2286:
2280:
2278:
2276:
2274:
2272:
2270:
2268:
2266:
2264:
2260:
2254:
2252:
2250:
2248:
2246:
2244:
2242:
2240:
2238:
2234:
2228:
2226:
2224:
2222:
2218:
2212:
2209:
2196:
2189:
2186:
2180:
2178:
2174:
2170:
2164:
2161:
2156:
2150:
2146:
2145:
2140:
2136:
2130:
2127:
2122:
2116:
2112:
2108:
2104:
2103:
2095:
2092:
2079:
2075:
2071:
2065:
2062:
2059:Popoff: p. 28
2056:
2053:
2050:Popoff: p. 37
2047:
2045:
2041:
2035:
2033:
2031:
2027:
2021:
2019:
2017:
2015:
2013:
2011:
2009:
2005:
1993:
1992:
1987:
1980:
1978:
1976:
1974:
1972:
1968:
1956:
1955:
1950:
1943:
1941:
1939:
1937:
1933:
1920:
1917:Eder, Bruce.
1913:
1911:
1909:
1907:
1903:
1890:
1886:
1879:
1877:
1875:
1871:
1866:
1862:
1858:
1851:
1848:
1835:
1831:
1825:
1823:
1819:
1807:
1803:
1797:
1794:
1781:
1774:
1771:
1768:Popoff: p. 35
1765:
1762:
1749:
1743:
1740:
1735:
1731:
1727:
1721:
1719:
1717:
1715:
1713:
1711:
1707:
1704:Popoff: p. 34
1701:
1699:
1697:
1695:
1693:
1691:
1687:
1681:
1679:
1675:
1662:
1658:
1657:
1652:
1646:
1644:
1640:
1634:
1632:
1628:
1622:
1620:
1618:
1616:
1614:
1612:
1608:
1595:
1589:
1587:
1585:
1581:
1575:
1572:
1566:
1564:
1560:
1547:
1543:
1537:
1534:
1521:
1517:
1513:
1507:
1504:
1499:
1495:
1491:
1484:
1482:
1478:
1475:Popoff: p. 33
1472:
1470:
1468:
1466:
1464:
1460:
1454:
1452:
1448:
1442:
1440:
1438:
1436:
1434:
1432:
1430:
1428:
1426:
1424:
1422:
1420:
1418:
1414:
1408:
1403:
1399:
1395:
1392:
1390:
1386:
1384:
1380:
1376:
1373:
1372:
1368:
1364:
1360:
1356:
1353:
1350:
1346:
1342:
1341:Hammond organ
1338:
1335:
1333:
1329:
1325:
1322:
1320:
1316:
1313:
1311:
1307:
1304:
1303:
1299:
1294:
1286:
1283:
1280:
1276:
1272:
1269:
1266:
1262:
1258:
1255:
1252:
1249:
1246:"Emmaretta" (
1245:
1241:
1237:
1234:
1231:
1227:
1223:
1219:
1216:
1213:
1209:
1205:
1189:
1176:
1173:
1170:
1166:
1162:
1159:
1156:
1152:
1148:
1145:
1142:
1138:
1122:
1109:
1106:
1102:
1100:"The Painter"
1099:
1095:
1091:
1089:, Lord, Paice
1088:
1084:
1081:
1078:
1074:
1070:
1068:
1065:
1062:
1058:
1054:
1050:
1047:
1044:
1040:
1036:
1034:
1030:
1027:
1024:
1020:
1004:
997:
992:Track listing
991:
989:
986:
985:Martin Popoff
981:
976:
972:
967:
965:
961:
956:
953:
951:
946:
937:
935:
934:
930:
929:
874:
872:
869:
868:
838:
836:
833:
832:
824:
821:Review scores
819:
810:
808:
805:
800:
798:
794:
789:
786:
782:
778:
774:
770:
766:
758:
756:
754:
750:
746:
745:Vanilla Fudge
739:
733:
728:
726:
725:Marshall amps
722:
718:
712:
710:
704:
702:
697:
696:
691:
687:
679:
677:
675:
671:
666:
662:
660:
656:
652:
648:
645:'s sub-label
644:
640:
635:
633:
624:
622:
620:
619:
614:
610:
606:
602:
601:
596:
588:
584:
583:
579:
574:
567:
565:
561:
559:
555:
554:
548:
544:
543:Keith Emerson
540:
535:
529:
527:– Nick Simper
523:
518:
516:
512:
508:
504:
500:
496:
492:
483:
477:Musical style
476:
474:
470:
468:
467:
461:
459:
455:
450:
446:
445:
440:
435:
429:
427:
422:
413:
411:
408:
404:
399:
395:
394:
389:
385:
381:
376:
373:
369:
365:
360:
358:
354:
350:
349:
340:
338:
334:
332:
328:
324:
320:
316:
310:
308:
304:
300:
296:
292:
288:
283:
281:
277:
273:
269:
265:
261:
260:
255:
254:
244:
240:
236:
231:
227:
222:
218:
209:
208:
204:
200:
199:
195:
191:
190:
186:
185:
181:
177:
173:
170:
167:
165:
161:
157:
152:
149:
147:
143:
131:
127:
121:
118:
116:
113:
111:
108:
107:
105:
103:
99:
95:
92:
88:
84:
80:
74:
70:
66:
61:
57:
53:
48:
43:
37:
33:
31:
19:
4261:
4249:
4242:
4235:
4085:The Artwoods
4035:
4028:
4021:
4014:
4007:
4000:
3993:
3986:
3979:
3972:
3965:
3958:
3951:
