Knowledge

Hanamichi

Source 📝

42: 195: 22: 162:, "main flower path"), was first conceived and standardized in 1740. The standard size ranges from 16.38 metres (53.7 ft) – 18.20 metres (59.7 ft) long and 150 centimetres (59 in) – 180 centimetres (71 in) wide. Some theatres have since begun to make use of a secondary 135:, in the form of a simple wooden plank that reached from the centre of the stage to the middle of the theatre. It was not used in performances, but allowed actors to step into the audience after a performance to receive flowers, with the word 106:
also typically features a trapdoor just before the runway meets the stage, placed to be visible to everyone in the audience, which is commonly used for character entrances. Some kabuki plays also require the use of two
247:(lit., "seven-three"). It is here that exiting characters may say their final words, and entering characters may address the audience or the characters on stage. Since the 253:
runs through the audience, it allows for a closer experience for the spectator than might normally be allowed by other forms of traditional theater.
222:
Though rarely used for the main action of a play, much of the more dramatic or famous character moments occur during entrances or exits along the
338: 87:. It is a long, raised platform, running left of centre to the stage through the audience, connecting to the main stage. 41: 343: 194: 333: 52: 328: 21: 323: 74: 317: 307: 130: 100:
and scenes that do not take place in the location as scenes on the main stage; the
27: 228:. Many particularly dramatic actions take place seven-tenths of the way down the 96:
is typically used for character entrances and exits, though is also used for
201: 291: 84: 286: 81: 180:, "copied flower path") which is one-third to half the width of the 234:(three-tenths away from the stage), at a spot known in Japanese as 193: 97: 78: 40: 262: 16:
Runway leading from the back of a kabuki theatre to the stage
308:
Japanese Architecture and Art Net Users System (JAANUS)
113:, running along the left and right of the audience. 272: 266: 248: 240: 229: 223: 213: 207: 199: 181: 175: 169: 163: 157: 151: 145: 136: 128: 122: 108: 101: 91: 66: 46: 33: 25: 8: 168:on the right side of the audience, known as 20: 32:'s signature disappearing act on the 7: 14: 141:literally meaning "flower path." 208: 129: 127:was first used in 1668 in the 26: 1: 198:The July 1858 production of 339:1668 establishments in Asia 273: 267: 249: 230: 224: 214: 200: 182: 170: 164: 152: 146: 137: 123: 109: 102: 92: 47: 34: 360: 241: 176: 158: 67: 53:National Theatre of Japan 310:. Accessed 30 July 2005. 219: 55: 38: 197: 44: 24: 144:The modern style of 344:1660s introductions 150:, sometimes called 265:, the path to the 220: 212:theatre, with the 56: 39: 334:Stage terminology 271:is also known as 218:shown on the left 351: 276: 270: 252: 246: 244: 243: 233: 227: 217: 211: 210: 205: 185: 179: 178: 173: 167: 161: 160: 155: 149: 140: 134: 133: 126: 112: 105: 95: 77:section used in 72: 70: 69: 50: 37: 31: 30: 359: 358: 354: 353: 352: 350: 349: 348: 314: 313: 300: 283: 259: 238: 209:Edo Ichimura-za 192: 171:"karihanamichi" 119: 64: 17: 12: 11: 5: 357: 355: 347: 346: 341: 336: 331: 326: 316: 315: 312: 311: 299: 296: 295: 294: 289: 282: 279: 258: 255: 191: 188: 153:"honhanamichi" 118: 115: 15: 13: 10: 9: 6: 4: 3: 2: 356: 345: 342: 340: 337: 335: 332: 330: 327: 325: 322: 321: 319: 309: 305: 302: 301: 297: 293: 290: 288: 285: 284: 280: 278: 275: 269: 264: 256: 254: 251: 237: 232: 226: 216: 204: 203: 196: 189: 187: 186:on the left. 184: 172: 166: 154: 148: 142: 139: 132: 131:Kawarazaki-za 125: 116: 114: 111: 104: 99: 94: 88: 86: 83: 80: 76: 63: 62: 54: 49: 43: 36: 29: 23: 19: 303: 260: 235: 221: 183:honhanamichi 143: 120: 89: 73:is an extra 60: 59: 57: 18: 138:'hanamichi' 329:Stagecraft 318:Categories 298:References 304:Hanamichi 274:hanamichi 250:hanamichi 236:shichisan 231:hanamichi 225:hanamichi 215:hanamichi 202:Shibaraku 165:hanamichi 147:hanamichi 124:hanamichi 110:hanamichi 103:hanamichi 93:hanamichi 61:hanamichi 48:hanamichi 35:hanamichi 306:(2001). 281:See also 79:Japanese 292:Catwalk 206:at the 117:History 85:theater 324:Kabuki 287:Kabuki 190:Usages 98:asides 82:kabuki 28:Benkei 268:dohyō 75:stage 263:sumo 257:Sumo 121:The 90:The 58:The 45:The 261:In 177:仮花道 159:本花道 51:at 320:: 277:. 242:七三 68:花道 245:) 239:( 174:( 156:( 71:) 65:(

Index


Benkei

National Theatre of Japan
stage
Japanese
kabuki
theater
asides
Kawarazaki-za

Shibaraku
sumo
Kabuki
Catwalk
Japanese Architecture and Art Net Users System (JAANUS)
Categories
Kabuki
Stagecraft
Stage terminology
1668 establishments in Asia
1660s introductions

Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.