3944:
3937:
3931:Video albums
3791:Highway Star
3784:Never Before
3715:
3708:
3701:
3694:
3687:
3680:
3673:
3666:
3659:
3652:
3645:
3638:
3631:
3624:
3617:
3610:
3603:
3596:
3589:
3582:
3575:
3568:
3550:
3543:
3536:
3529:
3522:
3515:
3508:
3501:
3494:
3487:
3480:
3473:
3466:
3459:
3452:
3445:
3438:
3431:
3424:
3417:
3410:
3403:
3396:
3389:
3382:
3375:
3368:
3361:
3354:
3347:
3329:
3322:
3315:
3308:
3301:
3294:
3287:
3280:
3273:
3266:
3259:
3252:
3245:
3238:
3233:Stormbringer
3231:
3224:
3217:
3212:Machine Head
3210:
3203:
3196:
3190:
3189:
3182:
3175:
3155:Joe Satriani
3140:Glenn Hughes
3105:
3098:
3091:
3086:Roger Glover
3084:
3077:
3023:
3016:
2998:. Retrieved
2979:
2958:
2939:
2924:. Retrieved
2905:
2882:
2873:
2861:. Retrieved
2848:
2838:29 September
2836:. Retrieved
2831:
2822:
2813:
2801:. Retrieved
2795:. AllMusic.
2787:
2764:
2740:. Retrieved
2729:
2717:. Retrieved
2706:
2697:
2688:
2655:
2646:
2637:
2628:
2616:. Retrieved
2610:. AllMusic.
2602:
2590:. Retrieved
2577:
2565:. Retrieved
2561:the original
2551:
2538:
2526:. Retrieved
2522:the original
2468:
2461:
2449:. Retrieved
2441:
2434:Cornyn, Stan
2400:
2388:. Retrieved
2378:
2369:
2357:. Retrieved
2347:
2329:
2307:15 September
2305:. Retrieved
2301:Melody Maker
2300:
2288:
2211:
2199:. Retrieved
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2163:
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2101:
2094:
2082:. Retrieved
2078:the original
2073:
2064:
2055:
2038:Bloom: p.123
1995:. Retrieved
1989:
1958:. Retrieved
1952:
1923:. Retrieved
1893:. Retrieved
1888:
1856:
1850:
1840:21 September
1838:. Retrieved
1833:
1809:. Retrieved
1796:
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1773:
1764:
1752:. Retrieved
1742:
1729:
1665:. Retrieved
1654:
1637:Popoff: p.36
1598:. Retrieved
1574:
1569:Bloom: p.121
1550:. Retrieved
1536:
1524:. Retrieved
1520:the original
1506:
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1250:
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968:
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957:
949:
944:
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803:
801:
790:
781:Roger Glover
764:
762:
749:Led Zeppelin
741:
735:
731:
713:
709:John Coletta
705:
695:Let It Bleed
693:
683:
664:
663:
653:held at the
650:
636:
631:
628:
616:
598:
597:'s painting
592:
580:
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546:
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511:12-bar blues
490:
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442:
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391:
387:
377:
361:
353:Neil Diamond
346:
344:
335:
327:Roger Glover
321:of the band
311:
284:
258:
257:
252:
251:
250:
205:
197:
196:
187:
60:Studio album
36:
29:
4313:1969 albums
4216:Discography
4190:Living Loud
4120:Dixie Dregs
4100:Episode Six
4090:The Outlaws
3857:Other songs
3763:Black Night
3341:Live albums
3191:Deep Purple
3160:Steve Morse
3145:Tommy Bolin
3130:Nick Simper
3067:Deep Purple
3025:Deep Purple
3017:Deep Purple
3000:25 December
2963:Deep Purple
2883:Deep Purple
2879:Deep Purple
2390:19 February
2335:Deep Purple
1997:12 February
1991:Blogcritics
1960:25 December
1861:Deep Purple
1836:. Purple.de
1726:Deep Purple
1494:Deep Purple
1398:remastering
1349:harpsichord
1324:Nick Simper
1310:lead vocals
1300:Deep Purple
1103:Blackmore,
1087:Nick Simper
980:Blogcritics
960:Deep Purple
945:Deep Purple
804:Deep Purple
788:formation.
773:Episode Six
753:debut album
676:in London.
665:Deep Purple
632:Deep Purple
558:Nick Simper
547:Deep Purple
491:Deep Purple
421:Deep Purple
403:BBC Radio 1
331:Nick Simper
323:Episode Six
272:Deep Purple
253:Deep Purple
198:Deep Purple
176:Deep Purple
65:Deep Purple
45:Deep Purple
30:Deep Purple
4302:Categories
4175:Gary Moore
4155:Whitesnake
4115:James Gang
3907:Mistreated
3756:Hallelujah
3591:Powerhouse
3303:Now What?!
3093:Ian Gillan
2926:12 January
2897:References
2803:9 February
2738:. AllMusic
2715:. AllMusic
2567:15 January
2337:. London:
2197:. AllMusic
2109:. p.
2105:. London:
2084:22 January
1954:PopMatters
1925:8 February
1921:. AllMusic
1895:15 January
1863:. London:
1782:. AllMusic
1600:25 January
1552:2 February
1526:2 February
1496:. London:
1369:Production
1363:percussion
975:PopMatters
871:PopMatters
777:Ian Gillan
609:monochrome
341:Background
319:Ian Gillan
178:chronology
3125:Rod Evans
3100:Don Airey
3079:Ian Paice
2985:ECW Press
2889:SHVL 759.
2528:7 January
2442:Rhino.com
2074:Keyboards
1806:Billboard
1754:7 January
1394:Peter Mew
1355:Ian Paice
1306:Rod Evans
1295:Personnel
1199:Writer(s)
1132:Writer(s)
1105:Rod Evans
1029:Ian Paice
1014:Writer(s)
955:factors.
950:Billboard
670:Peter Mew
639:BBC Radio
568:Cover art
499:hard rock
441:'s movie
434:Ian Paice
398:Rod Evans
315:Rod Evans
291:hard rock
110:Hard rock
18:Emmaretta
4287:Category
4195:WhoCares
4130:Warhorse
3879:The Mule
3777:Fireball
3310:Infinite
3205:Fireball
3115:Jon Lord
2938:(2008).
2881:(1969).
2863:12 March
2797:Archived
2618:26 March
2612:Archived
2592:26 March
2201:13 March
1811:13 March
1786:13 March
1728:(2000).
1661:Archived
1516:AllMusic
1389:engineer
1379:producer
1337:Jon Lord
1251:Top Gear
1214:version)
1119:Side two
1033:Jon Lord
1001:Side one
971:AllMusic
835:AllMusic
797:Warhorse
578:triptych
539:the Nice
515:pop rock
466:Top Gear
407:Jon Lord
307:Jon Lord
164:Producer
82:Recorded
72:Released
62: by
4221:Members
4145:Rainbow
4105:Trapeze
3727:Singles
3317:Whoosh!
3289:Bananas
3282:Abandon
3030:Discogs
2742:8 March
2719:8 March
2451:6 March
1667:25 July
1656:YouTube
1319:guitars
1171:"April"
1045:"Blind"
719:of his
680:Touring
454:Donovan
211:(1969)
202:(1969)
193:(1968)
156:Harvest
4140:Gillan
4110:Zephyr
3019:lyrics
2991:
2946:
2917:
2775:
2476:
2359:4 July
2151:
2117:
1383:mixing
1270:Leitch
1230:B-side
1212:A-side
1202:Length
1135:Length
1061:Lalena
1017:Length
829:Rating
826:Source
458:Lalena
372:covers
129:Length
90:Studio
2297:(PDF)
1409:Notes
1359:drums
1345:piano
1196:Title
1177:12:10
1129:Title
1011:Title
426:today
270:band
264:album
146:Label
102:Genre
3812:Burn
3735:Hush
3226:Burn
3002:2013
2989:ISBN
2944:ISBN
2928:2014
2915:ISBN
2865:2017
2840:2017
2805:2017
2773:ISBN
2744:2017
2721:2017
2620:2017
2594:2017
2569:2014
2530:2014
2474:ISBN
2453:2017
2392:2014
2361:2020
2309:2021
2203:2017
2149:ISBN
2115:ISBN
2086:2014
1999:2017
1962:2013
1927:2017
1897:2014
1842:2014
1813:2017
1788:2017
1756:2014
1669:2018
1602:2014
1554:2014
1528:2014
1328:bass
1287:2:18
1273:3:33
1259:3:09
1238:3:00
1220:2:54
1163:5:36
1149:5:04
1110:3:51
1092:1:46
1071:5:05
1051:5:26
1048:Lord
1037:5:34
938:7/10
501:and
393:Hair
368:Hush
355:'s "
293:and
268:rock
158:(UK)
153:(US)
3028:at
2967:EMI
2339:EMI
1865:EMI
1734:EMI
1498:EMI
1400:at
1278:13.
1264:12.
1248:BBC
1243:11.
1225:10.
1192:No.
1125:No.
1007:No.
952:200
751:'s
672:at
643:EMI
382:at
4304::
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1970:^
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1450:^
1416:^
1381:,
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1326:–
1317:–
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1168:8.
1154:7.
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